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George, Johnny and Fats

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I screwed up.

I lost track of what day it was and in doing so missed posting about George Harrison’s birthday, which was yesterday.

The Beatles are my favorite recoding act of all-time, and if I had to rank the group’s members in order, George would make the top four (no disrespect to Pete Best).

I’d been thinking about what to post for George’s birthday for a couple of weeks. His recordings are not on Spotify, the program I use to create the playlists in each blog entry. I couldn’t find any worthwhile vintage performance clips of George on YouTube. I could post the music video for “Got My Mind Set on You,” but that track is hardly representative of the man’s genius. I was leaning toward creating a playlist of great covers of George’s songs, but what I came up with before abandoning that idea was an unremarkable collection that would not serve as a fitting tribute.

I love so many of his songs – “My Sweet Lord,” “Handle With Care” (Traveling Wilburys), “The Inner Light” (The Beatles), “What Is Life,” “All Those Years Ago,” “It Don’t Come Easy” (written by George and Ringo Starr, recorded by Ringo), “Something” (The Beatles), “Here Comes the Sun” (The Beatles), “While My Guitar Gently Weeps” (The Beatles), “If Not For You,” and “When We Was Fab” at the forefront, though my favorite of George’s solo recordings is “Give Me Love (Give Me Peace on Earth).” In his autobiography George wrote “This song is a prayer and personal statement between me, the Lord, and whoever likes it.” The Lord and I aren’t on speaking terms; however, I love the song’s message. I’m a sucker for songs espousing love for all. “Put a Little Love in Your Heart?” Yes! “Love Train?” Hell, yeah! The Black Eyed Peas’ “Where Is the Love?” Sure, even though it includes the lyric “to discriminate only generates hate / And when you hate then you’re bound to get irate, yeah / Badness is what you demonstrate.” And then you won’t be able to meet a mate named Nate / You won’t even get a date / To gain weight will be your fate / You won’t make it through the gate and then you’ll be late / That isn’t great.” And that’s why I adore George’s “Give Me Love.”

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Today marks the birthday of two other all-time favorites of mine – Johnny Cash and Fats Domino. I’ve created a playlist for each of them.

The Johnny Cash playlist kicks off with his 1963 hit “Ring of Fire.” The writing of the song is credited to June Carter, who married Johnny in 1968, and Merle Kilgore. Though initially recorded by Carter’s sister Anita, Carter said the song was inspired by Cash, who at that time was her friend and singing partner. Though not romantically-involved, she was drawn to him against her better judgment, despite his drug use. Per June, there is “no way to extinguish a flame that burns, burns, burns.”

Cash’s wife at that time, Vivian Liberto, claimed that June had nothing to do with writing that song. Per Liberto, Johnny wrote it “while pilled up and drunk” and it’s not about the love June described, but rather it’s “about a certain private female body part,” which provides a much different image to accompany the line “I went down, down, down.” I’m not an expert on this body part to which Liberto refers, but if it burns, burns, burns, you should probably have it checked out by a professional. Anyway, Liberto said Cash gave Carter the writing credit because she needed the money.

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Our Fats Domino playlist kicks off with one of Richie Cunningham’s favorites, “Blueberry Hill.” Though Domino wrote many of his hits, this one was written by Vincent Rose, Larry Stock and Al Lewis (not the Grandpa Munster Al Lewis) in 1940.

Domino recorded this song at a session after he ran out of material. His long-time producer, Dave Bartholomew, was against doing the song, perhaps because all of Fat’s hits up to that point had been original compositions. Domino’s version hit #2 in 1957 and has become one of his most recognizable recordings.

Some other facts about Fats: In the fifties he sold more records than any other rock & roll artist except Elvis Presley; he’s had 35 US top 40 pop hits; his song “The Fat Man,” from 1949, is considered by many to be the first rock and roll record; today he turns 86.


Dionne Warwick And The Extra E – A Cautionary Tale

In 1971 an astrologer told Dionne Warwick to append an “e” to her last name. “It will bring you luck,” she was told. At that point in her career Warwick was a multi-Grammy Award winner with more than twenty US top forty pop hits, collaborations with the songwriting team of Burt Bacharach and Hal David, to her name. But who can’t use more luck?

Following the astrologer’s advice, Warwick became Warwicke, and besides a guest co-lead vocal on a Spinners record (the sublime “Then Came You”), Warwicke didn’t have any hits. Warwicke didn’t win any Grammys. The songwriting partnership of Bacharach and David split apart. Warwicke separated from and divorced her husband.

Dionne dropped the “e” and became Warwick again. Warwick returned to the top ten with “I’ll Never Love This Way Again,” which won her the Grammy for Best Pop Vocal Performance, Female, with its follow-up single, “Déjà Vu,” winning her the Grammy for Best R&B Vocal Performance, Female.

The lesson? Stay away from “e.” It’ll ruin your life.

Here is a playlist inspired by Warwick, who turns 73 today.

It’s Friday And I Need To Dance!

Every Friday, Tunes du Jour’s playlist is designed to get you dancing into the weekend. Today we kick off with The Spinners’ “The Rubberband Man,” written by the songwriting team of Thom Bell and Linda Creed, as today is Creed’s birthday.

You may not know her name, but chances are you know some of her work. With Bell, she composed several hits for 70s soul group The Stylistics, including “You Make Me Feel Brand New,” “You Are Everything,” “Break Up to Make Up,” “I’m Stone in Love With You,” “Rockin’ Roll Baby” and “Betcha By Golly Wow.” If any readers plan on marrying me, note that I insist the latter be our wedding song.

With Michael Masser, Creed wrote “The Greatest Love of All” for the Muhammad Ali biopic The Greatest. George Benson took the film’s theme song to #24 in 1977. The week of May 17, 1986, Whitney Houston took her remake of the song to #1 on the Billboard Hot 100. However, Creed didn’t get to see that. She died one month earlier of breast cancer at age 37.

I Tina

Happy Tina Turner’s Birthday!

Down the street from my first job in midtown Manhattan was a bookstore that often hosted book signings. There was also a record store one block over that held album/cassette/CD signings. Between these two places I got to meet many great artists, including Prince, Joan Rivers, Liberace and Tipper Gore. I also met Tina Turner, who turns 74 today.

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My main memory about that meeting was how flawless her skin was. She was 46 and there was not a wrinkle to be found. I’m now older than she was then and my face is devoid of wrinkles, which is why I’m often mistaken for Tina.

Tina-mania was high in 1986. After separating from her abusive husband Ike, she toiled in relative obscurity until her 1984 album Private Dancer put her back on the map in a big way. The album sold around twenty million copies worldwide and earned Tina a Grammy nomination for Album of the Year (alongside three other great albums – Bruce Springsteen’s Born in the U.S.A., Prince & the Revolution’s Purple Rain and Cyndi Lauper’s She’s So Unusual, as well as Lionel Richie’s Can’t Slow Down. Guess who won.), with its single “What’s Love Got to Do With It” winning Record of the Year and Best Pop Vocal Performance, Female and its “Better Be Good To Me” winning Best Rock Vocal Performance, Female. In 1986 she released her best-selling autobiography, I, Tina, and her follow-up to Private Dancer, Break Every Rule, which produced three top forty hits in the U.S.

Enjoy this Tina Turner-inspired playlist.