April 1 is National Atheist Day in the United States. Below is your holiday soundtrack:
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Tunes Du Jour Presents 1966
By 1966, rock and pop music had reached a critical turning point. The early, relatively simple sounds of rock and roll were giving way to a more experimental, ambitious approach, yet the airwaves were still filled with instantly memorable melodies. The year saw the release of songs that would go on to define entire careers—The Beach Boys’ “Good Vibrations” took pop production to new heights, The Four Tops’ “Reach Out (I’ll Be There)” solidified Motown’s dominance, and The Rolling Stones’ “Paint It Black” pushed rock into darker, more dramatic territory. Meanwhile, The Monkees burst onto the scene with “I’m a Believer,” adding a dose of manufactured but undeniably catchy charm to the mix.
Psychedelia was creeping into mainstream music, foreshadowing the sonic explorations that would fully take hold in the coming years. The Byrds’ “Eight Miles High” and The 13th Floor Elevators’ “You’re Gonna Miss Me” hinted at a new, mind-expanding direction for rock, while The Beatles’ “Paperback Writer” and its B-side, “Rain,” found the band toying with the limits of studio technology. The Who’s “My Generation,” released in late 1965 but peaking on the US charts in ’66, captured the rebellious energy of youth culture, while ? and the Mysterians’ “96 Tears” gave garage rock one of its most enduring anthems.
Soul music was also in full bloom, delivering some of its most powerful and enduring records. Percy Sledge’s “When a Man Loves a Woman” became an instant classic, dripping with raw emotion. Jimmy Ruffin’s “What Becomes of the Brokenhearted” and The Supremes’ “You Can’t Hurry Love” showcased Motown’s knack for blending heartache and joy in equal measure. Meanwhile, James Brown’s “It’s a Man’s Man’s Man’s World” was a testament to his singular ability to infuse deep soul with commentary. Over in the R&B realm, Ike & Tina Turner’s “River Deep – Mountain High”—though not a hit in the U.S. at the time—demonstrated producer Phil Spector’s bombastic “Wall of Sound” approach at its most overwhelming.
The year also had its share of songs that were simply too infectious to ignore. The Lovin’ Spoonful’s “Summer in the City” painted a sweltering urban landscape with its mix of laid-back verses and explosive choruses. Nancy Sinatra’s “These Boots Are Made for Walkin’” turned a simple, stomping beat into a statement of defiant cool. The Walker Brothers’ “The Sun Ain’t Gonna Shine Anymore” and The Left Banke’s “Walk Away Renée” delivered lush, baroque pop melancholy, while Eddie Floyd’s “Knock on Wood” became one of the defining records of Stax-style Southern soul.
Perhaps what’s most striking about 1966 in retrospect is just how many of these songs have endured. Whether through original recordings, countless covers, or their presence in film and television, these records still resonate. From the garage rock sneer of The Bobby Fuller Four’s “I Fought the Law” to the hypnotic stomp of The Troggs’ “Wild Thing,” the music of 1966 wasn’t just a snapshot of its time—it was the foundation for what was to come.
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Tunes Du Jour Presents 1967
Nineteen sixty-seven stands as a pivotal moment in the evolution of popular music, a year when artistic boundaries expanded dramatically across multiple genres. The musical landscape was transformed by groundbreaking releases from established artists and remarkable debuts from newcomers who would become legends. From Aretha Franklin’s powerful rendition of “Respect” to Pink Floyd’s psychedelic “See Emily Play,” the year produced an extraordinary collection of songs that continue to resonate decades later.
Soul music experienced a remarkable surge, with Aretha Franklin’s definitive version of “Respect” establishing her as the genre’s preeminent female voice. The raw emotion of Otis Redding’s “Try a Little Tenderness,” the exuberance of Jackie Wilson’s “(Your Love Keeps Lifting Me) Higher and Higher,” and the groove-driven “Soul Man” by Sam & Dave showcased the genre’s diversity and emotional range. Motown continued its dominance with several more hits for Diana Ross & the Supremes, including “The Happening,” while Smokey Robinson & the Miracles added “I Second That Emotion” to their growing catalog of hits. Marvin Gaye enjoyed multiple chart successes in 1967, with “Your Precious Love” being just one of several duets with Tammi Terrell that would define this productive period.
Meanwhile, rock music underwent seismic shifts as experimentation became the norm. The Beatles had an astonishingly prolific year, releasing the landmark album Sgt. Pepper’s Lonely Hearts Club Band while also producing standalone singles of remarkable quality like “Strawberry Fields Forever” and “Penny Lane.” The Doors’ extended opus “Light My Fire” and The Jimi Hendrix Experience’s revolutionary “Purple Haze” redefined what electric guitars could accomplish. The Rolling Stones contributed the melancholic beauty of “Ruby Tuesday,” which ironically became the bigger hit after radio stations deemed its intended A-side, “Let’s Spend the Night Together,” too controversial for airplay. The Who’s powerhouse “I Can See for Miles” and Buffalo Springfield’s protest anthem “For What It’s Worth” reflected rock’s increasing social consciousness. Perhaps most radical was The Velvet Underground’s “Heroin,” which brought an unprecedented rawness to discussions of addiction.
The year’s diversity extended far beyond these genres. The Monkees transcended their manufactured origins with the wistful “Daydream Believer,” while Van Morrison crafted the timeless “Brown Eyed Girl.” Bobbie Gentry’s Southern Gothic narrative “Ode to Billie Joe” demonstrated songwriting’s storytelling potential, and Procol Harum’s “A Whiter Shade of Pale” merged classical influences with rock sensibilities. Jefferson Airplane’s “White Rabbit” and Pink Floyd’s “See Emily Play” pushed psychedelic music further into the mainstream, establishing both bands as significant forces in the burgeoning psychedelic scene.
What made 1967 truly remarkable was how these diverse sounds coexisted and influenced each other, creating a musical conversation that crossed genre lines. This was the year when album-oriented rock solidified, soul music reached new emotional depths, and psychedelia flowered into mainstream consciousness. The thirty songs listed here barely scratch the surface of a year that saw popular music mature into an art form capable of expressing the full spectrum of human experience. Many artists were at their creative peaks, producing multiple hit singles and groundbreaking albums within this single exceptional year. These recordings capture a moment when musical innovation accelerated at an unprecedented pace, leaving an enduring legacy that continues to inspire and influence musicians more than half a century later.
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Tunes Du Jour Presents 1971
The music of 1971 was shaped by a world in transition. The optimism of the ’60s had given way to a more complicated reality—political upheaval, the Vietnam War, and shifting cultural norms weighed heavily on society. In response, many artists channeled these changes into their music, whether through protest, storytelling, or deeply personal reflection. The result was a year that produced enduring songs across multiple genres, from confessional singer-songwriter fare to hard-hitting rock and infectious soul.
Some of the most memorable hits of the year leaned into personal themes rather than overt social commentary. Carole King’s “It’s Too Late” and Elton John’s “Your Song” exemplified the rise of the singer-songwriter era, blending lyrical vulnerability with sophisticated melodies. Al Green’s “Tired of Being Alone” showcased his effortless mix of longing and smooth Southern soul, while Rod Stewart’s “Maggie May” became his breakthrough solo hit, telling the story of youthful romance with a blend of folk and rock. At the same time, Marvin Gaye’s “What’s Going On” took a broader view, addressing war, inequality, and injustice in a way that felt both urgent and timeless.
Rock music remained as dominant as ever, though it took on new forms. Led Zeppelin’s “Immigrant Song” showcased their thunderous power, while The Who’s “Won’t Get Fooled Again” harnessed synthesizers and political defiance to craft an enduring anthem. The Rolling Stones’ “Brown Sugar,” released without much controversy at the time, has since been reevaluated due to its lyrical content. Meanwhile, The Doors painted a dark, atmospheric landscape on “Riders on the Storm,” and Paul & Linda McCartney’s “Uncle Albert/Admiral Halsey” leaned into whimsical experimentation, proving that rock still had room for playfulness.
Soul and funk made significant strides in 1971, with Sly & The Family Stone’s “Family Affair” pioneering a more subdued, groove-heavy sound. The Staple Singers’ “Respect Yourself” and Curtis Mayfield’s “Move On Up” carried messages of empowerment, while Honey Cone’s “Want Ads” and Jean Knight’s “Mr. Big Stuff” infused attitude into their infectious rhythms. The Jackson 5’s “Never Can Say Goodbye” demonstrated a maturing sound beyond their bubblegum pop beginnings, while Cher’s “Gypsies, Tramps and Thieves” and Melanie’s “Brand New Key” brought storytelling into the pop realm with memorable melodies and an enduring campiness.
Fifty-plus years later, the music of 1971 still resonates. Whether through the social commentary of “What’s Going On,” the country-rock warmth of “Me and Bobby McGee,” or the swampy energy of Ike & Tina Turner’s “Proud Mary,” these songs remain essential listening. They serve as both a time capsule and a reminder that great music doesn’t just reflect its era—it continues to shape the generations that follow.
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Tunes Du Jour Presents The Smokey Robinson Songbook
ABC wasn’t wrong—when Smokey sings, everything is wonderful. But just as impressive as his voice is his pen. Smokey Robinson didn’t just write hit songs; he crafted narratives, emotions, and melodies so timeless that they continue to be recorded and reinterpreted decades later. His songwriting, marked by poetic lyricism and effortless hooks, helped define the Motown sound and set a gold standard for pop and R&B composition.
His songs weren’t just catchy; they were masterclasses in storytelling. “My Girl” gave The Temptations a signature hit with a lyric so simple yet evocative that it remains a cultural touchstone. “My Guy” did the same for Mary Wells, its playful devotion making it an anthem of unwavering love. Whether it was the swagger of “Get Ready,” the tenderness of “Ooh Baby Baby,” or the clever metaphor of “The Hunter Gets Captured by the Game,” Smokey knew how to tap into universal feelings and dress them in melodies that lingered.
His influence extended far beyond Motown, as shown by the sheer range of artists who have covered his work. The Beatles took on “You Really Got a Hold on Me,” Elvis Costello recorded “From Head to Toe,” The Rolling Stones tackled “Going to a Go-Go,” D’Angelo put his own spin on “Cruisin’,” and Peter Tosh reimagined “(You Gotta Walk And) Don’t Look Back.” Whether through his own performances or the countless reinterpretations of his songs, Smokey Robinson’s writing continues to resonate, proving that while it’s great when Smokey sings, it’s just as magical when Smokey writes.
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My Favorite Songs Of 2024
- Good Luck, Babe! – Chappell Roan
- HOT TO GO! – Chappell Roan
- TEXAS HOLD ‘EM – Beyoncé
- Houdini – Dua Lipa
- I KNOW ? – Travis Scott
- Espresso – Sabrina Carpenter
- girl, so confusing – Charli xcx & Lorde
- Not Like Us – Kendrick Lamar
- I Guess Time Just Makes Fools Of Us All – Father John Misty
- Like That – Future, Metro Boomin & Kendrick Lamar
- Training Season – Dua Lipa
- Jerkin’ – Amyl and The Sniffers
- Nothing Matters – The Last Dinner Party
- Water – Tyla
- Guess – Charli xcx feat. Billie Eilish
- Broken Man – St. Vincent
- Please Please Please – Sabrina Carpenter
- Pink Pony Club – Chappell Roan
- Starburster – Fontaines D.C.
- Abigail – Soccer Mommy
- Step Into Your Power – Ray LaMontagne
- What About the Children? – Gary Clark Jr. feat. Stevie Wonder
- LUNCH – Billie Eilish
- WILDFLOWER – Billie Eilish
- MY HOUSE – Beyoncé
- Mamushi – Megan Thee Stallion feat. Yuki Chiba
- Deeper Well – Kacey Musgraves
- yes, and? – Ariana Grande
- My Golden Years – The Lemon Twigs
- All In Good Time – Iron & Wine feat. Fiona Apple
- Taste – Sabrina Carpenter
- Lights Camera Action – Kylie Minogue
- The Architect – Kacey Musgraves
- That’s How I’m Feeling – Jack White
- Dancing in the Flames – The Weeknd
- BIRDS OF A FEATHER – Billie Eilish
- Femenine – Empress Of
- Saturn – SZA
- Once in a Lifetime – Joshua Idehen with the Social Singing Choir
- Capricorn – Vampire Weekend
- The Door – Teddy Swims
- Calling You Out – Charly Bliss
- Mess It Up – The Rolling Stones
- Eusexua – FKA twigs
- x-ray eyes – LCD Soundsystem
- Grace – IDLES
- Too Sweet – Hozier
- Young Lion – Sade Adu
- Baddy on the Floor – Jamie xx and Honey Dijon
- Euphoria – Kendrick Lamar
- Life – Jamie xx & Robyn
- Mother Nature – MGMT
- JOLENE – Beyoncé
- The Rest of Me – Michael Kiwanuka
- Worth It. – RAYE
- Dream Job – Yard Act
- Mood Swings – Little Simz
- All You Children – Jamie xx & The Avalanches
- The Light Nights – Camera Obscura
- J CHRIST – Lil Nas X
- Weightless – Romy
- 360 – Charli xcx featuring Robyn and Yung Lean
- LEVII’S JEANS – Beyoncé featuring Post Malone
- Sinner – The Last Dinner Party
- Sticky – Tyler, the Creator feat. GloRilla, Sexyy Red & Lil Wayne
- Too Much – girl in red
- Well, Alright – Johnny Cash
- Peaceful Place – Leon Bridges
- Clams Casino – Cassandra Jenkins
- Sympathy Is a Knife – Charli xcx feat. Ariana Grande
- Take Me Home, Country Roads – Lana Del Rey
- Racist Piece of Shit – Fishbone
- While My Guitar Gently Weeps – Lucinda Williams
- Classical – Vampire Weekend
- Bells and Whistles – Bright Eyes
- Alimony – Miranda Lambert
- Genesis. – RAYE
- Neva Play – Megan Thee Stallion feat. RM of BTS
- Disease – Lady Gaga
- BLACKBIIRD – Beyoncé with Brittney Spencer, Reyna Roberts, Tanner Adell and Tiera Kennedy
- Flea – St. Vincent
- Friend of a Friend – The Smile
- HIND’S HALL – Macklemore
- HISS – Megan Thee Stallion
- Timeless – The Weeknd with Playboi Carti
- 16 CARRIAGES – Beyoncé
- we can’t be friends (wait for your love) – Ariana Grande
- On My Mama – Victoria Monét
- Death Valley High – Orville Peck featuring Beck
- Tennessee Rise – The Tennessee Freedom Singers
- The Feminine Urge – The Last Dinner Party
- Surround Sound – JID feat. 21 Savage & Baby Tate
- Talk Talk – Charli xcx
- Cinderella – Remi Wolf
- Afterlife – Sharon Van Etten
- Real Good – Homeboy Sandman
- Sexy To Someone – Clairo
- Beaches – Beabadoobee
- Favourite – Fontaines D.C.
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