Tunes Du Jour Presents 1966

By 1966, rock and pop music had reached a critical turning point. The early, relatively simple sounds of rock and roll were giving way to a more experimental, ambitious approach, yet the airwaves were still filled with instantly memorable melodies. The year saw the release of songs that would go on to define entire careers—The Beach Boys’ “Good Vibrations” took pop production to new heights, The Four Tops’ “Reach Out (I’ll Be There)” solidified Motown’s dominance, and The Rolling Stones’ “Paint It Black” pushed rock into darker, more dramatic territory. Meanwhile, The Monkees burst onto the scene with “I’m a Believer,” adding a dose of manufactured but undeniably catchy charm to the mix.

Psychedelia was creeping into mainstream music, foreshadowing the sonic explorations that would fully take hold in the coming years. The Byrds’ “Eight Miles High” and The 13th Floor Elevators’ “You’re Gonna Miss Me” hinted at a new, mind-expanding direction for rock, while The Beatles’ “Paperback Writer” and its B-side, “Rain,” found the band toying with the limits of studio technology. The Who’s “My Generation,” released in late 1965 but peaking on the US charts in ’66, captured the rebellious energy of youth culture, while ? and the Mysterians’ “96 Tears” gave garage rock one of its most enduring anthems.

Soul music was also in full bloom, delivering some of its most powerful and enduring records. Percy Sledge’s “When a Man Loves a Woman” became an instant classic, dripping with raw emotion. Jimmy Ruffin’s “What Becomes of the Brokenhearted” and The Supremes’ “You Can’t Hurry Love” showcased Motown’s knack for blending heartache and joy in equal measure. Meanwhile, James Brown’s “It’s a Man’s Man’s Man’s World” was a testament to his singular ability to infuse deep soul with commentary. Over in the R&B realm, Ike & Tina Turner’s “River Deep – Mountain High”—though not a hit in the U.S. at the time—demonstrated producer Phil Spector’s bombastic “Wall of Sound” approach at its most overwhelming.

The year also had its share of songs that were simply too infectious to ignore. The Lovin’ Spoonful’s “Summer in the City” painted a sweltering urban landscape with its mix of laid-back verses and explosive choruses. Nancy Sinatra’s “These Boots Are Made for Walkin’” turned a simple, stomping beat into a statement of defiant cool. The Walker Brothers’ “The Sun Ain’t Gonna Shine Anymore” and The Left Banke’s “Walk Away Renée” delivered lush, baroque pop melancholy, while Eddie Floyd’s “Knock on Wood” became one of the defining records of Stax-style Southern soul.

Perhaps what’s most striking about 1966 in retrospect is just how many of these songs have endured. Whether through original recordings, countless covers, or their presence in film and television, these records still resonate. From the garage rock sneer of The Bobby Fuller Four’s “I Fought the Law” to the hypnotic stomp of The Troggs’ “Wild Thing,” the music of 1966 wasn’t just a snapshot of its time—it was the foundation for what was to come.

Follow Tunes Du Jour on Facebook

Follow me on Bluesky

Follow me on Instagram

Your (Almost) Daily Playlist: 5-11-24

Eric Burdon rose to fame as the lead vocalist of the rock band The Animals, which was part of the British Invasion that took the music world by storm in the 1960s. With his powerful and distinctive vocals, Burdon helped the band achieve international success with hits like “House of the Rising Sun” and “Don’t Let Me Be Misunderstood.”

In the late 1960s, with a new set of Animals, Burdon embraced the psychedelic sound that was popular during that era. This incarnation of the band showcased Burdon’s ability to evolve with the changing times, as they incorporated elements of funk, soul, and psychedelic rock into their music.

In 1970, Burdon introduced the world to the band War. Their collaboration resulted in the hit song “Spill the Wine,” which fused elements of rock, funk, and Latin music. I’m impressed by Burdon’s versatility and willingness to explore new musical territories.

Eric Burdon was born on this date in 1941. A few songs from him are included on today’s playlist.

Follow Tunes Du Jour on Facebook

Follow Tunes Du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 4-19-24

Elenore
Gee, I think you’re swell
And you really do me well 
You’re my pride and joy, et cetera…

After the huge success of their “Happy Together,” The Turtles’ record label asked them for another love song in a similar vein. Jokingly, they turned in “Elenore.” It became their eighth US top 40 hit, reaching number 6 on the Billboard Hot 100.

The Turtles’ Mark Volman was born on this date in 1947. A few songs from his band are included on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 8-6-23

Judy Craig, the lead singer of The Chiffons, was a senior in high school when “He’s So Fine” hit number one. Written by the group’s manager, Ronnie Mack, the song was recorded with the band The Tokens providing the instrumentation. The Tokens brought the recording to their record label, Capitol, to see if they’d be interested in releasing it, but the label president thought it “too trite.” Laurie Records signed the group and made “He’s So Fine” one of the biggest hits of 1963. The group hit the top ten twice more, with “One Fine Day” and “Sweet Talkin’ Guy.” Judy Craig, who turns 79 today, still tours with The Chiffons, now comprised of her, her daughter and her niece.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on X

Follow me on Instagram