Tunes Du Jour Presents Peter Gabriel

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To listen to a collection of Peter Gabriel’s music is to trace the path of an artist in constant evolution. Looking at a Peter Gabriel playlist, you see more than just a sequence of songs; you see a distinct artistic trajectory. The journey begins in one world—the elaborate, fantastical realm of early Genesis—and lands squarely in another, a place where personal confession, global consciousness, and pop songcraft all coexist. It’s a progression from telling epic fables to exploring the complexities of the human heart and the wider world we all inhabit.

In the beginning, Gabriel was a storyteller of the grand and mythological. As the frontman for Genesis, his role was as much theatrical director as it was a singer. Songs like “Supper’s Ready” and “The Musical Box” aren’t just tunes; they are sprawling, multi-part narratives filled with intricate characters and dramatic shifts. The sound, as heard in tracks like “Firth Of Fifth” or “Dancing With The Moonlight Knight,” is dense and ambitious, built on complex arrangements that gave progressive rock its reputation. This was a period of high concept and elaborate fantasy, setting a foundation of immense creative scope.

The departure from that world is announced with the unmistakable opening of “Solsbury Hill.” It is the sound of an artist stepping out on his own, both literally and figuratively. His early solo work shows an immediate pivot. While the ambition remains, the subject matter changes. The focus shifts from fictional lore to more grounded concerns: the anxieties of the Cold War in “Games Without Frontiers” and the stark political reality of apartheid in “Biko.” Musically, he began exploring new textures, incorporating percussive, synth-driven sounds in tracks like “Shock the Monkey” that felt urgent and intensely modern.

This exploration led Gabriel to a period of massive commercial success that also deepened his artistic identity. By the mid-1980s, he had mastered a way to blend deeply personal themes with irresistible pop hooks. The playlist is rich with these moments: the soul-infused joy of “Sledgehammer,” the raw emotional vulnerability of “Don’t Give Up” with Kate Bush, and the enduring, open-hearted plea of “In Your Eyes.” It was during this time that his interest in music from around the globe became a core part of his sound, most notably on “Shakin’ The Tree,” a collaboration with Senegalese singer Youssou N’Dour that felt both celebratory and authentic.

Later, the lens seemed to turn even further inward. Songs like “Digging In The Dirt” and “Blood of Eden” offer a raw, unflinching look at personal relationships and internal struggles. The production is polished, but the emotions are unvarnished. Even a seemingly playful track like “Kiss That Frog” is rooted in psychological exploration. This phase shows an artist less concerned with creating a spectacle and more focused on honest communication. Listening to these tracks alongside his Genesis work reveals the full arc: a journey from creating fictional worlds to bravely navigating the real one, with all its political injustices, personal heartaches, and moments of profound connection.

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Tunes Du Jour Celebrates Black History Month

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Music has always been more than just a backdrop to history; it is a living, breathing part of it. It’s the coded message in a spiritual, the roar of protest in a soul anthem, and the unshakeable pride in a hip-hop verse. This playlist was curated with that spirit in mind. It is not just a collection of songs by Black artists or about Black experiences, but a deliberate sonic journey where each track serves as a chapter in the long, complex, and powerful story of Black history. From the harrowing journey of the Middle Passage in The O’Jays’ “Ship Ahoy” to the defiant celebration of identity in Beyoncé’s “BROWN SKIN GIRL,” every song here is a direct link to a person, an event, a movement, or some combination of the three.

The running order is intentional, designed to guide the listener through a powerful emotional and historical arc. We begin in the depths of oppression, bearing witness to the brutality of slavery, the terror of Jim Crow, and the pain of foundational betrayals. From that bitter root, the playlist pivots to the fire of resistance. It chronicles the fight for Civil Rights in America and the parallel global struggle against apartheid, honoring the heroes who led the charge and the anthems that fueled their movements. The narrative then moves into the modern era, where the fight for justice continues in the face of new challenges, chronicled with unflinching honesty by artists from Bruce Springsteen to Janelle Monáe.

This journey through pain and protest ultimately leads to a place of empowerment, joy, and hard-won hope. The final act of the playlist is a celebration of contribution, a lesson in self-love for future generations, and a recognition of monumental triumphs. It culminates in the profound resilience of Aretha Franklin’s “A Change Is Gonna Come”—a final, stirring testament to an unshakeable faith in the future. This Black History Month, we invite you to not just hear these songs, but to truly listen. Follow the stories, look up the names, and feel the weight and glory of the history they carry. Let the rhythms move you, but let the histories change you.

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Tunes Du Jour Celebrates National Eye Exam Month

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August is National Eye Exam Month in the US of A, so do yourself a favor and make an appointment to see an eye care professional. Your eyes will thank you (which is reason enough to see such a doctor, for if your eyes are talking, something is very very wrong).

Below are 30 songs with the word “eye” (or “eyes”) in the title.

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Tunes Du Jour Presents 1986

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Looking back at 1986, what stands out isn’t just the quality of the music, but how effortlessly genres merged and boundaries dissolved. Run-D.M.C. and Aerosmith’s “Walk This Way” wasn’t just a collaboration – it was a statement about how rock and hip-hop could amplify each other’s strengths. Prince, at the height of his powers, stripped everything down to bare essentials with “Kiss,” proving his superstardom could take any form. Robert Palmer’s “Addicted to Love” became inescapable, powered by one of the era’s most iconic videos, while Peter Gabriel’s “Sledgehammer” merged art rock with soul and funk, accompanied by groundbreaking stop-motion animation.

The women of pop music wielded particular influence that year. Madonna continued pushing buttons with “Papa Don’t Preach,” tackling teenage pregnancy in a way that sparked national conversation. Whitney Houston’s “How Will I Know” showcased her extraordinary vocal range while proving dance-pop could be both sophisticated and irresistible. Janet Jackson asked “What Have You Done for Me Lately,” establishing herself as a force independent of her famous family. Cyndi Lauper’s “True Colors” transcended its moment, becoming an enduring anthem of self-acceptance that would be covered for decades to come.

The underground was rising to the surface, but keeping its edge. The Smiths’ “There Is A Light That Never Goes Out” brought literary depth to alternative rock, while New Order’s “Bizarre Love Triangle” helped blueprint the future of electronic dance music. The Pet Shop Boys’ “West End Girls” married street-smart observations with pristine synth-pop, and Public Image Ltd.’s “Rise” proved post-punk could evolve without losing its bite. Even The Cure, with “In Between Days,” found a way to make melancholy sound surprisingly radio-friendly.

Soul and R&B were experiencing their own renaissance. Anita Baker’s “Sweet Love” brought sophisticated quiet storm to the mainstream, while Cameo’s “Word Up!” demonstrated funk’s continuing vitality. Grace Jones’ “Slave to the Rhythm” showcased the artist’s commanding presence, and James Brown reminded everyone he was still the Godfather of Soul with “Living in America.” The year also saw George Michael step out of Wham!’s shadow with “A Different Corner,” proving he could hold his own as a solo artist.

The year proved fertile ground for both established and emerging voices. Bruce Springsteen’s “My Hometown” painted a portrait of a changing America, while Billy Bragg’s “Levi Stubbs’ Tears” showed how personal stories could carry political weight. Elvis Costello’s “I Want You” pushed the boundaries of what a love song could express, and R.E.M.’s “Fall on Me” managed to be both cryptic and urgently relevant. Meanwhile, LL Cool J’s “I Can’t Live Without My Radio” brought hip-hop closer to the mainstream while maintaining its street credibility. In retrospect, 1986 wasn’t just a great year for music – it was a moment when artists across the spectrum proved that innovation and accessibility weren’t mutually exclusive.

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Tunes Du Jour Celebrates World Kindness Day

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Today is World Kindness Day. While every day would be a great day to practice basic human decency, some people are nasty assbags with no regard for others. If you’re one of those walking masterpieces of jackholery, here’s a wild idea: try being kind for ONE WHOLE DAY and see what it does. For example, let’s say you’re the personal assistant to someone who lives in a building with other residents. When you’re walking out of the building’s front door just in front of a neighbor who is holding his 17-year-old blind dog and leading his other pupper on a leash, maybe – and I’m just spitballing here – don’t let the door slam in their face, you self-absorbed piece of human garbage. And if said neighbor thoughtfully moves your precious Tesla charging cable to prevent damage (gasp – the audacity of helping!), perhaps, don’t show up at his door and berate him for protecting your property. Wild concept: Show some gratitude for his thoughtfulness. Consider saying “thank you,” you self-important, unreasonable, entitled, high-handed weenie.

FFS people, be kind! Rewind!

(Any resemblance to persons unfortunately living is purely intentional.)

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Tunes Du Jour Presents 1980

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As the calendar turned to 1980, the music world stood at a fascinating crossroads. The year marked not just the dawn of a new decade, but also a pivotal moment in popular music, where established genres evolved and new sounds emerged to captivate listeners.

The influence of disco could still be felt, though its dominance was waning. Michael Jackson’s “Rock With You” showcased his exceptional vocal talents and danceable rhythms, while Diana Ross’s “Upside Down” demonstrated the sophisticated production techniques that defined the era. These tracks, along with hits like Lipps, Inc.’s “Funkytown” and The Brothers Johnson’s “Stomp!”, proved that disco’s infectious energy still had the power to fill dance floors.

Stevie Wonder’s “Master Blaster (Jammin’)” further exemplified how established artists were adapting to the changing musical landscape, infusing reggae influences into his signature soulful sound.

However, 1980 also heralded the rise of new wave and synth-pop, genres that would come to define much of the decade’s sound. Gary Numan’s “Cars” introduced many listeners to the futuristic possibilities of synthesizer-driven music, creating an atmospheric soundscape that was both innovative and influential. Blondie’s “Call Me” further exemplified the genre’s versatility, blending punk aesthetics with disco beats to create a chart-topping hit that appealed to a broad audience. Pretenders established themselves with “Brass in Pocket,” a song that showcased Chrissie Hynde’s distinctive vocals and the band’s unique blend of punk energy and pop sensibility.

Rock and punk maintained a strong presence throughout the year. Pink Floyd’s “Another Brick in the Wall, Pt. 2” dominated charts worldwide, its memorable chorus and biting social commentary resonating with listeners. The Clash’s “London Calling” and AC/DC’s “You Shook Me All Night Long” brought raw energy and rebellious spirit to the airwaves. These tracks, along with Motörhead’s aggressive “Ace of Spades,” spoke to listeners seeking music that channeled their frustrations and aspirations. In contrast, Joy Division’s haunting “Love Will Tear Us Apart” showcased a more introspective side of post-punk, its emotional depth influencing countless artists in the years to come. The Cure’s “A Forest” further expanded the boundaries of post-punk, its atmospheric sound and introspective lyrics pointing towards the gothic rock movement that would flourish in the coming years.

The year was also marked by significant releases that left an indelible mark on popular culture. John Lennon’s “(Just Like) Starting Over” served as a poignant reminder of his enduring legacy, released shortly before his untimely death. Queen’s “Another One Bites the Dust” demonstrated the band’s ability to blend rock with funk, creating an anthem that remains popular decades later. David Bowie’s “Ashes to Ashes” continued his tradition of pushing musical boundaries, seamlessly merging art rock with electronic elements.

Oh, a guy named Prince had his breakthrough hit “I Wanna Be Your Lover.” We’d hear more from him throughout the 1980s.

As the year closed, it was clear that 1980 had set the stage for the decade to come. The eclectic mix of sounds reflected a world in transition. It was a year where artists embraced both the past and the future, creating music that was as much a reflection of its time as it was a precursor to the trends that would define the 1980s.

Tunes Du Jour Presents 1987

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The year 1987 stands out as a significant moment in music history, marked by a diverse array of singles that have maintained their appeal over the decades. This year saw the release of songs that would go on to define careers, shape genres, and become enduring favorites.

The pop landscape of 1987 was populated by distinctive vocalists and memorable melodies. Whitney Houston’s exuberant “I Wanna Dance With Somebody (Who Loves Me)” captured the essence of joy in music, while George Michael’s “Faith” showcased his evolution as a solo artist. Madonna continued her prominence with “Open Your Heart,” demonstrating her knack for combining catchy hooks with provocative themes. Michael Jackson’s “Bad” further cemented his status as a pop icon, blending funk and rock elements with his signature vocal style.

Rock music saw bands crafting anthems and pushing creative boundaries. U2’s “With or Without You” exemplified their ascent to global recognition, its atmospheric sound and emotional depth marking a new era for the band. Bon Jovi’s “Livin’ on a Prayer” became a quintessential rock anthem, its narrative of perseverance resonating widely. R.E.M.’s “The One I Love” signaled their transition from college rock darlings to mainstream success. Bruce Springsteen’s “Brilliant Disguise” showcased his storytelling prowess, while Peter Gabriel’s “Big Time” continued his innovative approach to both music and video.

The year also saw the continued evolution of electronic and alternative music. New Order’s “True Faith” merged dance beats with introspective lyrics, creating a template for future electronic pop. Pet Shop Boys’ “It’s a Sin” demonstrated the potential for electronic music to tackle serious themes, while The Cure’s “Why Can’t I Be You?” showed how alternative bands could create irresistibly catchy tunes without compromising their unique sound. The Smiths’ “Girlfriend in a Coma” exemplified Morrissey and Johnny Marr’s ability to blend dark humor with infectious melodies.

1987 was a landmark year for hip-hop and R&B. The Beastie Boys’ “(You Gotta) Fight for Your Right (To Party!!!)” fused punk rock attitude with hip-hop and heavy metal styles, helping to bring rap to a wider audience. Eric B. & Rakim’s “I Know You Got Soul” set new standards for technical proficiency and lyrical complexity in hip-hop. In R&B, Anita Baker’s “Caught Up in the Rapture” showcased her sophisticated, jazz-influenced style.

The year also saw notable releases from established artists exploring new territories. Prince’s “Sign ‘☮’ The Times” demonstrated his musical versatility and social consciousness, while Paul Simon’s “You Can Call Me Al” incorporated South African musical elements, reflecting the growing interest in global music.

Nineteen eighty-seven produced an impressive number of singles that have maintained their popularity over time. From pop to rock, R&B to alternative, the year offered a variety of sounds and styles that continue to resonate. The enduring appeal of these tracks speaks to the creativity and talent that was evident in this notable year of musical history.

Tunes Du Jour Presents Kate Bush

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Kate Bush’s career spans over four decades, marked by her distinctive voice, innovative songwriting, and boundary-pushing artistry. From her debut in the late 1970s to her recent resurgence, Bush has consistently captivated audiences with her unique blend of art rock, progressive pop, and literary-inspired narratives.

Bush burst onto the scene with “Wuthering Heights,” a haunting ode to Emily Brontë’s classic novel. This early hit showcased her ability to weave complex storytelling into infectious melodies, a skill that would become her hallmark. As her discography expanded, so did her musical palette. Albums like Hounds of Love and The Sensual World demonstrated her evolving sound, incorporating world music influences and experimental production techniques.

Throughout her career, Bush has explored a wide range of themes in her music. From the deeply personal introspection of “This Woman’s Work” to the environmentally conscious “Breathing,” her lyrics often tackle weighty subjects with poetic grace. Her collaborations, such as “Don’t Give Up” with Peter Gabriel, further highlight her versatility as an artist and her ability to complement other voices while maintaining her distinct style.

Bush’s influence extends far beyond her chart success. Her theatrical performances, innovative use of technology in music production, and fiercely independent approach to her career have inspired generations of artists across genres. Songs like “Running Up That Hill” and “Cloudbusting” continue to resonate with new audiences, testament to the timeless quality of her work.

As we look back on Kate Bush’s career through the lens of her extensive discography, from early gems like “The Man with the Child in His Eyes” to later works such as “King of the Mountain” and “Wild Man,” it’s clear that her artistic vision has remained consistently bold and unapologetically unique. Kate Bush’s legacy in popular music is not just about hit songs or record sales, but about pushing the boundaries of what pop music can be – a true fusion of sound, story, and spectacle.