A Hint Of Mint – Volume 18

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In this week’s installment of A Hint of Mint, you’ll hear songs with LGBT content from rockers such as Green Day, Bruce Springsteen and The Beatles, as well as music from queer artists (I can’t tell you who because 8tracks, the platform on which this playlist was created, limits me to naming three artists, per copyright law.). Originals, covers, singles, album tracks, hits and rarities make up this twenty-track collection.

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Sam + Ringo

It Really Shoulda…

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Sam + Ringo
It’s that time of year when music geeks such as I think about the I.R.S. I.R.S. as in It Really Shoulda, as in it really should been a top ten hit.

Eight years ago, a colleague from my Sony Music days, Rich Appel, created the I.R.S. countdown. Music fans submitted a list of songs that didn’t make the top ten on Billboard magazine’s Hot 100 but should have, in their opinion. Rich compiled the tallies to create the overall I.R.S. top 104. He’s been compiling this survey each year since.

As for why a song should have been a top ten hit, that’s left entirely up to the list-maker. On my list, I included records that are perfect or near-perfect melodically, lyrically and/or production-wise. I included songs that have withstood the test of time and are still part of the public consciousness years later. I included records that everybody thinks were top ten hits. I included tracks that would have been top ten hits except they didn’t conform to Billboard’s rules for chart placement at their time of release (e.g. they weren’t available on commercial 7-inch singles or viral video play didn’t count in metric measurements). I included singles by artists who hit the top ten with lesser songs. I focused on tracks that have pop appeal, leaving out fantastic recordings from some of my favorite acts, such as The Replacements and The Smiths – they were called “alternative” because they weren’t pop.

My list for 2015 is below, followed by a Spotify playlist of those songs. Rich asks people submitting lists to put them in order, with #1 being the record one feels should have, more than any other, been a top ten hit. Ask me to do so tomorrow and my list will likely be in a different order.

For today, here is my I.R.S. 104. After the artist name I listed how high the song charted during its initial release. If the single hit the Hot 100 at a later date, I included that information as well.

You can hear the official I.R.S. 104 tally for 2015 on Rich Appel’s radio show, That Thing, this coming weekend on RewoundRadio.com. Friday at 6PM Eastern he’ll go from #104 to around #53 and Sunday starting at 6PM Eastern he’ll pick up from where he left off and go to #1.

1. Wonderful World – Sam Cooke (#12, 1960)
2. Ain’t No Mountain High Enough – Marvin Gaye and Tammi Terrell (#19, 1967)
3. River Deep, Mountain High – Ike and Tina Turner (#88, 1966)
4. I Only Want to Be with You – Dusty Springfield (#12, 1964)
5. Fortunate Son – Creedence Clearwater Revival (#14, 1969)
6. Cupid – Sam Cooke (#17, 1961)
7. Holiday – Madonna (#16, 1984)
8. Isn’t She Lovely – Stevie Wonder (did not chart, 1977)
9. 1999 – Prince (#44, 1982; #12, 1983; #40, 1999)
10. Born to Run – Bruce Springsteen (#23, 1975)
11. It Takes Two – Marvin Gaye and Kim Weston (#14, 1967)
12. Little Egypt (Ying Yang) – The Coasters (#23, 1961)
13. I Want to Take You Higher – Sly & the Family Stone (#60, 1969; #38, 1970)
14. Into the Groove – Madonna (did not chart, 1985)
15. We Will Rock You – Queen (did not chart, 1978; #52, 1992)
16. S.O.S. – Abba (#15, 1975)
17. You’ve Got a Friend – Carole King (did not chart, 1971)
18. Hold On! I’m Comin’ – Sam & Dave (#21, 1966)
19. Try a Little Tenderness – Otis Redding (#25, 1967)
20. The Way You Do the Things You Do – The Temptations (#11, 1964)
21. It’s a Shame – Spinners (#14, 1970)
22. It’s Gonna Work Out Fine – Ike & Tina Turner (#14, 1961)
23. Under My Thumb – the Rolling Stones (did not chart, 1966)
24. Opus 17 (Don’t You Worry ‘Bout Me) – Four Seasons (#13, 1966)
25. Me and Julio down by the School Yard – Paul Simon (#22, 1972)
26. Happy Xmas (War Is Over) – John & Yoko & the Plastic Ono Band with the Harlem Community Choir (did not chart, 1971)
27. I’m Every Woman – Chaka Khan (#21, 1978)
28. Viva Las Vegas – Elvis Presley (#29, 1964)
29. Do They Know It’s Christmas? – Band Aid (#13, 1984)
30. Super Freak – Rick James (#16, 1981)
31. Mighty Love – Spinners (#20, 1974)
32. Stan – Eminem featuring Dido (#51, 2000)
33. So Far Away – Carole King (#14, 1971)
34. Christmas (Baby Please Come Home) – Darlene Love (did not chart, 1963)
35. Because the Night – Patti Smith Group (#13, 1978)
36. Big Yellow Taxi – Joni Mitchell (#67, 1970)
37. Candy Girl – New Edition (#46, 1983)
38. Brass in Pocket (I’m Special) – Pretenders (#14, 1980)
39. Everybody Hurts – R.E.M. (#29, 1993)
40. It Takes Two – Rob Base & DJ E-Z Rock (#36, 1988)
41. Heartbreak Hotel – the Jacksons (#22, 1981)
42. Young Hearts Run Free – Candi Staton (#20, 1976)
43. Valerie – Mark Ronson featuring Amy Winehouse (did not chart, 2007)
44. Rock and Roll All Nite (live) – Kiss (#12, 1976)
45. You Make Me Feel (Mighty Real) – Sylvester (#36, 1979)
46. L-O-V-E (Love) – Al Green (#13, 1975)
47. It’s Raining Men – the Weather Girls (#46, 1983)
48. I’m a Slave 4 U – Britney Spears (#27, 2001)
49. You Shook Me All Night Long – AC/DC (#35, 1980)
50. Wake Up Everybody – Harold Melvin and the Blue Notes (#12, 1976)
51. Walk on the Wild Side – Lou Reed (#16, 1973)
52. Bring It on Home to Me – Sam Cooke (#13, 1962)
53. Pride (In the Name of Love) – U2 (#33, 1984)
54. Ain’t No Stoppin’ Us Now – McFadden & Whitehead (#13, 1979)
55. Move Your Feet – Junior Senior (did not chart, 2003)
56. Heroes – David Bowie (did not chart, 1977)
57. Werewolves of London – Warren Zevon (#21, 1978)
58. One Way or Another – Blondie (#24, 1979)
59. You Get What You Give – New Radicals (#36, 1999)
60. Heaven Must Be Missing an Angel – Tavares (#15, 1976)
61. Ain’t Nobody – Rufus featuring Chaka Khan (#22, 1983)
62. You Can Call Me Al – Paul Simon (#44, 1986, #23, 1987)
63. I Can’t Make You Love Me – Bonnie Raitt (#18, 1992)
64. Young Americans – David Bowie (#28, 1975)
65. A Change Is Gonna Come – Sam Cooke (#31, 1965)
66. Respect Yourself – the Staple Singers (#12, 1971)
67. Moondance – Van Morrison (did not chart, 1970; #92, 1977)
68. Where’s the Love – Hanson (did not chart, 1997)
69. Don’t You Worry ‘Bout a Thing – Stevie Wonder (#16, 1974)
70. I Want Candy – Bow Wow Wow (#62, 1982)
71. Genius of Love – Tom Tom Club (#31, 1982)
72. Beautiful Stranger – Madonna (#19, 1999)
73. Shame, Shame, Shame – Shirley (& Company) (#12, 1975)
74. The Way I Am – Eminem (#58, 2000)
75. Jungle Love – The Time (#20, 1985)
76. Gypsy – Fleetwood Mac (#12, 1982)
77. Smile – Lily Allen (#49, 2007)
78. Tear the Roof off the Sucker (Give up the Funk) – Parliament (#15, 1976)
79. Same Love – Macklemore & Ryan Lewis featuring Mary Lambert (#11, 2013)
80. Solid – Ashford & Simpson (#12, 1985)
81. Rapper’s Delight – The Sugarhill Gang (#36, 1980)
82. The Cup of Life – Ricky Martin (#60, 1998; #45, 1999)
83. Me, Myself and I – De La Soul (#34, 1989)
84. Bad Luck – Harold Melvin & the Blue Notes (#15, 1975)
85. Once in a Lifetime – Talking Heads (did not chart, 1981)
86. Fuck You – Lily Allen (#68, 2009)
87. Such Great Heights – The Postal Service (did not chart, 2003)
88. Can’t Take My Eyes Off You (movie version) – Lauryn Hill (did not chart, 1998)
89. Dedication to My Ex (Miss That) – Lloyd featuring Andre 3000 (#79, 2011)
90. Jump To It – Aretha Franklin (#24, 1982)
91. Mamma Mia – Abba (#32, 1976)
92. Space Oddity – David Bowie (did not chart, 1969; #15, 1973)
93. P Control – O{+> (Prince) (did not chart, 1995)
94. Got Your Money – Ol’ Dirty Bastard featuring Kelis (#33, 1999)
95. LDN – Lily Allen (did not chart, 2007)
96. It Doesn’t Matter Anymore – Buddy Holly (#13, 1959)
97. Does Your Mother Know – Abba (#19, 1979)
98. Up in a Puff of Smoke – Polly Brown (#16, 1975)
99. Blue Limousine – Apollonia 6 (did not chart, 1984)
100. All the Young Dudes – Mott the Hoople (#37, 1972)
101. Fight the Power – Public Enemy (did not chart, 1989)
102. Pass That Dutch – Missy Elliott (#27, 2003)
103. Stacy’s Mom – Fountains of Wayne (#21, 2003)
104. You Know I’m No Good – Amy Winehouse (#78, 2007; #77, 2008)


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Beck, Kanye and Beyoncé

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“I just know that the Grammys, if they want real artists, to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé. Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you’re disrespectful to inspiration. And we as musicians have to inspire people who go to work every day, and they listen to that Beyoncé album and they feel like it takes them to another place.” – Kanye West on the Grammy Award for Album of the Year going to Beck’s Morning Phase rather than Beyoncé’s self-titled release

“I thought she was going to win. Come on, she’s Beyoncé! You can’t please everybody, man. I still love [West] and think he’s genius. I aspire to do what he does.” – Beck

“I wasn’t saying Beck; I said the Grammys. Beck knows that Beyoncé should have won; you know that. Come on, man. I love Beck! But he didn’t have the Album of the Year.” – Kanye West

Kanye West, official spokesperson for the Bey Nation, gave his opinion and the Internet blew up! It was a repeat of 2009, when West announced that Taylor Swift stole the MTV Best Female Video Award that should have gone to Beyoncé. The American people were up in arms! So much vitriol was sent West-ward and his detractors found plenty of reasons to go after him the ensuing years. As the wise trophy thief said, “the haters gonna hate hate hate hate hate.”

Kanye’s point was about creating art and reaching new heights in one’s craft. The only intelligent responses to further this discourse, per the many comments I saw on Facebook and Twitter, are “You’re classless” and “You’re garbage.” One person who didn’t call Kanye garbage was Shirley Manson, the lead singer of the band Garbage. She called him “a complete twat.”

At least all of us can sleep better knowing that Kanye loves Beck. They are two of my favorite all-time artists for many of the same reasons. They seldom repeat themselves, making each album they release different than the previous one. Neither follows trends. Both challenge themselves. Both are masters of their craft. Both can be sincere. Both can be funny. Neither has released a bad record.

However…

Beyoncé should have gotten the Album of the Year Grammy. Her self-titled album was a revelation. Following up her uneven 4, she took a giant leap forward and strived to make something more artistic than what we were used to from her. She succeeded. The Beck record, Morning Phase, sounds beautiful, but there were no surprises. It was announced early in 2014 that Beck would be releasing a new album that was in a mellow vein. I got what I expected. It was as fine as I thought it would be, and stronger than his last couple of releases. I like Morning Phase very much, more than the other nominated Albums of the Year performed by Ed Sheeran, Sam Smith and Pharrell Williams, but it’s nothing we haven’t heard Beck do before. Ironically, in Beyoncé’s quest to be more artistic, her album outsold its predecessor. Like Kanye said, she had the Album of the Year.

Enough of the Grammy voters felt otherwise and awarded Beck. That’s fine. There have been worse slights in the Grammy Album of the Year category than Beyoncé losing to Beck. What about the 1996 awards, when Beck’s Odelay lost to Celine Dion’s Falling into You? Or in 2000, when Beck’s Midnight Vultures lost to Steely Dan’s Two Against Nature? Or in 2005, when U2’s Hot to Dismantle an Atomic Bomb beat Kanye’s Late Registration and in 2004, when Ray Charles & Friends’ Genius Loves Company beat Kanye’s The College Dropout and Green Day’s American Idiot? Steely Dan, U2 and Ray Charles have released many albums deserving of Album of the Year. These weren’t them. U2 should have won 1992’s Album of the Year for Achtung Baby. They lost to Eric Clapton Unplugged. In 2007, Kanye’s Graduation and Amy Winehouse’s Back to Black both lost Album of the Year to Herbie Hancock’s River: The Joni Letters, a record that literally nobody has ever heard. In 1980, Christopher Cross’ self-titled debut beat Pink Floyd’s The Wall. In 1966, The Beatles’ Revolver lost to Frank Sinatra’s A Man and His Music. In 2012, Mumford & Sons’ Babel beat albums by Frank Ocean, Jack White and The Black Keys. The nominees for 1984’s Album of the Year Grammy were Prince’s Purple Rain, Bruce Springsteen’s Born in the USA, Tina Turner’s Private Dancer, Cyndi Lauper’s She’s So Unusual, and Lionel Richie’s Can’t Slow Down. Four classic albums plus one by Lionel Richie. The winner? Lionel Richie! WTF on a stick?!?! In 1991 the Album of the Year Grammy didn’t go to R.E.M., nominated for Out of Time. It went to Natalie Cole’s Unforgettable…with Love. Eligible but not nominated that year? A little album called Nevermind by a band named Nirvana. Oh well, whatever. In 1982, Toto IV beat…it doesn’t matter who else was nominated. It’s Toto Fuckin’ IV, people.

It looks like Beyoncé will have to wait longer before she is in the same hallowed company as Toto.

In less contentious news this week, ISIS killed U.S. hostage Kayla Mueller, Boko Haram killed thirteen soldiers and 81 civilians in Chad, and the Chief Justice of Alabama’s Supreme Court forbade probate judges in that state to issue marriage license to same-sex couples, despite a judge’s ruling that such unions are legal and the U.S. Supreme Court refusing to issue a stay on that ruling.

Congratulations, Beck!

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Winston + Bobby Brown

The Song Retains The Name

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Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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50 Songs Named After Real People

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Today is the birthday of two music icons – Jam-Master Jay of rap pioneers Run-D.M.C. and disc jockey Wolfman Jack. Besides their place in their history of rock and roll, both men have another thing in common – they were the subjects of songs. That inspired me to put together today’s playlist – songs named after real people.

I found fifty songs whose titles are actual people. Actually I found more than fifty, but I didn’t want to subject you to Chiddy Bang or Mac Miller. I made a few rules for myself:
1) The title can’t have words besides the person’s name, hence no Kim Carnes’ “Bette Davis Eyes” or Sleater-Kinney’s “I Wanna Be Your Joey Ramone.”
2) The title has to be the full name the person is known by, so no “Springsteen” by Eric Church or “Jessica” (about Jessica Simpson) by Adam Green. Allowed are “Galileo,” “Joan of Arc” and “King Tut,” as that is how most people identify Galileo Galilei, Joan d’Arc and Tutankhamun.
3) The song doesn’t have to be about the person after whom it is titled, so “Jack the Ripper” and “Rosa Parks” are in.
4) The track has to be on Spotify. This means I left out Bob Dylan’s “George Jackson” and Hoodie Allen’s “James Franco.”

Amazingly for a playlist based on such a goofy concept, it holds together quite well, if I say so myself.

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Patti Smith!

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Patti Smith was born in Chicago on December 30, 1946.

She co-wrote a play called Cotton Mouth with Sam Shepard, which she performed once, in 1971.

She wrote lyrics for several Blue Öyster Cult songs. For a while she was under consideration to be the band’s lead singer.

The Patti Smith Group released their first record in 1974, a single featuring the songs “Hey Joe” and “Piss Factory.”

ALBUMS
Patti Smith has released eleven studio albums to date: Horses, Radio Ethiopia, Easter, Wave, Dream of Life, Gone Again, Peace and Noise, Gung Ho, Trampin’, Twelve and Banga.

The Patti Smith Group’s debut album, 1975’s Horses, was listed at #1 on NME’s list of “20 Near-as-Damn-It Perfect Initial Efforts.” It was #44 on Rolling Stone’s list of “The 500 Greatest Albums of All-Time” and #49 in Out magazine’s “100 Greatest, Gayest Albums of All Time” list.

Easter also made the Out magazine list, coming in at #64.

David Keenan of the Sunday Herald placed Radio Ethiopia on his list of “The 103 Best Albums Ever, Honest .”

Rolling Stone called Gone Again one of the “Essential Recordings of the Nineties.”

FANS
Siouxsie and the Banshees’ “Carcass” was inspired by Smith’s Horses.

About Horses, R.E.M.’s Michael Stipe said it “tore my limbs off and put them back on in a whole different order.” In 1996 Smith contributed vocals to R.E.M.’s “E-bow the Letter.”

Patti Smith was not a member of the band The Smiths. However, the group’s Morrissey and Johnny Marr said that their song “The Hand That Rocks the Cradle” is a reworking of “Kimberly” from Patti’s Horses. Morrissey later released a single with a cover of that album’s “Redondo Beach.”

Sammy Hagar covered Horses’ “Free Money” on his self-titled album.

Courtney Love said Smith’s Horses album helped inspire her to become a rock star.

U2 covered Smith’s “Dancing Barefoot” for the b-side of their “When Loves Comes to Town” single. Smith later covered U2’s “Until the End of the World” for a U2 tribute compilation.

HONORS
In 2005, Patti Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture.

She was inducted into the Rock and Roll Hall of Fame in 2007.

In 2010 she won the National Book Award for her memoir Just Kids, which documents her romantic relationship with artist Robert Mapplethorpe as the couple were struggling artists and Mapplethorpe was struggling with his homosexuality. Mapplethorpe, whose photographs of Smith covered her albums Horses, Wave and Dream of Life, died from AIDS-related illness in 1989. Smith donated the royalties for her 1996 book The Coral Sea to the Robert Mapplethorpe Laboratory for AIDS Research at Boston’s Deaconess Hospital/Harvard Medical School.

SONGS
Smith’s sole top 40 pop hit was 1978’s “Because the Night.” The song’s music and chorus were written by Bruce Springsteen. He had trouble writing verses to it as it was a love song and at that time he wasn’t writing straightforward love songs. He gave what he had done to Patti Smith, who was recording an album in the studio next to where he was recording Darkness in the Edge of Town. Her record, which reached #13, was the first hit for producer Jimmy Iovine, who later co-founded Interscope Records and Beats by Dr. Dre.

“Gloria” was written by Van Morrison for his band Them. It peaked at #93 in 1965. Smith covered the song using the title of the Catholic hymn “Gloria: in Excelsis Deo,” adding her own lyrics.

About how “People Have the Power” came to be, Patti told UK music mag NME “I was in the kitchen. My late husband was writing music, and he was a great songwriter, Fred ‘Sonic’ Smith, and we were writing some songs together. And I was peeling potatoes, and I remember I was in a bad mood because I had, you know, I was making dinner and washing the clothes and peeling potatoes. And in the middle of it, Fred came in and said, ‘Tricia, people have the power, write it.’ And I was standing there with a potato peeler thinking I’d like to have the power to make him peel these potatoes, that’s what I’d like… but I kept him. So for the next few nights, I really contemplated – because Fred was very political, and we talked about it, what we wanted to do with this line, which was Fred’s. And what we wanted to do was remind the listener of their individual power but also of the collective power of the people, how we can do anything. That’s why at the end it goes, ‘I believe everything we dream can come to pass, through our union we can turn the world around, we can turn the earth’s revolution.’ We wrote it consciously together to inspire people, to inspire people to come together.”

Smith’s “About a Boy” was written about Kurt Cobain. She told the Seattle Weekly “I was heartbroken when he committed suicide. I loved Nirvana … [My husband and I] felt so badly. We just wished that we would have known him, and been able to talk to him, and had some positive effect on him.” She covered Nirvana’s “Smells Like Teen Spirit” on her album Twelve.

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Best Songs Of 2014

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I don’t understand Beyoncé. She spells her name with an accent over the second e, but she pronounces her name with the accent on the second syllable. That makes no sense to me. Musically, however, I was down with Cé in 2014. She challenged herself artistically with her latest album, snuck out at the tail end of 2013, and for the most part she succeeded. Yonc places four songs in my year-end list, more than anybody else, with two of those songs in my top ten. And to think, she owes her whole career to me.

The big trend that nobody talks about is that Sweden has invaded in a big way. Tove Lo and Neneh Cherry (welcome back!) are on my year-end list, and First Aid Kit are in this week’s top ten. Three acts may not look like a big trend to you, but let’s encourage Sweden. They still have a ways to go to make up for Ace of Base. Elsewhere in Scandinavia, Norway is represented by Röyksopp, Annie and Bjarne Melgaard. Come on, Denmark and Finland – let’s step it up! Other foreign acts representing this year are Britain’s George Ezra, Katy B, Disclosure, Sam Smith, SBTRKT and alt-J; Scotland’s Paolo Nutini and Belle & Sebastian; Canada’s Mac DeMarco, Tegan & Sara and Arcade Fire; Australia’s Courtney Barnett and Sia; France’s Daft Punk, Nigeria’s Chimamanda Ngozi Adichie; and Neverland’s Michael Jackson.

There’s little hip hop on my 2014 list. Very little. Two songs, both performed by Kendrick Lamar. This is the poorest showing for rap in a year-end list since the early eighties, I think. I’m too lazy to look for my old listings, but I’m pretty sure that’s accurate. Was hip hop really that lame this year or am I turning into my mother?

Country music fared a little better than hip hop. Three songs, two of those performed by Miranda Lambert. The third song is “Follow Your Arrow,” performed by Kasey Musgraves, which is my #1 song of 2014. This is the first time a country song has topped my year-end list, I think. I’m too lazy to look for my old listings, but I’m pretty sure that’s accurate. The song, about being true to yourself and not letting others dictate your path, resonated with me when I was at a crossroads in my professional life. Do I continue working for the man in a soul-sucking job or do I pursue my passions? I opted to follow my arrow. If I crash and burn, Musgraves will hear from my lawyer. Also, it was rad to hear a simple, catchy tune coupled with the lyrics “Kiss lots of boys or kiss lots of girls if that’s what you’re into.” It was radder that this song won the Country Music Association’s Song of the Year award, despite being only a modest hit on the country chart. Raddest was that two male country singers, Billy Gilman and Ty Hendon, who each have sold hundreds of thousands of records, announced that they kissed lots of boys and that’s what they’re into. I’m paraphrasing.

I now present to you my favorite songs of 2014. The list was compiled from my weekly top ten lists. I crunched the numbers and this is the result. Songs that are in Glenn’s Ten at the present time (e.g. First Aid Kit’s “Cedar Lane,” Mark Ronson/Bruno Mars’ “Uptown Funk!,” Perfume Genius’ “Queen”) are not included; I’ll put them on my 2015 list. Here are the 83 tracks that made my weekly top ten in 2014:

1. “Follow Your Arrow” – Kacey Musgraves
2. “Ain’t It Fun” – Paramore
3. “Happy” – Pharrell Williams
4. “Every Time the Sun Comes Up” – Sharon Van Etten
5. “Do You” – Spoon
6. “Partition” – Beyoncé
7. “Drunk in Love” – Beyoncé featuring Jay-Z
8. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
9. “Seasons (Waiting on You)” – Future Islands
10. “Beggin for Thread” – Banks
11. “Avant Gardener” – Courtney Barnett
12. “Budapest” – George Ezra
13. “Habits (Stay High)” – Tove Lo
14. “Gotta Get Away” – The Black Keys
15. “Love Never Felt So Good” – Michael Jackson
16. “Somethin’ Bad” – Miranda Lambert featuring Carrie Underwood
17. “Hundreds of Ways” – Conor Oberst
18. “Step” – Vampire Weekend featuring Danny Brown, Heems and Despot
19. “Put Your Number In My Phone” – Ariel Pink
20. “Blue Moon” – Beck
21. “All the Rage Back Home” – Interpol
22. “i” – Kendrick Lamar
23. “5 AM” – Katy B
24. “Secrets” – Mary Lambert
25. “Cinnamon and Lesbians” – Stephen Malkmus
26. “Just One Drink” – Jack White
27. “Chandelier” – Sia
28. “Automatic” – Miranda Lambert
29. “How Can You Really” – Foxygen
30. “Out of the Black” – Neneh Cherry featuring Robyn
31. “XO” – Beyoncé
32. “Wait for a Minute” – Tune-Yards
33. “Control” – Broken Bells
34. “Bored in the U.S.A.” – Father John Misty
35. “Latch” – Disclosure featuring Sam Smith
36. “New Dorp, New York” – SBTRKT featuring Ezra Koenig
37. “All About that Bass” – Meghan Trainor
38. “I Blame Myself” – Sky Ferreira
39. “Do It Again” – Röyksopp and Robyn
40. “Birth in Reverse” – St. Vincent
41. “Prince Johnny” – St. Vincent
42. “Bother” – Les Sins
43. “Brother” – Mac DeMarco
44. “Everything Is Awesome!!” – Tegan and Sara featuring The Lonely Island
45. “Dark Sunglasses” – Chrissie Hynde
46. “Heart is a Drum” – Beck
47. “Sing About Me, I’m Dying of Thirst” – Kendrick Lamar
48. “Let Me Down Easy” – Paolo Nutini
49. “Talking Backwards” – Real Estate
50. “Stranger to My Happiness” – Sharon Jones and the Dap-Kings
51. “High Hopes” – Bruce Springsteen
52. “Electric Lady” – Janelle Monae featuring Solange
53. “Crying for No Reason” – Katy B
54. “After the Disco” – Broken Bells
55. “***Flawless” – Beyoncé featuring Chimamanda Ngozi Adichie
56. “West Coast” – Lana Del Rey
57. “Nothing More than Everything to Me” – Christopher Owens
58. “Left Hand Free” – alt-J
59. “The Party Line” – Belle & Sebastian
60. “Low Key” – Tweedy
61. “Come Get It Bae” – Pharrell Williams
62. “Do What U Want” – Lady Gaga featuring R. Kelly
63. “Alone in My Home” – Jack White
64. “Fever” – The Black Keys
65. “Me and Liza” – Rufus Wainwright
66. “You Are Your Mother’s Child” – Conor Oberst
67. “Inside Out” – Spoon
68. “Instant Crush” – Daft Punk featuring Julian Casablancas
69. “I Wanna Know” – Best Coast
70. “Eyes to the Wind” – The War on Drugs
71. “Forever” – Haim
72. “It Comes Back to You” – Christopher Owens
73. “Just One of the Guys” – Jenny Lewis
74. “My Own World” – Eleanor Friedberger
75. “Spit Three Times” – Neneh Cherry
76. “Lazaretto” – Jack White
77. “Russian Kiss” – Annie featuring Bjarne Melgaard
78. “Another Night” – The Men
79. “Dangerous” – Big Data featuring Joywave
80. “Gust of Wind” – Pharrell Williams
81. “A Place with No Name” – Michael Jackson
82. “Give Life Back to Music” – Daft Punk
83. “We Exist” – Arcade Fire

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A Star-Spangled Night for Rights

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On September 18, 1977, Aaron Russo, Bette Midler’s manager, produced “A Star-Spangled Night for Rights” at the Hollywood Bowl. The focus of the four and a half hour concert was gay rights. Performers included Midler, War, Richard Pryor, Helen Reddy, Lily Tomlin, Tom Waits and Tanya Tucker. Among the approximately 17,000 people in the audience was Paul Newman, Olivia Newton-John, Valerie Harper and Robert Blake.

It had been a rough year for gay rights. In June, Anita Bryant’s “Save Our Children” campaign proved successful when Dade County, Florida voters repealed the gay rights ordinance they had just passed in January. In Arkansas, the state legislature reinstated the sodomy laws it repealed two years earlier.

As a result of these setbacks, gay rights marches appeared around the country, official Gay Pride parades drew their highest number of participants to date, and Russo organized the concert to benefit the Save Our Human Rights Foundation.

California Senator John Briggs threatened to blacklist every Hollywood performer or politician who supported or attended the show. The following year Briggs sponsored a proposition to remove all gay or lesbian employees and their supporters from California schools. The measure was defeated due in large part to the efforts of San Francisco city supervisor Harvey Milk. On September 18, 1977, Milk had yet to be elected to that position.

The concert went well for its first few performances, but took an ugly turn when comedian Pryor took the stage. Among the things he said: “Motherfuck women’s rights!” “Fags are prejudiced.” “I’m sick of y’all and your faggoty-ass bullshit. What were you doing during the Watts riots – sucking each other’s dicks? Fuck you and everything you stand for, I’m getting the fuck out of here.” And the finale, “You Hollywood faggots can kiss my happy rich black ass!” It wasn’t his best material. And yes, if given the choice between arson, destruction, looting, beatdowns and fellatio, my selection is a no-brainer.

Next on the concert bill…Tom Waits! It reminds me of that episode of The Simpsons where Homer was to perform a comedy set at Mr. Burns’ birthday party. Mr. Smithers gets on stage and announces “I have some sad news to report. A small puppy, not unlike Lassie, was just run over in the parking lot. And now it’s time for the comedy stylings of Homer Simpson!”

Waits was invited to perform at the event by his close friend Bette Midler, who he met three years earlier at The Bottom Line in New York. Subsequently, Midler recorded Waits’ “Shiver Me Timbers” in 1976 and they did a duet on Waits’ Foreign Affairs album released the year of the Hollywood Bowl show.

Before Waits took the stage Aaron Russo came out to apologize for Pryor’s outburst. “I’m terribly embarrassed and don’t know what to say about what just happened, but I do think this show tonight started out and will end up on a positive note.” However, the audience was agitated. Waits gave up after two songs.

The crowd wanted the headliner. Bette Midler bounded on stage and asked the crowd “Is there anyone here tonight who wants to kiss this rich white ass?” The crowd cheered and she closed the show.

Today Tom Waits turns 65. Aside from Milder, his compositions have been recorded by Rod Stewart, Bruce Springsteen and The Ramones, among others. Here are twenty career highlights.

Neil Young’s Homophobia and AIDS-phobia

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“You go to a supermarket and you see a faggot behind the fuckin’ cash register, you don’t want him to handle your potatoes.” – Neil Young in Melody Maker, September 1985

It sucks when anybody makes an ignorant and offensive statement, particularly when it’s somebody the public eye. For this post I‘ll focus on homophobia (and related AIDS-phobia).

It sucks when Pat Boone says children are being “indoctrinated with an appreciation for homosexuality,” but that didn’t hurt me too much as Pat Boone is a talentless has-been who built his career on taking songs recorded by Little Richard and Fats Domino and making them safe for uptight white folks. I wasn’t his target audience (notwithstanding that I wasn’t born yet when he rose to fame).

It sucks when Donny Osmond says he condemns homophobia and opposes gay marriage, but at least he’s (inadvertently) condemning himself, thereby saving me the trouble. Also, he’s marginally more talented and slightly less of a has-been than Pat Boone, and while I love “Morning Side of the Mountain,” if someone told me I had to delete all Osmonds recordings from my iTunes library, I wouldn’t put up much of a fight.

It sucks that Eminem’s new song has the lyric “Happy as Anderson Cooper having a tuba crammed in his pooper.” It’s not so much that it’s homophobic per se. It’s that a 42-year-old feels he has to resort to such juvenilia to feel relevant and not see his career go the way of Pat Boone and Donny Osmond. He doesn’t need to stoop to this. He still sells truckloads of records, despite having made only one or two good singles in the past decade. He could probably keep coasting for a while. And seriously, a tuba? That doesn’t even rhyme.

It sucks that The Beastie Boys wanted to title their first album Don’t Be a Faggot, with a couple of song lyrics that were interpreted as homophobic. However, in 1999 the trio’s Ad-Rock sent a letter to Time Out New York that read “I would like to … formally apologize to the entire gay and lesbian community for the shitty and ignorant things we said on our first record, 1986′s Licensed to Ill. There are no excuses. But time has healed our stupidity. … We hope that you’ll accept this long overdue apology.”

It’s odd that director Jonathan Demme reached out to Neil Young to compose and record a theme song for his 1993 film Philadelphia. Demme told The Toledo Blade that the film was “intended to reach an audience in desperate need of sensitization on the issue of homophobia. We thought how the right movie could help young males – the most rigid of all – open up to the humanity and courage of gay people. So I had this idea that I would start it off with a giant Neil Young guitar anthem and it would relax all the young uptight homophobic guys.” So he asked a guy who thought AIDS was spread via potatoes touched by faggots. Young recorded a song for the film, and while it wasn’t the anthem Demme was expecting (Bruce Springsteen ended up providing that), it fit the film well and was nominated for an Academy Award for Best Original Song, which it lost to Springsteen’s “Streets of Philadelphia.”

I don’t recall Neil Young ever apologizing for his boneheaded homophobic and AIDS-phobic remarks; however, I don’t recall him making similar statements since the mid-eighties, and that may be better than an apology.

In his 2002 biography of Neil Young, Shakey, Jimmy McDonough writes “I had found out that Young was planning on donating the proceeds from the ‘Philadelphia’ track to the Gay Men’s Health Crisis center. He acknowledged it was true but didn’t seem anxious to publicize the fact. I got the feeling there were other chartable acts I didn’t know about. ‘I’m not trying to score any social points,’ he said.”

Today Neil Young turns 69 years old. Here are twenty career highlights. (NOTE – “Philadelphia” is not on Spotify.)

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