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It’s Friday And I Need To Dance!

Gwen Stefani, the lead singer and lyricist of the band No Doubt, wanted to do a dance-oriented solo album, but when the band finished its Rock Steady tour in November 2002, all she wanted to do was sleep. “I wanted to take a break and was really burned out, but the record company were ready to go.” Her label, Interscope, wanted her to work on her solo album with singer-songwriter Linda Perry, who was available for only five days.

Without the time to recharge, Stefani’s anxieties about doing the record rose to the surface and she spent a lot of time crying in bed. She’d been with the guys in No Doubt for seventeen years at that point; could she do a record without them?

On their second day in the studio together, Perry presented Stefani with the music of a song she stayed up the previous night to write. Stefani was to come up with lyrics, and she took the speed with which Perry came up with the song as a dare, as if to ask her “What are you waiting for?”

That was the inspiration Stefani needed. She wrote the lyrics to “What You Waiting For?,” addressing her fears about doing the record, her lack of inspiration, and the pressure the felt her label was putting on her. The song opens with Stefani referencing her bandmates and their years together – “What an amazing time / What a family/ How did the years go by?/ Now it’s only me.” Then the repeated background vocals of “tick tock” suggest the clock is ticking and she needs to get to work on this solo venture. Her nervous side sings “I’m worried if I go it alone,” to which her confident persona responds “You never know, it could be great” and “Take a chance, you might grow.”

“What You Waiting For?” was the first single released from Stefani’s first solo venture, Love, Angel, Music, Baby. The album sold seven million copies worldwide and was nominated for a Grammy Award for Album of the Year. Hit singles from the album were “Hollaback Girl,” “Rich Girl,” “Cool” and “Luxurious.”

Of the experience making the record, Stefani said “I think it’s very important to put yourself in a situation that’s uncomfortable to be able to grow.”

Is there something you wish to do but have not yet started to tackle? What you waiting for?
doggies + Gwen 2014-07-18 11.34

Friday is dance day at Tunes du Jour. We kick off this week’s party with Gwen Stefani’s “What You Waiting For?”

Tonys! Tonys! Tonys!

The Tony Awards, celebrating excellence on the Broadway stages, are being presented this evening. The Tony Awards are like the gay version of the Tony Awards. That’s how gay they are.

Last year I took second place in a speech contest where I spoke about the effect Broadway had on my life. Here is that speech, followed by a playlist consisting of cover versions of Broadway classics.

Winston + U2

A Hint Of Mint: U2’s “One”

Winston + U2
A 2003 special edition of Q magazine listed the 1001 Best Songs Ever. At #1 was U2’s “One.” The then eleven-year-old single was also named Song of the Year by the readers of Rolling Stone in their 1992 year-end issue.

Deciding whether or not “One” is the best song ever is too stressful on this writer, who has been spending several years trying to compile his 100 Greatest Albums list. But I can say this – there are very few songs that still make me cry after hearing them 4,304 times. “One” is one.

Perhaps you’ve heard the song 4,304 times but never paid close attention to the words. Bono, who wrote the lyrics, said the song is about the father/son relationship. Let’s explore this. Let’s say the son is gay and the father is a religious man who chooses to interpret the Bible as saying God thinks homosexuality is a sin. The father was not supportive of his son when his son came out to him. Now the son has AIDS. He told his father. “One” is the son expressing to his dad the emotions about their relationship previously bottled up.

The song opens with the son asking his dad if the anger he had towards his son upon learning he was gay has subsided any. “Is it getting better or do you feel the same?,” he asks. Bitter about his father’s previous rejection, he makes a dig at the man’s homophobic feelings – “Will it make it easier on you now? You’ve got someone to blame.”

“You say ‘one love, one life.’” The one acceptable love is of the heterosexual variety and you have only one life in which to find it.

The son is angry and bitter, but mostly hurt. He asks his dad “Did I disappoint you or leave a bad taste in your mouth?” That line is followed by the indictment “You act like you never had love and you want me to go without.” Would a father really prefer his son not find love than find love with another man? I know that happens but I find that incomprehensible. How can a parent be that way toward their own child? That chokes me up.

Knowing he has AIDS and feeling the clock is ticking, the son is looking to not rehash the old wounds between the two of them. “Well it’s too late tonight to drag the past out into the light.” This is followed by the first time Bono sings the line “We’re one but we’re not the same.” In this case, it means we are of the same family, but we’re very different as people. “We get to carry each other, carry each other.” That is what families do. Parents are supposed to take care of their children and children should take care of their parents.

Now that the son is living with AIDS is his father expecting him to apologize for the life he led and tell the dad he was right? “Have you come here for forgiveness? Have you come to raise the dead? Have you come here to play Jesus to the lepers in your head?”

We already see the child is angry and hurt, but the next lines really drive it home. “Did I ask too much? More than a lot? You gave me nothing; now it’s all I got.” The son just wanted his father’s love and support, but his father refused to give it. The line “We’re one but we’re not the same” is repeated, but now it is followed by “We hurt each other, then we do it again.” This is the cycle of their adult relationship.

The son’s fury at his dad using religion to justify his intolerance is expressed in the next verse. “You say love is a temple, love a higher law,” followed shortly after by the son’s incredibly painful accusation “You ask me to enter but then you make me crawl.”

The song/conversation ends with the sentiment that one must be true to one’s self and not live according to someone else’s beliefs. This is aimed not at this one father, but at all human beings. “One life – you got to do what you should. One life with each other. Sisters, brothers.”

Bono told Los Angeles Times writer Robert Hilburn “I had a lot of things going on in my head at the time, about forgiveness, about father and son angst…It is a song about coming together, but it’s not the old hippie idea of ‘Let’s all live together.’ It is, in fact, the opposite. It’s saying, ‘We are one, but we’re not the same.’ It’s not saying we even want to get along, but that we have to get along together in this world if it is to survive. It’s a reminder that we have no choice.”

“One” was the third single released from U2’s Achtung Baby album, presently #26 in my Top Albums list. The band’s royalties from sales of the single were donated to AIDS research organizations for each country in which the single was released.

The photograph used on the single’s cover was taken by openly-gay HIV-positive artist David Wojnarowicz. Per the liner notes, it depicts “how Indians hunted buffalo by causing them to run off cliffs.” Wojnarowicz related to the buffalo. He died of complications from AIDS in 1992. He was 37.

Today Bono turns 54. Grab a couple of tissues and give another listen
to “One,” which kicks off today’s playlist.

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George, Johnny and Fats

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I screwed up.

I lost track of what day it was and in doing so missed posting about George Harrison’s birthday, which was yesterday.

The Beatles are my favorite recoding act of all-time, and if I had to rank the group’s members in order, George would make the top four (no disrespect to Pete Best).

I’d been thinking about what to post for George’s birthday for a couple of weeks. His recordings are not on Spotify, the program I use to create the playlists in each blog entry. I couldn’t find any worthwhile vintage performance clips of George on YouTube. I could post the music video for “Got My Mind Set on You,” but that track is hardly representative of the man’s genius. I was leaning toward creating a playlist of great covers of George’s songs, but what I came up with before abandoning that idea was an unremarkable collection that would not serve as a fitting tribute.

I love so many of his songs – “My Sweet Lord,” “Handle With Care” (Traveling Wilburys), “The Inner Light” (The Beatles), “What Is Life,” “All Those Years Ago,” “It Don’t Come Easy” (written by George and Ringo Starr, recorded by Ringo), “Something” (The Beatles), “Here Comes the Sun” (The Beatles), “While My Guitar Gently Weeps” (The Beatles), “If Not For You,” and “When We Was Fab” at the forefront, though my favorite of George’s solo recordings is “Give Me Love (Give Me Peace on Earth).” In his autobiography George wrote “This song is a prayer and personal statement between me, the Lord, and whoever likes it.” The Lord and I aren’t on speaking terms; however, I love the song’s message. I’m a sucker for songs espousing love for all. “Put a Little Love in Your Heart?” Yes! “Love Train?” Hell, yeah! The Black Eyed Peas’ “Where Is the Love?” Sure, even though it includes the lyric “to discriminate only generates hate / And when you hate then you’re bound to get irate, yeah / Badness is what you demonstrate.” And then you won’t be able to meet a mate named Nate / You won’t even get a date / To gain weight will be your fate / You won’t make it through the gate and then you’ll be late / That isn’t great.” And that’s why I adore George’s “Give Me Love.”

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Today marks the birthday of two other all-time favorites of mine – Johnny Cash and Fats Domino. I’ve created a playlist for each of them.

The Johnny Cash playlist kicks off with his 1963 hit “Ring of Fire.” The writing of the song is credited to June Carter, who married Johnny in 1968, and Merle Kilgore. Though initially recorded by Carter’s sister Anita, Carter said the song was inspired by Cash, who at that time was her friend and singing partner. Though not romantically-involved, she was drawn to him against her better judgment, despite his drug use. Per June, there is “no way to extinguish a flame that burns, burns, burns.”

Cash’s wife at that time, Vivian Liberto, claimed that June had nothing to do with writing that song. Per Liberto, Johnny wrote it “while pilled up and drunk” and it’s not about the love June described, but rather it’s “about a certain private female body part,” which provides a much different image to accompany the line “I went down, down, down.” I’m not an expert on this body part to which Liberto refers, but if it burns, burns, burns, you should probably have it checked out by a professional. Anyway, Liberto said Cash gave Carter the writing credit because she needed the money.

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Our Fats Domino playlist kicks off with one of Richie Cunningham’s favorites, “Blueberry Hill.” Though Domino wrote many of his hits, this one was written by Vincent Rose, Larry Stock and Al Lewis (not the Grandpa Munster Al Lewis) in 1940.

Domino recorded this song at a session after he ran out of material. His long-time producer, Dave Bartholomew, was against doing the song, perhaps because all of Fat’s hits up to that point had been original compositions. Domino’s version hit #2 in 1957 and has become one of his most recognizable recordings.

Some other facts about Fats: In the fifties he sold more records than any other rock & roll artist except Elvis Presley; he’s had 35 US top 40 pop hits; his song “The Fat Man,” from 1949, is considered by many to be the first rock and roll record; today he turns 86.


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King Holiday

Kings 003

Dr. Martin Luther King, Jr.’s birthday was first celebrated as a national holiday in the United States on January 20, 1986. To commemorate this, a group of popular urban music acts of that time collaborated on a single entitled “King Holiday.” The song was written by Kurtis Blow, Grandmaster Melle Mel, Phillip Jones and Bill Adler. Appearing with Blow and Melle Mel on the record are Run-D.M.C., Whitney Houston, Lisa Lisa, Full Force, James “JT” Taylor (of Kool & the Gang), Teena Marie, Whodini, Fat Boys, El DeBarge, Stephanie Mills, New Edition, Stacy Lattisaw and Menudo.

A bill to turn King’s birthday into a national holiday was first introduced to the House of Representatives in 1979, but it didn’t receive enough votes to pass. The following year Stevie Wonder released “Happy Birthday,” a song calling for the holiday, and organized a rally in Washington DC for the cause. Soon, a petition was circulated calling for the same. Six million signatures were collected. Though President Reagan was initially against the holiday, he later signed the bill authorizing it.

Senator John McCain of Arizona was against the holiday, as was that state’s governor, Evan Meacham. New Hampshire didn’t acknowledge Martin Luther King Day until 1999. South Carolina made King Day a paid holiday for state employees in 2000. Prior to then, employees could choose between observing King’s birthday or one of three Confederate holidays.

Today Tunes du Jour celebrates the birthday and the legacy of Dr. Martin Luther King, Jr.

grammy plaque

Did You Know Sara Bareilles Released An Album This Year?

grammy plaqueI’ve worked on nearly every Grammy compilation release since the first one.

The nominees for the 56th annual Grammy Awards were announced last Friday. The nominations always elicit strong reactions from music fans. I’m pleased with many of the Academy’s selections (Go Kendrick Lamar and Daft Punk!) and puzzled by others (Ed Sheeran is nominated for Best New Artist. Last year he was nominated for Song of the Year. Was he pre-new then?).

Today’s Tunes du Jour playlist consists of some of the tracks that have won Record of the Year. I choose to focus on the positive. I refuse to bash the Grammy voters for when they got it wrong (such as, for example, when they gave Record of the Year to Bobby McFerrin for “Don’t Worry Be Happy.” What the hell was that about? That record won over Tracy Chapman’s “Fast Car.” Are you kidding me?).

Herewith are some of the better Record of the Year winners.

Britney plaque

Happy Britney Spears’ Birthday!

Britney Spears was the first recording artist to thank me in her CD booklet liner notes. The album was 2000’s Oops!…I Did It Again, which set a record when it sold over 1.3 million copies in the US its first week. At the time I was running the licensing department at Zomba Recording Corporation, parent company of Jive Records, to which Britney was signed. It was a great time to be at that company. I worked with smart, creative people, and I got to apply my skills to our superstar roster (Britney, Backstreet Boys, R. Kelly, NSYNC), enabling us to increase licensing revenue four-fold during my four years of employment there.

Britney plaque

When I started at Zomba, Britney was 17 years old and was on her second hit single, “Sometimes.” Today she turns 32. To date she has had 23 top forty hits in the US. Her latest album, Britney Jean, was released last week.

Enjoy today’s Britney-inspired playlist.

World AIDS Day

Today Tunes du Jour observes World AIDS Day with a playlist of diverse genres – pop, hip hop, rock, dance, r&b, gospel and whatever you call what Ween does.

Thematically there are songs of reminiscence, reunions, safe sex, politics, pride, goodbyes and whatever you call what Ween does.

Give it a listen and let me know what songs you discovered and if there are any great ones I missed.