If you had to pick one song to sum up 2006, you might reach for Gnarls Barkley’s “Crazy” — a song so omnipresent that year it practically became ambient noise. But that choice would also tell you something true about the year: it was a moment when genuinely strange, interesting ideas were landing at the top of the charts, not just surviving on the margins. Cee Lo Green and Danger Mouse made a song that was simultaneously soulful, psychedelic, and completely radio-friendly, and somehow the world went along with it. That tension — between the weird and the accessible, between art and commerce — runs through a lot of what made 2006 a particularly interesting year in music.
The mainstream pop landscape was, by any measure, stacked. Justin Timberlake’s “My Love,” with its spare Timbaland production and T.I. verse, pointed forward toward the minimalist R&B that would define the next decade. Beyoncé released “Irreplaceable,” a song so well-constructed it barely needs any production to hold your attention. Rihanna was still in her early hitmaking mode with “SOS,” and Nelly Furtado, working with Timbaland, was having a pop renaissance with “Promiscuous.” What’s notable in retrospect is how many of these tracks were built around restraint — the arrangements have room in them, the hooks don’t have to fight to be heard. It’s pop music that trusted the song.
On the rock side of things, the year had an interesting split personality. Arctic Monkeys had exploded out of Sheffield with “I Bet You Look Good on the Dancefloor,” all nervous energy and sharp elbows, while The Killers’ “When You Were Young” pushed toward something more cinematic and earnest. The Raconteurs gave Jack White a different context to work in, and “Steady, As She Goes” was proof that a riff-first approach still had plenty of life in it. Muse were somewhere in the atmosphere with “Knights of Cydonia,” a song so committed to its own grandiosity that it looped back around to being genuinely exciting. Meanwhile, Band of Horses released “The Funeral,” which occupied a completely different emotional register — slow, aching, and built to last.
Away from the obvious mainstream, 2006 had a lot happening in the spaces between genres. TV on the Radio were making rock music that felt genuinely new with “Wolf Like Me,” while Hot Chip and Junior Boys were finding the emotional depth available in electronic pop. The Knife’s “Silent Shout” was something else entirely — icy, theatrical, and slightly unsettling in the best way. Camera Obscura offered a gentler alternative with “Lloyd, I’m Ready to be Heartbroken,” a song that wore its Lloyd Cole reference as a badge of honor, and The Pipettes were busy making sharp, witty girl-group pop that felt both nostalgic and pointed. Hip-hop, meanwhile, was getting some of its most creatively ambitious work from Kanye West (“Touch the Sky”) and Lupe Fiasco, whose “Kick, Push” used skateboarding as a fully realized metaphor for outsider identity without ever feeling forced.
There were also moments in 2006 that went beyond music into something more like public conversation. The Chicks released “Not Ready to Make Nice,” a direct response to the backlash they’d faced since 2003, and the fact that it became a hit felt genuinely significant — a mainstream country-adjacent audience giving space to a song about refusing to apologize. Cat Power’s “The Greatest” was quieter but no less affecting, a meditation on loss and missed potential delivered with a stillness that made it hit harder. Morrissey was still being Morrissey (“You Have Killed Me”), which is either a comfort or an irritant depending on your history with the man. What holds all of this together isn’t a single sound or movement — it’s more that 2006 was a year when music across a lot of different genres was being made by people who seemed to be thinking carefully about what they were doing, and the results have held up.
Happy Sisters Day! There’s a unique, almost telepathic bond between sisters, and nowhere is that connection more audible than in music. When sisters sing together, they create a blend that often is simply magical—a harmony that’s been practiced over a lifetime.
In celebration of this incredible bond, I’ve curated a playlist of songs from groups that feature at least one pair of sisters. From the tough-girl cool of the ’60s girl groups to ’80s rock goddesses, ’90s pop sensations, and modern indie darlings, this playlist is a testament to the power of sisterhood in harmony. So grab your sister (or your chosen sister!), turn up the volume, and let’s dive in.
Leader of the Pack – The Shangri-Las The Sisters: Mary and Elizabeth “Betty” Weiss were the heart of this legendary girl group, alongside the identical twins Marge and Mary Ann Ganser. With their dramatic, soap-opera-in-a-song storytelling and a “tougher than the boys” attitude, the Shangri-Las stood out. “Leader of the Pack” is their definitive mini-masterpiece of teenage tragedy.
Emmylou – First Aid Kit The Sisters: Swedish folk duo Klara and Johanna Söderberg are revered for their breathtaking, otherworldly harmonies. On “Emmylou,” they pay beautiful tribute to their country music heroes (Emmylou Harris, Gram Parsons, June Carter, and Johnny Cash), creating a modern folk classic that feels utterly timeless.
Be My Baby – The Ronettes The Sisters: The iconic lead vocals of Veronica “Ronnie” Bennett (later Spector) were backed by the harmonies of her older sister, Estelle Bennett, and their cousin Nedra Talley. This song, with its legendary drum intro and Phil Spector’s Wall of Sound production, is pure pop perfection and a benchmark for the girl group era.
C’est la Vie – B*Witched The Sisters: This infectiously cheerful Irish pop group featured identical twin sisters Edele and Keavy Lynch (whose brother, Shane, was in the boy band Boyzone). “C’est la Vie,” with its jig-dancing, double-denim aesthetic, and suggestive lyrics, is a pure shot of late-’90s bubblegum pop nostalgia.
We Are Family – Sister Sledge The Sisters: It’s right there in the name! Debbie, Joni, Kim, and Kathy Sledge are the four sisters who became a global phenomenon with this timeless anthem. Written and produced by Nile Rodgers and Bernard Edwards of Chic, the song wasn’t just a disco smash; it became a universal hymn for families, teams, and communities everywhere.
Move Ya Body – Nina Sky The Sisters: Identical twin sisters Nicole and Natalie Albino make up the duo Nina Sky. This dancehall-infused debut single was a massive summer smash in 2004, and its infectious “Diwali Riddim” beat still fills dancefloors today.
Walk Like an Egyptian – Bangles The Sisters: Vicki and Debbi Peterson (guitar and drums, respectively) were the sibling core of the Bangles. While Susanna Hoffs often took the lead, the Petersons’ rock-solid rhythm and harmonies were essential to the band’s sound. This quirky, chart-topping hit became one of the most memorable songs of the ’80s.
Closer – Tegan And Sara The Sisters: Canadian identical twin sisters Tegan and Sara Quin have been indie-rock mainstays for years. “Closer” marked their brilliant pivot into synth-pop, a shimmering, exhilarating track about the thrill of a crush before a relationship even begins. It’s a masterclass in pop songwriting.
I’ll Take You There – The Staple Singers The Sisters: Gospel and soul royalty, The Staple Singers were a true family affair led by patriarch “Pops” Staples. His daughters Mavis, Cleotha, and Yvonne Staples provided the heavenly, soul-stirring harmonies. This song, with its iconic bassline borrowed from a reggae track, is a blissful invitation to a better place.
I Love How You Love Me – The Paris Sisters The Sisters: Albeth, Sherrell, and Priscilla Paris were known for their incredibly tight, close-miked, whispery harmonies. Produced by Phil Spector before his Wall of Sound days, this dreamy, delicate ballad perfectly captures the sweet innocence of young love.
Best of My Love – The Emotions The Sisters: Wanda, Sheila, and Pamela Hutchinson are the Chicago-born sisters behind The Emotions. This joyous, soaring disco-soul classic was co-written and produced by Earth, Wind & Fire’s Maurice White, and it showcases their absolutely flawless, exuberant harmonies. It’s impossible not to smile while listening.
Hippychick – Soho The Sisters: This one-hit wonder from 1990 was fronted by twin sisters Jacqueline “Jacqui” and Pauline Cuff. The song’s laid-back groove is built around a genius sample of The Smiths’ “How Soon Is Now?,” creating a track that’s instantly recognizable and quintessentially of its era.
Never Ever – All Saints The Sisters: The ’90s British girl group All Saints, known for their cooler, more casual style, included sisters Natalie and Nicole Appleton. “Never Ever” was their biggest hit, a soulful, melancholic R&B ballad that became one of the best-selling singles by a girl group in the UK.
Nothing But A Heartache – The Flirtations The Sisters: Though their lineup shifted, this American vocal group (who found fame in the UK) was founded by sisters Shirley and Pearly Pearce. “Nothing But a Heartache” is a prime cut of Northern Soul—up-tempo, dramatic, and deeply soulful, it’s a crate-digger’s treasure.
The Sign – Ace Of Base The Sisters: This Swedish pop group that dominated the airwaves in the ’90s was fronted by sisters Jenny and Linn Berggren. Their distinct voices—Jenny’s powerful and clear, Linn’s ethereal and soft—were the perfect vehicle for this insanely catchy reggae-pop confection that took over the world.
Popsicles and Icicles – The Murmaids The Sisters: Sisters Carol and Terry Fischer were two-thirds of The Murmaids. This sweet, dreamy tune, written by a young David Gates (who would later form the band Bread), became a surprise hit in 1963 and remains a perfect example of the innocent charm of the era.
Chapel of Love – Dixie Cups The Sisters: New Orleans trio The Dixie Cups featured sisters Barbara Ann and Rosa Lee Hawkins, along with their cousin Joan Marie Johnson. Their version of “Chapel of Love” knocked The Beatles out of the #1 spot in 1964.
Boogie Fever – The Sylvers The Sisters: The Sylvers were a large family band, similar to the Jacksons. On their biggest hit, “Boogie Fever,” the lead vocals are handled by Edmund Sylvers, but the shimmering, essential background harmonies come courtesy of sisters Olympia and Charmaine Sylvers.
My Boyfriend’s Back – The Angels The Sisters: This sassy girl-group classic was powered by sisters Barbara “Bibs” and Phyllis “Jiggs” Allbut. The song is a perfect slice of early ’60s pop, a warning to a would-be suitor that her boyfriend is back in town and “gonna save my reputation.”
Eres Tu (Touch the Wind) – Mocedades The Sisters: This Spanish group featured three sisters in its classic lineup: Amaya, Izaskun, and Estíbaliz Uranga. “Eres Tú” was Spain’s entry in the 1973 Eurovision Song Contest. It didn’t win, but it became a massive global hit, showcasing the group’s lush, soaring vocal arrangements.
Cannonball – The Breeders The Sisters: A cornerstone of ’90s alternative rock, The Breeders were formed by Kim Deal (of the Pixies) and her identical twin sister, Kelley Deal. “Cannonball,” with its iconic slithering bassline, nonsensical lyrics, and explosive chorus, is a blast of pure, raw, and effortlessly cool rock and roll.
The Ketchup Song (Aserejé) – Las Ketchup The Sisters: Say it out loud: The Ketchup sisters! This one is wonderfully literal. Spanish sisters Lola, Pilar, and Lucía Muñoz are the daughters of a flamenco guitarist known as “El Tomate” (The Tomato). Their nonsensical smash hit, complete with a viral dance, was inescapable throughout Europe in the summer of 2002.
The Wire – HAIM The Sisters: Este, Danielle, and Alana Haim are the quintessential modern sister act. The multi-instrumentalist siblings from California burst onto the scene with a sound that blended ’70s soft rock with ’80s pop. “The Wire” is a perfect introduction to their intricate rhythms and impeccable harmonies.
Hammond Song – The Roches The Sisters: Maggie, Terre, and Suzzy Roche were a trio of sisters from New York known for their astonishingly complex, intricate, and often quirky folk harmonies. “Hammond Song,” from their debut album produced by King Crimson’s Robert Fripp, is a haunting and beautiful display of their unique vocal chemistry.
Not Ready To Make Nice –The Chicks The Sisters: Martie Maguire (fiddle) and Emily Strayer (banjo, dobro) are the instrumental powerhouses and harmony singers of this trailblazing country trio. This fiery, defiant anthem was their response to the backlash they faced for speaking out against the Iraq War, and it earned them three Grammy Awards, including Song of the Year.
Respectable – Mel & Kim The Sisters: British sisters Melanie and Kim Appleby were a vibrant pop duo who worked with the hitmaking team of Stock Aitken Waterman. “Respectable” is a sassy, high-energy dance-pop track that champions self-respect and fun. Tragically, Mel passed away from cancer in 1990 at the peak of their fame.
Alone – Heart The Sisters: Ann and Nancy Wilson are rock and roll royalty. With Ann’s powerhouse vocals and Nancy’s virtuosic, dynamic guitar work, they have been the unwavering core of Heart for decades. While “Alone” is a cover, their rendition transformed it into one of the greatest power ballads of all time.
Mr. Lee – The Bobbettes The Sisters: This groundbreaking group included sisters Jannie and Emma Pought. In 1957, The Bobbettes became the first all-female group to write their own #1 R&B hit. “Mr. Lee,” a song originally written to tease a teacher they disliked, is a fun, foundational piece of rock and roll history.
Automatic – The Pointer Sisters The Sisters: Anita, June, Ruth, and Bonnie Pointer began by singing a mix of jazz, soul, and country before reinventing themselves as sleek, synth-pop superstars following Bonnie’s departure from the group. This ’80s classic is a prime example of their funky, high-tech sound, driven by Ruth Pointer’s incredibly deep and sultry lead vocal.
I Wanna Love Him So Bad – The Jelly Beans The Sisters: This gem from the golden age of girl groups featured the powerful harmonies of sisters Maxine and Betty Smith. Discovered while still in high school, The Jelly Beans were teamed with legendary songwriters Jeff Barry and Ellie Greenwich. The result was this classic expression of teenage devotion, a perfect slice of 1964 pop.
I hope you enjoyed this journey through the history of sister acts in music. Share this playlist with your sister and have a wonderful, music-filled Sisters Day!
Today’s playlist celebrates the October 14 birthdays of The Moody Blues’ Justin Hayward, Usher, Cliff Richard, The Chicks’ Natalie Maines, All Saints’ Shaznay Lewis, Nazareth’s Dan McCafferty, Bill Justis, Thomas Dolby, Robert Parker, Karyn White, and Omar; and the October 15 birthdays of The Jacksons’ Tito Jackson, The Orb’s Alex Paterson, Carpenters’ Richard Carpenter, Jessie Ware, Barry McGuire, The Bad Plus’s Reid Anderson, Ginuwine, The Dead Milkmen’s Joe Genaro, Marv Johnson, and Chris DeBurgh.
Today’s playlist celebrates the August 16 birthdays of Madonna, Soft Machine’s Kevin Ayers, Young Thug, Kool & the Gang’s James “JT” Taylor, The Coral’s James Skelly, The Chicks/Court Yard Hounds’ Emily Robison, Golden Earring’s Barry Hay, Ketty Lester, The Music Machine’s Sean Bonniwell, Barbara George, Vanessa Carlton, Al Hibbler, The American Breed’s Gary Loizzo, Sheila of Sheila & B. Devotion, Billy Joe & The Checkmates’ Ernie Freeman, Eydie Gorme, Rina Sawayama, and Joe Sealy.
I was working in the international licensing department at Sony Music when Destiny’s Child released their debut album in 1998. I would field requests to include their first single, “No, No, No,” on compilation CDs. Matthew Knowles, the group’s manager and father of their usual lead singer, Beyoncé, was in favor of granting all the license requests. “I want them to become a household name” he told me. Look how far Beyoncé has come. Today’s playlist consists of my 30 favorite Beyoncé tracks. She’s had bigger hits than some of the songs included, though if I must choose, I’d choose these.
I’m not going to write an essay about 2020. That’s been done elsewhere and I have nothing to add to the conversation. Though the three words that best describe you are as follows, and I quote, “stink, stank, stunk,” there were some bright spots. Here are 85 things that brought me joy. Happy New Year, everyone!
everything i wanted – Billie Eilish
WAP – Cardi B feat. Megan Thee Stallion
deathbed (coffee for your head) – Powfu feat. Beabadoobee
Savage – Megan Thee Stallion feat. Beyoncé
Stay High – Brittany Howard
Dynamite – BTS
Shameika – Fiona Apple
Tap In – Saweetie feat. Post Malone, DaBaby & Jack Harlow
Delete Forever – Grimes
Mariners Apartment Complex – Lana Del Rey
Polyaneurism – of Montreal
Didn’t Want To Be This Lonely – Pretenders
Stupid Love – Lady Gaga
Call My Phone Thinking I’m Doing Nothing Better – the Streets feat. Tame Impala
Surrender – Will Butler
JU$T – Run the Jewels feat. Pharrell Williams & Zack De La Rocha
BLACK PARADE – Beyoncé
Lifetime – Romy
Fool’s Gold – Lucy Dacus
Identical – Phoenix
ilomilo – Billie Eilish
Hallelujah – HAIM
Quarantine Boogie (Loco) – Walter Martin
Jesus Christ 2005 God Bless America – the 1975
Texas Sun – Khruangbin and Leon Bridges
Ghosts – Bruce Springsteen
Settling Down – Miranda Lambert
He Loves Me – Brittany Howard
Pictures of Flowers – Jess Williamson feat. Hand Habits
The Valley of the Pagans – Gorillaz featuring Beck
my future – Billie Eilish
hot girl bummer – Blackbear
Drinks – Cyn
I disappear in your arms – Christine & the Queens
Say So – Doja Cat
Sea Salt & Caramel – Dent May
Gaslighter – The Chicks
4 American Dollars – U.S. Girls
No Time to Die – Billie Eilish
Murder Most Foul – Bob Dylan
Lockdown – Anderson .Paak
When the Way Gets Dark – Lucinda Williams
Straight to the Morning – Hot Chip feat. Jarvis Cocker
Sleep at Night – The Chicks
Jason – Perfume Genius
Black Qualls – Thundercat feat. Steve Lacy & Steve Arrington
Smiley Face – Duck Sauce
Blinding Lights – the Weeknd
Country Radio – Indigo Girls
One and Done – Bright Eyes
Hole in the Bottle – Kelsea Ballerini with Shania Twain
Bluebird – Miranda Lambert
FTP – YG
You Can’t Rule Me – Lucinda Williams
Don’t Wanna – HAIM
Rager teenager! – Troye Sivan
SUGAR – BROCKHAMPTON
Bad Decisions – the Strokes
Miracle of Life – Bright Eyes feat. Phoebe Bridgers
Dora – Thierra Whack
On the Floor – Perfume Genius
Don’t Stop – Megan Thee Stallion feat. Young Thug
Front Lines – Conway the Machine
xanny – Billie Eilish
On My Own – Shamir
Without You – Perfume Genius
Why I Still Love You – Missy Elliott
The Streets Where I Belong – Annie
Leader of the Delinquents – Kid Cudi
Song 33 – Noname
Anthem – Father John Misty
Lilacs – Waxahatchee
Body Memory – Jess Cornelius
Come Thru – Summer Walker with Usher
Aries – Gorillaz feat. Peter Hook & Georgia
Riding Solo – Hinds
Cool Off – Missy Elliott
Sweeter – Leon Bridges feat. Terrace Martin
Video Game – Sufjan Stevens
Love Is a Drug – Empress Of
Kyoto – Phoebe Bridgers
ATM – Too Free
Momentary Bliss – Gorillaz feat. Slowthai and Slaves
Harlem River Blues – Steve Earle
In My Bones – Jacob Collier feat. Kimbra & Tank and the Bangas
Inspired by the October 14 birthdays of Cliff Richard, Usher, The Moody Blues’ Justin Hayward, The Chicks’ Natalie Maines, All Saints’ Shaznay Lewis, Boney M’s Marcia Barrett, Thomas Dolby, Nazareth’s Dan McCafferty, Robert Parker, Bill Justis and Karyn White.
