Tunes Du Jour Presents Talking Heads

In the vast and ever-evolving landscape of popular music, few bands have left an indelible mark quite like Talking Heads. Hailing from the vibrant streets of New York City, this innovative quartet carved out a unique sonic identity that defied conventions and pushed the boundaries of what rock music could be.

Led by the charismatic and visionary David Byrne, Talking Heads burst onto the scene with a raw, eclectic sound that seamlessly blended elements of punk, funk, and global music. Their debut album, Talking Heads: 77, introduced listeners to a refreshingly different approach, with tracks like “Psycho Killer” showcasing their penchant for unconventional rhythms and lyrics.

As their popularity grew, Talking Heads continued to evolve, exploring new sonic territories and challenging traditional songwriting structures. Their collaborations with producer Brian Eno yielded groundbreaking albums like Remain in Light and Fear of Music, which incorporated African rhythms, experimental textures, and avant-garde sensibilities into their sound. The 1983 album Speaking in Tongues further cemented their status as musical innovators, with the hit single “Burning Down the House” becoming an instant classic.

But Talking Heads’ influence extended far beyond their musical output. Their live performances were nothing short of captivating, with Byrne’s iconic jerky dance moves and the band’s infectious energy captivating audiences worldwide. Their music videos, directed by acclaimed filmmakers including Jonathan Demme, Jim Jarmusch, and Wim Wenders, plus Toni Basil and David Byrne himself, were visual masterpieces that redefined the art form. Additionally, the band members’ creative pursuits outside of Talking Heads, such as Tom Tom Club’s funky explorations, showcased their versatility and dedication to pushing artistic boundaries.

Moreover, Talking Heads’ impact can be felt across genres and generations. Their unique blend of art-rock, funk, and world music paved the way for countless artists who followed, inspiring a new wave of musical experimentation and genre-blending. From alternative rock to electronic music, the band’s influence can be traced in the works of countless contemporary artists.

In a world where trends come and go, Talking Heads’ enduring legacy remains a testament to their artistic vision and unwavering dedication to pushing the boundaries of popular music. Their melodies and rhythms continue to resonate with listeners, serving as a reminder that true art transcends time and never grows old.

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Tunes Du Jour Presents 2002


The year 2002 was a turbulent one for the world, marked by wars, terrorism, scandals, and natural disasters. But it was also a year of creativity, innovation, and diversity in music. From hip-hop to rock, from pop to indie, from dance to folk, the music of 2002 reflected the mood and spirit of the times, offering both escapism and commentary, both nostalgia and novelty, both challenge and comfort.

One of the most dominant genres of the year was hip-hop, which reached new heights of popularity and influence. Eminem’s Lose Yourself became an anthem of determination and resilience, while Missy Elliott’s Work It showcased her inventive and playful style. Nelly’s Hot in Herre was a summer smash, while Clipse’s Grindin’ introduced a minimalist and gritty sound. Tweet and Missy Elliott’s Oops (Oh My) was a sensual and empowering ode to self-love, while Truth Hurts and Rakim’s Addictive sampled a Bollywood song and sparked a controversy. Cam’ron’s Oh Boy featured a catchy sample of Rose Royce’s I’m Going Down, while Khia’s My Neck, My Back (Lick It) was a raunchy and explicit hit.

Rock music also had a strong presence in 2002, with a variety of styles and sounds. Elvis Presley’s A Little Less Conversation (JXL Edit) was a remix of a 1968 song that became a worldwide hit, thanks to its inclusion in a Nike commercial. Avril Lavigne’s Complicated was a pop-rock anthem for the rebellious and misunderstood youth, while Coldplay’s In My Place was a melancholic and soaring ballad. The Strokes’ Hard to Explain was a garage rock revival, while Wilco’s Jesus, Etc. was a country-rock masterpiece. Interpol’s Obstacle 1 was a post-punk gem, while Spoon’s The Way We Get By was a catchy and quirky indie rock tune. The Libertines’ What a Waster was a punk rock blast, while Bruce Springsteen’s The Rising was a tribute to the victims and heroes of 9/11.

Pop music also had its share of hits and surprises in 2002, with some old and new faces. Christina Aguilera’s Dirrty was a provocative and edgy reinvention, while Beyonce’s Work It Out was a funky and soulful solo debut. Brandy’s What About Us was a futuristic and sleek R&B track, while No Doubt’s Hella Good was a disco and rock fusion. Bjork’s Pagan Poetry was a haunting and experimental song, while Las Ketchup’s Asereje was a catchy and silly novelty. Alanis Morissette’s Hands Clean was a confessional and catchy pop-rock song, while Rufus Wainwright’s Across the Universe was a beautiful and faithful cover of the Beatles classic.

Some of the most memorable songs of 2002 were not easily categorized, but rather blended genres and styles. Sugababes’ Freak Like Me was a mash-up of Adina Howard’s Freak Like Me and Gary Numan’s Are ‘Friends’ Electric?, creating a pop and electro masterpiece. The Flaming Lips’ Do You Realize?? was a psychedelic and uplifting song, while X-Press 2’s Lazy was a house and spoken word collaboration with David Byrne. The Streets’ Weak Become Heroes was a rap and piano tribute to rave culture, while Doves’ There Goes The Fear was a rock and electronic epic.

The music of 2002 was a reflection of the year itself: diverse, unpredictable, exciting, and sometimes challenging. It was a year of contrasts and surprises, of highs and lows, of old and new. It was a year that gave us some of the most memorable songs of the 21st century, and a year that we can revisit through this playlist. Enjoy!

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Clowns Angry At Media (+ It’s Friday And I Need To Dance!)

The new season of American Horror Story features a character named Twisty the Clown. Twisty the Clown is a psychopath who murders people with scissors and imprisons children in a school bus. The character is getting professional clowns’ knickers in a twisty.

Glenn Kohlberger, president of Clowns of America International, is quoted in The Hollywood Reporter as saying “Hollywood makes money sensationalizing the norm. They can take any situation no matter how good or pure and turn it into a nightmare.”

His sentiments are echoed by the United States’ second largest clown trade group, the Society of Clowns for the Advancement of Realistic Expression (SCARE). “Business was going great for me until the autumn of 2001,” said that organization’s president, Slappy bin Laden. “You have to ask yourself ‘Why would business suddenly drop off?’ The answer must be the media’s portrayal of clowns.” Bin Laden points to The Simpsons’ Krusty the Clown as an example. “[Krusty the Clown] is a buffoon masquerading as a clown. He’s not a real clown.”

“Things have not improved since then,” bin Laden continues. “We got a Batman movie in which a clown called The Joker is a sociopath. We got a sitcom called Modern Family in which a clown is actually a homosexual. These portrayals give clowns a bad name.”

“Hollywood is not going to change unless it is pressured to do so.” That is why bin Laden pitched a new sitcom that portrays clowns in a positive, and per bin Laden, more truthful light. Everybody Loves Slappy will premiere on the FX network in January 2015. In the show, bin Laden plays Slappy Hussein, a sportswriter living with his family in Lynbrook, NY. “The show is good clean entertainment. It’s about a clown who works hard and loves his family, though he’s an alcoholic who beats his wife, because all clowns do that.”

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Friday is dance day at Tunes du Jour. You can vogue, hustle or do the twisty. Put on your dancing shoes (or big clown shoes) and hit the floor!

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