The Trammps – “Disco Inferno” (1978)
“Disco Inferno” burned up the clubs in 1976 but missed the pop Top 40. A year later, it lit up the Saturday Night Fever soundtrack, leading to a 1978 reissue. This time – huge pop success on its way to becoming a bona fide classic. 🔥
The late Jimmy Ellis of The Trammps was born on this date in 1937. A few of his band’s songs are included on today’s playlist.
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“The idea (for ‘Celebration’) originated while I was reading the Quran. I came across a passage describing God creating Adam, and the angels were rejoicing and singing praises. That led me to compose the basic chords and the line, ‘Everyone around the world, come on, let’s celebrate.’”
– Ronald Bell (a/k/a Khalis Bayyan) of Kool & the Gang
Robert “Kool” Bell (a/k/a Muhammad Bayyan), the only surviving original member of Kool & the Gang, was born on this date in 1950. Let’s celebrate!
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The year 1979 was a vibrant time in popular music, characterized by disco’s stronghold on the charts and a rich variety of emerging and evolving genres. From dancefloor anthems to rock classics, the year’s hits reflected a dynamic musical landscape.
Disco reigned supreme in 1979, dominating the airwaves and nightclubs alike. Gloria Gaynor’s empowering “I Will Survive” became an instant classic, while Chic’s “Good Times” and Sister Sledge’s “We Are Family” kept dance floors packed. The genre’s influence extended far and wide, with Village People’s “Y.M.C.A.” becoming a cultural phenomenon, Donna Summer’s “Hot Stuff” showcasing disco’s enduring appeal, and Amii Stewart’s cover of “Knock on Wood” breathing new life into a soul classic. McFadden & Whitehead’s “Ain’t No Stoppin’ Us Now” and Sylvester’s “You Make Me Feel (Mighty Real)” further exemplified disco’s ability to blend uplifting messages with irresistible rhythms.
While disco flourished, rock music continued to evolve and diversify. AC/DC’s “Highway to Hell” solidified their status as the preeminent heavy metal band of the era, its raw energy and power chords setting a new standard for the genre. Dire Straits’ “Sultans of Swing” showcased a more refined, guitar-driven sound, while The Police emerged with “Message in a Bottle,” signaling the rise of post-punk. The new wave and power pop scenes gained momentum with Elvis Costello & the Attractions’ “Oliver’s Army,” The Jam’s “The Eton Rifles,” and Squeeze’s “Up the Junction” all making their mark. Meanwhile, M’s “Pop Muzik” and Blondie’s “Heart of Glass” demonstrated how disco influences could be merged with new wave sensibilities.
The year also saw the birth of iconic pop hits that would define the era. Michael Jackson’s “Don’t Stop ‘Til You Get Enough” hinted at the superstardom that awaited him, while The Knack’s “My Sharona” became an instant power pop classic. The Buggles’ prophetic “Video Killed the Radio Star” not only topped charts but would later make history as the first music video played on MTV. Earth, Wind & Fire’s “September” continued to showcase the enduring appeal of funk, while R&B ballads like Peaches & Herb’s “Reunited” and The Commodores’ “Still” made significant impacts on the pop charts.
As 1979 drew to a close, the musical landscape was rich and varied. While disco maintained its grip on popular culture, the seeds of change were being sown. The diversity of the year’s hits, from Charlie Daniels Band’s country crossover “The Devil Went Down to Georgia” to Rickie Lee Jones’ jazz-influenced “Chuck E’s In Love,” stood out against the backdrop of disco and straightforward pop tunes. This musical variety, along with emerging studio technologies and evolving artist expressions, set the stage for the significant shifts that would characterize the sound of the coming decade.
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Music has long been a powerful force for self-expression and building community for LGBTQ+ artists and listeners alike. This Pride playlist celebrates the incredible diversity within the LGBTQ+ community through a wide range of styles, eras, and voices.
From enduring anthems like Diana Ross’ “I’m Coming Out” and Queen’s defiant “I Want To Break Free” to recent hits from Lil Nas X, Janelle Monae, and Troye Sivan, the songs seamlessly blend messages of pride, self-acceptance, and living authentically. Legendary artists like Elton John, George Michael, and Melissa Etheridge stand alongside bold new voices like Rina Sawayama and Perfume Genius, showing how LGBTQ+ musicians have blazed trails across decades.
The playlist pays tribute to tracks that turned the spotlight on LGBTQ+ experiences through storytelling, like The Kinks’ “Lola,” Pet Shop Boys’ “It’s a Sin,” and Bronski Beat’s “Smalltown Boy.” It also uplifts joyful, celebratory bops, such as “I’m Still Standing,” “Go West,” and the iconic “It’s Raining Men.”
With a mix of pop smashes, singer-songwriter confessionals, rock anthems, and hip-hop ground-breakers, the eclectic playlist reflects how LGBTQ+ artists have fruitfully influenced every corner of the musical landscape. From Carl Bean’s pioneering disco hit “I Was Born This Way” to Gossip’s “Standing in the Way of Control,” these songs unite in championing self-love, equality, and the fundamental human rights that the LGBTQ+ community continues fighting for.
Ultimately, this playlist invites listeners of all identities and backgrounds to share in the uplifting spirit of Pride. It’s a vibrant, multi-dimensional celebration of the perseverance, creativity, and unshakeable truth at the heart of the LGBTQ+ experience.
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The first artist fan club I ever joined was that of KC and the Sunshine Band. I received a membership card and a Christmas card from the band when that holiday I don’t celebrate came around. I don’t think there was more to it. I joined Olivia Newton-John’s fan club a year or two later, and received a membership card and a folio filled with photos of Livvy pressed on cardboard of various sizes. Years later I joined the R.E.M. and Pearl Jam fan clubs, which came with 45 rpm records and stickers and a calendar and a VHS tape and some other fun stuff.
Are any of y’alls in an artist’s fan club? Is it worth the price of entry?
KC was born Harry Wayne Casey on this date in 1951. A handful of his group’s songs are included on today’s playlist. Also included is his first number one single – as a songwriter with fellow Sunshine Band member Rick Finch on George McCrae’s “Rock Your Baby.”
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“Good times / These are the good times”
Yeah. We’re doomed.
Chic’s Bernard Edwards, who gave us one of the most recognizable basslines in all of rock and roll in “Good Times,” was born on Hallowe’en in 1952. He passed away from pneumonia in 1996. A buncha Chic tunes are on today’s playlist.
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In his excellent autobiography Le Freak, Chic’s Nile Rodgers writes how his group’s record label wanted to capture the magic Rodgers and his music partner Bernard Edwards brought to their group to other acts on the Atlantic Records roster, such as The Rolling Stones and Bette Midler. Nile turned down the acts that were firmly established, as with them less attention would be paid to the song’s writers and producers. He wanted to work with a lesser known act. Atlantic Records president Jerry Greenberg suggested a group of sisters who “stick together like birds of a feather,” and so it came to be that Rodgers and Edwards wrote and produced the We Are Family album for Sister Sledge. I think you know what happened next.
Today’s playlist celebrates the birthday of Sister Sledge lead vocalist Kathy Sledge by including several tracks from that classic album.
Today’s Pride playlist focuses on music from the 1970s. After making it I noticed it was light on the ladies. More women will turn up as this series goes on. Here’s what you’ll hear on today’s playlist:
“Lola” – The Kinks
“I know what I am and I’m glad I’m a man and so is Lola.” You can interpret this line as meaning that I’m glad I’m a man and Lola is also glad that I’m a man, though if you consider the earlier line “I’m not dumb, but I can’t understand why she walked like a woman but talked like a man” you’ll realize that Lola is also a man. A man who made the top ten in 1970 and makes her presence known to this day.
“Rocket Man (I Think It’s Gonna be A Long, Long Time)” – Elton John
Of course this playlist needs some Elton John. I recall reading an essay about “Rocket Man” some years ago where the author posits this song’s lyrics are about a gay man. A man who is leaving his wife and children to live his life though loneliness that will surround him, at least initially. A man who is “not the man they think I am back home.” And then there’s the phallic imagery of a rocket. That’s part of this writer’s essay. Lyricist Bernie Taupin has never acknowledged this theory, as far as I know.
“John I’m Only Dancing” – David Bowie
In the traditional song “Frankie and Johnny,” a young woman named Frankie sees her boyfriend dancing with another woman and shoots him. As Johnny falls to the floor, he tells Frankie he loves her and was telling this other woman about her. “John I’m Only Dancing” flips the script. John sees his boyfriend dancing with a woman, and the boyfriend explains that it’s just dancing he’s doing with the woman. Pretty rad for 1973.
“Walk on the Wild Side” – Lou Reed
Speaking of David Bowie, he co-produced Lou Reed’s “Walk on the Wild Side,” a song that opens with a verse about Holly Woodlawn, who hitchhiked across the United States and by the time she arrived at her destination, “he was a she.” Somehow, this tale of “outsiders” became Reed’s only pop hit. I love the song, though I don’t know how Candy Darling was able to utter the title phrase with her mouth full.
“I’maman” – Jobriath
Jobriath was the first openly gay man signed to a major record label (Elektra).
“Jimmy’s Got a Little Bit of Bitch in Him” – Funkadelic
That’s one way to put it.
“I Got The” – Labi Siffre
Eminem’s first hit was “My Name Is,” the single version of which included lyrics one may consider to be homophobic. The music bed was built around a sample from Labi Siffre’s “I Got The.” Pity Eminem didn’t know beforehand that Siffre is an openly gay man who refused to approve the sample use until Eminem changed the lyrics for the album version. Said Siffre “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims.”
“Get Dancin’” – Disco Tex & the Sex-O-Lettes
Joseph Montanez Jr. became openly gay Sir Monti Rock III, who adopted the camp persona of Disco Tex, and with openly gay Frankie Valli & The Four Seasons producer Bob Crewe came up with “Get Dancin’,” to the best of my knowledge the only top ten hit with the lyric “My chiffon is wet.”
“Killer Queen” – Queen
Killer Queen. Queen. Freddie Mercury.
“At Seventeen” – Janis Ian
Janis Ian came out as a lesbian in 1993.
“A.C.D.C.” – Sweet
She’s got girls. She’s got men.
“Ain’t Nobody Straight in L.A.” – The Miracles
Not true. I’ve met three straight people since I moved to L.A. in 2003.
“Sweet Transvestite” – Tim Curry
Sometimes I’m amazed by certain movie characters that catch on in the mainstream in a big way. Tim Curry’s Frank N. Furter is one of them, though it took a few years from the 1975 release of The Rocky Horror Picture Show for it to happen.
“53rd & 3rd” – Ramones
The corner in a then gayish neighborhood where a Viet Nam War vet is trying to turn a trick.
“All the Time” – Barry Manilow
Barry Manilow publicly came out as gay in 2017.
“I Go To Rio” – Peter Allen
Peter Allen, Liza Minnelli’s first husband, was in a relationship with a male model from 1974 to 1984, when the model passed away from an AIDS-related illness. Allen passed away from an AIDS-related illness eight years later.
“The Killing of Georgie” – Rod Stewart
In which a gay man dies from a gay bashing on 53rd & 3rd. Not your typical top 40 fare in 1977, and yet.
“Jet Boy, Jet Girl” – Elton Motello
Sung from the persona of a 15 year-old boy who likes to kiss, get head from, and wishes to penetrate another boy, this song surprisingly didn’t make the top 40. Or top 100.
“Fuck Off” – Wayne County & The Electric Chairs
Considered to be rock music’s first openly transgender singer, Jayne County wrote and sang this song that to me is THE anthem of LGBTQI+ people.
“I Was Born This Way” – Carl Bean
Openly gay Carl Bean had a hit on the disco chart in 1978 with this song about being openly gay.
“Glad To be Gay” – Tom Robinson Band
Rad.
“I Love the Nightlife (Disco ‘Round)” – Alicia Bridges
Alicia Bridges came out as a lesbian in 1998.
“Muscleboys” – Mumps
Hey – there’s a new compilation of recordings from gay punk band Mumps that just came out. Someone whose blog you’re now reading worked on it. J
“Cherry Poppin’” – Mitch Ryder
With The Detroit Wheels, Mitch Ryder had a handful of hit singles in the 1960s, the most famous of which was his medley of “Devil With a Blue Dress On” and “Good Golly, Miss Molly.” This song about his love of anal sex with other guys is not as well-known.
“Ever Fallen In Love (With Someone You Shouldn’t’ve)” – Buzzcocks
Written and sung by Buzzcocks’ bisexual singer and songwriter Pete Shelley.
“Instant Replay” – Dan Hartman
The late Dan Hartman was a gay man who kept his sexual orientation and HIV status secret form the public during his lifetime.
“You Make Me Feel (Mighty Real)” – Sylvester
On the other end of the spectrum is Sylvester, who was openly gay, outspoken, and refused to conform to the typical straight or gay presentation of one’s self.
“There But for the Grace of God Go I” – Machine
Carlos and Carmen Vidal move far away from the Bronx so they can raise their newborn daughter away from the Blacks, the Jews and the gays. How do you think the daughter turned out?
“Go West” – Village People
Village People’s openly straight lead singer Victor Willis said the lyrics he contributed to this song were not intended to be gay in any way, but as a gay man, it’s hard to not hear the song about two people in love beginning a new life in a place that’s peaceful and near the beach where they can be carefree and happy to not be about going west to California, particular gay mecca San Francisco. I’ll also add that Village People’s “Macho Man,” “In the Navy,” Y.M.C.A.,” “San Francisco,” and “Fire Island” sound kinda gay to me as well.
“Manimal” – The Germs
The Germs’ lead singer Darby Crash went to great lengths to hide the fact that he was gay, so as not to alienate the group’s fans. He took his own life in 1980, aged 22.
The Spotify embed link is still not working, so here is the link: https://open.spotify.com/playlist/4sRn5vjsgNdNm80iiSUf0M?si=ae606e31c882414a
