Inspired by Black Music Month, LGBTQ Pride Month, and the June 7 birthdays of Prince, Tom Jones, Violent Femmes’ Gordon Gano, Whodini’s Ecstasy, Prefab Sprout’s Paddy McAloon, Chromeo’s Dave 1, Dean Martin, Joey Scarbury, Fetty Wap, George Ezra, Sunshine Anderson and Broadway composer Charles Strouse.
Inspired by the May 12 birthdays of Burt Bacharach, Steve Winwood, George Carlin, Ian Dury, James Purify, Jimmy Spicer, Billy Squier, Billy Swan and songwriter/producer Norman Whitfield.
Inspired by the passings of Millie Small and Kraftwerk’s Florian Schneider, and the May 6 birthdays of Bob Seger, They Might Be Giants’ John Flansburgh, Man Parrish, Jimmie Dale Gilmore, 3rd Bass’ MC Serch, Mary MacGregor and Meek Mill.
Inspired by the April 26 birthdays of TLC’s T-Boz, Giorgio Moroder, Duane Eddy, Claudine Clark, Maurice Williams, Olive’s Ruth-Ann Boyle, and Ms. Dynamite.
Inspired by the January 28 birthdays of Rakim, Gaslight Anthem’s Brian Fallon, Cypress Hill’s DJ Muggs, Gene McFadden and Steps’ Lee Latchford-Evans; and the January 29 birthdays of Tommy Ramone, Bettye LaVette, Aztec Camera’s Roddy Frame and Adam Lambert.
Madonna celebrates her sixtieth birthday today. I’ll let others write about her place in pop culture and her impact on society. I’m here to celebrate her music.
Here are sixty of my favorite Madonna songs. Did I leave out a favorite of yours? Let me know.
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Today is the day after Thanksgiving here in the United States of America. You’re officially allowed to start listening to holiday music now. To get you started, I compiled a playlist of what I consider to be 100 of the best Christmas songs. Okay, 98 songs, a stand-up routine and a skit. It’s a mix of standards, versions of standards with which you may not be familiar, and obscure but delightful tunes.
Enjoy!
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As a songwriter, Max Martin has a credit on 21 number one singles on Billboard‘s Hot 100 chart. Only Paul McCartney and John Lennon have more. He has had 60 top tens as a writer. On top of that, he has had a hand in producing a slew of hits. Some of them are good.
Today, Max Martin turns 45 years old. Friday is dance day at Tunes du Jour. Our playlist consists of twenty songs Max Martin had a hand in writing and/or producing. Some of them are good.
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Friday is dance day at Tunes du Jour. Today’s playlist includes the five recordings nominated for a Grammy Award in the category Best Dance Recording. Those nominated recordings are:
“We’re All We Need” – Above & Beyond Featuring Zoë Johnston
“Go” – The Chemical Brothers Featuring Q-Tip
“Never Catch Me” – Flying Lotus Featuring Kendrick Lamar
“Runaway (U & I)” – Galantis
“Where Are Ü Now” – Skrillex And Diplo With Justin Bieber
The Best Dance Recording category was introduced in 1998. It hasn’t been the most accurate barometer of innovations in dance music. The nominating committee has a thing for Gloria Estefan, who was well past her prime in 1998, as she was in 1999, when she was nominated, and 2000, when she was nominated, and 2002, when she was nominated.
In 2001, the Grammy for Best Dance Recording was awarded to “Who Let the Dogs Out?” by the Baha Men. I admit that I love that song, but Best Dance Recording? What the fur? Other tracks nominated that year were performed by Jennifer Lopez, Enrique Iglesias and Eiffel 65, which suggests that 2000 was a very bad year for dance music. It was not. The fifth nominee, Moby’s “Natural Blues,” is the kind of record that should win. It sets itself apart from the other recordings in this field. Of course, one could say “Who Let the Dogs Out?” is unlike the other dance recordings of 2000, mostly because it is not a dance recording.
There are no embarrassing nominees this year in this category. Tune in Monday evening to see who wins. Actually, this may not be one of the four or so awards presented in the telecast, so you may have to find out who won online.
For now, enjoy this playlist consisting of this year’s nominees plus fifteen of the better recordings nominated in this category in past years.
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Eminem has often been accused of being homophobic. Maybe it’s because he rapped “I’ll still be able to break a motha-fuckin’ table over the back of a couple of faggots and crack it in half.” Maybe it’s because he rapped “My words are like a dagger with a jagged edge / That’ll stab you in the head whether you’re a fag or lez.” And “All you lil’ faggots can suck it / No homo, but I’ma stick it to ’em like refrigerator magnets.” And “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy / You witnessing massacre like you watching a church gathering taking place-looking boy / ‘Oy vey, that boy’s gay,’ that’s all they say looking-boy / You take a thumbs up, pat on the back, the way you go from your label every day-looking boy.” And “You fags think it’s all a game.” Anyone can see how the artist born Marshall Mathers got labeled a homophobe, even if he pretends he doesn’t see it.
So it’s ironic that in his first hit single, the song that put him on the map and into the international consciousness, the music bed is based around a sample from an openly gay singer-songwriter.
“My Name Is” became Eminem’s first single to crack the Billboard Hot 100, peaking at #36. Its music is taken from a 1975 release called “I Got the…,” written and performed by Labi Siffre. Siffre, who was born in England in 1945, says he knew he was gay since age four. He met his life partner, Peter John Carver Lloyd, in 1964. They remained a couple for 49 years, until Lloyd’s death in 2013.
Before Siffre would allow Eminem to use the sample, he made the rapper change some of the words on “My Name Is.” The lyric “My English teacher wanted to have sex in junior high / The only problem was, my English teacher was a guy” became “My English teacher wanted to flunk me in junior high / Thanks a lot, next semester I’ll be 35.” The lyric “Extraterrestrial killing pedestrians, raping lesbians while they’re screaming, ‘Let’s just be friends!’” became “Extraterrestrial running over pedestrians in a spaceship while they’re screaming, ‘Let’s just be friends!’”.” Said Siffre, “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims. I denied sample rights till that lazy writing was removed. I should have stipulated “all versions” but at that time knew little about rap’s “clean” & “explicit” modes, so they managed to get the lazy lyric on versions other than the single and first album.”
For Throwback Thursday this week, Tunes du Jour revisits some of the musical highlights of 1999, kicking off with Eminem’s “My Name Is.”
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