Winston + Gaynor

It’s Friday And I Need To Dance!

Billboard magazine’s first disco chart was published in October of 1974. Its #1 song was “Never Can Say Goodbye” performed by Gloria Gaynor. That record stayed on top for four weeks, soon crossing over to the pop chart, where it peaked at #9.

An eighteen-plus minute medley of “Honey Bee,” “Never Can Say Goodbye” and “Reach Out, I’ll Be There” reached #2 on the Disco chart in early 1975, leading to Gaynor being named “Queen of the Discos” by the National Association of Discotheque Disc Jockeys in March of that year.

Six more top ten disco hits followed in 1975 and 1976, but then her fortunes dried up. Her sole entry on the Disco chart in 1977 reached only #38. Her next charted disco single was over a year later, and peaked at #24. By this point, Donna Summer was the new Queen of Disco. Summer was also crossing over onto the pop chart, while Gaynor’s sole top 40 pop single was “Never Can Say Goodbye.” She failed to crack the Hot 100 in 1976 and 1977.

Her record company, Polydor, reached out to producer Dino Fekaris and asked him to produce for Gaynor a cover of the Righteous Brothers track “Substitute,” then a recent hit overseas for a group called Clout.

Fekaris was a staff songwriter at Motown Record for almost seven years before the company let him go. Determined not to let that career setback derail him, Fekaris got together with his songwriter and production partner Freddie Perren, who also had a stint at Motown, and wrote a song about getting over the fear of the unknown and surviving what life throws at you. They wanted a woman to record the track, but didn’t have anybody in mind. They decided to give the song to the next diva they work with. That’s when Polydor called with the Gaynor gig.

As requested by her label boss, Gaynor recorded “Substitute” to be the A-side of her next single, but the song about survival, which she recorded to be the record’s B-side, really resonated with her. Besides her career troubles, she recently lost her mother and fell on stage while performing, which required her to undergo spinal surgery and spend six months in the hospital. She recorded the tracks wearing a back brace.

“Substitute” was released in the fall of 1978. It failed to make the Hot 100.

One night around that time, Studio 54 DJ Ritchie Kaczor flipped over “Substitute” and played its B-side. The patrons ignored it that first time, but Kaczor kept playing it. Eventually, it became the club’s most popular cut. Soon, all New York City clubs were playing the track.

In November 1978 Vince Aletti wrote in Record World magazine that this song “is Gaynor’s very best work in years…delivered with such relish that one can’t help but get caught up in the emotion.”

In Boston, disco radio DJ Jack King played the single’s B-side and reported that “my listeners went nuts!” Seeing the response this song was getting, Polydor reissued the single with “Substitute” as the B-side. The A-side was now the anthem “I Will Survive.”

Winston + Gaynor
In January 1979, “I Will Survive” returned Gloria Gaynor to #1 on the Disco chart, where she remained for three weeks. In March of that year the record hit #1 on the Hot 100, where it also stayed for three weeks. It went on to become a smash around the world.

At the 22nd Annual Grammy Awards ceremony on February 27, 1980, Gloria Gaynor’s “I Will Survive” won for Best Disco Recording, the only time that award has ever been given, over Michael Jackson’s “Don’t Stop ‘Til You Get Enough,” Rod Stewart’s “Da Ya Think I’m Sexy?,” Earth Wind & Fire with The Emotions’ “Boogie Wonderland,” and then Queen of Disco Donna Summer’s Bad Girls.

“I Will Survive” kicks off Tunes du Jour’s weekly dance party.

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Grammy Nominees Were Announced And I Need To Dance!

This year’s Grammy nominations were announced this morning. Here they are:

Record of the Year
Iggy Azalea ft. Charli XCX – “Fancy”
Sia – “Chandelier”
Sam Smith – “Stay With Me (Darkchild Version)”
Taylor Swift – “Shake It Off”
Meghan Trainor – “All About That Bass”

Song of the Year
Same as Record of the Year, except instead of “Fancy” you’ve got Hozier’s “Take Me to Church”

Album of the Year
They plan on announcing the nominees in this category tonight during the A Very Grammy Christmas television special. Ariana Grande, Maroon 5 and Album of the Year nominations? Cancel your Friday night plans!

Best New Artist
Bastille
Iggy Azalea
Haim
Sam Smith
Some lady I’ve never heard of

Best Pop Vocal Album
Coldplay – Zzzzz
Miley Cyrus – Zzzzz
Ariana Grande – Zzzzz
Katy Perry – Zzzzz
Ed Sheeran – Zzzzz
Sam Smith – Zzzzz

Best Rock Album
Beck – Morning Phase
Ryan Adams – Ryan Adams
The Black Keys – Turn Blue
Tom Petty & The Heartbreakers – Hypnotic Eye
U2 – Are You Fucking Kidding Me?!?!

Best Urban Contemporary Album
Jhené Aiko – How Do You Pronounce That?
Beyoncé – I’m Now The Most Nominated Woman In Grammy History, So Bow Down Bitches
Chris Brown – Undeserved
Mali Music – Who?
Pharrell Williams – Gurl!

Best Country Album
Miranda Lambert – Platinum
+ four others

Best Spoken Word Album (a/k/a Best Audiobook)
Forget the titles; look at this list of nominated performers – James Franco, John Waters, Joan Rivers, Gloria Gaynor, Elizabeth Warren and Jimmy Carter! They better present this one on the telecast! Gurl!

Best Rock Song
Paramore – “Ain’t It Fun”
Beck – “Blue Moon”
The Black Keys – “Jack White Better Not Be Nominated”
Ryan Adams – “Gimme Something Good”
Jack White – “The Black Keys Better Not Be Nominated”

Best R&B Song
Beyoncé featuring Jay-Z – “Drunk In Love”
Usher – “I’m Going to Lose to Beyoncé”
Chris Brown featuring Usher and Rick Ross – “I Don’t Deserve a Nomination and I’m Going to Lose to Beyoncé”
Luke James featuring Rick Ross – “You Never Heard of Me and I’m Going to Lose to Beyoncé”
Jhené Aiko – “Though I Also Have an Accent over the Second E in My First Name I’m Going to Lose to Beyoncé”

Best Country Song
Miranda Lambert – “Automatic”
+ four others

Best Dance Recording
Seriously, there is a category for the best audiobook. The Grammy Awards’ tag-line is “Music’s Biggest Night.” Unless Elizabeth Warren sang her memoirs this category should not exist.

This post doesn’t cover all nominations. In total, the Grammy Awards have nominees in 12,623 categories, three of which are presented on the air. Tune in sometime in January or February to see who wins as well as a rare live television appearance from the reclusive Taylor Swift!

As for now, it’s Friday, which is dance day on Tunes du Jour. As tomorrow is Ira Gershwin’s 118th birthday, we’ll kick off this week’s dance party with Donna Summer, who by now may have dined with the famed lyricist.

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Winston + Chic 2014-09-19 13.37

It’s Halloween And I Need To Dance!

On the night of December 31, 1977, Grace Jones rang in the new year with a performance at New York City’s Studio 54. She invited Nile Rodgers and Bernard Edwards of the band Chic, whose hits such as “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)” were often played at the club, to catch her show. The guys went to the stage door, where the doorman told them to “Fuck off!” They went to the front entrance and told the doorman there they were personal guests of Jones. The doorman told them they weren’t on the list and refused them admission. Though all dressed up, they went back to the apartment where Nile was then staying. Several bottles of champagne and a little cocaine later, the two musicians started jamming on a song they improvised, inspired by the first doorman. “Awww, fuck off – fuck Studio 54 – fuck off.”

Bernard was impressed with the riff they created, though both knew they wouldn’t get radio airplay for a song that went “fuck off.” (How times have changed!) They changed “fuck” to “freak,” though “freak off” sounded lame. Then Bernard suggested changing “off” to “out.” Nile responded “Like…when you’re out on the dance floor losing it, you know you’re freaking out,” to which Bernard replied “Yeah, plus they have that new dance called ‘the Freak.’”

“Le Freak” debuted on the Billboard Hot 100 in the fall of 1978. In December it hit #1, though it got knocked from the top a week later by Barbra Streisand and Neil Diamond’s “You Don’t Bring Me Flowers.” One week later “Le Freak” went back to #1, but one week after that it got knocked out by Bee Gees’ “Too Much Heaven.” Two weeks later “Le Freak” returned to #1, staying on top for four more weeks. It went on to sell approximately twelve million units worldwide, becoming the best-selling record ever for Atlantic Records.

In 1979 “Le Freak” was included on a compilation album entitled A Night at Studio 54.

Winston + Chic 2014-09-19 13.37
All sorts of freaks and monsters will be out today/tonight for Halloween. This week’s dance party is inspired by the holiday.

doggies + New Edition

It’s My Birthday And I Need To Dance!

doggies + New Edition
Every April, to coincide with Tax Day, my former Sony colleague Rich Appel creates the IRS countdown. In this case, IRS stands for It Really Shoulda, as in It Really Shoulda been a top ten hit. People vote for songs that they feel should have but didn’t make the top ten of Billboard’s Hot 100. Rich collates all of the entries and comes out with the Top 100 IRS songs.

Today is my birthday. Usually on birthdays, Tunes du Jour creates a playlist around the music of the birthday boy or girl. As Friday is dance day in these parts, I decided I would take inspiration from Rich’s IRS countdown and present to you a playlist of songs that I love to dance to that didn’t crack the pop top ten. Here are fifty such IRS tracks. (Actually, fifty-one, not because that’s how old I am but because the Diana Ross entry is two songs.) It’s my birthday and I need to dance!

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Ringo + Rose Royce 2014-10-10 11.27

It’s Friday And I Need To Dance!

My plan was for today’s blog post to be a rant. Since 2011, over 80 pedestrians in West Hollywood have been hit by cars while in crosswalks. Three of them were killed. This city’s solution? Put signs on the side of the street that read “PEDESTRIAN SAFETY ZONE.” Oh, you mean we’re not supposed to run down pedestrians? Thanks for the heads up! Is there a sign when the zone ends so I can go back to business as usual?

Meanwhile, pedestrians walking on the sidewalk get run down by bicyclists. The city created bike lanes on Santa Monica Blvd., but many bicyclists prefer to ride on the sidewalk. It’s illegal, but WeHo doesn’t enforce many of its laws. I spoke to one of our city councilmembers about this, and she said they have no intention of enforcing that law or the leash laws or replacing burnt out bulbs in streetlights.

But you know what? I don’t feel like ranting. It’s Friday, and I need to dance.

Ringo + Rose Royce 2014-10-10 11.27
This week’s dance playlist kicks off with Rose Royce’s “Car Wash,” which gives the sage advice that a car wash “ain’t no place to be if you planned on bein’ a star.” Now you know.

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Big_Love_single

It’s Friday And I Need To Dance!

Ebola is now in the US. Isis is on its way. Unarmed civilians are getting shot by law enforcement officials. Civil wars, mass kidnappings, volcanoes, a new Lenny Kravitz album. It’s a scary world!

I got my flu vaccination earlier this week, so I have one less thing to worry about. There is a movement against the flu vaccine, but the flu is mighty unpleasant and can lead to death. I’d rather go on living and enjoying my life with a little mercury in my system than deal with chills, fever, a runny nose, a sore throat, muscle pains, a severe headache, coughing, and/or fatigue. If I wanted to be in that much pain I’d listen to the new Lenny Kravitz album.

Though I get my flu shot every year, the needle always scares me. This year the doctor used a very small needle. I barely felt it and I’m happy to say I suffered no side effects. I feel great and energized, which is great because it’s Friday and I need to dance.

Big_Love_singleThe cover art can be obtained from Warner Bros. Records.

We’ll kick off this week’s dance playlist with the only Fleetwood Mac song to make the US dance chart, “Big Love.” The track was written, co-produced and sung by FM’s Lindsey Buckingham, who turns 65 today.

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It’s Friday And I Need To Dance!

I recently came across the following piece of advice:

We tend to beat ourselves up when we fail and fail to celebrate when we succeed. Strengthen your belief in yourself by reflecting on each decade of your life and every success you’ve experienced. You can begin as early as age five when you learned how to ride a bike. Write it all down. You’ll be inspired, motivated and amazed by your list and how and can be used to face your fear.
(from lifehack.org: 13 Tips To Face Your Fear and Enjoy the Ride)

My list includes:
Cast as the second male lead in high school production of Fiddler on the Roof
First person in my family to graduate college
Became a Vice President at Warner Music
Performed stand-up comedy – won contests, was mentioned in Backstage cover stories and secured an agent
Became a homeowner at 30
Adopted two rescue dogs (previously I had a fear of dogs)
Second place in Toastmasters humorous speech contest
Named President of ImprovMasters
Successfully sued landlord
Paid off student loans
Skied down the Swiss Alps
Learned how to ride a bike

I recommend doing this exercise. You’ll remember many things you haven’t thought about in a while or perhaps take for granted. Look at the list whenever you need a reminder of your fabulousness.

Now if you’ll excuse me, it’s Friday and I need to dance!

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me July 25 2014 at IM

It’s Friday And I Need To Dance!

Last week I regaled an audience with the story of the time I accidentally hired a prostitute to show me around Prague. These things happen. To me, anyway.

Half-glass-full guy that I am, once I realized what I did, I looked at the positive – I hired a prostitute to show me around Prague! Complications arose when the police got involved and I had to explain to my bank why they needed to credit that charge.

Though I ended up sightseeing that spectacular city on my own, I got a great story out of the trip. Sometimes things don’t go according to plan, but you make the best of the situation and try to turn it into a positive.

me July 25 2014 at IMSomeday I’ll talk about the time I boarded a bus in Mexico to go on what I thought was a nature trip to the hot springs. Let’s just say I don’t think the springs got any hotter than they did that night.

In 1987, two bands, both interested in making a dance record, got together in the studio at the suggestion of the head of their record label, 4AD. Colourbox and A R Kane didn’t hit it off, so each worked on their own track, which they then turned over to the other group to embellish.

Colourbox came up with “Pump up the Volume,” its title line sampled from Eric B & Rakim’s “I Know You Got Soul.” A R Kane added some guitar to the track, and DJs CJ Macintosh and Dave Dorrell added a bunch of samples.

The record was released under the name M|A|R|R|S. “Pump up the Volume” became a worldwide smash and was groundbreaking in its use of samples on a British house track.

Though the idea of a true collaboration between the two bands didn’t come to fruition, and the acts didn’t get along and never worked together again, they did produce a dance classic. “Pump up the Volume” kicks off today’s dance playlist. Have a great weekend and before you buy anything, make sure you know exactly what it is you are paying for.

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It’s Friday And I Need To Dance!

In 2003, Rhino Entertainment moved me from New York City to Los Angeles to head up their Licensing department. I miss Manhattan’s energy and fashion sense and anything-at-any-hour way of life, but most of all, I miss my friends. And I miss our Bad Movie Days.

Not only do I love a good bad song; I also enjoy a good bad movie, as do a core group of my friends. We would meet at either my place or Kathy’s place every few Sundays and stay in, even if it was beautiful outside, and enjoy Glitter or Staying Alive or Body of Evidence, followed by a second feature, usually Showgirls.

Unlike a bad song, which I can enjoy in my solitude, a bad movie usually is more enjoyable with company. I’m not sure I would be able to sit through Skyscaper, in which Anna Nicole Smith starred as a hostage negotiator, if I didn’t have my friends with me to razz the screen, particularly during the scenes where Anna Nicole walked past an office and the film would dissolve to a flashback sequence of the time she had sex on that office’s desk.

I can enjoy a bad musical on my own. While my friends enjoyed Grease 2, with its extended production number about bowling, they were not as enamored as I am of Sgt. Pepper’s Lonely Hearts Club Band. Still, when I watched Mamma Mia on HBO alone in my Los Angeles condo, I knew my friends would share my joy at this amazing cinematic feat, particularly when Pierce Brosnan sang “S.O.S.”

One of my favorite bad movies is Can’t Stop the Music. It stars the Village People. I’ll let that sink in before I go on. Ready? It also stars Bruce Jenner, in a cropped t-shirt and Daisy Dukes. And Steve Guttenberg and Valerie Perrine, with “special guests” (as they are billed in the credits) The Ritchie Family. The Ritchie Family, whose hits were “Best Disco in Town” and “Brazil,” get “special guest” billing. That’s how amazing this movie is. But wait, there’s more! The film was directed by Nancy Walker. Ida Morgenstern. Rosie, the Bounty Paper Towel shill. That Nancy Walker. Now you know you’re in for a treat.

Before I get into the movie, let me make clear that I LOVE The Village People, and not in a I love bad music way. I unabashedly enjoy their music. Not just the hits singles; there are Village People album cuts that have five stars in my iTunes library. I love this movie’s theme song.

As for the rest of the movie, well…. It’s sort of about the formation of the Village People, though 90 minutes into it you may ask “Will there be a plot anytime soon?” Then you’ll ask “Why is a Village People movie more than 90 minutes long?” We see the group’s auditions. I would have hired the guy in the blue jumpsuit who sang “Macho Man.” That said, I can’t deny the leatherman, whose profession we learn is toll collector at the Brooklyn Battery Tunnel (talk about a macho man!), sings a mean “Danny Boy.” We see the guys shoot a commercial for milk. We see..I’m going to lift a line from this movie’s Wikipedia entry – “Initially reluctant, Helen seduces Steve with her kreplach and before long they’re negotiating the T-shirt merchandising for the Japanese market.” We see them perform for an ecstatic crowd in San Francisco (oh, um, spoiler alert. That’s how it ends.) Best of all, we see a “Y.M.C.A.” production number as envisioned by Busby Berkeley and Esther Williams while vacationing on Fire Island.

Every Friday is dance music day on Tunes du Jour. Today we kick off the playlist with the timeless “Y.M.C.A.” Because it is still LGBT Pride Month, I made our dance party extra gay. Twirl!