Twenty twenty-six has not been the easiest year for those with a heart, brain and soul. Music helps us make sense of the world, or at least escape it for a few minutes at a time. Below, in no particular order, are 30 songs that got me through the first half of 2026.
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If you want to understand what 2016 felt like, you could do worse than just sitting down and listening to its music. It was a year when several of the biggest artists in the world released some of their most ambitious work, while a second tier of artists was quietly making records that would age just as well. The result is a body of music that holds up not because it captured a singular mood, but because it didn’t — it scattered in a dozen different directions at once, and that tension is exactly what makes it interesting to revisit.
The blockbusters were genuinely good. Beyoncé’s Lemonade arrived as a cultural event, and “Formation” was its defiant opening statement — grounded in Black Southern identity, uninterested in making anyone comfortable. Rihanna and Drake’s “Work” was inescapable in the best way, a dancehall-inflected earworm that somehow felt both effortless and precise. Drake also appeared on “One Dance,” a song that helped bring Afrobeats to mainstream Western audiences in a real way, with Wizkid and Kyla doing a lot of the heavy lifting that often went uncredited. Kanye West’s “Ultralight Beam” opened The Life of Pablo with a gospel choir and a Chance the Rapper verse that became one of the most talked-about moments in rap that year. These were pop and rap operating at a high level, and they knew it.
But some of the year’s most lasting music came from artists working in a quieter register. Solange’s “Cranes in the Sky” approached anxiety and avoidance with a kind of elegant restraint that her sister’s more maximalist work doesn’t always make room for. Frank Ocean finally released Blonde after years of anticipation, and “Nights” — with its midpoint beat switch — felt like the whole album in miniature. Mitski’s “Your Best American Girl” packed more emotional complexity into three and a half minutes than most artists manage in an entire record, and Angel Olsen’s “Shut Up Kiss Me” was a shot of pure guitar-rock energy from an artist who could do pretty much anything she turned her hand to. These songs didn’t dominate the charts, but they dominated year-end lists for good reason.
2016 was also a year when the world outside the speakers kept bleeding in. A Tribe Called Quest came out of a long hiatus to release We Got It from Here, and “We The People….” was an explicit, unambiguous political statement made by veterans who had earned the right to make it. YG and Nipsey Hussle’s “FDT” was rawer and angrier, a West Coast rap track that said plainly what a lot of people were thinking during a particularly ugly election season. ANOHNI’s “Drone Bomb Me,” from her album Hopelessness, took a different approach entirely — a beautiful, devastating song sung from the perspective of a bombing victim, using the form of a love song to make its critique land harder. And then there was Leonard Cohen’s “You Want It Darker,” released just weeks before his death, which felt less like a goodbye than a reckoning. David Bowie’s “Lazarus,” similarly, arrived as part of Blackstar and took on a different weight entirely after he died in January. Not every year loses two artists of that stature within months of each other.
What ties all of this together isn’t a single sound or theme, but a kind of seriousness of purpose — even in the party songs, even in the straightforwardly fun ones. Justin Timberlake’s “CAN’T STOP THE FEELING!” was designed to be a piece of pure joy, and it succeeded. “Broccoli” by D.R.A.M. featuring Lil Yachty was loose and goofy and charming in a way that didn’t need to be anything else. Car Seat Headrest’s “Drunk Drivers/Killer Whales” captured a specific kind of young-adult exhaustion with more precision than most rock music manages. Radiohead’s “Burn the Witch” was tightly wound and anxious. The xx’s “On Hold” was cool and minimal and aching. These songs don’t belong to the same world, and yet they all came from the same twelve months. That’s not a contradiction — that’s just what a genuinely good year in music looks like.
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What makes a year in music stick with you? Sometimes it’s a single, dominant sound, but more often, it’s the feeling of multiple, vibrant conversations happening all at once. Looking back at 2018 through a playlist of its key songs, it becomes clear it was a year defined less by a unified trend and more by the strength of its distinct, parallel movements. From event-level releases that captured the cultural zeitgeist to deeply personal songwriting that quietly demanded our attention, the year offered a compelling range of expressions.
It’s impossible to talk about 2018 without acknowledging the sheer creative and commercial force of hip-hop. The genre was the site of some of the year’s most ambitious projects. Childish Gambino’s “This Is America” and The Carters’ “APESHIT” used the music video as a powerful medium for commentary, creating moments that were analyzed far beyond music blogs. At the same time, the genre showcased its sonic breadth. You had the elaborate, multi-part production of Travis Scott’s “SICKO MODE,” the classic, sample-heavy precision of Pusha T’s “If You Know You Know,” and the New Orleans bounce of Drake’s “Nice For What.” With Kendrick Lamar lending his acclaimed lyricism to artists as different as Anderson .Paak, Lil Wayne, and SZA, his presence served as a throughline of quality, underscoring the genre’s central role.
While hip-hop drove many conversations, pop music was busy broadening its own definition. Artists delivered hits by looking outward for inspiration. Janelle Monáe’s “Make Me Feel” was a masterclass in taut, Prince-indebted funk, while Kacey Musgraves blended country sensibilities with a disco beat on the delightfully sly “High Horse.” This spirit of connection was also felt on a global scale. The massive success of Cardi B’s “I Like It” and Camila Cabello’s “Havana” cemented the power of Latin rhythms in the mainstream, and ROSALÍA’s “MALAMENTE” introduced her modern take on flamenco to a worldwide audience, proving that a compelling sound needs no translation.
Alongside these high-energy sounds, a potent strain of rock and indie music thrived on sharp, unflinching songwriting. This was the year of the specific, personal narrative. Artists like Mitski (“Nobody”), Lucy Dacus (“Night Shift”), Phoebe Bridgers (“Motion Sickness”), and Snail Mail (“Pristine”) earned devoted followings by writing with startling clarity about anxiety, heartbreak, and identity. Their work wasn’t about grand statements but about the power of a perfectly articulated observation. In a similar vein, Courtney Barnett’s “Nameless, Faceless” turned everyday frustrations into a pointed critique, showing that even the most direct rock song could carry a vital message.
Ultimately, 2018 wasn’t a year where everything blended together. Instead, it was a year of powerful, coexisting identities. The charts were filled with innovative pop and globally-influenced hits, hip-hop continued to be a space for both blockbuster production and sharp social critique, and a wave of songwriters made their mark with profoundly personal work. From the confident breakup anthem of Ariana Grande’s “thank u, next” to the cathartic release of Robyn’s “Honey,” the music of 2018 offered a rich and varied landscape, setting the stage for many of the sounds and artists we’re still listening to today.
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Five years after then president of The Recording Academy proclaimed that women need to step up, the ladies have responded with “How’s this, jerkface?” Women dominate this year’s Grammy nominations. More importantly, all but two of the top 20 songs on my year-end list are led by female artists (with one guy showing up to provide guest vocals). That’s a record, I think, but don’t quote me on that. I’m too lazy to check. I don’t have a deep analysis for this phenomenon, but I do have a deep appreciation for the talent and diversity of these women (not that women have ever been underrepresented in my annual tallies). The highest placing male acts on my 2023 list are none other than The Rolling Stones and The Beatles. Yes, you read that right. The legends are back, and they still can show the young-uns how it’s done. With their song “Angry,” The Rolling Stones have achieved a remarkable feat: the longest span from first appearance to most recent appearance in my year-end surveys. In 1981, my first year of making such lists, the group placed with “Start Me Up.” The 80s are also well represented by Kylie Minogue and Madonna, each of whom made a triumphant return to my list after long absences. Welcome back, ladies! And last but not least, let’s give a round of applause to Megan Thee Stallion, who has been in my top five for five years in a row. That’s a record, I think, but don’t quote me on that. I’m too lazy to check. Now, without further ado, here is my list of the best songs of 2023. Enjoy!
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Congratulations to Megan Thee Stallion, who has placed a song in my year end top five every year since 2019. Her “Her” is my number two song of ’22, kept from number one by Beyoncé, who guested on the remix of MTS’s “Savage,” my number 4 song of 2020. 2022 was a year that left me wanting, so my top 100 has 92 songs. Here they are:
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Prince, Elvis Costello, Elton John, Paul McCartney, Kool & the Gang. It must be my list of favorite songs of 198-, uh, 2021. The aforementioned veterans rub elbows with Dua Lipa, Megan Thee Stallion, Cardi B, Wet Leg, serpentwithfeet, Lil Nas X, Billie Eilish, The Weeknd, The Avalanches, Adele and Little Simz.
Here are my top 100 songs of 2021:
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Today is International Day of Happiness. Do something that makes you feel like a room without a roof. As long as you don’t impinge on someone else’s happiness, it’s all good.
Today’s playlist consists of thirty songs with the word happy in the title.
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Inspired by the March 20 birthdays of Franz Ferdinand’s Alex Kapranos, Fabulous Thunderbirds’ Jimmy Vaughan, Carl Palmer, and Carl Reiner, and International Day of Happiness; and the March 19 birthdays of Ruth Pointer, The Specials’ Terry Hall, and Clarence “Frogman” Henry.
I listened to a lot of music. I crunched the numbers. The result? My top 99 songs of 2018. Here they be, followed by a Spotify playlist:
1. Make Me Feel – Janelle Monae
2. Ric Flair Drip – Offset & Metro Boomin
3. Nice for What – Drake
4. Alone – Halsey featuring Big Sean & Stefflon Don
5. Where Angels Fear to Tread – Disclosure
6. Mr. Tillman – Father John Misty
7. Thunderclouds – LSD (Labrinth, Sia, Diplo)
8. IDGAF – Dua Lipa
9. This Is America – Childish Gambino
10. Finesse – Bruno Mars featuring Cardi B
11. Stir Fry – Migos
12. LOVE. – Kendrick Lamar featuring Zacari
13. Missing U – Robyn
14. Bodak Yellow – Cardi B
15. The Weekend – SZA vs Calvin Harris
16. Mona Lisa – Lil Wayne featuring Kendrick Lamar
17. Boys – Lizzo
18. Lemon – NERD featuring Rihanna
19. Honey – Robyn
20. Boo’d Up – Ella Mai
21. Now – Miguel
22. High Horse – Kacey Musgraves
23. Apeshit – The Carters
24. Tints – Anderson .Paak feat. Kendrick Lamar
25. 5 Dollars – Christine and the Queens
26. Nameless, Faceless – Courtney Barnett
27. When I’m with Him – Empress Of
28. Two Slow Dancers – Mitski
29. Nobody – Mitski
30. Got My Name Changed Back – Pistol Annies
31. 1999 WILDFIRE – BROCKHAMPTON
32. I Like It – Cardi B featuring Bad Bunny and J Balvin
33. I Might Need Security – Chance the Rapper
34. Microfiche – Open Mike Eagle
35. If You Know You Know – Pusha T
36. All the Stars – Kendrick Lamar with SZA
37. Mr. Jukebox – Joshua Hedley
38. Crayons – CupcakKe
39. Washing Machine Heart – Mitski
40. Pynk – Janelle Monae featuring Grimes
41. Duck Duck Goose – CupcakKe
42. Bloom – Troye Sivan
43. He’s Got His Mother’s Hips – John Grant
44. HEAVEN – The Blaze
45. Day I Die – The National
46. Fast Slow Disco – St. Vincent
47. Kong – Neneh Cherry
48. Sangria Wine – Pharrell Williams and Camila Cabello
49. Look Alive – BlocBoy JB featuring Drake
50. Yes Indeed – Lil Baby featuring Drake
51. BOOGIE – BROCKHAMPTON
52. Need a Little Time – Courtney Barnett
53. You Should See Me in a Crown – Billie Eilish
54. Bardier Cardi – Cardi B featuring 21 Savage
55. SAN MARCOS – BROCKHAMPTON
56. Bad Bad News – Leon Bridges
57. Fireworks – First Aid Kit
58. Party for One – Carly Rae Jepsen
59. New Rules – Dua Lipa
60. I’ll Never Love Again – Lady Gaga
61. La Di Da – The Internet
62. Doesn’t Matter – Christine and the Queens
63. Moon River – Frank Ocean
64. No Tears Left to Cry – Ariana Grande
65. 1999 – Charli XCX and Troye Sivan
66. Only Love – Mary J. Blige
67. Pissed – Saweetie
68. Chun Li – Nicki Minaj
69. Powerglide – Rae Sremmurd featuring Juicy J
70. Call out My Name – The Weeknd
71. A$AP Forever – A$AP Rocky featuring Moby
72. Sword of Damocles – Rufus Wainwright
73. Back 2 You – Selena Gomez
74. Christmas Song – Phoebe Bridgers
75. The Gypsy Faerie Queen – Marianne Faithfull
76. Doves in the Wind – SZA featuring Kendrick Lamar
77. Suspirium – Thom Yorke
78. Charity – Courtney Barnett
79. If You’re Over Me – Years & Years
80. My My My! – Troye Sivan
81. Time Today – Kero Kero Bonito
82. Tranquility Base Hotel & Casino – Arctic Monkeys
83. A Little Pain – Margo Price
84. Alfie’s Song (Not So Typical Love Song) – Bleachers
85. In My Feelings – Drake
86. Django Jane – Janelle Monae
87. Meteorological – Guerilla Toss
88. Psycho – Post Malone featuring Ty Dolla $ign
89. Entitlement Crew – The Hold Steady
90. oh baby – lcd soundsystem
91. God’s Plan – Drake
92. Electricity – Silk City with Dua Lipa
93. Trouble on Central – Buddy
94. BBO (Bad Bitches Only) – Migos featuring 21 Savage
95. MJ – Now, Now
96. Walk It Talk It – Migos featuring Drake
97. The Ways – Khalid featuring Swae Lee
98. Girlfriend – Christine and the Queens
99. Geyser – Mitski
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