Living Colour’s Vernon Reid was born on this date in 1958. A handful of Living Colour tracks are included on today’s playlist.
Tunes Du Jour Presents 1981
As the new decade dawned, 1981 emerged as a year of significant musical transformation. The eclectic mix of songs that defined this period reflected a music industry in flux, with established genres evolving and new sounds emerging to captivate listeners across the globe.
Rock music continued to hold its ground, adapting to the changing times. The Rolling Stones proved their enduring relevance with the gritty “Start Me Up,” while Journey’s “Don’t Stop Believin'” became an arena rock anthem that would stand the test of time. Bruce Springsteen’s “The River” showcased his storytelling prowess, and Phil Collins’ “In The Air Tonight” introduced a new dimension of atmospheric rock with its iconic drum break. George Harrison’s “All Those Years Ago,” a touching tribute to John Lennon, marked Harrison’s first U.S. top ten single in eight years, demonstrating the lasting appeal of the former Beatles.
New Wave and post-punk sounds flourished in 1981, pushing boundaries and incorporating electronic elements. Talking Heads’ “Once in a Lifetime” demonstrated the genre’s art-rock leanings, while The Go-Go’s brought a pop sensibility to new wave with “Our Lips Are Sealed.” Duran Duran’s “Girls on Film” hinted at the new romantic movement that was gaining traction. The Psychedelic Furs’ “Pretty in Pink,” with its blend of post-punk edge and pop accessibility, showcased Richard Butler’s distinctive vocals and would later inspire and lend its name to a defining film of the ’80s.
The year also saw the emergence of hip-hop as a force in popular music. Blondie’s “Rapture” became the first song featuring rap vocals to reach number one on the U.S. Billboard Hot 100, fusing new wave with hip-hop influences. Meanwhile, Grandmaster Flash’s innovative “The Adventures of Grandmaster Flash on the Wheels of Steel” was one of the first records to extensively use sampling, laying the groundwork for hip-hop’s future.
Dance music was evolving beyond disco into new, exciting forms. Grace Jones’ “Pull Up to the Bumper” blended funk, new wave, and reggae influences, pointing towards a more eclectic and experimental future for club music. Taana Gardner’s “Heartbeat” helped define the emerging genre of garage house with its stripped-down beat and soulful vocals. Kool & the Gang’s “Celebration” remains a party staple, bridging the gap between disco and contemporary R&B.
In the realm of R&B and funk, Luther Vandross’ “Never Too Much” marked the acclaimed background vocalist’s first hit under his own name, showcasing his smooth, sophisticated style. Rick James pushed funk to new heights with “Super Freak,” incorporating rock elements and a memorable synth line that would be sampled for years to come. The Pointer Sisters’ “Slow Hand” kept R&B smooth and soulful.
1981 also witnessed the continued rise of synth-pop and electronic music. Heaven 17’s politically charged “(We Don’t Need This) Fascist Groove Thang” and New Order’s “Ceremony” showcased the genre’s range from danceable pop to moody post-punk.
As some artists embraced new sounds, others used music to comment on social issues. The Specials’ “Ghost Town” reflected the urban decay and racial tensions in Britain, while Black Flag’s hardcore punk anthem “Rise Above” railed against societal norms. Prince’s “Controversy” challenged listeners both musically and lyrically, blending funk, rock, and new wave while tackling taboo subjects and questioning social norms, hinting at the boundary-pushing artist he would become.
From the chart-topping pop of Kim Carnes’ “Bette Davis Eyes” and Olivia Newton-John’s “Physical” to ABBA’s emotionally charged ballad “The Winner Takes It All,” 1981 was a year of contrasts and transitions. It was a time when established stars adapted to new trends, emerging artists made their mark, and genres blended in exciting ways. This rich musical landscape set the stage for the diverse and innovative sounds that would define the rest of the decade, making 1981 a pivotal year in the evolution of popular music.
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Your (Almost) Daily Playlist: 10-2-23
In the same room where Ian Fleming wrote James Bond novels Sting of The Police wrote what he called a “nasty little song” about his feelings of jealousy and obsession over his first wife following their divorce. I’m not sure if hearing the song everywhere helped him get over those feelings, but the money the song generated may have lifted his spirits.
Sting was born on this date in 1951. Lotsa Police songs on today’s playlist.
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Your (Almost) Daily Playlist: 7-28-23
Devo’s “Whip It” was inspired by a magazine article about how to be a better wife. The song’s cowriter and bassist for the band, Gerald Casale, said he’d found that story in a 1962 issue of The Family Handyman and thought it was funny. He decided to write a song that parodied the idea of whipping your problems away. Casale also drew from communist propaganda posters and a 1973 novel by Thomas Pynchon called Gravity’s Rainbow, which mocks capitalist slogans with satirical limericks.He wrote lyrics that taken out of context sound like motivational clichés: When a good time turns around, you must whip it. Give the past a slip. Whip it into shape. Get straight. Go forward. Move ahead. And my personal favorite: Before the cream sits out too long, you must whip it.
Jerry Casale turns 75 today. A couple of Devo tracks, including their biggest hit, “Whip It,” are included on today’s playlist.
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Your (Almost) Daily Playlist: 5-14-23
In 1988 or 1989 I saw Talking Heads’ David Byrne walking around in NYC’s Greenwich Village. In my memory of this he was wearing his big suit from the Stop Making Sense movie. That can’t be, though, right? He wouldn’t walk around the city in that get-up, would he?
David Byrne turns 71 today. Lotsa Talking Heads on today’s playlist in his honor.
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