#67: The Replacements – Tim (1985)

Throughout the next however many months I’ll be counting down my 100 favorite albums, because why not. I’m up to number sixty-seven.

Cute! That’s how I looked that evening. Cuter than usual, which is saying something.

“Hot dayum!” I said as I looked in the mirror. Glenn, please—you’ve never said that in your life. “Hubba hubba!” Don’t think so. “Hot diggity dog!” Oh, hell no. “Looking fly, yo. Word.” Okay, now you’re bordering on offensive. Pipe down, conscience. Let me have this moment. For the point is, I cut a figure in my boxy black-and-white floral print silk button-down shirt, black Levi’s 501 jeans, and black Reeboks. Dark hair perfectly coiffed, not a strand out of place. Contact lenses in. And as an added bonus, it was a shaving day. Being clean-shaven made me appear even younger than I usually did. “You’re 34? Really? GTFO!”

I was a catch in the Men Under 5’11” category. Cocky? Au contraire, mon frère. I’ve never been cocky a day in my life. I’m the opposite of cocky. I’m uncocky. Acocky. The anti-cocky. But sometimes, like right this moment, and like on that September night in 1998, I could steadily walk the tightrope of self-confidence, though the slightest breeze of criticism could knock me off. In sixth grade, Ellen Baker compared my physique to a shriveled-up piece of bacon. Everything I’ve done in the last 50 years is in response. Before I get too mired in ruminations about that dark, depressing, desolate period of my life (1975 on), I’ll say that, looking back with a dispassionately objective eye, I checked off many of the boxes on the boyfriend material checklist.

Few would argue that looks are the most important quality when judging others, but attractiveness is only 90% of the equation. Blessedly, there were so many other traits to recommend me. Not only was I cute, I also was smart. I was funny. I was honest. To be honest, perhaps too honest for some. For instance, one Saturday afternoon my friend Frank and I were clothes shopping on Christopher Street. He came out of a dressing room wearing a pair of jeans and asked me, with genuine concern, whether they made his ass look big. Frank wouldn’t be mistaken for a sumo wrestler, but he was no Skinny Vinnie either. I said “Your ass is big.” He scrunched up his face like I’d personally force-fed him the carbs, harrumphed a “Fine!,” put the jeans back on the table, and headed to the cashier, limiting  his purchase to just a plain white t-shirt and a red velour thong. I stand by my answer. It wasn’t intended as an insult; it was a straightforward observation in response to a direct question. I would want someone to tell me the same, should I ever have a fat ass and specifically ask about it. I miss those Saturdays with Frank. I hope he’s doing well.

Another excellent quality that I possessed? I kept my anger boxed up inside. No worries about me blowing up at you. Suppressed those feelings. Kept things cheery. Nobody wants to hang out with a Moody Rudy.

And I was a good dancer. Very good. Not Tony Manero or Fred “Rerun” Berry good, but throw on Madonna’s “Like a Prayer” and I will werq! Werq? Conscience, please! I asked you to be quiet.

“What else?” I assume you ask. Well, I liked reading. I keep all my books, except the exceptionally shitty ones received in swag bags at gay charity events, like the one about a mild-mannered deodorant tester named Jarrett who four years after his partner Sampson died in a freak lightning accident fell for circus performer Blaze, only for Sampson’s ghost to haunt him about moving on, until the conflict gets sorted when the three men become a throuple. It’s not as good as it sounds.

Sadly, I no longer have any of the books I bought before moving to my 200 sq. ft. Chelsea apartment. I was storing them at my dad’s house in New Jersey, in his garage, which itself was way larger than my apartment. Somewhere along the way, he disposed of them, along with my guitar, amp and typewriter. Perhaps he didn’t know of my interests in reading, writing and music. Or perhaps he thought I forgot about these items. I haven’t forgotten. Grrrr.

I don’t understand why people get rid of their not-exceptionally-shitty books. In the suburban neighborhood where I now reside, no fewer than seven houses in a two block radius have in front of them one of those take-a-book, leave-a-book mini libraries. Take, yes. But leave? Leaving a book you liked in one of those is akin to leaving your child there. Assuming your child isn’t exceptionally shitty.

Anyway, I’m not saying I was perfect, but like all virtuous persons, particularly those who’d been compared to a breakfast meat, I was striving to be. I didn’t have the pecs and lats to be a Chelsea 10, but on that night I was on my way to eat in Greenwich Village, and I can confidently say I was a Greenwich Village 8, if you were to round up.

For the uninformed, in the mid to late 1990s, Chelsea was Manhattan’s hot GAY GAY GAY neighborhood, while Greenwich Village—the West Village, to be precise—was more…homosexual. That’s not me being homophobic. It’s merely an observation, so don’t be all butt-hurt about it. On that Tuesday night, gay desirable me was walking in my black jeans and good hair to the West Village to meet a homosexual whose personal ad in Homo Xtra I answered. GWM, 28, Village, in shape. Into good food, bad movies, Sunday mornings. Seeking same. No hookups, no drama. I’m into good food! I’m into bad movies! I something about Sunday mornings! I answered his ad. He responded to my response, and we arranged a Tuesday night dinner meet-up, not about to give up a Friday or Saturday night for a first date.

I met up with him in front of his building on the corner of Greenwich and West 11th Streets, where I almost made the worst kind of memorable first impression by coming thisclose to falling flat on my face. I spotted who I assumed was him as I approached, and I was so busy sizing him up I didn’t notice there was a hole the size of a turkey sub in the sidewalk. I caught myself before twisting my ankle so badly it would have kept me from werqing.

“Whoa! Watch your step. Are you Glenn?”

“Yes, and I assume you’re Joel.”

Guilty. Sorry about the crater. Supposedly they’re paving it by the end of the week.”

From there we walked south along Greenwich Street. As we got to know each other through conversation, I continued my…I wouldn’t call it judging. Evaluating. Assessing. Appraising.

Joel was slender, about an inch shorter than me, and had neatly-shorn light brown hair. He was wearing tight plaid pants that would look cool on a hipster in the East Village, where the queers resided. (The way it played out was the homosexuals rebelled against the old rules, the gays created new rules, and the queers rejected rules.) I thought it admirable that he was confident enough to wear those pants, on a first date, no less. In all the time I’d known him—ninety seconds—he didn’t strike me as the fashion forward style icon type. But earlier that evening he must have gazed in the mirror and said to himself “Looking good, Joel.” It must be noted that he didn’t have a big ass. It was compact. Efficient. It said to the pants “I won’t make you look bad. We’re in this together.”

If I had to give him a rating, I’d say he was a Greenwich Village 6. His facial features were shmushed, like a French Bulldog, which is very cute, on a French Bulldog. Not as fetching as I’d hoped, but he was well-groomed and presentable and I wasn’t embarrassed to be seen with him. As an 8 (rounding up) striving to be a 10, I wouldn’t write off someone for something so shallow, unless they were below a 5, in which case, shallow it is.

Joel was a graphic designer, which sounded cool to me. “I don’t have that kind of creativity. I wish I did!” I told him.

“What do you do?”

“I work at a record company, securing permissions for songs to be used on compilation CDs abroad. It’s great for me ‘cause I love music and in this job I get to travel. They sent me to meetings in London last month.”

“London’s at the top of my list. I’m there as soon as I finish paying off my student loans, which, if all goes according to plan, should be sometime this year.”

“I paid mine off last year,” I told him. “Such a great feeling.”

“I bet!”

“And if you can spare the time, while you’re in the area I recommend spending a couple of days in Dublin. London has the same energy as New York and there is so much to see there, while Dublin is more relaxed and compact. It’s like a vacation from your vacation.”

“Noted!”

We turned left onto Christopher Street, which was like Main Street U.S.A. as viewed through the funnest fun house mirror. Everyone walking there was homo, bi, trans, or lost. Like any Main Street, this thoroughfare had lots of stores, albeit with more leather. Joel and I strolled past the porn shop, past the Lucille Lortel Theatre, past the clothing store (What was it called? All American Boy? The Loft?) where I confirmed to Frank he has a big ass (because he asked!).

“So I love music, too. A couple of months ago I saw the Dave Matthews Band in concert. Incredible show!” Joel enthused. I nodded. “Do you like them?”

“Not really, no.”

“Why not?”

“I find them a bit pretentious and showy, and his voice is annoying. I’ve heard only maybe three of their songs, though.”

“Then you’re not giving them a fair trial. Listen to the whole albums. I think you’d hear them differently.”

Past The Leather Man (clothes and um, special interest items), past the Don’t Panic store that sold t-shirts emblazoned with “Let Me Get This Straight – I’m Not” or “You Go Girl!” or “Friend Of Dorothy”, past an Italian restaurant I’d never been to whose name I no longer recall.

“Have you answered many ads from Homo Xtra?” Joel asked.

 “A few, and while I haven’t made any boyfriends—obviously—I did make a couple of friends.”

“Friends. That’s not what I’m looking for. I already have a lot of friends. I placed an ad because I want a boyfriend. If there’s no potential for that, I’d rather just move on.”

“I want a boyfriend, too, but I’m open to friends. Can never have too many.”

Joel forced a smile.

Past St. John’s Lutheran Church, past another porn shop, past the bar Boots and Saddles; then we hit Seventh Avenue.

On the opposite side of Seventh Avenue was The Duplex. “There is one of my favorite places in the city,” I said to Joel.

“The Duplex?”

“Yes. I go there at least one Saturday night a month. Have you ever been?”

 “No. Piano bars are not my thing.”

“This is not a typical piano bar. It’s not older homosexuals singing Judy Garland songs while crying into their martinis. It’s very campy, and we don’t sing show tunes. It leans more toward Petula Clark and The Mamas & the Papas.”

“Still probably not for me. Say, I’m getting hungry. How about that Italian restaurant we passed?”

“Sure. I can always go for Italian.”

We walked back to whatever that place was called. Upon walking in we were greeted by the aroma of garlic. “Mmmm…I love the smell of an Italian restaurant,” I announced. “I would love this in a scented candle.”

“O…kay,” was Joel’s response.

We were seated at a table against a wall in the center the restaurant. Only three other tables were taken, all by same-gendered couples. The dim overhead lighting and battery-powered candles on each table suggested this was THE place on Christopher Street for a quiet romantic dinner.

The waiter appeared instantly. “Would the gentlemen like some wine? An appetizer? The arancini is excellent.”

“Shall we split a bottle of something?” Joel asked.

“I don’t drink, except when I’m at The Duplex, where I nurse a white Russian for three hours. But go ahead and order a glass for yourself if you like.”

“Thank you, I will.” He ordered a…I don’t know. Wine is wine to a non-wine drinker.

We enjoyed terrific food and kept the conversation going. He mentioned his love of bad movies and I told him I share that interest to the extent that every few Sundays I host bad movie screenings at my co-op. “Last week we watched one where Anna Nicole Smith portrayed an undercover CIA agent. It also starred John Travolta’s brother Joey. I think it was called To The Limit. It ends with a CD being thrown at someone. It gets lodged in their skull and they fall off the Hoover Dam. Oh, spoiler alert.” Joel looked disturbed. “I take it you haven’t seen that one yet.”

“No. Not yet.”

“What bad movies have you enjoyed?”

“That Dick Tracy movie from a few years ago stands out.”

“I didn’t think that was bad, especially for a movie starring Madonna. It’s not a must see, but it was alright.”

“It was terrible in the best way. There was barely any story. You keep waiting and waiting and…nothing. ”

He wasn’t wrong about it being light on plot. I’ll concede that some dramatic tension would have helped. It barely rose above the level of the comic strip on which it was based. For me, that wasn’t a deal breaker. “I liked the use of colors in the film.”

“O…kay. What are some good movies you liked? What is the best movie you’ve seen recently?”

“My favorite movie of the past few years was Before Sunrise. I loved it. I left the theater with the hugest smile on my face.”

“My roommate dragged me to that. I thought it was eh. Too much talking. No action.”

Just as I felt myself tiring of Joel, the waiter brought the check. “I’ll get it,” I offered.

“No. We can split it.” And so we did.

I walked him back to his apartment building. “Thanks. I had a good time,” I said, which wasn’t exactly a lie, though it wasn’t the truth either.

Joel nodded. “Good night. Good luck!”

He entered his building. I headed home.

“Not bad, Glenn. Hair looks good, that shirt is funky and fun, and so are you, tiger.” Tiger? I was preparing for another date. “This’ll be a good one,” I assured myself. It had been two weeks since I met Joel, and I hadn’t heard from since. Not that I cared. “Good luck.” What does that even mean after a date? Good luck with what? Finding someone better? Oh, I’ve had better, Joel, and there’s more where that came from. Plenty of fish in the bucket. “Good luck.” Passive-aggressive much?

Still. Joel. Grrrr. It’s not like I was into him, but the rejection stung nonetheless. It’d be like me complaining that on Halloween at the house five doors down, Mrs. Brown, a/k/a the Lush (my mother’s nickname for her), gave every kid broccoli except me. Focus, Glenn! The takeaway is that a vegetable is no longer on your plate. You’re right, conscience. Why would I want broccoli when I have a sweet tooth…for love? I think I may throw up.

I had answered another ad from Homo Xtra. GBM, 29, West Village, fit. Bookworm, artistic movies, good conversation. Looking for something real. No games. You got this, Glenn. My advice? Keep your opinions to yourself. Nobody wants to hear your takes on what’s wrong with what they like. Hey – with Joel I was careful to keep those thoughts to myself unless asked. I wasn’t about to pretend I like Dave Matthews. Give me a break, conscience. I’m just saying. This is why Michael broke up with you. He didn’t break up with me exactly. He was sleeping around with half the gay men in Manhattan, plus a few from Brooklyn and Queens, and eventually coupled with one of them. Of course he was sleeping around! He’s hot hot hot! An East Village 9. Be grateful he spent any time with you. I am! And let’s not forget about Jesse. I haven’t. We’re still friends. Friends. Yawn. That’s not what you’re looking for. Excuse me. He went off to become a sex worker with extraordinarily wealthy clients like ████ ██████████ and ████████ ███████. As someone with that facial bone structure ought. He’s hella gorgeous. At least a West Village 9. A 9.5 when he became anorexic. Glenn! Sorry, but it’s true. I’m not arguing. And before you bring him up, I broke it off with Tommy. An Upper West Side 8. And I indirectly broke it off with Dr. Leon [literally a white Russian who, as a resident of Brooklyn, doesn’t get a rating, due to the lack of a sufficient control group with whom to compare data] by starting to date Michael while Dr. Leon was on vacation in the Caribbean. You’re missing the point. It doesn’t matter who broke up with who. Whom. You’re turning 35 in a couple of weeks. That’s one step closer to death. You need to find a boyfriend.

Though I was somewhat loath to admit it, my conscience was right. You know I’m still here, don’t you? I had a couple good years left, and I was optimistic about my prospects. While we had yet to connect in person, I already liked this guy I was off to meet. Aside from what was in his ad, the only other things I knew about him, learned from the briefest of phone calls to arrange our date, were that his name was Daniel and he worked in publishing. We agreed to meet on a Wednesday evening at 6:30 in front of the Oscar Wilde Bookshop, a little further north on Christopher Street from where Joel and I strolled, as he had to drop off an advance galley to someone who worked there.

I arrived right on time (punctuality—another of my good traits) to see a GBM in front of the store. Dayum! Hubba hubba! Hot diggity dog! Looking fly, yo. Word. Oy. Oh, please, God whom I don’t believe in, let this be him.  “Daniel?”

“Glenn?”

We both smiled and engaged in a three-and-a-quarter-second embrace.  “Hey, it’s so good to meet you!” I said, and so help me God whom I don’t believe in I meant it. Daniel cut a figure in his pink polo shirt, collar popped, and khaki pants. Pleasurable facial bone structure, skin as smooth as an Obsidian gemstone that had been in the rock tumbler non-stop for six weeks, and a smile so bright it could have lit all of lower Manhattan, if teeth were capable of generating electricity, which, in 1998, was not yet scientifically possible, at least not on a grand scale. He wasn’t a Greenwich Village 10, but if I’m an 8, he’s at least an 8.27. As long as he’s below an 8.63, I’m not intimidated (not that intimidation stopped me from dating Michael and Jesse). The wind was calm, the scents of car fumes and the Hudson River not overwhelming, and I was with a man who lived at the intersection of cute and handsome. Let’s do this. “Shall we just walk and see where we end up?” I suggested.

“That sounds nice.”

We strolled south, past the home goods store, the jewelry store, the greeting card shop.

“So how’s the publishing world treating you?” I asked.

“I really like it. I get to spend all day around books, which suits me just fine.”

“I get that. I work at a record company, which suits me because music is my greatest passion.”

Right on cue we were in front of the landmark Stonewall Inn, considered the birthplace of the modern gay rights movement, from which was blasting Lauryn Hill. “That thing, that thing, that thi-i-i-ing.” “I love this song!” I exclaimed.

Oh my God, Glenn, really? Making sure the Black man knows you like a Black artist? Performative, much? This is a date. You’re not campaigning for an award from the NAACP.

Daniel smiled. “Have you heard the whole album? It’s really good.”

“Yes. I work for her record company.” In your face, conscience! Don’t get cocky with me, bitch. I know you better than you know yourself. My role is to protect you from screwing up. Again.

“Nice! What do you do there?”

“I secure the necessary permissions for songs owned by the company I work for to be used on compilation CDs abroad.”

“That’s got to be a fun job.”

“There certainly are worse.”

On the corner was The Duplex. Don’t talk about your nights at The Duplex. That didn’t work last time, Glenn. I think Daniel would be cool with it. Don’t chance it, tiger.

Daniel interrupted my internal debate. “Hey, I think there’s an Italian place on the next block. I’ve never been, but my roommate says it’s good. Want to give it a try?”

“I know the place you’re talking about and it is good. Let’s do it.”

We got to The Italian Restaurant Whose Name I No Longer Recall. We were greeted by the maitre’d. “Ah, signore, welcome back. May I put you at this table by the window?” Even he thought Daniel and I made a cute couple. That’s confirmation that I traded up. Instead of hiding me in the back with a Greenwich Village 6, I was put on display for all the world, or a subset thereof—people walking on Christopher Street at that time, to see. They would view us in the window and think “Let’s eat here. There’s a cute couple in the window.” We settled in and ordered drinks.

“So your ad said you like movies. What have you liked recently?” He’s already a winner in the looks and music departments. Fingers crossed he doesn’t spoil anything by answering Dr. Dolittle or Lethal Weapon 4.

The waiter arrived with a basket of Italian bread, which looked and smelled delectable, and a ginger ale for Daniel.

He took a sip of his soda. “I thought The Truman Show was great.”

Ding ding! That’s the winning answer! “Yes! I was surprised how much I liked it. I usually don’t care for Jim Carrey movies. He’s so hammy.” I held out the bread basket to him.

“Right? I admire that he stretched himself for this role.” Daniel tore off a piece of bread. “Thank you. Next thing you’ll know, we’ll be raving about an Adam Sandler movie.”

“Okay, let’s not go crazy. That seems highly unlikely.” I tore off a piece of bread for myself. It tasted even better than it looked.

“Hey, you never know,” Daniel said, followed by a chuckle. What a great smile. Sigh.

Our pasta arrived — I’d gone with the Rigatoni Bolognese, Daniel with something involving mushrooms that was so wonderfully aromatic that my mouth still waters thinking about it. Outside on Christopher Street, a small cluster of people paused at the window to look at the menu posted there, or possibly at us. Probably at us.

“So who’s your favorite author?” I asked.

Daniel didn’t hesitate. “Toni Morrison. I love how poetic she is without ever losing the story. She can say more in a page than most writers do in a chapter, and somehow it never feels like she’s trying too hard. Her books stay with me for days.”

Daniel smiled his smile. It was the longest answer he’d given me all evening. Be careful, Glenn. Don’t respond being all effusive in your praise of Toni Morrison to impress the Black man. “I’ve never read her.” Wow. That’s even worse.

He looked up from his plate. “Then we need to fix that.”

“Where shall I begin?”

Paradise, her latest, is excellent, but I’d start with Beloved. The movie just came out, but I’d read the book first.”

I made a mental note. I also made a mental note that he said we.

We talked more of movies and music and books over bites of pasta. I could’ve kept going, but Daniel looked at his watch and said “It’s after 8 already? I didn’t realize how late it got. I need to go. Early meetings tomorrow.”

Bummer.

He signaled the waiter for the check, which showed up immediately. “I got this,” he said.

“You sure?” I asked.

“Yes. It’s my pleasure.”

I walked him home, which wasn’t too out of my way. South on Christopher Street, then a right onto Greenwich. We walked a few blocks. “This is me,” he said.  “Watch out for that hole in the sidewalk. They were supposed to fix it a couple weeks ago.”

I looked at the hole. I looked at the building. I looked at Daniel. I smiled. I spoke. “Thanks again for dinner. It was great getting to know you.”

“Good night. Good luck!”

He entered his building. I headed home.

I never heard from him again.

I’d forgotten about Daniel and Joel until Tim reminded me. Tim is not a person, though I’m aware there exist folks with that name. Tim Allen, who starred in a sitcom I’ve never seen and was also in a movie where he played Santa Claus, unless that was somebody else. Tim Robbins, who lived with Susan Sarandon a block over from me in Chelsea at the time this essay took place. Tim with whom I worked at Sony Music when the Lauryn Hill album came out. There probably are/were one or two other Tims in existence, though there was nobody named Tim who played on or is sung about on the album Tim by The Replacements. After considering Van Gogh’s Ear and England Schmingland as titles, the band came up with Tim, as a joke.

With all due respect to Tim Robbins and my former co-worker and the guy who may have portrayed S. Claus, the album Tim is my favorite Tim. I bought my first copy of Tim at a used vinyl record shop in the east Village in the 1980s. That’s right; I said my first copy, for like an Italian restaurant that serves fresh bread and delicious pasta, I kept going back. I ordered my second copy of Tim from the Columbia House CD Club; my third copy—an expanded 2-CD edition—came from work, a perk of being at their record label; and I purchased the single vinyl/four CD box set version from Amazon. I can confidently say I have enough copies of Tim to get me through the rest of my life, or until the next reissue.

As I held my pen over a blank page, I was ruminating on my favorite song on the album, “Waitress in the Sky.” The Replacements’ lead singer and songwriter, Paul Westerberg, assumes the role of an entitled man who flies coach and insults the airline staff with “Sanitation expert and a maintenance engineer / Garbage man, a janitor and you, my dear / A real union flight attendant, my oh my / You ain’t nothing but a waitress in the sky.” Dayum, what an asshole! The song was inspired by things Westerberg’s flight attendant sister told him about some of the fliers she encountered.  I thought about some of the entitled jackasses I’ve met over the years—the music business is overflowing with them— but then decided I didn’t want to honor them with more attention. Then, from a recess of my brain that holds memories of trivial matters such as titles of Anna Nicole Smith movies, plots of shitty books I got for free, and one-time-only dates, Joel came to my mind. Like the subject of this song, he knew what he wanted, though thinking about him, the descriptor “entitled” is a bit strong, not entirely accurate or fair. He knew what he wanted and said so, but wasn’t an asshole about it. Now, though, he was top of mind.

Then I thought about my other favorite song on the album, “Here Comes a Regular,” which hits me harder than one may expect, for I, the teetotaler (except when nursing a White Russian at The Duplex), am nothing like the song’s narrator—a man who ends each day at the same bar, just out of habit. When Westerberg sings “everybody wants to be special here,” I respond with an “Amen.” When a verse later he sings “everybody wants to be someone’s here,” I respond with “Preach!” And when he delivers the metaphorical lyric “the summer’s passed, it’s too late to cut the grass, there ain’t much to rake anyway in the fall,” I thank God that I don’t believe in God, so uttering “Lord take me now, for time has moved on and there’s no fixing the past” has no bearing. I connect to this barfly who’s looking at his life choices: “here comes a regular, call out your name / Yes, now here comes a regular, am I the only one who feels ashamed?” No, you’re not alone with that feeling. And then: “Opportunity knocks once, then the door slams shut.” Those lines, and the sadness and loneliness the song evokes, danced around in my subconscious. Oh, good, I’m back. I thought you forgot about me. Did a door slam on me? Or did it close quietly? Do I have any control over the door? Enter the memory of the date with Daniel. I had plenty more dates after Daniel, so I can’t say the door was shut for good. Meanwhile, the lyric “I used to live at home, now I stay at the house” replays in my head. I want the home. Did I screw up somewhere? I’m not seeing it, but perhaps writing this out will help.

Then I thought about my other favorite song on the album, “Left of the Dial.” And then my other favorite, “Bastards of Young.” And I can’t leave out my other favorite, “Swingin’ Party.” It’s that kind of an album. A favorite song for every mood.

It was only after I wrote about my dates with Joel and Daniel that I thought about my favorite song on the album, “Kiss Me On The Bus.” Let me start with this not-to-be-underestimated observation of musical greatness: the song deploys sleigh bells with more confidence than sleigh bells have been deployed on any non-Christmas recording this side of Bonnie Tyler’s “Total Eclipse of the Heart.” An award to whomever thought of that (perhaps the record’s producer, Tommy Ramone of The Ramones). But it’s the subject matter of this song that in retrospect connects most with the subject matter of this essay. “Kiss Me…” is Westerberg yearning for a romantic moment in a public space, with the object of his affection not feeling the same way: “On the bus, that’s where we’re riding / On the bus, Okay, don’t say ‘hi,’ then.” He fantasizes that the others on the bus are rooting for him: “On the bus, everyone’s looking forward / On the bus, I am looking forward / And it really ain’t okay / I might die before Monday / They’re all watching us.”

 I was that guy, sitting not on a bus but in the window of an Italian restaurant on Christopher Street, on a Wednesday evening in the fall of 1998, with someone I actually wanted to be with, absolutely certain that the maitre’d and every person walking by could see exactly what I saw. The hopeless and helpless romantic on full display, right there in the window, for anyone who cared to look.

If I knew how to play a tiny violin, I would do so right now, but the instrument I know how to play is the guitar, and your dad gave yours away. Grrrr. Was it not you—Glenn Howard Schwartz—who just moments ago proclaimed your cuteness, not to mention your cheerfulness, intelligence, honesty, sense of humor, dancing abilities, and proportionately-sized ass, or was I in someone else’s brain for a well-deserved vacation? So a breeze blew you off the self-confidence tightrope? Get back on. Because first off, if someone is too blind to see all of your amazing qualities, they’re not worthy of your time. Second off, for if there can be a first off there can surely be a second off, care not one whit about the opinions of those in who you have no interest anyway. Whom. You may not see it right this second, but there are plenty more fish in the bucket.

 Summer’s not over yet, tiger.

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#68: Björk – Post

Throughout the next however many months I’ll be counting down my 100 favorite albums, because why not. I’m up to number sixty-eight.

“This is me,” I said as we arrived at my car on the third floor of the parking garage.

“Ah. I’m one level up.”

“This was fun. It was great meeting and hanging out with you.” He smiled. “Let’s do this again.” I pulled my phone from my back pocket. “Can I have your number?”

His smile vanished, his face now looking like he got a whiff of a pungent malodorous cheese. “Wh-what? My phone number? Wh-why? No!” And with that, he turned. He didn’t walk away. He didn’t scurry. He Jesse-Owens-at-the-1936-Olympics ran.

I’d been in Los Angeles for two years and still couldn’t figure out the rules of engagement.

It’s not that I was thrilled  about living here, but when Warner Music offered me a six-figure salary and said they’d pay all expenses for me to move from my 200 square foot Manhattan apartment, I couldn’t say no. And while for me, meeting new people is like simultaneously squeezing into my mouth a tennis ball, a running lawnmower and President McKinley (trust me I’ve tried), I already got a jump start as I had a friend in LA.

I met Victor on a trip to Mexico a few years earlier. I called him the day I arrived here, and we made plans to hang out the coming Sunday. I was psyched to see him and be shown hot spots. A friend of a friend of an acquaintance of someone Victor met somewhere doing something invited him to a house party, so he suggested we stop over there on our way to nowhere in particular. Cool. I could meet more people. At the party house we were greeted at the front door by a chirpy twenty-something blonde-haired woman wearing a colorful top and blue denim miniskirt. “Welcome! The cocaine is over there.” She motioned toward a room to our right, presumably the drug den. She then walked away. I shot Victor a look that said “I’m 100% drug free. What kind of party have you taken me to?” His face shot back a grin that said “Welcome to Hollywood.” It was jarring, as nobody in New York does drugs.

###

In NY, I’d walk from my shoebox to Madison Square Garden to see Lauryn Hill or Britney Spears or Prince or whomever, then walk home, or I’d subway to Radio City Music Hall to see Aretha Franklin or Pet Shop Boys or k.d. lang or to the Beacon Theater to see Sinéad O’Connor (and concert attendee Daniel Day Lewis in the lobby) or Fine Young Cannibals or Seal. I don’t tell you that to show off the artists I’ve seen in concert—it’s not like I mentioned the times I saw Stevie Wonder or George Michael or Annie Lennox IN CENTRAL PARK!!!—but rather to express to you that in New York the audiences were one, united in our love of the act we were seeing, except at Fine Young Cannibals, where we were two – those of us who danced during the show and the guy behind me, who told me that if I didn’t sit down he’d beat the crap out of me. Oh, and one of the times I saw Beastie Boys, two guys threw metal chairs at each other. Other than that, each show was a lovefest by New York City standards. After the shows, everyone was still abuzz as we got on the subway, smiling and singing and knowing that we were way cooler than anyone else on that train or any train. Los Angeles provides a different experience. You can’t take a train to the theater, unless you can; I’ve never investigated this and don’t intend to. You have to drive to the venue, give up the pretense that you’ll find street parking, and then park at the theater. Some of the larger venues, such as The Hollywood Bowl or The Greek Theater, have “stacked parking,” in which cars are arranged back-to-front, first in first out, in rows where vehicles block each other in. If the folks who arrived at the venue before you did lollygag after the show is over, you must lollygag as well. (“Lollygag me with a spoon” I thought of writing, but then thought better of it.) Waiting and waiting and waiting to move your car while everyone else has to wait and wait and wait is an excruciating experience, and I say that as someone who when getting a filling doesn’t take Novocain. Must I be held captive in a dark parking lot breathing in exhaust fumes just so I can see Cher sing “Believe” live? No. I don’t like Cher that much. 

###

If the city’s infrastructure seems designed to thwart you, its relationship with nature is even more baffling. In New York, rain is a nuisance. But you turn your collar up, you buy a $5 umbrella from a street vendor that will go inside out at the slightest breeze, and you get on with your life. In Los Angeles, rain is an EVENT. It’s the top story on our newscasts, where reporters, cosplaying as Anderson Cooper in war torn wherever, ask the poor downtrodden Angelenos what they did when the precipitation started. “I ran for shelter under this awning!” is the breathless response. Displaced, weary, resilient. Stay strong, Los Angeles!

I was at the office the first time I experienced rain in L.A. It was 1:30 in the afternoon. I noticed scattered raindrops hitting the window and turned back to my computer monitor. “Attention, everybody.” The president of our division got on a loudspeaker that echoed throughout the halls. “It’s starting to rain. You have the option to evacuate. Anyone who wishes to head out now may do so.” It was 1:32. The sprinkle had blossomed into a full-blown drizzle. My colleagues quickly packed items into their go bags—post-it notes, bottles of water, chocolates from that bowl in Kim’s office—and hit the road before the drizzle turned into a light rain and all bets were off. I sat at my desk, listening to the gentle pitter-patter on the window, and came to a stunning conclusion: L.A. is full of pussies.

###

In NY, the answer to your boredom is right outside your door, any day, any time. You step outside and look—a street fair! Look—David Byrne of Talking Heads! Look—one of the taxicab drivers involved in a verbal altercation opened his trunk and removed a baseball bat. I’m not bored. “Cut!” the great director in the sky must have shouted before said bat met skull, and that was alright. The city and I—and both cab drivers—were ALIVE. In LA, you have to get in your car, sit in forty minutes of traffic, arrive at the Arts District neighborhood that the Time Out website assured you was worth the drive, pay ten dollars to park, walk around, past all of the smoothie shops and thrift stores and breweries and bakeries and bail bondsmen to arrive at a shop that the donut review blog Eat My Hole noted as having the best donuts in LA, so you buy one Chocness Monster and one Glaze Anatomy and you eat them and they’re fine, just fine, and you think perhaps you should have ordered a The Filling Is Mutual donut but oh well and as you ponder the credibility of Eat My Hole, you’re downtown and want to get value for your parking expense and you continue strolling but you’re still bored. Where are the steel drum players, the tables of hand-crafted jewelry, the sausages on grills? Where are the road-raged cabbies? Ironic that in New York City one feels like they’re in a movie, while in the land of movies one feels like they’re in a play that as of yet only has a set design.

###

“How’s that sandwich?” The waitress with the strawberry blonde bouffant and Maraschino cherry red lipstick was back at my table. I stared at the sandwich. Then back at her. I had ordered a very basic tuna sandwich. Just rye bread, tuna, and a little mayo. It was meeting every expectation one could reasonably have for chopped fish and mayonnaise on rye. How would it be? One time in New York when I grabbed a dinner with my sister, she had a question for our waitress. “The sautéed oysters – how are they prepared?”, to which the waitress replied “They’re sautéed.” End of discussion.

###

Several years after I moved here I went to a park with a gay picnic group I found on Meetup called LGBTs With BLTs. We’d gather for lunch every couple of weeks at a different park. One didn’t have to have a BLT. I, for example, packed a tuna sandwich. A few bites into it, someone asked “How’s that sandwich?” LA, WTF? Another guy there asked me my age. “47,” I answered. “Really? Wow. I would have guessed 44.” THAT’S NOT A COMPLIMENT! The year before I moved to L.A. a cute guy on the street handed me a flier inviting me to the 20-something picnic. I was 39. That’s a compliment!

###

Two years after arriving in L.A., someone in “the biz” gifted me a ticket to a screening of a new Johnny Depp movie called The Libertine. All of my friends (i.e. Victor) were working, so I went solo. The man next to me on line was also by himself. I forced myself to start a conversation. “Do you know anything about this movie besides it starring Johnny Depp?” He said blah blah blah and I said yadda yadda yadda and our banter never dipped while we waited to be let in. When I took my seat, he followed me and asked if he could sit with me. “Of course!” I responded. We continued chatting. It was so easy. We stopped our discussion during the movie (which in retrospect was a mistake, as the movie, a poorly lit slog about a syphilitic playwright, was terrible). After the movie there was a Q&A session with Depp. I asked him what his dream role would be, and he answered he’d love to portray Carol Channing. (Still waiting for that.) We left the theater together (not me and Johnny, but me and the man I met on line). It turns out we parked in the same garage a block over, so we walked there together and continued our chit-chat. “I can picture Johnny Depp with a blonde shoulder-length bob.” “I hope Tim Burton directs that movie!” We arrived at my car first. I told him how great it was to meet him and suggested we hang out again. I asked him for his phone number. That’s when he Jesse Owens’d to his car one level up.

But still, I kept trying.

###

In New York I’d fed my love of writing at The New School, five blocks from my apartment. Every class I took there was nourishing, and whoever named the university “The New School” would have done well to audit any of them and learn how to be creative. (If the school was named after its founders, say Sherman and Mildred New, I apologize for my flip comment.) In Los Angeles, I found a writers group less than two miles from my home, and usually I made it there in under an hour. Not only was the workshop a place to exercise my creative muscles; it was where I might meet others for whom working out was a cerebral activity. The group was run by a native Angeleno named Nicole—cheery, around my age, dark hair down to her neck. Each session started with an exercise: Nicole would give us a prompt and for 20 to 30 minutes we’d write something based on that prompt. Then we’d share our prose with the group, who’d give feedback, the greatest praise being “that’s a typer-upper!” Often I’d hang out after workshop finished and Nicole and I would chat. Beyond the helpful feedback she gave me during the sessions, I enjoyed her company. She was smart, creative and unpretentious, plus we were both Prince fans, which in my book counts for a lot. During one of these discussions it came up that she loves to cook; my kitchen was primarily an adjunct record album storage shed. She offered to teach me, and a couple of times we got together at her place for cooking lessons. Then she and I made plans to get together to make dinner at my place one Saturday evening. I moved my records from the kitchen. I mopped. I scrubbed the countertops. I degreased the oven racks. Yes, I would have done that anyway. (No, I wouldn’t.) She didn’t show up. She called me a few hours later. “I’m so sorry! I fell asleep and just woke up. Shall we reschedule for tomorrow night?” As luck and my lack of a social life would have it, I was free that night as well. “It’s a date!” Sunday evening came, but Nicole didn’t. I called her to ask where she was, and she told me she thought the plans were off as I didn’t call to confirm. WE MADE THE PLANS LESS THAN 24 HOURS AGO! Why would I then need to confirm them? Here, does the phrase “See you tomorrow” come with an asterisk to a footnote that reads “Or maybe I won’t. Whatever.” Oh, no, no, Godot. Compare this to New York City, where nobody taught me how to cook—my kitchen was barely big enough to hold a dozen LPs—but you can make plans with someone nine months out and they’ll be at the appointed place at the appointed time, no confirmation needed.

###

Several times, a friend and I would make plans to hang out, but they’d soft cancel the plans. A soft cancel is when one party pulls out of plans without telling the other, as opposed to a hard cancel, which is what the world outside Los Angeles simply calls a cancel. With a soft cancel, you’re left waiting—at a restaurant, on your sofa, in your wedding dress—until the clock strikes half past they’re-not-coming. Later (the next day or in a couple of weeks or on Yom Kippur), the canceller explains that “something better came along.” I’ll admit there may exist things that are better than hanging out with me—cruising along the Pacific Coast Highway eating home-baked chocolate chip cookies and singing show tunes with Dolly Parton, or, um, hmmm. That’s the whole list, really. I was on the receiving end of a soft cancel from my “friend” Scott, who I met in Nicole’s writers group (not to be confused with my other friend Scott who has an outsized fascination with Kim Carnes). I had dinner plans with not-“Bette Davis Eyes”-loving Scott. When he didn’t show up at the designated time, I texted him to see if he was on his way. No reply. I waited another ten minutes, then called him. He answered the phone and quickly hung up without saying anything. The next day he called and explained to me that he got a new phone and couldn’t figure out how to work it. Look, I get it. Answering a phone is challenging. Don’t think you’re all that because when your phone rings you hit the green phone icon on your mobile device’s screen and speak. Not everybody is a member of MENSA like you are, smartypants. Oooh, look at Miss Thing! Able to answer a call like it’s nothing! What a genius! Give her a FIFA Phone Prize! For some, answering a phone is like trying to squeeze into your mouth simultaneously a tennis ball, a running lawnmower, and President McKinley. Scott (from the writers group, not the Scott one who knows that Kim Carnes had ten US top 40 singles besides “Bette Davis Eyes”) said he’d make it up to me by taking me out to dinner the coming Wednesday. And give him a tiara and a bouquet, for he showed up at The Flaming Skillet at the agreed upon time. When the bill came he suggested we split it. Give me back that tiara and bouquet. Asshole.

###

I met Stella when she attended an improv workshop I was part of. She was funny and gave off a no-nonsense energy that drew me in, so I introduced myself at the end of her first session. “I know you from somewhere” she said. “Did you live in New York?” “Yes,” I answered. “You were a standup comic, right?” “Yes again.” “I saw you perform! You had that hilarious routine about the song ‘Gloria’!” ‘Tis true. One of my routines was about how loud Laura Branigan sang her signature hit, how it’s not that there isn’t anybody calling; it’s that Gloria can’t hear the phone ringing over Laura Branigan’s singing. How ‘bout her remembering my routine from years prior and praising it!?! She also did standup, which I stopped performing a couple of years before I left NYC, just after the 9/11 attacks, when getting on stage to talk about Laura Branigan seemed inappropriate. Naturally, I took to her right away. And she’s a fellow New Yorker – hurrah! She won’t flake. She was based in L.A. now, in a house up a hill off Laurel Canyon. I visited a few times. The narrow winding streets gave me panic attacks, but that’s a sacrifice I’d gladly make to hang with a pal. I went to the theater and enjoyed her one-person show based on her life. The last time I saw her was at West Hollywood’s now-closed Big Gay Starbucks, when she said “I’ll call you this week and we’ll make plans.” The phone still hasn’t rung, or maybe I haven’t heard it over Laura Branigan’s singing.

###

I hate going to the doctor. It’s not that I’m afraid they’re going to look at my elbow and tell me I have inoperable brain cancer. It’s that 20+ years on in this town, I still have no idea who to enter as my emergency contact when filling out new patient forms, which is like being in one’s 40s and not knowing how to cook. My nominees for Best Emergency Contact (my sister, my stepmom, my friend Laura) all are 3000+ miles away. What good’ll they do me when the doctor calls with the brain cancer news? For now, I postpone important medical procedures, as the patient is required to have a ride to and from the hospital (not a rideshare or taxi or one’s self) and I’m not close enough with anyone to ask them to sacrifice like that for me. Whatever I have, maybe it’ll go away.

(I feel it’s important to note that Scott—the one who follows Kim Carnes and her son on Facebook—has been my chauffer to a couple of MRI’s, but I don’t want to take advantage of his kindness, plus relying solely on him makes it sound like I don’t have any other friends, which I do. Not.)

###

Early in my residence here I had a visitor from the east coast stay with me for a few days. He arrived by mail. Flat Stanley is a paper cutout who goes on adventures. My niece in the third grade wanted him to have a Hollywood experience. My role was to take Flat Stanley out for a day in the city, photographing all the fun things we did, and then send Flat Stanley and our photos back to my niece for a show-and-tell at class.

It was a beautiful day for a sightseeing adventure. The convertible top of my car was down. I took pictures of Stanley in the passenger seat with the seatbelt strapping him in. I finally made my first trip to Griffith Park and I held up my homeboy Stan with the HOLLYWOOD sign behind him. We went to the Chinese Theater where F-Stan put his hand in famous handprints and posed outside the theater with any number of Captain Jack Sparrows and Spongebob Squarepantses. Then I had to mail Stan My Man back to my seven-year-old niece. Is it weird to miss him? Can I just make another Flat Stanley and if anybody asks, I’ll say it’s for another niece? Am I a Stan stan? Am I pathetic?

###

Ten years after relocating to la la land, Warner laid me off. A subsequent consulting client cheated me out of tens of thousands of dollars; the CFO had decided we were friends—I’d spent considerable time with him, even driving him to urgent care once after a business dinner served him complications—and in his view, friends don’t stop working for other friends just because they haven’t been paid their contractually-due consulting fees for several months. Wrong ‘em, boyo. Book some time with Dionne Warwick, ’cause that’s not what friends are for. I found myself in therapy again—Therapist #13—telling him I wanted to live alone somewhere I wouldn’t have to see any others. People who cheat you, take advantage of you, are unkind, disrespectful, self-absorbed and inconsiderate. You know—people. “How would that help your feelings of isolation?” he asked. “It won’t,” I said, “but I already feel isolated, so I may as well be isolated.” It’s not that I’m misanthropic. Misanthropes hate humanity. I hate humans as individuals (except you, the one reading this. You’re the cat’s pajamas, the bee’s knees and the ferret’s suspenders. May I put you down as my emergency contact? Please?).

Why set myself up for more disappointment and rejection? Better to stay in with my dogs and my records and my books and my subscription to HBO Max (or whatever they’re calling themselves at the time this essay is published).

I knew the healthy thing to do was to keep trying. To put myself out there. Making friends is a numbers game. Studies show that even a couple of quality friendships measurably extend your life. Many more years of this.

I decided to be unhealthy. I don’t know if I need permission to quote from a movie and I’m too lazy to find out, so let me rephrase the words of Danny Glover as Sgt. Roger Murtaugh in Lethal Weapon: for this shit too old I’m getting.

Even if someone appears to make overtures for a friendship with me these days, I keep my distance, lest I be left standing all alone yet again.

###

In 1993, just before the release of her album Debut, Icelandic singer-songwriter Björk moved from lifelong hometown Reykjavik to London for work. The work was to put aside her deep shyness and introversion and see how life in a big city may affect her music. The result was the album Post, mostly written post her move to London and as a post to the folks back home, saying “This is how I’m doing.” Her work paid off. The record is so great I sense she found the city’s best donut emporium and treated herself to a Greenwich Cream Time.

The album opens with “Army of Me,” Björk telling someone (me) to stop their (my) bellyaching and set about fixing their (my) situation. You’re on your own. No one is going to save you. Self-sufficience, please. Björk is serving tough love. She’s the Coach Taylor to my Matt Saracen. (At the suggestion of my friend Laura I recently started watching the high school football-centered drama Friday Night Lights.) (I probably shouldn’t include 20-year-old TV references I have to explain.) Björk is my Therapist #14.

Following “Army of Me” is my favorite song on the album, “Hyper-ballad,” about a woman who wakes up early each day, walks to the cliff near her home, and throws off of it things she finds lying around—car parts, bottles, cutlery, sometimes imagining throwing herself off. It’s a perfect party starter, as evidenced by the song going to number one on the Dance chart. This woman’s life and relationship with her partner had lost their zing boom. She has to do something to exorcise her frustrations. In an interview, Björk, assuming the role I assigned her as Therapist #14 (or Coach Taylor, if you prefer out-of-date TV references), offers advice as to how to counter one’s malaise: “You wake up early in the morning and you sneak outside and you do something horrible and destructive, break whatever you can find, watch a horrible film, read a bit of William Burroughs, something really gross and come home and be like, ‘Hi honey, how are you?’” I don’t live near a cliff, so one afternoon while in a deep funk (not the good Chaka Khan kind) I did the most horrible and destructive and gross thing I could think of—I sat down for lunch at the California Pizza Kitchen in Westwood, where I was served something that in NY could only be found in a crafts store.

I sat there alone, rending the grease-saturated, limp slab of cardboard blanketed in laboratory-devised, coagulated pseudo-cheese fat, smothered under a sauce that leaned more toward solid than liquid, and topped with reddish-orange rubber discs that were neither pork-based nor beef-based but rather nuclear waste-based, and I wondered how I ended up here, here being my lonesome life, not CPK, but that, too. What am I doing wrong? I don’t want to have the CPK equivalent of a life. I thought about what Therapist #14 said: Don’t complain. Don’t feel sorry for yourself. What you need to do is set about fixing your situation. Get that negativity out of your system. But how?

###

Put a pin in that for the moment, for I don’t want to leave Post without mentioning three more of my favorite songs on it. There’s “Isobel,” whose titular character grew up alone in a forest and sends moths to the city’s inhabitants as a way to tell them to favor instinct over logic. Isobel/Björk doesn’t tell us how the insects convey this message, but I will—they use Moth Code. Get it? (I’m starting to see why I don’t have any friends.) Favor instinct over logic — four star advice from Therapist #14, unconventionally delivered via moth, as is her wont. Meetup groups, forced conversations with whoever is next to me on line, putting myself out there. Maybe I’ve been overthinking it, as is my wont. Maybe I should follow the moth.

In “I Miss You,” the narrator dreamed up exactly who their perfect companion will be and is sure they will meet them. “I’m so impatient / I can’t stand the wait,” she sings. Nor can I, Björk, but screw my perfect companion (I probably could have phrased that better); I’ll gladly settle for someone to hang out with, who shares some of my interests. The bar is not high. The bar is low. Very low. The bar is so low to the ground the world’s most supple limbo dancer can’t get under it. I continue to wait.

And there’s the album’s only cover song, “It’s Oh So Quiet,” which Smash Hits called “oh so brilliant,” Bjönkers,and a loonier-than-the-looniest-thing-ever-loonied choon.” A top five single in the UK, it is Björk’s biggest hit. The song opens as a calm, mellow, relaxed acceptance of being alone as a nice, peaceful state, until…until a full orchestra kicks in, Björk belts “You fall in love, zing boom,” soon to be followed by screams of delight. In the song’s video, we have a dancing metallic muffler man, dancing marble columns, and a dancing mailbox, ending with Björk levitating. It’s bjöyous. That’s where I want to live, if not geographically, at least emotionally.

###

One recent day, I turned down invites not received to stay in and delete files from my Google Drive, as Google informs me on the daily I’m reaching my storage limit and if I didn’t make some room I’d be alone forever and not get into heaven. (I’m paraphrasing.) I spent an inordinate amount of time asking Google’s chatbot, Gemini, how to delete from my Google Drive files shared with me by people with whom I am no longer in contact. Gemini kept giving me instructions, none of which worked, until eventually it threw up its virtual arms and sent me the message “You are out of points for today.” End of discussion. How am I supposed to learn how to make friends when even a non-human chatbot has Jesse Owens’d me?

###

Within the last year, both of my dogs passed away. I felt lonesome before; now I am truly alone. I didn’t realize just how much my dogs were my social life. Besides my weekly grocery shopping, I’ve barely left my home since the second one passed. I seldom talk to anybody, outside of a weekly Zoom call for work and a twice-monthly Zoom with my writers group. (This is not Nicole’s writers group, but rather one I‘ve been running since its previous host abandoned it.) Should I stay in L.A.?

I had been thinking I’ll move back east when my dogs pass, but when that came to be so, I was on the fence. I used to go back to Manhattan two or three times per year, but I haven’t been since 2018. On each trip I had one fewer friend left, until it was just Martin, who ignored my calls to get together.  (Martin is to friends what CPK is to pizza.) My favorite hangout spots–Bendix Diner, Tower Records, Mxyplyzyk–closed. (Mxyplyzyk is not something I typed while having a stroke connected to my hypothetical brain cancer, but was a home furnishings/gift shop filled with lots of cute, useful, overpriced this and that.) The Strand is still open, with its cellar filled with reviewer copies of books at half-price, though it filled me with anxiety on my most recent trip there, thanks to my fairly new fear of basements, an offshoot of my fairly new claustrophobia. You think my latest therapist (Therapist #15? 16? I’ve lost count.) wants to solely hear about my loneliness week in week out? I have plenty more sources of distress, agitation and ick with which to keep him entertained. Which brings me to…

New York City has cockroaches that are roughly the size of your average third grader and rats so huge that as they scurry along the subway tracks they’re often mistaken for the E train. And before you get all smug, City of Angels, I have seen, on my street, coyotes and bobcats. They’re not gross like cockroaches and rats, but they are topics of conversation with Therapist #17. That’s the trade-off. Cockroaches and rats vs. coyotes and bobcats. Terrorist attacks and blizzards vs. fires and earthquakes. Friends having moved vs. flakes and soft cancellers. You say “So, you’ll go back to your beloved New York and make new friends.” Have you been paying attention? I am to making friends what Diane Warren is to the Academy Award for Best Original Song. (See, she’s been nominated for that award 17 times yet she’s never won.) (It loses something when I have to explain an analogy.) (Still, though, 17 nominations and no wins! Ouch!) (Anyway….)

I already had a friend in L.A. when I moved here. Victor. Remember Victor? We made plans to get together one New Year’s Eve. He had suggested an outdoor dance party, but when December 31 rolled around it was cold and raining. I left Victor a voicemail suggesting we find another place to celebrate. I didn’t hear back from him until 11:30 PM. He called from the field where the party was to tell me he’s there. I crossed him off my friends list and went to bed.

I look at my attempts to make friends in L.A. They blow me off. They run from me. They soft cancel our plans. They want to ring in the new year with a case of pneumonia.

But there are two constants in my failed friendships: L.A., and me. Am I using L.A. as an excuse when the problem is me? That possibility is why I‘m skeptical about making new friends in New York. That’s why I brought up the Diane Warren analogy, though I’m loathe to mention her again as my intuition tells me you’re still unsettled that I referenced her in the first place. I don’t want you to Jesse Owens me when I’m so close to wrapping up this essay, plus I’m still in need of an emergency contact.

###

After sharing an essay in her workshop, Nicole told me it was great until the end. I didn’t resolve the conflict I set up in the story. That’s because there was no resolution. Not every story has one. And here I sit.

###

I read about an exhibition of the work of artist Shepard Fairey at a gallery not too far from where I live. I hadn’t gone to a museum or gallery since before the pandemic, specifically some 14 years before the pandemic, when I was visiting Australia. Initially I thought of attending alone, but then I figure I’d invite someone to join me. I’m going anyway, so if they blow me off, it’ll hurt but not so much as I expect it to happen because L.A. Mainly I’m going to dig the art. I reached out to Ronnie in my writers group. She said yes.

The temperature on that January day was 68 degrees. I elected to walk the two miles to get there. The sidewalks, as usual, were not crowded. Traffic on the street was pretty light. I heard no honking, but then again, I was wearing my noise-canceling headphones with my iPod Shuffle, blasting my ears with  Gladys Knight & The Pips, Joan Jett, Young MC, and “Texas Has a Whorehouse In It” from the Broadway cast album of Annie The Best Little Whorehouse In Texas. The sky was blue, there was no wind, and, thankfully, I didn’t cross paths with coyotes or bobcats. There was the fear Ronnie wouldn’t show up, not because of Ronnie being Ronnie. She’s great. I trusted her. But then again, I trusted Nicole. And Stella, And Scott (the Scott who finds answering the telephone to be a challenge on a par with scaling Mount Everest without the use of boots, ropes or arms, as opposed to the always reliable other Scott, the one who knows that Kim Carnes’ nine-week run at #1 with “Bette Davis Eyes” was interrupted for one week by Stars On 45). Ronnie showed up. A little late, but not half past she’s-not-coming. The art was powerful and inspiring. Afterwards we walked a few blocks and found a café where we hung out and chatted as I nibbled on a very tasty chocolate chip cookie, which I washed down with a hot cocoa. (It was winter.) It was an enjoyable afternoon. Not zing boom, but the limbo stick has been raised.

I’d worn one of my many impressive pairs of sneakers, which were designed more for attention and admiration than for walking two miles, so Ronnie and I shared an Uber to our respective homes. Our driver attempted conversation, awkwardly. I know that feeling. When with someone more socially inept than I, I feel the need to put them at ease, and so I engaged our driver in a one-way conversation on the subject of Jermaine Jackson. This was not the first time I discussed Jermaine Jackson with an Uber driver; it also happened on the way home from a drag show with Scott (you know which Scott). For the record, both drivers were fascinated.

I renewed my lease for another year.

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Tunes Du Jour Presents 1999

As we look back on the musical landscape of 1999, it’s hard not to be struck by the sheer diversity and quality of singles that dominated the charts and airwaves. Straddling the end of one millennium and the dawn of another, this year produced an extraordinary array of hits that continue to resonate with listeners today.

Pop music was in full force, with young stars like Britney Spears and the Backstreet Boys delivering earworms that would define the era. Spears’ debut “…Baby One More Time” and the Boys’ “I Want It That Way” became instant classics, their catchy hooks and polished productions setting a new standard for pop perfection. Meanwhile, Latin pop exploded onto the mainstream scene with Ricky Martin’s irresistible “Livin’ la Vida Loca,” a song that seemed to capture the exuberant spirit of the times.

But 1999 wasn’t just about glossy pop. Hip-hop continued its ascent, with Jay-Z’s “Hard Knock Life (Ghetto Anthem)” showcasing the genre’s growing crossover appeal. Eminem burst onto the scene with “My Name Is,” his irreverent wordplay and controversial persona signaling a new direction for rap. R&B, too, had a strong showing, with TLC’s “No Scrubs” becoming an anthem of female empowerment and Lauryn Hill’s “Ex-Factor” demonstrating the genre’s capacity for emotional depth.

Rock music, far from being overshadowed, produced some of the year’s most enduring tracks. The Red Hot Chili Peppers’ “Scar Tissue” showcased their evolving sound, while The Offspring’s “Pretty Fly (For a White Guy)” brought punk-pop humor to the masses. Alternative and indie acts like The Flaming Lips and Mercury Rev pushed boundaries with “Race for the Prize” and “Goddess on a Highway” respectively, proving that innovative songwriting could still find a place in the mainstream.

Electronic music also made significant inroads in 1999. Fatboy Slim’s “Praise You” and The Chemical Brothers’ “Hey Boy Hey Girl” brought big beat to the forefront, while Moby’s “Why Does My Heart Feel So Bad?” hinted at electronic music’s potential for emotional resonance. From the dancefloor-filling “Sing It Back” by Moloko to the avant-garde “Windowlicker” by Aphex Twin, electronic artists were expanding the sonic possibilities of popular music in exciting ways.

The singles of 1999 paint a picture of a music industry in flux, embracing new sounds and technologies while still celebrating the timeless art of the perfectly crafted pop song. It was a year that laid the groundwork for the musical landscape of the 21st century, producing hits that continue to inspire and entertain listeners a quarter-century later.

Tunes Du Jour Presents 1998

The year 1998 was a watershed moment for popular music. Emerging from the stylistic chaos and radical experimentation of the early/mid ’90s, the music of 1998 represented a culmination of daring artistic visions cohering into some of the most innovative, insightful, and flat-out infectious songs of the decade. Across genres, it was a year that shattered boundaries and solidified legends – a prolific melting pot of game-changing sounds destined to endure.

One of the standout tracks of the year was The Verve’s “Bitter Sweet Symphony,” a song that fused rock with sweeping orchestral arrangements, creating an anthemic yet melancholic sound that resonated with a wide audience. Its poignant lyrics and grandiose strings captured a sense of wistful longing and existential reflection that felt emblematic of the complicated late ’90s zeitgeist. Similarly, Radiohead’s “Karma Police” continued to explore the darker, more unsettling side of human experience with its haunting melody and cryptic lyrics, solidifying the band’s status as one of alt-rock’s most vital and cerebral forces.

The late ’90s also saw electronic music rapidly integrating into the mainstream pop landscape in visionary ways. Fatboy Slim’s “The Rockafeller Skank” was an explosively funky example of this trend, with its gritty, sample-heavy production and addictive dancefloor-ready beats. Stardust’s “Music Sounds Better With You” took a more soulful tack, combining classic house rhythms with a simple yet instantly catchy vocal hook to create an enduring dancefloor classic still beloved today. And the Norman Cook remix of Cornershop’s “Brimful of Asha” ingeniously blended Indian folk sounds with UK club vibes for a globe-spanning hit. For seekers of more atmospheric, boundary-pushing electronica, Massive Attack’s “Teardrop” provided a hypnotic, cinematic soundscape. This fertile era helped lay the groundwork for electronic music’s dominance in pop in the coming decades.

Hip-hop and R&B asserted their cultural force in 1998 as well, with few tracks as powerful as Lauryn Hill’s “Doo Wop (That Thing)” – an undeniable feminist anthem of self-respect powered by Hill’s dexterous rapping and soulful crooning. Her ability to fuse hip-hop bravado with uplifting, socially-conscious lyricism over neo-soul grooves earned her massive critical acclaim. Similarly future-leaning was Aaliyah’s “Are You That Somebody?” which saw the singer’s sultry vocals gliding over Timbaland’s percussive, synthetic production for an alluringly sleek sound that felt years ahead of its time. 

While maintaining their commercial clout, pop’s biggest icons weren’t afraid to musically reinvent themselves in 1998. Madonna’s “Ray of Light” saw the Queen of Pop shedding her known persona for a more spiritually inquisitive stance matched by the song’s trance-inflected electronica textures. And Janet Jackson’s “Together Again” honored loved ones lost to AIDS with its uplifting, gospel-tinged dance-pop sound tempering heavier subject matter.

In retrospect, the diverse brilliance of 1998’s musical landscape feels almost overwhelming. From fist-pumping dancefloor anthems to raw outpourings of soul, from guitar-driven songs of profundity to mindblowing productions that rewrote pop’s boundaries – the year’s music seamlessly bridged the underground and the mainstream in a way that felt thrillingly new. It was the sound of artists across genres at their hungriest and most inspired, creating the shared musical memories that still bond generations of fans together in nostalgic reverie decades later. For many, 1998 was simply the rarest of cultural moments – when everything intersected with perfection. 

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Your (Almost) Daily Playlist: 7-1-23

Missy Elliott and her producer, Timbaland, recorded enough songs to make up Missy’s third album, Miss E…So Addictive. They decided the album could use one more song, so they came up with a little something called “Get Ur Freak On.”

Missy Elliott turns 52 today. Honor the occasion by getting ur freak on with help from today’s playlist.

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