Inspired by the May 12 birthdays of Burt Bacharach, Steve Winwood, George Carlin, Ian Dury, James Purify, Jimmy Spicer, Billy Squier, Billy Swan and songwriter/producer Norman Whitfield.
Your (Almost) Daily Playlist (5-10-20)
Inspired by Mother’s Day, the passing of Betty Wright, and the May 10 birthdays of U2‘s Bono, Sex Pistols’ Sid Vicious, Spinners’ Henry Fambrough, Donovan, Traffic’s Dave Mason, Larry Williams, Fred Astaire, Underworld’s Karl Hyde, Young MC, Filter’s Richard Patrick, Jay Ferguson, Craig Mack, Sunscreem’s Lucia Holm and Young Disciples’ Carleen Anderson.
Your (Almost) Daily Playlist (4-10-20)
Inspired by the April 20 birthdays of A Tribe Called Quest’s Q-Tip, The Spinners’ Bobby Smith, Eels’ E, Stray Cats’ Brian Setzer, Maren Morris, The Flamingos’ Nate Nelson, Katrina Leskanich, Sheb Wooley, and Poor Righteous Teachers’ Wise Intelligent.
Your (Almost) Daily Playlist (4-3-20)
Inspired by the April 3 playlists of The Spinners’ Phillippe Wynne, The Band’s Richard Manuel, Tony Orlando, Jan Berry, Richard Thompson, Wayne Newton, Social Distortion’s Mike Ness, and Spiller.
Your (Almost)Daily Playlist (3-7-20)
Inspired by the March 7 birthdays of Ernie Isley, J. Geils Band’s Peter Wolf, Love’s Arthur Lee, Townes Van Zandt, and Taylor Dayne.
20 Duets
Duets. Twenty of ’em.
Happy Valentine’s Day!
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Throwback Thursday – 1980
In 1979, Giorgio Moroder, famous mostly for his production work on Donna Summer records, composed the score for the film American Gigolo. He asked Stevie Nicks to sing the movie’s theme song, for which Moroder wrote the music, but she had to decline for contractual reasons. He next turned to Deborah Harry of Blondie.
Harry write the lyrics to the song that became “Call Me,” the second #1 single for her band. Of her experience with Moroder, she told Billboard “He’s very nice to work with, very easy, (but) I don’t think he has a lot of patience with people who fool around or don’t take what they do seriously. I think he’s very serious about what he does and he’s intense and he’s a perfectionist and he’s very talented, so I think that people who are less talented or less concentrated bore him quickly…you really have to pay attention.”
Said Moroder of working with Blondie, “There were always fights. I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit.”
Moroder did end up working with Deborah Harry again years later on another soundtrack song, producing “Rush Rush” from Scarface, and in 2004 remixed Blondie’s single “Good Boys.”
Tunes du Jour’s Throwback Thursday playlist this week spotlights the best of 1980, kicking off with Blondie’s “Call Me.”
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Throwback Thursday – 1974
In 1974, my Grandpa Abe gave me a radio, thus changing my life. That radio became my best friend and music my main interest. I started buying all the 45 rpm records that made the top ten. Soon I was reading the trade magazines, as well as Rolling Stone, Circus, Creem, Song Hits, Hit Parader, Musician, and then some. Who knows what career path I would have chosen had I not latched onto popular music in my pre-teen years?
Tunes du Jour’s Throwback Thursday playlist this week focuses on the music of 1974. It includes the music I heard on the radio back then (eighteen top 40 hits) plus two I discovered later on.
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It’s Rudy Isley’s Birthday And I Need To Dance!
The Isley Brothers first hit the pop chart in 1959 with the classic “Shout,” later popularized in the 1978 movie National Lampoon’s Animal House. The brothers first hit the r&b chart in 1962 with “Twist & Shout,” a cover of the Top Notes single that later was a hit for The Beatles. The Isleys’ version went to #2 r&b and #17 pop, becoming the group’s first top twenty hit on both charts.
In 1975, the Isley Brothers scored their first single to go top twenty on the pop, r&b and dance charts. “Fight the Power” reached #4 pop, #1 r&b, and #13 dance. It kicks off Tunes du Jour’s weekly dance party, as we celebrate Rudy Isley’s 77th birthday.
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