Sam + Ringo

It Really Shoulda…

by with No Comment playlists

Sam + Ringo
It’s that time of year when music geeks such as I think about the I.R.S. I.R.S. as in It Really Shoulda, as in it really should been a top ten hit.

Eight years ago, a colleague from my Sony Music days, Rich Appel, created the I.R.S. countdown. Music fans submitted a list of songs that didn’t make the top ten on Billboard magazine’s Hot 100 but should have, in their opinion. Rich compiled the tallies to create the overall I.R.S. top 104. He’s been compiling this survey each year since.

As for why a song should have been a top ten hit, that’s left entirely up to the list-maker. On my list, I included records that are perfect or near-perfect melodically, lyrically and/or production-wise. I included songs that have withstood the test of time and are still part of the public consciousness years later. I included records that everybody thinks were top ten hits. I included tracks that would have been top ten hits except they didn’t conform to Billboard’s rules for chart placement at their time of release (e.g. they weren’t available on commercial 7-inch singles or viral video play didn’t count in metric measurements). I included singles by artists who hit the top ten with lesser songs. I focused on tracks that have pop appeal, leaving out fantastic recordings from some of my favorite acts, such as The Replacements and The Smiths – they were called “alternative” because they weren’t pop.

My list for 2015 is below, followed by a Spotify playlist of those songs. Rich asks people submitting lists to put them in order, with #1 being the record one feels should have, more than any other, been a top ten hit. Ask me to do so tomorrow and my list will likely be in a different order.

For today, here is my I.R.S. 104. After the artist name I listed how high the song charted during its initial release. If the single hit the Hot 100 at a later date, I included that information as well.

You can hear the official I.R.S. 104 tally for 2015 on Rich Appel’s radio show, That Thing, this coming weekend on RewoundRadio.com. Friday at 6PM Eastern he’ll go from #104 to around #53 and Sunday starting at 6PM Eastern he’ll pick up from where he left off and go to #1.

1. Wonderful World – Sam Cooke (#12, 1960)
2. Ain’t No Mountain High Enough – Marvin Gaye and Tammi Terrell (#19, 1967)
3. River Deep, Mountain High – Ike and Tina Turner (#88, 1966)
4. I Only Want to Be with You – Dusty Springfield (#12, 1964)
5. Fortunate Son – Creedence Clearwater Revival (#14, 1969)
6. Cupid – Sam Cooke (#17, 1961)
7. Holiday – Madonna (#16, 1984)
8. Isn’t She Lovely – Stevie Wonder (did not chart, 1977)
9. 1999 – Prince (#44, 1982; #12, 1983; #40, 1999)
10. Born to Run – Bruce Springsteen (#23, 1975)
11. It Takes Two – Marvin Gaye and Kim Weston (#14, 1967)
12. Little Egypt (Ying Yang) – The Coasters (#23, 1961)
13. I Want to Take You Higher – Sly & the Family Stone (#60, 1969; #38, 1970)
14. Into the Groove – Madonna (did not chart, 1985)
15. We Will Rock You – Queen (did not chart, 1978; #52, 1992)
16. S.O.S. – Abba (#15, 1975)
17. You’ve Got a Friend – Carole King (did not chart, 1971)
18. Hold On! I’m Comin’ – Sam & Dave (#21, 1966)
19. Try a Little Tenderness – Otis Redding (#25, 1967)
20. The Way You Do the Things You Do – The Temptations (#11, 1964)
21. It’s a Shame – Spinners (#14, 1970)
22. It’s Gonna Work Out Fine – Ike & Tina Turner (#14, 1961)
23. Under My Thumb – the Rolling Stones (did not chart, 1966)
24. Opus 17 (Don’t You Worry ‘Bout Me) – Four Seasons (#13, 1966)
25. Me and Julio down by the School Yard – Paul Simon (#22, 1972)
26. Happy Xmas (War Is Over) – John & Yoko & the Plastic Ono Band with the Harlem Community Choir (did not chart, 1971)
27. I’m Every Woman – Chaka Khan (#21, 1978)
28. Viva Las Vegas – Elvis Presley (#29, 1964)
29. Do They Know It’s Christmas? – Band Aid (#13, 1984)
30. Super Freak – Rick James (#16, 1981)
31. Mighty Love – Spinners (#20, 1974)
32. Stan – Eminem featuring Dido (#51, 2000)
33. So Far Away – Carole King (#14, 1971)
34. Christmas (Baby Please Come Home) – Darlene Love (did not chart, 1963)
35. Because the Night – Patti Smith Group (#13, 1978)
36. Big Yellow Taxi – Joni Mitchell (#67, 1970)
37. Candy Girl – New Edition (#46, 1983)
38. Brass in Pocket (I’m Special) – Pretenders (#14, 1980)
39. Everybody Hurts – R.E.M. (#29, 1993)
40. It Takes Two – Rob Base & DJ E-Z Rock (#36, 1988)
41. Heartbreak Hotel – the Jacksons (#22, 1981)
42. Young Hearts Run Free – Candi Staton (#20, 1976)
43. Valerie – Mark Ronson featuring Amy Winehouse (did not chart, 2007)
44. Rock and Roll All Nite (live) – Kiss (#12, 1976)
45. You Make Me Feel (Mighty Real) – Sylvester (#36, 1979)
46. L-O-V-E (Love) – Al Green (#13, 1975)
47. It’s Raining Men – the Weather Girls (#46, 1983)
48. I’m a Slave 4 U – Britney Spears (#27, 2001)
49. You Shook Me All Night Long – AC/DC (#35, 1980)
50. Wake Up Everybody – Harold Melvin and the Blue Notes (#12, 1976)
51. Walk on the Wild Side – Lou Reed (#16, 1973)
52. Bring It on Home to Me – Sam Cooke (#13, 1962)
53. Pride (In the Name of Love) – U2 (#33, 1984)
54. Ain’t No Stoppin’ Us Now – McFadden & Whitehead (#13, 1979)
55. Move Your Feet – Junior Senior (did not chart, 2003)
56. Heroes – David Bowie (did not chart, 1977)
57. Werewolves of London – Warren Zevon (#21, 1978)
58. One Way or Another – Blondie (#24, 1979)
59. You Get What You Give – New Radicals (#36, 1999)
60. Heaven Must Be Missing an Angel – Tavares (#15, 1976)
61. Ain’t Nobody – Rufus featuring Chaka Khan (#22, 1983)
62. You Can Call Me Al – Paul Simon (#44, 1986, #23, 1987)
63. I Can’t Make You Love Me – Bonnie Raitt (#18, 1992)
64. Young Americans – David Bowie (#28, 1975)
65. A Change Is Gonna Come – Sam Cooke (#31, 1965)
66. Respect Yourself – the Staple Singers (#12, 1971)
67. Moondance – Van Morrison (did not chart, 1970; #92, 1977)
68. Where’s the Love – Hanson (did not chart, 1997)
69. Don’t You Worry ‘Bout a Thing – Stevie Wonder (#16, 1974)
70. I Want Candy – Bow Wow Wow (#62, 1982)
71. Genius of Love – Tom Tom Club (#31, 1982)
72. Beautiful Stranger – Madonna (#19, 1999)
73. Shame, Shame, Shame – Shirley (& Company) (#12, 1975)
74. The Way I Am – Eminem (#58, 2000)
75. Jungle Love – The Time (#20, 1985)
76. Gypsy – Fleetwood Mac (#12, 1982)
77. Smile – Lily Allen (#49, 2007)
78. Tear the Roof off the Sucker (Give up the Funk) – Parliament (#15, 1976)
79. Same Love – Macklemore & Ryan Lewis featuring Mary Lambert (#11, 2013)
80. Solid – Ashford & Simpson (#12, 1985)
81. Rapper’s Delight – The Sugarhill Gang (#36, 1980)
82. The Cup of Life – Ricky Martin (#60, 1998; #45, 1999)
83. Me, Myself and I – De La Soul (#34, 1989)
84. Bad Luck – Harold Melvin & the Blue Notes (#15, 1975)
85. Once in a Lifetime – Talking Heads (did not chart, 1981)
86. Fuck You – Lily Allen (#68, 2009)
87. Such Great Heights – The Postal Service (did not chart, 2003)
88. Can’t Take My Eyes Off You (movie version) – Lauryn Hill (did not chart, 1998)
89. Dedication to My Ex (Miss That) – Lloyd featuring Andre 3000 (#79, 2011)
90. Jump To It – Aretha Franklin (#24, 1982)
91. Mamma Mia – Abba (#32, 1976)
92. Space Oddity – David Bowie (did not chart, 1969; #15, 1973)
93. P Control – O{+> (Prince) (did not chart, 1995)
94. Got Your Money – Ol’ Dirty Bastard featuring Kelis (#33, 1999)
95. LDN – Lily Allen (did not chart, 2007)
96. It Doesn’t Matter Anymore – Buddy Holly (#13, 1959)
97. Does Your Mother Know – Abba (#19, 1979)
98. Up in a Puff of Smoke – Polly Brown (#16, 1975)
99. Blue Limousine – Apollonia 6 (did not chart, 1984)
100. All the Young Dudes – Mott the Hoople (#37, 1972)
101. Fight the Power – Public Enemy (did not chart, 1989)
102. Pass That Dutch – Missy Elliott (#27, 2003)
103. Stacy’s Mom – Fountains of Wayne (#21, 2003)
104. You Know I’m No Good – Amy Winehouse (#78, 2007; #77, 2008)


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Winston + Brenda Lee

Old Time Rock & Roll Xmas, With Jews!

by with No Comment playlists

In 1958, 13-year-old Brenda Mae Tarpley went into a recording studio with famed producer Owen Bradley and cut “Rockin’ around the Christmas Tree,” written by Johnny Marks (Jew!). Released as a single for that year’s holiday season, it bombed. That really isn’t surprising. Tarpley, better known by her stage name, Brenda Lee, was virtually unknown at the time.

In 1959, her record label reissued the single. It bombed. That really isn’t surprising. Lee hadn’t dented Billboard’s Hot 100 all year.

In 1960, her record company released it yet again. Third time lucky. Coming off two #1 singles, “I’m Sorry” and “I Want to Be Wanted,” plus two other top ten hits, “Sweet Nothin’s” and “That’s All You Gotta Do,” Lee’s Christmas record peaked at #14.

Winston + Brenda Lee
For years the hits kept coming for Lee. She placed 55 songs on Billboard’s Hot 100, including twelve top tens. These days she is perhaps best-remembered for “Rockin’ around the Christmas Tree,” a holiday staple.

Johnny Marks, the Jew who wrote the song, also wrote “Rudolph, the Red-Nosed Reindeer,” “Holly Jolly Christmas,” and “Run Rudolph Run.”

He’s not the only Jew to have written Christmas standards. Also written by chosen people? “White Christmas,” “Silver Bells,” “Winter Wonderland,” “Santa Baby,” “Sleigh Ride,” “I’ll Be Home for Christmas,” Let It Snow Let It Snow Let It Snow,” “The Christmas Song (Chestnuts Roasting on an Open Fire),” “You’re a Mean One, Mr. Grinch,” “It’s the Most Wonderful Time of the Year,” and “Give the Jew Girl Toys.” Oy gevalt!

Today Brenda Lee turns 70 years old. Our playlist today includes her classic version of “Rockin’ around the Christmas Tree” as well as nineteen other holiday tunes from the early days of rock and roll, before The Beatles took over the United States in 1964. Some were written by Jews, some were not. Some get a lot of radio airplay this time of year, some deserve more (specifically “Christmas in Jail” and “Trim Your Tree.”). All put me in the mood to rock around my menorah.

More holiday music can be found here, here, here, here, and here.

Click here to like Tunes du Jour on Facebook!

Ringo + Ronnie 2014-08-10 12.19

The Ronettes – “Be My Baby”

by with No Comment playlists

Ringo + Ronnie 2014-08-10 12.19

Ronnie Spector turns 71 years old today. Along with her sister Estelle and cousin Nedra, Ronnie, then Veronica “Ronnie” Bennett, formed The Ronettes, one of the classic girl groups of the sixties.

The trio was signed to Colpix Records, but none of their singles performed well. Then they met Phil Spector, who signed them to his label, Philles.

The first track Spector recorded with the trio was “Why Don’t They Let Us Fall in Love?,” which, though the girls liked it, Spector held from release.

With Jeff Barry and Ellie Greenwich, Phil Spector wrote “Be My Baby,” with the intention of having Ronnie Bennett, the woman he wanted to be his baby, record it.

The resulting record had a classic Spector wall of sound production and Phil recorded more than 40 takes. It took Ronnie three days to get the lead vocal down.

The other Ronettes don’t sing on “Be My Baby.” Background vocals were provided by Darlene Love, Nino Tempo, Sonny Bono, who did promotion for Phil Spector, and Bono’s girlfriend, Cher.

In 1963, The Ronettes’ “Be My Baby” rose to #2 on Billboard’s Hot 100. Since that time it has made many lists of the greatest recordings. Among its biggest fans is Brian Wilson of The Beach Boys, who named it is favorite single of all-time, saying “This is a special one for me. What a great sound, the Wall of Sound. Boy, first heard this on the car radio and I had to pull off the road, I couldn’t believe it. The choruses blew me away; the strings are the melody of love. It has the promise to make the world better.”

Ronnie Bennett married Phil Spector in 1968. They divorced in 1974.

Today’s playlist consists of twenty tracks embodying the classic girl groups sound, with an emphasis on The Ronettes.

crystals 003

He’s A Rebel

by with No Comment playlists

crystals 003

Some time in my teen years I feel in love with the girl group sound. My favorite was The Crystals’ “He’s a Rebel.” The music and the vocals hooked me. The singer tells of how others don’t approve of the boy she loves as he’s a non-conformist, but he treats her well and that’s all that matters.

The story behind the record is as interesting as the record itself. The song was written by Gene Pitney, who had several hits of his own, including “Town Without Pity” and “(The Man Who Shot) Liberty Valence.” “He’s a Rebel” was slated to be the debut single for Vikki Carr, but when Spector heard Pitney’s demo he knew he wanted it for one of his acts, The Crystals.

He needed to record it quickly in order to challenge Carr’s version at the stores. The Crystals, however, were on the road in New York and unable to make the recording sessions in Los Angeles. No problem. Spector hired a local group called The Blossoms, led by Darlene Wright, to record the song. Wright was paid $3000 for the session. Spector released the record under the name The Crystals, as his label owned the name. The actual Crystals first learned of their new hit song when they heard it on the radio. It became their first #1 single, meaning The Crystals had to learn this song so they could perform it at their shows. The group’s lead singer, Barbara Alston, could not match Wright’s vocal performance, so fellow Crystal LaLa Brooks moved into the lead vocalist slot. Coincidentally, the week The Crystals’ “He’s a Rebel” was #1, Gene Pitney was #2 as a singer with “Only Love Can Break a Heart,” a song he didn’t write.

As “He’s a Rebel” was so successful, Spector needed to get a follow-up single out quickly. Again, he turned to The Blossoms to record “He’s Sure the Boy I Love.” Wright, however, was angry that her name was not on “He’s a Rebel” and told Spector she would only do this song if she were singed to a recording agreement and was properly credited for her vocals on the track. Spector agreed, changing her name in the agreement to Darlene Love. He released “He’s Sure the Boy I Love.” It was credited to The Crystals.

Spector used the money he made from “He’s a Rebel” to buy out his business partners in the Philles Records label. In addition to the financial settlement, Spector had to give his two ex-partners a share of the royalties of the next Philles single release, so Spector got the real Crystals into the studio and recorded “(Let’s Dance) The Screw,” a silly number clearly not intended to be a hit. A copy was sent to one of the ex-partners. No royalties were generated.

Today is Phil Spector’s 74th birthday. He’s spending it in jail, convicted in 2009 for the 2003 murder of Lana Clarkson. What happened to Clarkson is horrible and unforgivable. That this is how many people know of Spector these days is tragic. This playlist recalls the years that Spector was known as one of the greatest producers in the history of rock and roll. Besides the tracks presented below, Spector also worked with John Lennon, producing with him, among others, a little ditty called “Imagine;” with George Harrison, producing, among others, a song you may have heard called “My Sweet Lord;” and with The Beatles, producing an album named Let It Be.

An Atheist Jew’s Guide To Christmas Music, Part 4

by with No Comment playlists

In the grocery store yesterday I heard the most joyless version of “Joy to the World.” I heard a dull version of “White Christmas” that made me glad it was 77 degrees outside. I heard a rendition “Santa Claus Is Coming to Town” so lifeless it would make Kris Kringle say “Fuck this – I’m staying home.”

My fourth and final Christmas playlist for 2013 includes more festive fare. Mostly it consists of Christmas songs that have not been overplayed. Some of the holiday classics are represented – “The Little Drummer Boy” as performed by Iggy Pop and RuPaul’s twist on “I Saw Mommy Kissing Santa Claus” in which mommy is not the parent doing the kissing.

Enjoy!

An Atheist Jew’s Guide To Christmas Music, Part 3

by with One Comment playlists

You may have heard that last week on Fox Megyn Kelly said the real title of the song “Santa Claus Is Coming to Town” is “Santa Claus Is Coming to Town and He’s White and Just Because It Makes You Feel Uncomfortable Doesn’t Mean It Has To Change.” She also said “Here Comes Santa Claus” is actually “Here Comes Santa Claus and He’s White and Just Because It Makes You Feel Uncomfortable Doesn’t Mean It Has To Change.” She was fine with “White Christmas.”

Kelly, who is white and just because that makes you feel uncomfortable doesn’t mean it has to change, will enjoy today’s playlist. It’s part 3 of An Atheist Jew’s Guide to Christmas Music. (Click to listen to parts 1 and 2.) She may take issue with an atheist Jew selecting Christmas songs, but she’ll be happy I’m white, just like Santa and Jesus and Frosty and Rudolph. Artists on today’s playlist include such great white folks as Pet Shop Boys, Erasure, James Brown, The Jackson 5, The Beach Boys, Stevie Wonder, Rufus Wainwright, The Supremes, Eagles, Whitney Houston, The Temptations, Paul Simon, Pearl Jam, Boy George, Elvis Presley and Joan Jett, among others. There are classic songs and some you may not have heard before. I doubt Kelly is familiar with Pansy Division’s “Homo Christmas” and she may not like what the band suggests one does with a candy cane, but just because that makes her feel uncomfortable doesn’t mean it has to change. Besides, Pansy Division is white, just like everyone is at Christmas time.

Enjoy! May your days be merry and bright and may all your Christmases be white with a capital W.

An Atheist Jew’s Guide To Christmas Music, Part 1

by with 3 Comments playlists

Raised Jewish, I celebrated Hanukkah. For several years, my family also celebrated Christmas. We didn’t go to midnight mass, we didn’t drink egg nog, we didn’t throw a special type of log in the fireplace. (By the way, I have no idea what makes a Yule log yuley). We put tinsel and candy canes on a large potted plant my mother had in the den and bought each other small but practical gifts. For example, when I was 11 for Christmas my parents got me a salt shaker. The Christmas celebrations stopped after I innocently told Grandpa Mordechai about them. My parents were so angry with me they took away my salt shaker.

Though I no longer celebrate Christmas, I still have a major jones for Christmas music. I own many more Christmas records than any atheist Jew probably should. We’re talking in the hundreds.

I eschew Christmas classics performed by well-known middle-of-the-road acts such as Celine Dion, Michael Bublé, Kenny G (sell-out Jew), Neil Diamond (sell-out Jew) or Barbra Streisand (sell-out Jew). Frank Sinatra shows up only in a duet with Cyndi Lauper and Bing Crosby shows up only in his duet with David Bowie.

Including the Crosby/Bowie version, I have 15 renditions of “The Little Drummer Boy” in my iPod, by a diverse list of artists including Johnny Cash, The Temptations, Joan Jett, Bob Dylan, Iggy Pop and RuPaul.

I have ten versions of “Winter Wonderland,” and that’s not counting the cross-dressing parody “Walkin’ Round in Women’s Underwear,” not performed by RuPaul.

I have “Christmas in Hollis,” “Christmas in Harlem,” “Christmas in Washington,” “Christmastime in the LBC,” “Christmas in the City,” “Christmas in Heaven,” “Christmastime in Hell” and “Christmas at the Zoo.”

I have Christmas songs by most of my favorite artists of all-time, including The Beatles, Prince, Michael Jackson, Madonna, Stevie Wonder, R.E.M., Elvis Presley, The White Stripes, Kanye West, Ike and Tina Turner, Chuck Berry, and Radiohead.

Some Christmas songs aren’t Christmas songs at all. “Frosty the Snowman,” “Let It Snow Let it Snow Let It Snow” and “Winter Wonderland” don’t mention the baby Jesus or Santa Claus or presents or a bullied reindeer with a skin ailment.

Some of the Christmas songs I have are a bit odd. “I Found the Brains of Santa Claus,” a smooth jazz version of “Grandma Got Run Over By a Reindeer,” C3PO and R2D2 singing “Sleigh Ride.” I have Liberace reciting “Twas the Night Before Christmas,” though his version doesn’t hold a candle to Aretha Franklin’s version, in which the Queen of Soul took a few liberties with the words: “A bundle of gifts he had and what did I get? / As I squealed, opening the package, the same old shit!” Her lyrics are downright Disneyesque compared to Snoop Dogg’s reading of the famous poem. If you’re interested, Google the lyrics because I’m not going to print them here.

I have John Denver singing “Please Daddy (Don’t Get Drunk This Christmas).” Verse one opens with a couplet for the arithmetically-challenged: “Just last year when I was only seven / Now I’m almost eight you can see.” Santa needs to bring John some flashcards. The next two lines create a holiday image that is less Norman Rockwell and more John Waters: “You came home at quarter past eleven / And fell down underneath the Christmas tree.” Someone needs to get him to a 12-step group. He can attend a meeting with the title character of Fishbone’s “Slick Nick, You Devil You,” who came down the chimney with a keg of brew and spilled Jack Daniels all over the drapes.

I have Sarah Silverman singing “Give the Jew Girl Toys,” in which she taunts Santa by singing “You have a list / Well, Schindler did to / Liam Neeson played him / Tim Allen played you.”

Then there’s the classic “Fairtytale of New York” by the Pogues and Kirsty MacColl, which evokes the holiday spirit with the line “You scumbag, you maggot / You cheap lousy faggot,” something yelled at me every year by those Salvation Army Santas.

Better still is “Macarena Christmas.” I LOVE “Macarena” and I’m betting you do to though you probably won’t admit it. “Macarena Christmas” celebrates the birth of our lord and savior Baby Macarena by taking the chorus from the hit single and uncleverly inserting it repeatedly into a medley of Christmas songs, so it goes “Joy to the world, the Lord has come / Da le a tu cuerpo alegria Macarena, Que tu cuerpo es pa darle alegria y cosa Buena / Da le a tu cuerpo alegria Macarena / Eeeeeh, Macarena – ay / Jingle bells jingle bells jingle all the way.” Sound effects of what sounds like an infant with the hiccups are thrown in. It makes no sense, y me gusta mucho.

My favorite holiday album and one of the greatest all-time albums period is Phil Spector’s A Christmas Gift for You, featuring tracks he produced for The Ronettes, The Crystals, Darlene Love and Bob B. Soxx and The Blue Jeans. Every cut on it is classic and can be enjoyed by the whole family, except Grandpa Mordechai.

Happy Hanukkah!

by with No Comment playlists

Tonight is the first of the eight nights of Hanukkah, so I thought I’d treat my readers to a Hanukkah playlist, with the hope that you’re not tired of all the Hanukkah music played on the radio and in stores this time of year.

I wanted to start with Beck’s “Little Drum Machine Boy,” which tells the little-known story of the Robot Funk, who does the blessing over the menorah candles, and the Hanukkah Pimp. Unfortunately, this holiday classic is not on Spotify.

As I couldn’t use the Beck song, I decided to kick off with the classic “Dreidel, Dreidel, Dreidel” as performed by the cast of South Park. Unfortunately, this holiday classic is not on Spotify.

Does Spotify have “Hanukkah Rocks” by Gefilte Joe & the Fish? No? Okay, then. Clearly Spotify is taking sides in the War On Hanukkah.

Suffice to say I have enough Hanukkah songs for each night of the holiday, save the last five.

Running out of Hanukkah-specific tunes, I turn to holiday fare associated with that other big holiday that’s coming up. Many of these songs are considered Christmas classics; however, they don’t mention Jesus or Santa, so for our purposes they now will be considered Hanukkah classics.

With those songs in the mix, our playlist clocks in at just over a half hour. Sigh. I’m adding in Thanksgiving tunes. Enjoy your holidays!