My Favorite Songs Of 2025

  1. Messy – Lola Young
  2. DENIAL IS A RIVER – Doechii
  3. Love Me Not – Ravyn Lenae
  4. Everyday – Celeste
  5. Young – Little Simz
  6. catch these fists – Wet Leg
  7. Pussy Palace – Lily Allen
  8. luther – Kendrick Lamar with SZA
  9. Tears – Sabrina Carpenter
  10. Pretrail (Let Her Go Home) – Fiona Apple
  11. Spike Island – Pulp
  12. squabble up – Kendrick Lamar
  13. Ring Ring Ring – Tyler, the Creator
  14. Eatin’ Big Time – Tyler Childers
  15. Anxiety – Doechii
  16. Lover Girl – Laufey
  17. Tough Luck – Laufey
  18. Chains & Whips – Clipse featuring Kendrick Lamar
  19. APT. – ROSÉ and Bruno Mars
  20. Bitin’ List – Tyler Childers
  21. Flood – Little Simz featuring Obongjayar and Moonchild Sanelly
  22. Don’t Leave Too Soon – Little Simz
  23. Fuck Me Eyes – Ethel Cain
  24. BMF – SZA
  25. Orlando in Love – Japanese Breakfast
  26. Sugar On My Tongue – Tyler, the Creator
  27. Sports car – Tate McRae
  28. Incomprehensible – Big Thief
  29. Free – Little Simz
  30. Rein Me In – Sam Fender with Olivia Dean
  31. mangetout – Wet Leg
  32. peekaboo – Kendrick Lamar feat. AZ Chike
  33. Everybody Scream – Florence + The Machine
  34. Catching feelings – Cerrone, Christine and the Queens
  35. Madeline – Lily Allen
  36. tv off – Kendrick Lamar
  37. Mr. Eclectic – Laufey
  38. Still Bad – Lizzo
  39. Bonnet of Pins – Matt Berninger
  40. The Subway – Chappell Roan
  41. What Is The Reason For it? – David Byrne with Ghost Town Orchestra and Hayley Williams
  42. PIRATE RADIO – Genesis Owusu
  43. Love in Real Life – Lizzo
  44. End of the World – Miley Cyrus
  45. Picture Window – Japanese Breakfast
  46. Only One Laughing – Hatchie
  47. Clean Heart – Perfume Genius
  48. Headphones On – Addison Rae
  49. i used to live in england – supermodel*
  50. Everybody Laughs – David Byrne with Ghost Train Orchestra
  51. Relationships – HAIM
  52. CPR – Wet Leg
  53. Mother, Pray For Me – The Beths
  54. What Was That – Lorde
  55. Man Of The Year – Lorde
  56. A BUG’S LIFE – Sudan Archives
  57. Hydroplaning Off the Edge of the World – Destroyer
  58. Devotion – Hot Chip
  59. All Night All Day – Big Thief
  60. Illegal – Pink Pantheress
  61. Human Mind – Mavis Staples
  62. 30 For 30 – SZA with Kendrick Lamar
  63. Which One – Drake & Central Cee
  64. Wreck – Neko Case
  65. Rusty Mountain – Neko Case
  66. Drift Away – Orville Peck
  67. Manchild – Sabrina Carpenter
  68. All Over Me – HAIM
  69. Hello, Hi – Little Simz
  70. All I Can Say – Kali Uchis
  71. Pale Song – Dove Ellis
  72. Apple – Charli xcx
  73. Drive – SZA
  74. Suzanne – Mark Ronson & RAYE
  75. Run Free – Soulwax
  76. Hit My Head All Day – Dry Cleaning
  77. Sunshine & Rain… – Kali Uchis
  78. wacced out murals – Kendrick Lamar
  79. Best Guess – Lucy Dacus
  80. Stay In Your Lane – Courtney Barnett
  81. Bigger in Texas – Megan Thee Stallion
  82. HOTBOX – Lil Nas X
  83. Dream Night – Jamie xx
  84. Letter From An Unknown Girlfriend – The Waterboys feat. Fiona Apple
  85. Snow White – Laufey
  86. So Easy (To Fall In Love) – Olivia Dean
  87. Time Will Tell – Celeste
  88. When Did You Get Hot? – Sabrina Carpenter
  89. Archbishop Harold Holmes – Jack White
  90. Tie You Down – HAIM and Bon Iver
  91. Neverwannago – Shamir
  92. Childlike Things – FKA twigs with North West
  93. Perfect Stranger – FKA twigs
  94. Man I Need – Olivia Dean
  95. Oscar Winning Tears – RAYE
  96. Nice Shoes – Steve Lacy

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Tunes Du Jour Presents 2002


The year 2002 was a turbulent one for the world, marked by wars, terrorism, scandals, and natural disasters. But it was also a year of creativity, innovation, and diversity in music. From hip-hop to rock, from pop to indie, from dance to folk, the music of 2002 reflected the mood and spirit of the times, offering both escapism and commentary, both nostalgia and novelty, both challenge and comfort.

One of the most dominant genres of the year was hip-hop, which reached new heights of popularity and influence. Eminem’s Lose Yourself became an anthem of determination and resilience, while Missy Elliott’s Work It showcased her inventive and playful style. Nelly’s Hot in Herre was a summer smash, while Clipse’s Grindin’ introduced a minimalist and gritty sound. Tweet and Missy Elliott’s Oops (Oh My) was a sensual and empowering ode to self-love, while Truth Hurts and Rakim’s Addictive sampled a Bollywood song and sparked a controversy. Cam’ron’s Oh Boy featured a catchy sample of Rose Royce’s I’m Going Down, while Khia’s My Neck, My Back (Lick It) was a raunchy and explicit hit.

Rock music also had a strong presence in 2002, with a variety of styles and sounds. Elvis Presley’s A Little Less Conversation (JXL Edit) was a remix of a 1968 song that became a worldwide hit, thanks to its inclusion in a Nike commercial. Avril Lavigne’s Complicated was a pop-rock anthem for the rebellious and misunderstood youth, while Coldplay’s In My Place was a melancholic and soaring ballad. The Strokes’ Hard to Explain was a garage rock revival, while Wilco’s Jesus, Etc. was a country-rock masterpiece. Interpol’s Obstacle 1 was a post-punk gem, while Spoon’s The Way We Get By was a catchy and quirky indie rock tune. The Libertines’ What a Waster was a punk rock blast, while Bruce Springsteen’s The Rising was a tribute to the victims and heroes of 9/11.

Pop music also had its share of hits and surprises in 2002, with some old and new faces. Christina Aguilera’s Dirrty was a provocative and edgy reinvention, while Beyonce’s Work It Out was a funky and soulful solo debut. Brandy’s What About Us was a futuristic and sleek R&B track, while No Doubt’s Hella Good was a disco and rock fusion. Bjork’s Pagan Poetry was a haunting and experimental song, while Las Ketchup’s Asereje was a catchy and silly novelty. Alanis Morissette’s Hands Clean was a confessional and catchy pop-rock song, while Rufus Wainwright’s Across the Universe was a beautiful and faithful cover of the Beatles classic.

Some of the most memorable songs of 2002 were not easily categorized, but rather blended genres and styles. Sugababes’ Freak Like Me was a mash-up of Adina Howard’s Freak Like Me and Gary Numan’s Are ‘Friends’ Electric?, creating a pop and electro masterpiece. The Flaming Lips’ Do You Realize?? was a psychedelic and uplifting song, while X-Press 2’s Lazy was a house and spoken word collaboration with David Byrne. The Streets’ Weak Become Heroes was a rap and piano tribute to rave culture, while Doves’ There Goes The Fear was a rock and electronic epic.

The music of 2002 was a reflection of the year itself: diverse, unpredictable, exciting, and sometimes challenging. It was a year of contrasts and surprises, of highs and lows, of old and new. It was a year that gave us some of the most memorable songs of the 21st century, and a year that we can revisit through this playlist. Enjoy!

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Your (Almost) Daily Playlist: 9-18-23

With his album Boy In Da Corner, Dizzee Rascal, who was only 17 years old when he wrote and recorded the album, became the youngest and first Black artist to win the Mercury Prize, beating out Coldplay, Radiohead, and The Darkness. 

Dizzee Rascal was born Dylan Mills on this date in 1984. Some of his work is included on today’s playlist.

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A Pharrell Williams Playlist

In 2001 HBO aired a Britney Spears concert around the time Jive Records released the singer’s album Britney. A few days before the first promo for the concert was to run on HBO, Jive’s head of publicity had the idea that Britney’s then-brand new single “I’m a Slave 4 U” should be used in the promo spots. The song was written (and produced) by the team of Pharrell Williams and Chad Hugo. I was running the licensing department at Jive at that time. I went to Pharrell and Chad’s publishers, EMI, to secure the necessary permissions. It was on a Wednesday. The spot was scheduled to premier the coming Saturday. The person at EMI with whom I spoke told me the song is so new that it is not yet in their system, and therefore she couldn’t license it. “Can’t you just add it to your system? You know they’re signed to your company.” “No. You won’t be able to use the song.”

Oh, really? A song cannot be licensed simply because someone at that company can’t think outside the box and figure out a way to effect the deal before the usual ingestion process is complete? That explanation doesn’t work for me. EMI will forego a license fee if the song isn’t used, which is fine, as their employee is the one not allowing it. Also, standing to forego revenue? Pharrell and Chad, who rely on EMI to make the deals for their music so they can get paid.

I called the Jive executive who paired Pharrell and Chad with Britney and told him EMI’s stance. He called Pharrell and/or Chad. Pharrell and/or Chad called EMI. On Thursday I got EMI’s approval to proceed. Don’t tell me something can’t be done.

Producer/Songwriter/NERD Pharrell Williams turns 47 today. In his honor I present to you this playlist of thirty songs Pharrell, often with Chad Hugo, had a hand in writing and/or producing and/or performing. You may be surprised at how many of these you know.

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Your (Almost) Daily Playlist (5-9-20)

Inspired by the passing of Little Richard and the May 9 birthdays of Ghostface Killah, Sam & Dave’s Dave Prater, Depeche Mode’s Dave Gahan, Billy Joel, Andrew W.K., Hank Snow, The Housemartins/The Beautiful South’s Paul Heaton, The Crickets’ Sonny Curtis, The Ventures’ Nokie Edwards, Cyrkle’s Don Dannemann, Clint Holmes and Tommy Roe.

https://open.spotify.com/playlist/3nuAouwg8QOe7LPiBZvn3p