Tunes Du Jour Presents 2000

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The year 2000 arrived with a collective sigh of relief. The much-hyped Y2K bug turned out to be a non-event, and the new millennium stretched out before us, feeling both futuristic and strangely familiar. Looking back at the music from that year, you can hear a similar dynamic at play. It wasn’t a time of radical genre fusion or crossover; instead, it felt like several distinct musical movements were all cresting at the exact same time, each one confident and fully-formed. It was a year where you could switch the radio station and feel like you were jumping between entirely different worlds—from the polished pop of Britney Spears to the raw energy of DMX.

On one hand, pop and R&B were operating at peak performance, dominating the charts with precision-engineered hits. This was the era of the blockbuster music video, and artists delivered. Madonna reinvented herself yet again with the electro-thump of “Music,” while Britney Spears’s “Oops!…I Did It Again” perfected the formula she had established just a year prior. At the same time, R&B was in a period of remarkable innovation. You had the staccato, futuristic production of Timbaland on Aaliyah’s “Try Again,” the iconic, conversational flow of Destiny’s Child on “Say My Name,” and the deep, simmering soul of D’Angelo’s “Untitled (How Does It Feel).” These weren’t just great songs; they were statements of intent from artists at the top of their game.

Meanwhile, rock music was pulling in several different directions at once. Pop-punk had fully broken through to the mainstream, and blink-182’s “All the Small Things” was its endlessly catchy, stadium-sized anthem. More established acts like Foo Fighters and Red Hot Chili Peppers were delivering some of their most memorable melodic rock with “Learn to Fly” and “Californication,” respectively. Yet, on the fringes, things were getting much stranger and more interesting. Radiohead completely abandoned guitar-rock expectations with the anxious, electronic pulse of “Idioteque,” while Queens of the Stone Age offered a taste of heavy, hypnotic desert rock with “Feel Good Hit Of The Summer.” There was no single, unified “sound of rock” in 2000; there were several.

Hip-hop was arguably the most creatively vibrant and commercially powerful force of the year. The genre’s expansion was on full display, from the confrontational wit of Eminem’s “The Real Slim Shady” to the pure, unbridled velocity of OutKast’s “B.O.B.” which still sounds like it was beamed in from the future. The clubs were fueled by the aggression of DMX’s “Party Up (Up in Here)” and M.O.P.’s “Ante Up,” while Jay-Z’s “Big Pimpin’” projected an image of untouchable cool. And of course, you can’t talk about 2000 without acknowledging the songs that were simply inescapable. The unabashedly goofy charm of Sisqó’s “Thong Song” and the perhaps baffling, universal appeal of “Who Let the Dogs Out” added a unique and memorable flavor to the year’s sonic identity.

Listening back to this collection of songs now, what’s most striking is how separate but equal everything feels. This was one of the last moments before the digital revolution would completely flatten the music landscape, encouraging artists to borrow from everywhere at once. The year 2000 wasn’t about blending; it was a snapshot of distinct scenes, each with its own definitive soundtrack. From the raw scream of Kelis on “Caught Out There” to the quiet contemplation of Moby’s “Porcelain,” it was a year of powerful, parallel streams, a final, confident roar from the 20th-century music industry before everything changed.

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Tunes Du Jour Presents Punk

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Ask ten people to define punk rock, and you’re likely to get at least fifteen answers. That’s part of its charm—and its challenge. Punk has always been more than a style of music; it’s a way of questioning the status quo, pushing back against complacency, and refusing to color inside the lines. The 30 songs in this playlist represent the genre’s many branches: from the snarling minimalism of the Sex Pistols’ “God Save the Queen” to the tightly coiled fury of Black Flag’s “Rise Above,” from Patti Smith’s poetic incantations to the danceable paranoia of Talking Heads’ “Psycho Killer.”

The roots of punk go deep, even before the term existed. “I’m Waiting for the Man” by The Velvet Underground and “Kick Out the Jams” by MC5 helped pave the way with their raw sound and confrontational lyrics. By the mid-1970s, punk had taken recognizable form in both New York and London. The Ramones stripped rock to its bare essentials with “Sheena Is a Punk Rocker,” while The Clash’s London Calling album pointed to punk’s potential to absorb and reflect broader influences—including reggae, ska, and politics.

Acts like Gang of Four and Television took the energy of punk and redirected it into jagged rhythms and angular guitars. The B-52’s “Rock Lobster” and Talking Heads introduced eccentricity and art-school sensibilities, while the Dead Kennedys and Sham 69 channeled punk into direct political protest. Meanwhile, bands like The Jam and Buzzcocks added a melodic urgency, and Iggy Pop and the New York Dolls injected glam and danger into the proceedings.

In the decades that followed, punk fragmented and flourished. Rancid’s “Time Bomb” leaned into ska-punk; Blink-182’s “Dammit” helped define a generation’s version of pop-punk adolescence. Bikini Kill’s “Rebel Girl” roared from the riot grrrl movement with feminist fire, and Billy Bragg brought punk’s commitment to social critique to a solo singer-songwriter context. Even grunge touchstones like Mudhoney carried punk’s DNA—loud, unpolished, and emotionally direct.

This playlist doesn’t claim to be definitive—if anything, it’s a conversation starter. It suggests that punk isn’t a sound so much as a stance. Whether it’s The Replacements thumbing their nose at success in “Bastards of Young,” or Green Day channeling disillusionment into “American Idiot,” punk continues to reinvent itself. It may shift forms, but it never goes quietly.

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Tunes Du Jour Presents 2001

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The music of 2001 offered listeners a diverse array of sounds, reflecting the eclectic tastes and creative experimentation prevalent at the turn of the millennium. From hip-hop’s continued evolution to electronic music’s broader appeal, the year’s musical landscape was characterized by a spirit of innovation and cross-genre pollination. While not necessarily revolutionary, 2001’s musical offerings showcased artists pushing boundaries and audiences embracing fresh sounds across multiple genres.

At the forefront of this sonic revolution was Missy Elliott’s “Get Ur Freak On,” a track that redefined hip-hop with its bold beats and futuristic soundscapes. Elliott’s unique style blended traditional hip-hop with global influences, introducing a raw, hyper-sexualized energy that was both provocative and empowering. This era also saw the rise of Jay-Z with “Izzo (H.O.V.A.),” a masterclass in braggadocio that solidified his status as one of rap’s most influential figures. Meanwhile, newcomer Alicia Keys made her mark with the soulful “Fallin’,” combining classical piano with soulful vocals to create a fresh voice in R&B that earned her critical acclaim and multiple awards.

Electronic music found its way into the mainstream consciousness with Daft Punk’s “One More Time,” a euphoric dance anthem that transcended the dance floor, bridging the gap between underground rave culture and pop sensibilities. This electronic influence seeped into other genres as well, with acts like Gorillaz blending hip-hop, rock, and electronica on their debut hit “Clint Eastwood.” The cross-pollination of genres was further exemplified by Eve and Gwen Stefani’s collaboration on “Let Me Blow Ya Mind,” a standout track that seamlessly merged rap and pop elements.

Rock music in 2001 was marked by both innovation and nostalgia. Radiohead continued to push boundaries with the haunting “Pyramid Song,” a complex composition that resonated with fans and critics alike. Meanwhile, bands like The Strokes and The White Stripes led a garage rock revival with “The Modern Age” and “Hotel Yorba” respectively, influencing a new generation of bands. System of a Down’s “Chop Suey!” delivered a powerful mix of metal and alternative rock, addressing themes of life and death with intense energy. Veterans weren’t left behind, as evidenced by Bob Dylan’s “Mississippi” and R.E.M.’s “Imitation of Life,” both of which showcased the enduring relevance of established artists.

The pop landscape of 2001 was equally dynamic, with artists like Britney Spears (“I’m a Slave 4 U”) and P!nk (“Get The Party Started”) dominating the airwaves with infectious hooks and undeniable energy. Janet Jackson’s “All for You” brought a feel-good vibe with its upbeat tempo and catchy chorus. This era also saw the last major hit from Michael Jackson during his lifetime, “You Rock My World.” From the reggae-pop fusion of Shaggy’s “It Wasn’t Me” to the unexpected success of Afroman’s “Because I Got High,” 2001 offered a rich and varied soundtrack that balanced humor with storytelling, demonstrating that sometimes a catchy hook and a good story are all you need to make a hit. In retrospect, 2001 was a pivotal year that saw the emergence of new stars, the redefinition of established genres, and a time when music felt refreshingly unpredictable, with artists boldly experimenting and audiences eagerly embracing the new and unfamiliar.

My Top Songs Of 2022

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Congratulations to Megan Thee Stallion, who has placed a song in my year end top five every year since 2019. Her “Her” is my number two song of ’22, kept from number one by Beyoncé, who guested on the remix of MTS’s “Savage,” my number 4 song of 2020. 2022 was a year that left me wanting, so my top 100 has 92 songs. Here they are:

  1. BREAK MY SOUL – Beyoncé
  2. Her – Megan Thee Stallion
  3. About Damn Time – Lizzo
  4. As It Was – Harry Styles
  5. This Hell – Rina Sawayama
  6. Coconuts – Kim Petras
  7. Goodbye Mr. Blue – Father John Misty
  8. Wild – Spoon
  9. Sacrifice – The Weeknd
  10. All the Good Times – Angel Olsen
  11. BILLIE EILISH. – Armani White
  12. Measure of a Man – FKA twigs feat. Central Cee
  13. Meet Me at Our Spot – THE ANXIETY, WILLOW & Tyler Cole
  14. Burning – the Yeah Yeah Yeahs
  15. CUFF IT – Beyoncé
  16. TV – Billie Eilish
  17. If I Was a Cowboy – Miranda Lambert
  18. Mistakes – Sharon Van Etten
  19. I Hate U – SZA
  20. Simulation Swarm – Big Thief
  21. Big Energy – Latto
  22. The Smoke – The Smile
  23. Bad Habit – Steve Lacy
  24. Boyfriend – Dove Cameron
  25. Hideous – Oliver Sim feat. Jimmy Somerville
  26. Gasoline – The Weeknd
  27. edamame – bbno$ feat. Rich Brown
  28. Lift Me Up – Rihanna
  29. Slide Tackle – Japanese Breakfast
  30. Don’t Let the Light Go Out – Panic! At the Disco
  31. MORE – j-hope
  32. Pressurelicious – Megan Thee Stallion feat. Future
  33. MAGIC – Vince Staples and Mustard
  34. Late Night Talking – Harry Styles
  35. Once Twice Melody – Beach House
  36. Edge of the Edge – Panda Bear and Sonic Boom
  37. Music for a Sushi Restaurant – Harry Styles
  38. Out of Time – The Weeknd
  39. Do I Love You (Indeed I Do) – Bruce Springsteen
  40. Another day in America – Kali Uchis & Ozuna
  41. Out of My Head – First Aid Kit
  42. Lost Track – HAIM
  43. Tonight – Phoenix feat. Ezra Koenig
  44. Beach House – Carly Ray Jepsen
  45. Tomorrow – Waxahatchee
  46. Funny Girl – Father John Misty
  47. Softly – Arlo Parks
  48. EDGING – Blink-182
  49. Cash In, Cash Out – Pharrell Williams feat. 21 Savage & Tyler, The Creator
  50. Falling Apart (Right Now) – Wilco
  51. Father Time – Kendrick Lamar feat. Sampha
  52. camera roll – Kacey Musgraves
  53. My Babe – Spoon
  54. Popular – M.I.A.
  55. Silent Hill – Kendrick Lamar with Kodak Black
  56. The Lightning – Arcade Fire
  57. The 30th – Billie Eilish
  58. The Curse of the Blackened Eye – Orville Peck                                                           
  59. Fractals – Beth Orton
  60. Should’ve Been Me – Mitski
  61. Ur Mum – Wet Leg
  62. Catch Me in the Air – Rina Sawayama
  63. new body rhumba – LCD Soundsystem
  64. Megan’s Piano – Megan Thee Stallion
  65. Sweetest Pie – Megan Thee Stallion & Dua Lipa
  66. Die Hard – Kendrick Lamar feat. Blxst and Amanda Reifer
  67. The Ick – Panic Shack
  68. Get Inspired – Genesis Owusu
  69. Cheat Codes – Danger Mouse & Black Thought
  70. Postman – Toro y Moi
  71. The Only Heartbreaker – Mitski
  72. hollaback bitch – Mura Masa with Channel Tres & Shygirl
  73. Male Fantasy – Billie Eilish
  74. Stay Soft – Mitski
  75. Fruit – Oliver Sim
  76. Run the Credits – Oliver Sim
  77. B-Side – Khruangbin & Leon Bridges
  78. Down – Hot Chip
  79. Can I Get It – Adele
  80. No Decent Shoes for Rain – Dry Cleaning
  81. Unconditional I – Arcade Fire
  82. Fleez – Yeah Yeah Yeahs
  83. N95 – Kendrick Lamar
  84. Angelica – Wet Leg
  85. Rich Spirit – Kendrick Lamar
  86. 2 Be Loved (Am I Ready) – Lizzo
  87. One Right Now – Post Malone with The Weeknd
  88. Bam Bam – Camila Cabello feat. Ed Sheeran
  89. Love Me More – Mitski
  90. Change – The War on Drugs
  91. Strange – Miranda Lambert
  92. High Priestess – Santigold

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Your (Almost) Daily Playlist: 12-13-22

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Today’s playlist celebrates the December 13 birthdays of Television’s Tom Verlaine, Taylor Swift, Blink-182’s Tom DeLonge, Jamie Foxx, Ted Nugent, Evanescence’s Amy Lee, The Time’s Morris Day, Steve Forbert, Dick Van Dyke, and John Anderson; and the December 14 birthdays of Jane Birkin, The Waterboys’ Mike Scott, Spike Jones, Beth Orton, The Big Pink’s Robbie Furze, Charlie Rich, The Searchers’ Frank Allen, Linda Jones, Dandy Livingstone, and The Beatnuts’ Juju.