“It’s been seven hours and fifteen days.” “Never trust a big butt and a smile.” “Rollin’ in my 5.0 with my ragtop down so my hair can blow.” So many memorable songs hit in 1990. Here are thirty of the year’s best:
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Inspired by the season and the December 17 birthdays of The Temptations’ Eddie Kendricks, Bad Company’s Paul Rodgers, R.E.M.’s Mike Mills, Bananarama’s Sara Dallin, The Emotions’ Wanda Hutchinson, Dirty Projectors’ David Longstreth,The Meters’ Art Neville, and Dave Dee.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 12 birthdays of Robyn, They Might Be Giants’ John Linnell, The Troggs’ Reg Presley, Silversun Pickups’ Brian Auger, Boston’s Brad Delp, Rocky Burnette, Lyn Collins, Meredith Brooks, Vic Damone, Scott Thompson, Harvey Danger’s Sean Nelson, and Bounty Killer.
Inspired by the passings of Millie Small and Kraftwerk’s Florian Schneider, and the May 6 birthdays of Bob Seger, They Might Be Giants’ John Flansburgh, Man Parrish, Jimmie Dale Gilmore, 3rd Bass’ MC Serch, Mary MacGregor and Meek Mill.
Washington, Lincoln, Jefferson – they’re here. This Presidents Day playlist kicks off with one of the Bushes. Kate.
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Putting together a Hanukkah playlist isn’t easy, I tell ya, especially when one wishes to avoid THAT SONG. Beck’s Hanukkah entry, “The Little Drum Machine Boy,” remains absent from Spotify, so you’ll need to go elsewhere to learn about the holiday robot funk and the Hanukkah pimp. All in all, this isn’t a bad batch of tunes celebrating the holiday. Enjoy!
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“Do we have any foreigners in the audience tonight? If so, please put up your hands. Wogs I mean, I’m looking at you. Where are you? I’m sorry but some fucking wog…Arab grabbed my wife’s bum, you know? Surely got to be said, yeah this is what all the fucking foreigners and wogs over here are like, just disgusting, that’s just the truth, yeah. So where are you? Well wherever you all are, I think you should all just leave. Not just leave the hall, leave our country. You fucking (indecipherable). I don’t want you here, in the room or in my country. Listen to me, man! I think we should vote for Enoch Powell. Enoch’s our man. I think Enoch’s right, I think we should send them all back. Stop Britain from becoming a black colony. Get the foreigners out. Get the wogs out. Get the coons out. Keep Britain white. I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck’s sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!”
– Eric Clapton, to his audience during an August 1976 concert in Birmingham, UK. (Per Wikipedia, “in British English, wog is an offensive racial slur usually applied to Middle Eastern and South Asian peoples.”)
Clapton’s rant, coupled with the rise of fascist and neo-Nazi rhetoric in England, led to the formation of Rock Against Racism, a UK campaign in which recording artists including The Clash, Elvis Costello, The Buzzcocks, Steel Pulse, Aswad and Generation X performed concerts with an anti-racism theme.
In an interview some years later, Clapton claims his remarks weren’t aimed at any one particular minority. True. They were aimed at “wogs” and “coons” and Arabs and Jamaicans, so several minorities. You dug yourself out of that one! “It was kind of a feeling of loss of identity, being English and losing my Englishness,” said the blues guitarist whose first solo top ten hit was a cover of a reggae song written by Bob Marley.
In his 2007 autobiography, cleverly entitled Clapton: The Autobiography, in a paragraph that begins with the sentence “I had never really understood, or been directly affected by, racial conflict,” Clapton says of the 1976 outburst “Since then I have learned to keep my opinions to myself.” Okay, that’s one lesson. I think there may be more if one looks hard enough.
Today Eric Clapton turns 70 years old. To celebrate, here are twenty songs about the idiocy of racism.
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Thinking of moving but don’t know where to? Let today’s playlist help you out. It kicks off with “Chicago” by Graham Nash. Nash turns 73 today.
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Today is the birthday of two music icons – Jam-Master Jay of rap pioneers Run-D.M.C. and disc jockey Wolfman Jack. Besides their place in their history of rock and roll, both men have another thing in common – they were the subjects of songs. That inspired me to put together today’s playlist – songs named after real people.
I found fifty songs whose titles are actual people. Actually I found more than fifty, but I didn’t want to subject you to Chiddy Bang or Mac Miller. I made a few rules for myself:
1) The title can’t have words besides the person’s name, hence no Kim Carnes’ “Bette Davis Eyes” or Sleater-Kinney’s “I Wanna Be Your Joey Ramone.”
2) The title has to be the full name the person is known by, so no “Springsteen” by Eric Church or “Jessica” (about Jessica Simpson) by Adam Green. Allowed are “Galileo,” “Joan of Arc” and “King Tut,” as that is how most people identify Galileo Galilei, Joan d’Arc and Tutankhamun.
3) The song doesn’t have to be about the person after whom it is titled, so “Jack the Ripper” and “Rosa Parks” are in.
4) The track has to be on Spotify. This means I left out Bob Dylan’s “George Jackson” and Hoodie Allen’s “James Franco.”
Amazingly for a playlist based on such a goofy concept, it holds together quite well, if I say so myself.
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On January 13, 1962, Chubby Checker returned to #1 with “The Twist,” a record he previously took to #1 in September of 1960, making it the only record to hit #1 in two separate chart runs.
The song was originally recorded and released in 1959 by its writer, Hank Ballard, and his band, The Midnighters, as the b-side to their single “Teardrops on Your Letter.” A Baltimore DJ named Buddy Deane played “The Twist” on his television dance party program and got a good response. He told Dick Clark, host of American Bandstand about the tune.
Depending on what account you read, Ballard was unavailable to appear on American Bandstand or Clark was wary of Ballard, who previously hit with such lascivious songs as “Work with Me, Annie” and “Sexy Ways.” Either way, Clark had Chubby Checker (born Earnest Evans; his stage name was a take-off on popular singer Fats Domino) record “The Twist.”
Checker’s version is an extremely faithful cover of the Ballard recording. It is difficult to tell them apart; even Ballard thought the Checker recording was his!
In its 1960 release, Chubby Checker’s record launched a national dance craze. On the second release of the Chubby Checker version, “The Twist” became a worldwide phenomenon. Other twist hits included “Slow Twistin’,” “Dear Lady Twist,” “Twist, Twist Señora,” “Twistin’ the Night Away,” “Percolator (Twist),” “Soul Twist,” “Twist and Shout,” “Hey, Let’s Twist,” “Twistin’ Matilda (and the Channel),” “Twist-Her,” “Bristol Twistin’ Annie,” “Twistin’ Postman” and The Chipmunks’ “The Alvin Twist” – and that was just in 1962!
Chubby Checker’s “The Twist” spent one week at #1 in 1960 and two more weeks at #1 in 1962 before it was knocked from the top by…”The Peppermint Twist,” by Joey Dee & the Starlighters.
Here are twenty twistin’ favorites.
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