Tunes Du Jour Presents Björk

Few artists have shaped contemporary music quite like Björk. From her early days with The Sugarcubes (represented in this playlist by the tracks “Birthday,” “Hit,” and “Regina”) to her expansive solo career, the Icelandic singer has consistently pushed the boundaries of what popular music can be. Her distinctive voice, experimental approach to songwriting, and fearless artistic vision have earned her a unique place in music history.

The playlist reveals the breadth of Björk’s artistic evolution, beginning with tracks from her breakthrough solo album Debut (1993), including the primal “Human Behaviour” and the euphoric “Big Time Sensuality.” These early works established her signature blend of electronic production with organic instruments, a combination she would continue to refine throughout her career. The infectious energy of “Army of Me” and the theatrical “It’s Oh So Quiet” from Post (1995) demonstrate her ability to move effortlessly between aggressive industrial beats and playful jazz-influenced numbers.

As her career progressed, Björk’s music became increasingly sophisticated and ambitious. Songs like “Jóga” and “Bachelorette” from Homogenic (1997) showcase her masterful integration of string arrangements with electronic elements, while “Hidden Place” and “Pagan Poetry” from Vespertine (2001) reveal a more intimate, microscopic sound world. Her collaborations with artists like Thom Yorke (“I’ve Seen It All”) and more recently ROSALÍA (“Oral”) highlight her ongoing interest in artistic cross-pollination.

The inclusion of recent tracks like “Atopos” from her 2022 album Fossora and “Stonemilker” from 2015’s Vulnicura demonstrates Björk’s continued relevance and creativity. These later works maintain her experimental edge while exploring new sonic territories, from the fungal-inspired beats of “Fossora” to the raw emotional landscape of “Vulnicura.” Throughout it all, her voice remains an instrument of remarkable expressiveness, capable of conveying complex emotions that transcend language barriers.

What emerges from this collection is a portrait of an artist who has never stopped evolving. From the post-punk energy of The Sugarcubes to the baroque electronic arrangements of her solo work, Björk has maintained an unwavering commitment to artistic growth. Her influence can be heard in countless contemporary artists, but her singular vision remains inimitable. Through every phase of her career, she has proven that avant-garde experimentation and emotional authenticity can coexist in popular music.

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Tunes Du Jour Presents Radiohead

Radiohead’s career is a journey of artistic evolution, starting with the angst of their breakout hit “Creep” and expanding into one of the most innovative and influential bands of the modern era. The raw emotion and alienation of Pablo Honey quickly gave way to the more nuanced, layered sounds of The Bends and OK Computer. Tracks like “Fake Plastic Trees” and “Karma Police” captured a generation’s disillusionment, weaving existential concerns into haunting melodies and thoughtful lyrics. These songs are iconic not just for their musicality but for their ability to resonate with listeners on a deeply personal level.

By the time Kid A arrived, Radiohead was no longer just a rock band—they had fully embraced experimentation. Tracks like “Idioteque” and “Everything In Its Right Place” pushed boundaries, blending electronic elements with their signature melancholic sound. This shift in direction could have alienated fans, but instead, it deepened their connection with a broader audience who appreciated the band’s willingness to challenge themselves and their listeners. Amnesiac and Hail to the Thief continued this experimentation, with songs like “Pyramid Song” and “There There” proving that Radiohead could evoke deep emotions while exploring complex structures.

Themes of isolation and environmental decay permeate Radiohead’s work, especially in later albums. “Burn the Witch,” from A Moon Shaped Pool, revisits these topics with a dark intensity, while “Daydreaming” and “True Love Waits” offer more subdued, introspective takes. Thom Yorke’s solo efforts, like “Dawn Chorus” and collaborations such as “This Mess We’re In” with PJ Harvey, further showcase his ability to craft deeply atmospheric soundscapes that blur the lines between genres.

Radiohead’s live performances are as legendary as their studio work. The dense layers of songs like “Reckoner” and “Jigsaw Falling Into Place” translate into immersive, sometimes overwhelming experiences on stage, while more minimalist tracks like “How to Disappear Completely” create haunting, ethereal moments that captivate audiences. Their ability to shift between these sonic extremes has cemented their reputation as one of the most dynamic live acts of their time.

Ultimately, Radiohead’s enduring influence comes from their refusal to be static. Albums like OK Computer, Kid A, and In Rainbows continue to be touchstones for listeners, while songs like “Street Spirit (Fade Out)” and “No Surprises” remind us of their uncanny ability to capture the darker aspects of the human experience. Few bands have navigated change with such grace, balancing innovation with an emotional core that never loses its impact.

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Your (Almost) Daily Playlist: 4-21-24

It really rankles and roils, riling me relentlessly, gets my goat and grinds my gears that a ghastly ghost greedily grabbed some of my greatest grooves, several superb sounds from my marvelous music menagerie, including The Cure’s Disintegration on vinyl, vanishing without a visible vestige. It’s a haunting hijacking that has me howling hauntingly, harboring hopes that horrific hoodlum returns my rightful recordings. Relievingly, I’ve retained Robert Smith’s resonant refrains on compact disc, considerably consoling my celestial lamentations.

The Cure’s Robert Smith was born on this date in 1959. Even if you don’t have the disease, we have The Cure on today’s playlist.

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Your (Almost) Daily Playlist: 3-10-24

My Buffalo Stance is this:

  1. Buffaloes should have the right to choice. Their choice has no direct effect on you.
  2. Buffaloes can use the bathroom that corresponds with their identity. The bathroom they choose has no direct effect on you.
  3. Buffaloes should be free to marry who they choose, provided that other party consents. Who they marry has no direct effect on you.
  4. Buffaloes should be able to go to the mall or the multiplex to see Barbie-Q without fearing gun violence.
  5. Buffaloes should be free to move about where they choose and not be confined to one geographical location.
  6. There should be no restrictions placed on the book a buffalo may choose to read or eat. A buffalo learning about something has no direct effect on you.
  7. Buffaloes can dress and wear their hair as they choose, even at school. How a buffalo styles their hair has no direct effect on you.

Celebrating Neneh Cherry’s birthday today on the playlist.

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Your (Almost) Daily Playlist: 10-7-23

One night in December 1994 my friend Kathy and I attended the WDRE Acoustic Xmas show at New York City’s Beacon Theater. There were multiple artists on the bill, each getting a short slot to perform three or four songs. The acts were The Go-Go’s, Big Audio Dynamite, Jesus and Mary Chain, frente!, Love Spit Love, Black 47, G. Love & Special Sauce, and Radiohead’s Thom Yorke and Jonny Greenwood. I looked up online who performed, as the only act I recall seeing there were the Radiohead guys. The band had one album out at that time, 1993’s Pablo Honey. Kathy and I just wanted them to do their hit – “Creep” – and then skedaddle. They didn’t play “Creep.” They played some song about plastic trees and one about an iron long and some other mess. Kathy and I knew this band would never be heard from again.

Oops.

Radiohead’s Thom Yorke was born on this date in 1968. Lots of Thom’s work on today’s playlist.

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