Tunes Du Jour Presents Van Morrison

Van Morrison’s musical journey is a testament to his ability to blend poetic lyricism with a distinct musical style that is both soulful and introspective. Emerging from the gritty streets of Belfast with the band Them, Morrison quickly made his mark with raw, energetic tracks like “Gloria” and “Baby, Please Don’t Go.” These early recordings, characterized by their driving rhythms and Morrison’s unmistakable vocal delivery, hinted at the artistic depth that would later define his solo career.

When Morrison struck out on his own, he embraced a more nuanced sound, blending jazz, blues, and folk into a style that defied easy categorization. “Moondance” and “Into the Mystic” are prime examples, showcasing his ability to create atmospheres that are both intimate and expansive. These songs, marked by lush arrangements and Morrison’s soulful voice, invite listeners into a world where the lines between the spiritual and the earthly blur, a recurring theme in his work.

Albums like Astral Weeks and Tupelo Honey solidified Morrison’s reputation as a master of mood and narrative. Tracks like “Sweet Thing” and “Cyprus Avenue” weave vivid, almost cinematic imagery with deeply personal reflections. Morrison’s songwriting during this period is marked by a keen sense of place, with frequent references to the streets of Belfast and the rural landscapes of Ireland, grounding his often ethereal music in real-world experiences.

Morrison’s work is also notable for its celebration of love and spirituality. Songs like “Have I Told You Lately?” and “Crazy Love” are heartfelt tributes to the power of human connection, while “Listen to the Lion” and “In the Garden” delve into more mystical themes. His ability to convey deep emotion without veering into sentimentality is one of the hallmarks of his songwriting, making these tracks resonate on a profound level.

Even as Morrison explored different genres and themes throughout his career, his music has remained rooted in a sense of authenticity. Whether it’s the upbeat groove of “Wild Night” or the reflective tone of “Coney Island,” his work continues to captivate listeners with its honesty and depth. Van Morrison’s legacy is one of artistic integrity, a rare quality that has kept his music relevant and influential across generations.

Your (Almost) Daily Playlist: 8-29-22

Today’s playlist celebrates the August 29 birthday of The Jackson ‘s Michael Jackson, Charlie Parker, Cocteau Twins’ Elizabeth Fraser, Dinah Washington, Johnny & the Hurricanes’ Johnny Paris, Pebbles, Fairground Attraction’s Eddi Reader, MeShell NdegeOcello, Kevie Kev, and Galantis’s Style of Eye; the August 30 birthdays of The Mamas & The Papas’ John Phillips, Kitty Wells, Hurts’s Theo Huthcraft, Paul Oakenfold, and D:Ream’s Peter Cunnah; and the August 31 birthdays of Van Morrison, Battles’ Ian Williams, Squeeze’s Glenn Tillbrook, The Vines’ Craig Nichols, Tony DeFranco, Bobby Parker, Debbie Gibson, Ivan, Bob Welch, Broadway lyricist Alan Jay Lerner, Richard Gere, and Julie Brown.

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Your (Almost) Daily Playlist (2-18-20)

I’m experimenting here at Tunes du Jour. Yesterday I started including multiple songs by the birthday performers who inspired that day’s playlist. As of today I’m not limiting myself to twenty songs. My thinking is that by removing that restriction I can posts playlists (almost) dailier and you get a deeper dive into some of the artists. I’m living on the edge!

Today’s playlist is inspired by the February 18 birthdays of Regina Spektor, Yoko Ono, Styx’s Dennis DeYoung, John Travolta, Randy Crawford, Juelz Santana, Irma Thomas, Juice Newton, and Space’s Tommy Scott.

Van Morrison Wasn’t Looking For A Hit

In 1967 Van Morrison hit with his first solo single, “Brown Eyed Girl.” He had hit the top 40 twice before as the lead singer of Them, first with 1965’s “Here Comes the Night,” which peaked at #24. That song’s writer/producer, Bert Berns, produced “Brown Eyed Girl,” a Morrison composition. The song hit the top ten, which didn’t make Morrison happy. “I never wanted to be commercial, and suddenly ‘Brown-Eyed Girl’ was making me even more commercial,” he complained.

The relationship deteriorated between Morrison and Berns, who besides being a songwriter and producer ran Bang Records, the record company to which Morrison was signed. Morrison’s next album would be on Warner Bros. Records.

Released in 1968, Astral Weeks produced no top ten singles. As a matter of fact, it didn’t produce any charting singles. The album failed to chart as well. Morrison was following his musical muse.

These days Astral Weeks is considered Morrison’s best work and is a rock era classic.

Today Morrison turns 70 years old. Here are twenty career highlights, including “Brown Eyed Girl” and a healthy lot of songs from Astral Weeks.


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