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It’s Friday And I Need To Dance!

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This week’s dance playlist kicks off with Kool & the Gang’s “Celebration,” which hit #1 on this date in 1981. The song had prominent television exposure for the couple of weeks prior, as it was played during the 1981 Super Bowl and when the American hostages returned home from Iran on January 26 after 444 days in captivity.

Kool & the Gang were a funk band whose fortunes were on the decline as the seventies progressed. They scored two top ten singles in 1974, “Jungle Boogie” and “Hollywood Swinging,” but no more until they recruited a new lead vocalist, James “JT” Taylor, and were paired with a new producer, Eumir Deodato.

Deodato’s first record with the band was 1979’s Ladies Night, whose title track returned the group to the top ten. This was quickly followed by the top ten hit “Too Hot.”

Deodato’s next record with the band was Celebrate!, from which “Celebration” was taken. To this day the song is played at a myriad of celebratory events, making it a dance classic.

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King Holiday

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Dr. Martin Luther King, Jr.’s birthday was first celebrated as a national holiday in the United States on January 20, 1986. To commemorate this, a group of popular urban music acts of that time collaborated on a single entitled “King Holiday.” The song was written by Kurtis Blow, Grandmaster Melle Mel, Phillip Jones and Bill Adler. Appearing with Blow and Melle Mel on the record are Run-D.M.C., Whitney Houston, Lisa Lisa, Full Force, James “JT” Taylor (of Kool & the Gang), Teena Marie, Whodini, Fat Boys, El DeBarge, Stephanie Mills, New Edition, Stacy Lattisaw and Menudo.

A bill to turn King’s birthday into a national holiday was first introduced to the House of Representatives in 1979, but it didn’t receive enough votes to pass. The following year Stevie Wonder released “Happy Birthday,” a song calling for the holiday, and organized a rally in Washington DC for the cause. Soon, a petition was circulated calling for the same. Six million signatures were collected. Though President Reagan was initially against the holiday, he later signed the bill authorizing it.

Senator John McCain of Arizona was against the holiday, as was that state’s governor, Evan Meacham. New Hampshire didn’t acknowledge Martin Luther King Day until 1999. South Carolina made King Day a paid holiday for state employees in 2000. Prior to then, employees could choose between observing King’s birthday or one of three Confederate holidays.

Today Tunes du Jour celebrates the birthday and the legacy of Dr. Martin Luther King, Jr.

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I Will Always Love You, Dolly Parton

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In 1967 country music superstar Porter Wagoner invited Dolly Parton to co-host his TV series. The duo went on to record twelve albums together. The television exposure helped Dolly score several solo hits as well, including the classic “Jolene.”

She left the series in 1974 to focus on her solo career. As a goodbye and thank you to Wagoner she wrote and recorded “I Will Always Love You.” The record went to #1 on the country music chart but it didn’t crossover to the pop charts.

After he heard Parton’s record, Elvis Presley wanted to record a cover of the tune. Dolly was open to this until Presley’s manager told her she would have to turn over half of the publishing royalties to Elvis in exchange for him making the song a hit. She declined.

In 1975 Linda Ronstadt recorded a cover of the tune for her Prisoner in Disguise album.

In 1982 Parton re-recorded the song for her film The Best Little Whorehouse in Texas. The new version also went to #1 on the country chart. It reached #53 on the pop chart.

Ten years later Whitney Houston recorded her version of the song for the soundtrack to her film The Bodyguard. The plan was for Houston to cover “What Becomes of the Brokenhearted,” but that song ended up being used in another film released in 1991. Kevin Costner, Houston’s co-star in The Bodyguard, was familiar with “I Will Always Love You” from Linda Ronstadt’s recording of it. He suggested it to Whitney, who loved it. Clive Davis, the head of Whitney’s label, Arista Records, wasn’t sure about having his soul diva cover a country song, but Costner insisted. You know how this story ends.

Today Tunes du Jour celebrates the 68th birthday of Dolly Parton by laughin’ and drinkin’ and havin’ a party and presenting a playlist of some of her best.

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It’s Friday And I Need To Dance!

A Wisconsin artist named Molly Evans started an art project in which she stitches Lionel Richie lyrics on discarded furniture. She calls the project Lionel Stitchie. You can view her tumblr here.

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Today’s Friday dance party kicks off with Richie’s “All Night Long (All Night).” I want a couch that says “Tom bo li de say de moi ya,” which means exactly what you think it means. To get his Jamaican accent down, Alabama-born Richie phoned his wife’s gynecologist, who is Jamaican. The doctor asked Lionel to not interrupt his appointments.

Enjoy!

h/t mollyeeeee.com via Dangerous Minds

An Atheist Jew’s Guide To Christmas Music, Part 3

You may have heard that last week on Fox Megyn Kelly said the real title of the song “Santa Claus Is Coming to Town” is “Santa Claus Is Coming to Town and He’s White and Just Because It Makes You Feel Uncomfortable Doesn’t Mean It Has To Change.” She also said “Here Comes Santa Claus” is actually “Here Comes Santa Claus and He’s White and Just Because It Makes You Feel Uncomfortable Doesn’t Mean It Has To Change.” She was fine with “White Christmas.”

Kelly, who is white and just because that makes you feel uncomfortable doesn’t mean it has to change, will enjoy today’s playlist. It’s part 3 of An Atheist Jew’s Guide to Christmas Music. (Click to listen to parts 1 and 2.) She may take issue with an atheist Jew selecting Christmas songs, but she’ll be happy I’m white, just like Santa and Jesus and Frosty and Rudolph. Artists on today’s playlist include such great white folks as Pet Shop Boys, Erasure, James Brown, The Jackson 5, The Beach Boys, Stevie Wonder, Rufus Wainwright, The Supremes, Eagles, Whitney Houston, The Temptations, Paul Simon, Pearl Jam, Boy George, Elvis Presley and Joan Jett, among others. There are classic songs and some you may not have heard before. I doubt Kelly is familiar with Pansy Division’s “Homo Christmas” and she may not like what the band suggests one does with a candy cane, but just because that makes her feel uncomfortable doesn’t mean it has to change. Besides, Pansy Division is white, just like everyone is at Christmas time.

Enjoy! May your days be merry and bright and may all your Christmases be white with a capital W.

It’s Friday And I Need To Dance!

Every Friday, Tunes du Jour’s playlist is designed to get you dancing into the weekend. Today we kick off with The Spinners’ “The Rubberband Man,” written by the songwriting team of Thom Bell and Linda Creed, as today is Creed’s birthday.

You may not know her name, but chances are you know some of her work. With Bell, she composed several hits for 70s soul group The Stylistics, including “You Make Me Feel Brand New,” “You Are Everything,” “Break Up to Make Up,” “I’m Stone in Love With You,” “Rockin’ Roll Baby” and “Betcha By Golly Wow.” If any readers plan on marrying me, note that I insist the latter be our wedding song.

With Michael Masser, Creed wrote “The Greatest Love of All” for the Muhammad Ali biopic The Greatest. George Benson took the film’s theme song to #24 in 1977. The week of May 17, 1986, Whitney Houston took her remake of the song to #1 on the Billboard Hot 100. However, Creed didn’t get to see that. She died one month earlier of breast cancer at age 37.