Your (Almost) Daily Playlist (5-10-20)

Inspired by Mother’s Day, the passing of Betty Wright, and the May 10 birthdays of U2‘s Bono, Sex Pistols’ Sid Vicious, Spinners’ Henry Fambrough, Donovan, Traffic’s Dave Mason, Larry Williams, Fred Astaire, Underworld’s Karl Hyde, Young MC, Filter’s Richard Patrick, Jay Ferguson, Craig Mack, Sunscreem’s Lucia Holm and Young Disciples’ Carleen Anderson.

https://open.spotify.com/playlist/5Ic6AXVw1lXIgvNnSetuqW

Message In Our Music: A Black Music Month Playlist

In 1979, President Jimmy Carter declared June Black Music Month. In 2016, President Barack Obama, who recognized the month as African-American Music Appreciation Month, said the music of African-American artists helped the country “to dance, to express our faith through song, to march against injustice, and to defend our country’s enduring promise of freedom and opportunity for all.” Today’s Tunes du Jour playlist embodies that sentiment.

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Throwback Thursday – 1991

“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”

In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.

Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.

Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.

That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.

Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.

When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”

“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”

For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)


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Throwback Thursday – 1989

During the February 22, 1989 telecast of the Grammy Awards, Pepsi premiered a thirty-second spot that featured a new song by Madonna, “Like a Prayer.” It was the first time a major artist’s new single was used in a television commercial prior to being released to radio or record stores.

The following week, a two-minute version of the commercial aired during The Cosby Show, at the time a highly-rated program starring America’s favorite dad, Bill Cosby. The ad, part of a $5 million endorsement deal Pepsi struck with Madonna that also included tour sponsorship, featured Madonna dancing in the street, in a school hallway, and in a church.

The song’s music video premiered the following day on MTV. In the video, Madonna witnesses the murder of a white girl by white supremacists. A black man gets arrested for the killing. Madonna seeks refuge in a church, where she has a dream that includes stigmata on her hands, kissing a black saint, and dancing in front of burning crosses.

The Vatican and other religions organizations condemned the video and threatened a protest against Pepsi products. Pepsi dropped its sponsorship of Madonna, never again aired the television spot, and let Madonna keep the $5 million they paid her.

“Like a Prayer” became Madonna’s seventh #1 pop hit in the United States. It also topped the charts in the United Kingdom, Australia, Canada, the Netherlands, Sweden, Japan, Italy, Spain, Norway, Denmark, Finland, Ireland, New Zealand, Belgium, and Switzerland.

“Like a Prayer” won the Viewers Choice award at the 1989 MTV Music Video Awards, a program that incidentally was sponsored by Pepsi. In her speech, Madonna said “I would really like to thank Pepsi for causing so much controversy.”

Tunes du Jour’s playlist this Throwback Thursday spotlights the year 1989, and kicks off with Madonna’s “Like a Prayer.”


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