Your (Almost) Daily Playlist: 12-10-23

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“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there. 

Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.

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Your (Almost) Daily Playlist: 11-25-23

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Born out of lyrics Percy Sledge improvised during a performance after his girlfriend left him, “When A Man Loves A Woman” went on to become a true classic. Sledge let his keyboard and bass players have the full writing credit. On Sledge’s first recording of the song, the horns were out of tune, so Sledge did another take. His record company accidentally released the first version as a single. I don’t think they regret that error.  

The late Percy Sledge was born on this date in 1940. His best-known song kicks off today’s playlist.

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Your (Almost) Daily Playlist: 1-3-23

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James Mtume (b. January 3, 1946) is best-known for his oft-sampled “Juicy Fruit,” though he also has writing and producing credits on records by Stephanie Mills, Roberta Flack, Spinners, Levert and Phyllis Hyman and also played on records by Miles Davis, McCoy Tyner, Lonnie Liston Smith, Sonny Rollins and Gato Barbieri. He died just a few days after his birthday last year.

Today’s playlist includes Mtume’s best-known track plus 29 other juicy cuts.

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Throwback Thursday: 1974

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In 1974 Grandpa Abe gave ten-year-old me a radio. Very quickly that radio became shy me’s best friend. I hadn’t paid much attention to music previously, only hearing what played in the family care when we went out to eat or to Sunday school or the orthodontist. With my best friend Radio by my side I was exposed to so much more. Mostly I listened to the top 40 station WABC. By the autumn of 1974 I was making weekly treks on my bicycle to Melody Manor to buy whatever single entered the top 40 that week, unless it was something truly heinous like “Cat’s in the Cradle.” It’s a habit I kept up until the mid to late eighties, when “Lady in Red,” “The Final Countdown,” “Hip To Be Square” and Milli Vanilli convinced me to eschew that habit and only buy records that were tolerable. Today’s playlist celebrates the music of the year I started collecting records.

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