A Soulful Christmas Playlist

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TRIVIA QUESTION: Who was the first woman to hit the top ten on the Billboard Hot 100 with a song she wrote herself?

ANSWER: Carla Thomas. She was 16 years old when she wrote “Gee Whiz (Look at His Eyes),” which hit #10 in 1961. Today she turns 72.

In 1963, Thomas incorporated the title of her first hit into a seasonal offering, “Gee Whiz, It’s Christmas.”

“Gee Whiz, It’s Christmas” inspires today’s playlist – fifty great soul and r&b Christmas jams, with some fun extra treats thrown in.

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It Never Rains In Southern California

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As you may have heard, our sleepy little hamlet of Los Angeles got some rain over the past week. I assume you heard this because Los Angeles is the center of the world and our weather is likely reported everywhere, especially when we get rain, which lesser cities take for granted. More rain is forecast for this week.

If you were near a radio in the United States in 1972, you heard Albert Hammond’s hit single “It Never Rains in Southern California,” and learned that while in L.A. it never rains, it pours. Man, it pours.

Today’s playlist consists of songs with word rain or some variation thereof in the title. It includes Albert Hammond’s “It Never Rains in Southern California,” one of two top forty singles Hammond had as an artist. (The other was 1974’s “I’m a Train.” Remember that one? Didn’t think so.) As a songwriter, Hammond’s hits include The Hollies’ “The Air That I Breathe,” Leo Sayer’s “When I Need You,” Starship’s “Nothing’s Gonna Stop Us Now,” Whitney Houston’s “One Moment in Time,” Chicago’s “I Don’t Wanna Live Without Your Love,” Ace of Base’s “Don’t Turn Around,” Julio Iglesias and Willie Nelson’s “To All the Girls I’ve Loved Before” and The Pipkins’ “Gimme Dat Ding.” His son is a founding member of The Strokes.

Back to the weather. Get your umbrella and enjoy today’s playlist while the sun is still shining.

It’s Jellybean’s Birthday And I Need To Dance!

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John “Jellybean” Benitez, along with Arthur Baker, was the pre-eminent remixer of the 1980s. If I saw his name on a 12-inch single, I knew I was going to get something good. He worked with many big names in that decade and beyond. Artists whose work he remixed include Talking Heads, Michael Jackson, Fleetwood Mac, Paul McCartney, Donna Summer, Santana, ZZ Top, Billy Joel, Afrika Bambaataa, Whitney Houston, Daryl Hall & John Oates, Sting, Bangles, A-ha, Cher, Shakira, Bonnie Tyler, The Romantics and, most famously, Madonna.

These days Jellybean deejays parties around the world and is the Executive Producer of Sirius XM’s disco/dance station, Studio 54 radio. A couple of years ago, while I was working at Warner Music, Jellybean and I were discussing a project he wanted to do. I was very into the idea and told him I was confident I could get the big names he wanted on board. We also talked about a radio show he conceived for the Sirius XM channel in which new mixes of classic dance songs were played. To help him with that show I sent him a package with some modern mixes we had done of disco classics by Chic, Ashford & Simpson and others.

He never said thank you. I sent him a follow-up email to be sure he received the package, but he didn’t reply. Oh, well. So he is lacking manners. That doesn’t affect the joy I get listening to his classic remix work. (By the by, he never got around to launching the project he wanted to do about which I was excited.)

Today is Jellybean’s 57th birthday. Many of his mixes are not on Spotify, so today’s dance playlist consists of some of his mixes that are, of Madonna, David Bowie, Irene Cara, The Pointer Sisters, Shalamar and Whitney Houston, alongside other records I love to dance to.

You’re welcome.

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This Is Not A Love Song!

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While riding the subway one day in 1987 I saw a woman sitting on the seat next to the pole onto which I was holding. In her lap was a notepad on which was written across the top “Songs for Wedding Reception.” The first song listed was Jody Watley’s “Looking for a New Love.” I saw a divorce lawyer in her future.

“Looking for a New Love” is a fine song, and it was a big hit that year, but at your wedding reception? It’s not like the lyrics could be misunderstood. “I’m looking for a new love, baby / A new love / Yeah yeah yeah.”

I could understand if she had written down the title of R.E.M.’s hit from that year, “The One I Love.” A casual listener may hear “This one goes out to the one I love,” missing the description of this person as “a simple prop to occupy my time.” I love this song and the Jody Watley song, but neither will get played at my wedding reception.

In 1997 I was dating Dr. Leon, the Russian dentist. The Cardigans’ “Lovefool” came on the radio and he told me he loves the song. “So do I,” I replied.

“You? But you’re so unromantic? How could you like such a romantic song?”

First of all, I’m very romantic, so up yours Dr. Leon. I wouldn’t play “Looking for a New Love” at my wedding reception. Secondly, “Lovefool” is a romantic song? “Fool me, fool me / Go on and fool me / Love me, love me / Pretend that you love me.” To quote The Magnetic Fields, how fucking romantic.

I don’t know what the subway woman selected as her wedding song. Maybe it was “Every Breath You Take,” a popular choice for that honor. It’s something that amuses the song’s writer, Sting. He wrote it after splitting with his wife, and calls it “a nasty little song, really rather evil. It’s about jealousy and surveillance and ownership.” Mazel tov!

Some other songs that may not be appropriate for your wedding:
“Best of My Love” by Eagles. “You see it your way, and I see it mine, and we both see it slipping away.”

“Cherish” by The Association. “Perish is the word that more than applies / To the hope in my heart each time I realize / That I am not gonna be the one to share your dreams”

“I Will Always Love You” by Whitney Houston or Dolly Parton. “If I should stay, I’ll only be in your way / So I’ll go”

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Today Sting turns 63 years old. We kick off our playlist with “Every Breath You Take” by The Police, from their album Synchronicity. It was the band’s fifth and final album. After that record’s success the group, like many of those who had “Every Breath You Take” as their wedding song, split up. Sting was never heard from again.

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Boy Meets Girl Meet Future Superstar

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Do you remember the musical duo Boys Meets Girl? Neither do I, but they had a top 5 single in 1988 named “Waiting for a Star to Fall.” This post is not about that song.

A few years prior to that hit they were signed to A&M Records, for whom they had a top 40 single in 1985 named “Oh Girl.” This post is not about that song.

Also signed to A&M at that time was Janet Jackson, who had released two albums – Janet Jackson in 1982 and Dream Street in 1984. Neither had sold particularly well. A&M asked Boy Meets Girl to write a song for Ms. Jackson. They came up with a ditty they called “How Will I Know.” They sent it off to Janet’s people, who said “No, thank you.”

Someone from the pair’s publishing company sent the demo of “How Will I Know” to Gerry Griffith, who worked at Arista Records’ A&R department and was looking for material for a new teenage artist he signed to the label. Griffith liked the track and presented it to the young singer, along with another song, entitled “You Give Good Love.”

In 1985, “You Give Good Love” was the first single released from the singer’s self-titled debut album. It reached #3 on the pop chart. The follow-up single, “Saving All My Love for You,” went to #1. “How Will I Know” was the third single from the album, and it became the singer’s second #1. This was followed by “Greatest Love of All,” originally the b-side of the “You Give Good Love” 45, which also went to #1. To date, that album, entitled Whitney Houston, has sold approximately 25 million copies.

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For the first single from Whitney’s second album, entitled Whitney, Arista turned to the duo who wrote “How Will I Know.” They came up with “I Wanna Dance with Somebody (Who Loves Me),” another #1 single.

As for Janet Jackson, her 1986 album Control produced six top 40 singles and established her as a superstar.

In observation of Whitney Houston’s birthday, here are ten of her finest moments.

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It’s Friday And I Need To Dance!

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In 2003, Rhino Entertainment moved me from New York City to Los Angeles to head up their Licensing department. I miss Manhattan’s energy and fashion sense and anything-at-any-hour way of life, but most of all, I miss my friends. And I miss our Bad Movie Days.

Not only do I love a good bad song; I also enjoy a good bad movie, as do a core group of my friends. We would meet at either my place or Kathy’s place every few Sundays and stay in, even if it was beautiful outside, and enjoy Glitter or Staying Alive or Body of Evidence, followed by a second feature, usually Showgirls.

Unlike a bad song, which I can enjoy in my solitude, a bad movie usually is more enjoyable with company. I’m not sure I would be able to sit through Skyscaper, in which Anna Nicole Smith starred as a hostage negotiator, if I didn’t have my friends with me to razz the screen, particularly during the scenes where Anna Nicole walked past an office and the film would dissolve to a flashback sequence of the time she had sex on that office’s desk.

I can enjoy a bad musical on my own. While my friends enjoyed Grease 2, with its extended production number about bowling, they were not as enamored as I am of Sgt. Pepper’s Lonely Hearts Club Band. Still, when I watched Mamma Mia on HBO alone in my Los Angeles condo, I knew my friends would share my joy at this amazing cinematic feat, particularly when Pierce Brosnan sang “S.O.S.”

One of my favorite bad movies is Can’t Stop the Music. It stars the Village People. I’ll let that sink in before I go on. Ready? It also stars Bruce Jenner, in a cropped t-shirt and Daisy Dukes. And Steve Guttenberg and Valerie Perrine, with “special guests” (as they are billed in the credits) The Ritchie Family. The Ritchie Family, whose hits were “Best Disco in Town” and “Brazil,” get “special guest” billing. That’s how amazing this movie is. But wait, there’s more! The film was directed by Nancy Walker. Ida Morgenstern. Rosie, the Bounty Paper Towel shill. That Nancy Walker. Now you know you’re in for a treat.

Before I get into the movie, let me make clear that I LOVE The Village People, and not in a I love bad music way. I unabashedly enjoy their music. Not just the hits singles; there are Village People album cuts that have five stars in my iTunes library. I love this movie’s theme song.

As for the rest of the movie, well…. It’s sort of about the formation of the Village People, though 90 minutes into it you may ask “Will there be a plot anytime soon?” Then you’ll ask “Why is a Village People movie more than 90 minutes long?” We see the group’s auditions. I would have hired the guy in the blue jumpsuit who sang “Macho Man.” That said, I can’t deny the leatherman, whose profession we learn is toll collector at the Brooklyn Battery Tunnel (talk about a macho man!), sings a mean “Danny Boy.” We see the guys shoot a commercial for milk. We see..I’m going to lift a line from this movie’s Wikipedia entry – “Initially reluctant, Helen seduces Steve with her kreplach and before long they’re negotiating the T-shirt merchandising for the Japanese market.” We see them perform for an ecstatic crowd in San Francisco (oh, um, spoiler alert. That’s how it ends.) Best of all, we see a “Y.M.C.A.” production number as envisioned by Busby Berkeley and Esther Williams while vacationing on Fire Island.

Every Friday is dance music day on Tunes du Jour. Today we kick off the playlist with the timeless “Y.M.C.A.” Because it is still LGBT Pride Month, I made our dance party extra gay. Twirl!

It’s Friday The 13th And I Need To Dance!

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In many Western countries, Friday the 13th is considered a day of bad luck by those who believe in such silliness.

In Spanish-speaking countries, Tuesday the 13th is unlucky.

In Italy, Friday the 17th is considered unlucky and 13 is a lucky number.

In Finland, many organizations promote National Accident Day, which always falls on Friday the 13th.

A study in the Netherlands found fewer car accidents occur on Friday the 13th as compared to other Fridays.

The Stress Management Center and Phobia Institute in Asheville, North Carolina estimates that somewhere between 17 and 21 million people in the United States are afraid of Friday the 13th.

At Tunes du Jour we dance every Friday, and we ain’t afraid of no 13th! Let’s kick off this week’s party with “Bad Luck,” by Harold Melvin and the Blue Notes.

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It’s Janet Jackson’s Birthday And I Need To Dance!

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Do you ever feel like you merely exist as opposed to being alive? Does it feel like too much of your time is given to answering to what others want from you, be them your boss or your family, and too little time is given to doing what you want to do the way you want to do it? Do you know that changes are needed but don’t know where to begin?

You need to ask yourself WWJJD? What would Janet Jackson do?

Picture this – Los Angeles. 1982. You’re a 16-year-old girl from a famous family. You release your debut album, cleverly entitled Janet Jackson, with production overseen by your manager/father, Joseph Jackson. It peaks at #63 and goes on to sell fewer than 150,000 units over the next quarter-century. You follow up that album with 1984’s Dream Street. It peaks at #147 and sells fewer than half as many copies as the first album. You didn’t want to do either album but you did them for your father.

You come to a realization – you want to be the one who’s in control of your destiny. You fire your father as your manager. You have your marriage annulled. You work with new producers, Jimmy Jam and Terry Lewis, who collaborate with you on new songs about your newfound independence, from your father, from your ex-husband, and from nasty guys who objectify you and call you Baby when your first name ain’t Baby; it’s Janet.

Your father demands you record your third album in Los Angeles. You record it in Minneapolis. Your father tells a reporter “If Janet listens to me, she’ll be as big as Michael,” referring to Janet’s brother Michael Jackson, not Michael Schoeffling, who portrayed Jake Ryans in the movie Sixteen Candles, and who, with all due respect, isn’t that big. You ignore him. Your father listens to a pre-release copy of the new album and claims it will never sell. You demand it be released.

That album, 1986’s Control, sells over fourteen million copies. It goes to #1 and is nominated for a Grammy Award for Album of the Year.

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Be more like Janet. Take control of your life. Today is Janet Jackson’s 48th birthday. Buy yourself some cake. You deserve it. And enjoy today’s dance playlist, inspired by Miss Jackson.

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It’s Lady Gaga’s Birthday And I Need To Dance!

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Every Friday is dance playlist day on Tunes du Jour. This week’s party kicks off with a song about a woman who, while with her man, fantasizes that she is with a woman. The man doesn’t know this, unless he is able to read her poker face.

The song, of course, is “Poker Face,” Lady Gaga’s second hit single. The track was the UK’s best-selling single of 2009, with her first hit single, “Just Dance,” their third best-seller that year. The album from which the two singles were taken, The Fame, was the UK’s second best-selling album of 2009, kept from the top spot by Susan Boyle.

Today is the 28th birthday of the woman born Stefani Germanotta. Start the celebrating with “Poker Face” and just dance!

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It’s Friday And I Need To Dance!

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Today’s dance playlist kicks off with Michael Jackson’s “Billie Jean.” It was on this day in 1984 that Jackson swept the Grammy Awards, winning Album of the Year and Best Pop Vocal Performance for Thriller, Record of the Year and Best Rock Vocal Performance for “Beat It,” Best R&B Song and Best R&B Vocal performance for “Billie Jean” and Best Recording for Children for E.T., the Extraterrestrial. By the time the awards were presented Thriller had already been certified as the largest-selling album of all-time and received a record-setting twelve Grammy nominations. It would also smash the record for most top ten singles generated from one album by producing seven such smashes, three more than the previous record, held by Off the Wall, the previous album by Jackson. Prior to his Grammy victories that night thirty years ago, Jackson had won only one Grammy – Best R&B Performance for Off the Wall’s “Don’t Stop ‘Til You Get Enough.” With Thriller, Jackson also broke the perceived racial barrier on MTV, whose programming predominately featured white acts until “Billie Jean” proved to be an across-the-board smash.

Do you have a Thriller inside of you? It might be an album or an app or a blog post that brings joy to many. It might be an idea or a message that millions of people could get behind. It might be a business plan that changes the landscape. Carve out some time to work on your Thriller.

In the meantime, dance!