Beck, Kanye and Beyoncé

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“I just know that the Grammys, if they want real artists, to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé. Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you’re disrespectful to inspiration. And we as musicians have to inspire people who go to work every day, and they listen to that Beyoncé album and they feel like it takes them to another place.” – Kanye West on the Grammy Award for Album of the Year going to Beck’s Morning Phase rather than Beyoncé’s self-titled release

“I thought she was going to win. Come on, she’s Beyoncé! You can’t please everybody, man. I still love [West] and think he’s genius. I aspire to do what he does.” – Beck

“I wasn’t saying Beck; I said the Grammys. Beck knows that Beyoncé should have won; you know that. Come on, man. I love Beck! But he didn’t have the Album of the Year.” – Kanye West

Kanye West, official spokesperson for the Bey Nation, gave his opinion and the Internet blew up! It was a repeat of 2009, when West announced that Taylor Swift stole the MTV Best Female Video Award that should have gone to Beyoncé. The American people were up in arms! So much vitriol was sent West-ward and his detractors found plenty of reasons to go after him the ensuing years. As the wise trophy thief said, “the haters gonna hate hate hate hate hate.”

Kanye’s point was about creating art and reaching new heights in one’s craft. The only intelligent responses to further this discourse, per the many comments I saw on Facebook and Twitter, are “You’re classless” and “You’re garbage.” One person who didn’t call Kanye garbage was Shirley Manson, the lead singer of the band Garbage. She called him “a complete twat.”

At least all of us can sleep better knowing that Kanye loves Beck. They are two of my favorite all-time artists for many of the same reasons. They seldom repeat themselves, making each album they release different than the previous one. Neither follows trends. Both challenge themselves. Both are masters of their craft. Both can be sincere. Both can be funny. Neither has released a bad record.

However…

Beyoncé should have gotten the Album of the Year Grammy. Her self-titled album was a revelation. Following up her uneven 4, she took a giant leap forward and strived to make something more artistic than what we were used to from her. She succeeded. The Beck record, Morning Phase, sounds beautiful, but there were no surprises. It was announced early in 2014 that Beck would be releasing a new album that was in a mellow vein. I got what I expected. It was as fine as I thought it would be, and stronger than his last couple of releases. I like Morning Phase very much, more than the other nominated Albums of the Year performed by Ed Sheeran, Sam Smith and Pharrell Williams, but it’s nothing we haven’t heard Beck do before. Ironically, in Beyoncé’s quest to be more artistic, her album outsold its predecessor. Like Kanye said, she had the Album of the Year.

Enough of the Grammy voters felt otherwise and awarded Beck. That’s fine. There have been worse slights in the Grammy Album of the Year category than Beyoncé losing to Beck. What about the 1996 awards, when Beck’s Odelay lost to Celine Dion’s Falling into You? Or in 2000, when Beck’s Midnight Vultures lost to Steely Dan’s Two Against Nature? Or in 2005, when U2’s Hot to Dismantle an Atomic Bomb beat Kanye’s Late Registration and in 2004, when Ray Charles & Friends’ Genius Loves Company beat Kanye’s The College Dropout and Green Day’s American Idiot? Steely Dan, U2 and Ray Charles have released many albums deserving of Album of the Year. These weren’t them. U2 should have won 1992’s Album of the Year for Achtung Baby. They lost to Eric Clapton Unplugged. In 2007, Kanye’s Graduation and Amy Winehouse’s Back to Black both lost Album of the Year to Herbie Hancock’s River: The Joni Letters, a record that literally nobody has ever heard. In 1980, Christopher Cross’ self-titled debut beat Pink Floyd’s The Wall. In 1966, The Beatles’ Revolver lost to Frank Sinatra’s A Man and His Music. In 2012, Mumford & Sons’ Babel beat albums by Frank Ocean, Jack White and The Black Keys. The nominees for 1984’s Album of the Year Grammy were Prince’s Purple Rain, Bruce Springsteen’s Born in the USA, Tina Turner’s Private Dancer, Cyndi Lauper’s She’s So Unusual, and Lionel Richie’s Can’t Slow Down. Four classic albums plus one by Lionel Richie. The winner? Lionel Richie! WTF on a stick?!?! In 1991 the Album of the Year Grammy didn’t go to R.E.M., nominated for Out of Time. It went to Natalie Cole’s Unforgettable…with Love. Eligible but not nominated that year? A little album called Nevermind by a band named Nirvana. Oh well, whatever. In 1982, Toto IV beat…it doesn’t matter who else was nominated. It’s Toto Fuckin’ IV, people.

It looks like Beyoncé will have to wait longer before she is in the same hallowed company as Toto.

In less contentious news this week, ISIS killed U.S. hostage Kayla Mueller, Boko Haram killed thirteen soldiers and 81 civilians in Chad, and the Chief Justice of Alabama’s Supreme Court forbade probate judges in that state to issue marriage license to same-sex couples, despite a judge’s ruling that such unions are legal and the U.S. Supreme Court refusing to issue a stay on that ruling.

Congratulations, Beck!

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Winston + Bobby Brown

The Song Retains The Name

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Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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Patti Smith!

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Patti Smith was born in Chicago on December 30, 1946.

She co-wrote a play called Cotton Mouth with Sam Shepard, which she performed once, in 1971.

She wrote lyrics for several Blue Öyster Cult songs. For a while she was under consideration to be the band’s lead singer.

The Patti Smith Group released their first record in 1974, a single featuring the songs “Hey Joe” and “Piss Factory.”

ALBUMS
Patti Smith has released eleven studio albums to date: Horses, Radio Ethiopia, Easter, Wave, Dream of Life, Gone Again, Peace and Noise, Gung Ho, Trampin’, Twelve and Banga.

The Patti Smith Group’s debut album, 1975’s Horses, was listed at #1 on NME’s list of “20 Near-as-Damn-It Perfect Initial Efforts.” It was #44 on Rolling Stone’s list of “The 500 Greatest Albums of All-Time” and #49 in Out magazine’s “100 Greatest, Gayest Albums of All Time” list.

Easter also made the Out magazine list, coming in at #64.

David Keenan of the Sunday Herald placed Radio Ethiopia on his list of “The 103 Best Albums Ever, Honest .”

Rolling Stone called Gone Again one of the “Essential Recordings of the Nineties.”

FANS
Siouxsie and the Banshees’ “Carcass” was inspired by Smith’s Horses.

About Horses, R.E.M.’s Michael Stipe said it “tore my limbs off and put them back on in a whole different order.” In 1996 Smith contributed vocals to R.E.M.’s “E-bow the Letter.”

Patti Smith was not a member of the band The Smiths. However, the group’s Morrissey and Johnny Marr said that their song “The Hand That Rocks the Cradle” is a reworking of “Kimberly” from Patti’s Horses. Morrissey later released a single with a cover of that album’s “Redondo Beach.”

Sammy Hagar covered Horses’ “Free Money” on his self-titled album.

Courtney Love said Smith’s Horses album helped inspire her to become a rock star.

U2 covered Smith’s “Dancing Barefoot” for the b-side of their “When Loves Comes to Town” single. Smith later covered U2’s “Until the End of the World” for a U2 tribute compilation.

HONORS
In 2005, Patti Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture.

She was inducted into the Rock and Roll Hall of Fame in 2007.

In 2010 she won the National Book Award for her memoir Just Kids, which documents her romantic relationship with artist Robert Mapplethorpe as the couple were struggling artists and Mapplethorpe was struggling with his homosexuality. Mapplethorpe, whose photographs of Smith covered her albums Horses, Wave and Dream of Life, died from AIDS-related illness in 1989. Smith donated the royalties for her 1996 book The Coral Sea to the Robert Mapplethorpe Laboratory for AIDS Research at Boston’s Deaconess Hospital/Harvard Medical School.

SONGS
Smith’s sole top 40 pop hit was 1978’s “Because the Night.” The song’s music and chorus were written by Bruce Springsteen. He had trouble writing verses to it as it was a love song and at that time he wasn’t writing straightforward love songs. He gave what he had done to Patti Smith, who was recording an album in the studio next to where he was recording Darkness in the Edge of Town. Her record, which reached #13, was the first hit for producer Jimmy Iovine, who later co-founded Interscope Records and Beats by Dr. Dre.

“Gloria” was written by Van Morrison for his band Them. It peaked at #93 in 1965. Smith covered the song using the title of the Catholic hymn “Gloria: in Excelsis Deo,” adding her own lyrics.

About how “People Have the Power” came to be, Patti told UK music mag NME “I was in the kitchen. My late husband was writing music, and he was a great songwriter, Fred ‘Sonic’ Smith, and we were writing some songs together. And I was peeling potatoes, and I remember I was in a bad mood because I had, you know, I was making dinner and washing the clothes and peeling potatoes. And in the middle of it, Fred came in and said, ‘Tricia, people have the power, write it.’ And I was standing there with a potato peeler thinking I’d like to have the power to make him peel these potatoes, that’s what I’d like… but I kept him. So for the next few nights, I really contemplated – because Fred was very political, and we talked about it, what we wanted to do with this line, which was Fred’s. And what we wanted to do was remind the listener of their individual power but also of the collective power of the people, how we can do anything. That’s why at the end it goes, ‘I believe everything we dream can come to pass, through our union we can turn the world around, we can turn the earth’s revolution.’ We wrote it consciously together to inspire people, to inspire people to come together.”

Smith’s “About a Boy” was written about Kurt Cobain. She told the Seattle Weekly “I was heartbroken when he committed suicide. I loved Nirvana … [My husband and I] felt so badly. We just wished that we would have known him, and been able to talk to him, and had some positive effect on him.” She covered Nirvana’s “Smells Like Teen Spirit” on her album Twelve.

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Grammy Nominees Were Announced And I Need To Dance!

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This year’s Grammy nominations were announced this morning. Here they are:

Record of the Year
Iggy Azalea ft. Charli XCX – “Fancy”
Sia – “Chandelier”
Sam Smith – “Stay With Me (Darkchild Version)”
Taylor Swift – “Shake It Off”
Meghan Trainor – “All About That Bass”

Song of the Year
Same as Record of the Year, except instead of “Fancy” you’ve got Hozier’s “Take Me to Church”

Album of the Year
They plan on announcing the nominees in this category tonight during the A Very Grammy Christmas television special. Ariana Grande, Maroon 5 and Album of the Year nominations? Cancel your Friday night plans!

Best New Artist
Bastille
Iggy Azalea
Haim
Sam Smith
Some lady I’ve never heard of

Best Pop Vocal Album
Coldplay – Zzzzz
Miley Cyrus – Zzzzz
Ariana Grande – Zzzzz
Katy Perry – Zzzzz
Ed Sheeran – Zzzzz
Sam Smith – Zzzzz

Best Rock Album
Beck – Morning Phase
Ryan Adams – Ryan Adams
The Black Keys – Turn Blue
Tom Petty & The Heartbreakers – Hypnotic Eye
U2 – Are You Fucking Kidding Me?!?!

Best Urban Contemporary Album
Jhené Aiko – How Do You Pronounce That?
Beyoncé – I’m Now The Most Nominated Woman In Grammy History, So Bow Down Bitches
Chris Brown – Undeserved
Mali Music – Who?
Pharrell Williams – Gurl!

Best Country Album
Miranda Lambert – Platinum
+ four others

Best Spoken Word Album (a/k/a Best Audiobook)
Forget the titles; look at this list of nominated performers – James Franco, John Waters, Joan Rivers, Gloria Gaynor, Elizabeth Warren and Jimmy Carter! They better present this one on the telecast! Gurl!

Best Rock Song
Paramore – “Ain’t It Fun”
Beck – “Blue Moon”
The Black Keys – “Jack White Better Not Be Nominated”
Ryan Adams – “Gimme Something Good”
Jack White – “The Black Keys Better Not Be Nominated”

Best R&B Song
Beyoncé featuring Jay-Z – “Drunk In Love”
Usher – “I’m Going to Lose to Beyoncé”
Chris Brown featuring Usher and Rick Ross – “I Don’t Deserve a Nomination and I’m Going to Lose to Beyoncé”
Luke James featuring Rick Ross – “You Never Heard of Me and I’m Going to Lose to Beyoncé”
Jhené Aiko – “Though I Also Have an Accent over the Second E in My First Name I’m Going to Lose to Beyoncé”

Best Country Song
Miranda Lambert – “Automatic”
+ four others

Best Dance Recording
Seriously, there is a category for the best audiobook. The Grammy Awards’ tag-line is “Music’s Biggest Night.” Unless Elizabeth Warren sang her memoirs this category should not exist.

This post doesn’t cover all nominations. In total, the Grammy Awards have nominees in 12,623 categories, three of which are presented on the air. Tune in sometime in January or February to see who wins as well as a rare live television appearance from the reclusive Taylor Swift!

As for now, it’s Friday, which is dance day on Tunes du Jour. As tomorrow is Ira Gershwin’s 118th birthday, we’ll kick off this week’s dance party with Donna Summer, who by now may have dined with the famed lyricist.

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Glenn’s Ten (10-28-14)

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Tove Lo knocks The Black Keys from the top spot in Glenn’s Ten this week as “Habits (Stay High),” her first entry, is the new #1. George Ezra moves up two spots to #4 with “Budapest,” my favorite song of 2014 that is named for an Eastern European city (no offense to Morrissey). Holding at #7 is Mary Lambert, who sings of her bipolar disorder, truancy and poor sartorial choices in a song called “Secrets.” Mary – if you’re telling us all of these things about yourself in a song, then by definition they are not secrets. Good earworm, though. At #9, Pharrell Williams attempts to once again get lucky by reuniting with Daft Punk.

1 – “Habits (Stay High)” – Tove Lo
2 – “Gotta Get Away” – The Black Keys
3 – “Beggin for Thread” – Banks
4 – “Budapest” – George Ezra
5 – “i” – Kendrick Lamar
6 – “Put Your Number in My Phone” – Ariel Pink
7 – “Secrets” – Mary Lambert featuring BoB
8 – “Let Me Down Easy” – Paolo Nutini
9 – “Gust of Wind” – Pharrell Williams
10 – “Low Key” – Tweedy

Today’s playlist are the above ten tracks followed by ten songs that were #1 on this date in Glenn’s Ten history.

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Ringo + Maniacs

Songs Of Great Social And Political Import (1980 – 2011)

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Ringo + Maniacs
Today is the birthday of Natalie Merchant, former lead singer of 10,000 Maniacs, whose 1987 album In My Tribe is one of my favorites. The album opens with “What’s the Matter Here,” a song that addresses child abuse. That inspired the theme of today’s playlist – songs about social or political issues.

While such recordings seemed more commonplace on the radio in the sixties and early seventies, there remain plenty of songs that speak to topical issues. I decided to make 1980 my starting point, with that year’s “Biko” by Peter Gabriel being the oldest song on the list. As the studio version is not on Spotify I used a live recording. The most recent recording included is Lady Gaga’s “Born This Way,” from 2011. Lots of great songs of different genres about a variety of topics populate the program. If you’re so inclined, let me know what favorites of yours I missed.

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doggies + Gwen 2014-07-18 11.34

It’s Friday And I Need To Dance!

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Gwen Stefani, the lead singer and lyricist of the band No Doubt, wanted to do a dance-oriented solo album, but when the band finished its Rock Steady tour in November 2002, all she wanted to do was sleep. “I wanted to take a break and was really burned out, but the record company were ready to go.” Her label, Interscope, wanted her to work on her solo album with singer-songwriter Linda Perry, who was available for only five days.

Without the time to recharge, Stefani’s anxieties about doing the record rose to the surface and she spent a lot of time crying in bed. She’d been with the guys in No Doubt for seventeen years at that point; could she do a record without them?

On their second day in the studio together, Perry presented Stefani with the music of a song she stayed up the previous night to write. Stefani was to come up with lyrics, and she took the speed with which Perry came up with the song as a dare, as if to ask her “What are you waiting for?”

That was the inspiration Stefani needed. She wrote the lyrics to “What You Waiting For?,” addressing her fears about doing the record, her lack of inspiration, and the pressure the felt her label was putting on her. The song opens with Stefani referencing her bandmates and their years together – “What an amazing time / What a family/ How did the years go by?/ Now it’s only me.” Then the repeated background vocals of “tick tock” suggest the clock is ticking and she needs to get to work on this solo venture. Her nervous side sings “I’m worried if I go it alone,” to which her confident persona responds “You never know, it could be great” and “Take a chance, you might grow.”

“What You Waiting For?” was the first single released from Stefani’s first solo venture, Love, Angel, Music, Baby. The album sold seven million copies worldwide and was nominated for a Grammy Award for Album of the Year. Hit singles from the album were “Hollaback Girl,” “Rich Girl,” “Cool” and “Luxurious.”

Of the experience making the record, Stefani said “I think it’s very important to put yourself in a situation that’s uncomfortable to be able to grow.”

Is there something you wish to do but have not yet started to tackle? What you waiting for?
doggies + Gwen 2014-07-18 11.34

Friday is dance day at Tunes du Jour. We kick off this week’s party with Gwen Stefani’s “What You Waiting For?”

Tonys! Tonys! Tonys!

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The Tony Awards, celebrating excellence on the Broadway stages, are being presented this evening. The Tony Awards are like the gay version of the Tony Awards. That’s how gay they are.

Last year I took second place in a speech contest where I spoke about the effect Broadway had on my life. Here is that speech, followed by a playlist consisting of cover versions of Broadway classics.

Winston + U2

A Hint Of Mint: U2’s “One”

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Winston + U2
A 2003 special edition of Q magazine listed the 1001 Best Songs Ever. At #1 was U2’s “One.” The then eleven-year-old single was also named Song of the Year by the readers of Rolling Stone in their 1992 year-end issue.

Deciding whether or not “One” is the best song ever is too stressful on this writer, who has been spending several years trying to compile his 100 Greatest Albums list. But I can say this – there are very few songs that still make me cry after hearing them 4,304 times. “One” is one.

Perhaps you’ve heard the song 4,304 times but never paid close attention to the words. Bono, who wrote the lyrics, said the song is about the father/son relationship. Let’s explore this. Let’s say the son is gay and the father is a religious man who chooses to interpret the Bible as saying God thinks homosexuality is a sin. The father was not supportive of his son when his son came out to him. Now the son has AIDS. He told his father. “One” is the son expressing to his dad the emotions about their relationship previously bottled up.

The song opens with the son asking his dad if the anger he had towards his son upon learning he was gay has subsided any. “Is it getting better or do you feel the same?,” he asks. Bitter about his father’s previous rejection, he makes a dig at the man’s homophobic feelings – “Will it make it easier on you now? You’ve got someone to blame.”

“You say ‘one love, one life.’” The one acceptable love is of the heterosexual variety and you have only one life in which to find it.

The son is angry and bitter, but mostly hurt. He asks his dad “Did I disappoint you or leave a bad taste in your mouth?” That line is followed by the indictment “You act like you never had love and you want me to go without.” Would a father really prefer his son not find love than find love with another man? I know that happens but I find that incomprehensible. How can a parent be that way toward their own child? That chokes me up.

Knowing he has AIDS and feeling the clock is ticking, the son is looking to not rehash the old wounds between the two of them. “Well it’s too late tonight to drag the past out into the light.” This is followed by the first time Bono sings the line “We’re one but we’re not the same.” In this case, it means we are of the same family, but we’re very different as people. “We get to carry each other, carry each other.” That is what families do. Parents are supposed to take care of their children and children should take care of their parents.

Now that the son is living with AIDS is his father expecting him to apologize for the life he led and tell the dad he was right? “Have you come here for forgiveness? Have you come to raise the dead? Have you come here to play Jesus to the lepers in your head?”

We already see the child is angry and hurt, but the next lines really drive it home. “Did I ask too much? More than a lot? You gave me nothing; now it’s all I got.” The son just wanted his father’s love and support, but his father refused to give it. The line “We’re one but we’re not the same” is repeated, but now it is followed by “We hurt each other, then we do it again.” This is the cycle of their adult relationship.

The son’s fury at his dad using religion to justify his intolerance is expressed in the next verse. “You say love is a temple, love a higher law,” followed shortly after by the son’s incredibly painful accusation “You ask me to enter but then you make me crawl.”

The song/conversation ends with the sentiment that one must be true to one’s self and not live according to someone else’s beliefs. This is aimed not at this one father, but at all human beings. “One life – you got to do what you should. One life with each other. Sisters, brothers.”

Bono told Los Angeles Times writer Robert Hilburn “I had a lot of things going on in my head at the time, about forgiveness, about father and son angst…It is a song about coming together, but it’s not the old hippie idea of ‘Let’s all live together.’ It is, in fact, the opposite. It’s saying, ‘We are one, but we’re not the same.’ It’s not saying we even want to get along, but that we have to get along together in this world if it is to survive. It’s a reminder that we have no choice.”

“One” was the third single released from U2’s Achtung Baby album, presently #26 in my Top Albums list. The band’s royalties from sales of the single were donated to AIDS research organizations for each country in which the single was released.

The photograph used on the single’s cover was taken by openly-gay HIV-positive artist David Wojnarowicz. Per the liner notes, it depicts “how Indians hunted buffalo by causing them to run off cliffs.” Wojnarowicz related to the buffalo. He died of complications from AIDS in 1992. He was 37.

Today Bono turns 54. Grab a couple of tissues and give another listen
to “One,” which kicks off today’s playlist.

dogs + icons 002

George, Johnny and Fats

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dogs + icons 002
I screwed up.

I lost track of what day it was and in doing so missed posting about George Harrison’s birthday, which was yesterday.

The Beatles are my favorite recoding act of all-time, and if I had to rank the group’s members in order, George would make the top four (no disrespect to Pete Best).

I’d been thinking about what to post for George’s birthday for a couple of weeks. His recordings are not on Spotify, the program I use to create the playlists in each blog entry. I couldn’t find any worthwhile vintage performance clips of George on YouTube. I could post the music video for “Got My Mind Set on You,” but that track is hardly representative of the man’s genius. I was leaning toward creating a playlist of great covers of George’s songs, but what I came up with before abandoning that idea was an unremarkable collection that would not serve as a fitting tribute.

I love so many of his songs – “My Sweet Lord,” “Handle With Care” (Traveling Wilburys), “The Inner Light” (The Beatles), “What Is Life,” “All Those Years Ago,” “It Don’t Come Easy” (written by George and Ringo Starr, recorded by Ringo), “Something” (The Beatles), “Here Comes the Sun” (The Beatles), “While My Guitar Gently Weeps” (The Beatles), “If Not For You,” and “When We Was Fab” at the forefront, though my favorite of George’s solo recordings is “Give Me Love (Give Me Peace on Earth).” In his autobiography George wrote “This song is a prayer and personal statement between me, the Lord, and whoever likes it.” The Lord and I aren’t on speaking terms; however, I love the song’s message. I’m a sucker for songs espousing love for all. “Put a Little Love in Your Heart?” Yes! “Love Train?” Hell, yeah! The Black Eyed Peas’ “Where Is the Love?” Sure, even though it includes the lyric “to discriminate only generates hate / And when you hate then you’re bound to get irate, yeah / Badness is what you demonstrate.” And then you won’t be able to meet a mate named Nate / You won’t even get a date / To gain weight will be your fate / You won’t make it through the gate and then you’ll be late / That isn’t great.” And that’s why I adore George’s “Give Me Love.”

dogs + icons 004
Today marks the birthday of two other all-time favorites of mine – Johnny Cash and Fats Domino. I’ve created a playlist for each of them.

The Johnny Cash playlist kicks off with his 1963 hit “Ring of Fire.” The writing of the song is credited to June Carter, who married Johnny in 1968, and Merle Kilgore. Though initially recorded by Carter’s sister Anita, Carter said the song was inspired by Cash, who at that time was her friend and singing partner. Though not romantically-involved, she was drawn to him against her better judgment, despite his drug use. Per June, there is “no way to extinguish a flame that burns, burns, burns.”

Cash’s wife at that time, Vivian Liberto, claimed that June had nothing to do with writing that song. Per Liberto, Johnny wrote it “while pilled up and drunk” and it’s not about the love June described, but rather it’s “about a certain private female body part,” which provides a much different image to accompany the line “I went down, down, down.” I’m not an expert on this body part to which Liberto refers, but if it burns, burns, burns, you should probably have it checked out by a professional. Anyway, Liberto said Cash gave Carter the writing credit because she needed the money.

dogs + icons 005
Our Fats Domino playlist kicks off with one of Richie Cunningham’s favorites, “Blueberry Hill.” Though Domino wrote many of his hits, this one was written by Vincent Rose, Larry Stock and Al Lewis (not the Grandpa Munster Al Lewis) in 1940.

Domino recorded this song at a session after he ran out of material. His long-time producer, Dave Bartholomew, was against doing the song, perhaps because all of Fat’s hits up to that point had been original compositions. Domino’s version hit #2 in 1957 and has become one of his most recognizable recordings.

Some other facts about Fats: In the fifties he sold more records than any other rock & roll artist except Elvis Presley; he’s had 35 US top 40 pop hits; his song “The Fat Man,” from 1949, is considered by many to be the first rock and roll record; today he turns 86.