Tunes Du Jour Presents Holland-Dozier-Holland

Brian Holland, Lamont Dozier, and Eddie Holland, collectively known as Holland-Dozier-Holland (H-D-H), are synonymous with the sound of Motown. Their string of hits in the 1960s and beyond fueled the success of the record label, shaping popular music and paving the way for R&B to dominate the airwaves. Each song on this playlist, from The Four Tops’ powerful “Reach Out (I’ll Be There)” to The Supremes’ iconic “Where Did Our Love Go,” credits one or more members of H-D-H. With a blend of melody, rhythm, and hooks that remain timeless, the team’s work redefined what hit songwriting could accomplish.

This songwriting trio didn’t merely write songs—they crafted narratives of love, heartbreak, and resilience that resonated with audiences across generations. Tracks like “This Old Heart of Mine (Is Weak for You)” by The Isley Brothers and Marvin Gaye’s “Can I Get a Witness” reveal the emotional depth in their compositions, supported by rhythms and production styles that have endured decades of cover versions. Their songs often feel instantly recognizable, whether it’s the infectious chorus of Chairmen of the Board’s “Give Me Just a Little More Time” or the stomping beat of Junior Walker & the All-Stars’ “(I’m A) Road Runner.”

The irony, however, is that Eddie Holland, despite being a key member of the team, had only one top 40 pop single as a solo artist, “Jamie”—and it wasn’t written by any member of Holland-Dozier-Holland. Instead, it was penned by Barrett Strong and William “Mickey” Stevenson, fellow Motown talents who contributed in their own right to the label’s powerhouse status. Though Eddie found his calling behind the scenes rather than as a performer, his experience as an artist gave him unique insight into the singer’s perspective, a quality that helped make H-D-H’s songs vocally compelling and relatable.

Beyond Motown, the trio’s influence stretched into rock, pop, and soul genres, as evident from covers and reinterpretations by artists like The Rolling Stones, Rod Stewart, and Bananarama. These renditions, like Linda Ronstadt’s cover of “Heat Wave” or James Taylor’s soulful take on “How Sweet It Is (To Be Loved by You),” show how their music transcended genre boundaries. Each version emphasizes the versatility of H-D-H’s songwriting, capable of adapting to various musical expressions while retaining its core appeal.

Ultimately, the legacy of Holland-Dozier-Holland isn’t just in their impressive catalog but in their contributions to the very essence of popular music. They captured the spirit of a generation through music that continues to find new audiences, sounding as fresh today as it did over half a century ago. Their work endures, a testament to their genius, and is rightly celebrated by the many artists who’ve covered and revived their timeless songs.

Follow Tunes Du Jour on Facebook

Follow Tunes Du Jour on Twitter

Follow me on Instagram



Your (Almost) Daily Playlist (4-29-20)

Inspired by the April 29 birthdays of Willie Nelson, The Coasters/Robins’ Carl Gardner, Tommy James, Tammi Terrell, The KLF’s Bill Drummond, The Brady Bunch’s Eve Plumb, Duke Ellington, Romeo Void’s Debora Iyall, Lonnie Donegan, Rod McKuen, Otis Rush and April Stevens; and the April 28 birthdays of Sonic Youth’s Kim Gordon, Goodie Mob’s Big Gipp, Too $hort and Blossom Dearie.

A Soulful Christmas Playlist

TRIVIA QUESTION: Who was the first woman to hit the top ten on the Billboard Hot 100 with a song she wrote herself?

ANSWER: Carla Thomas. She was 16 years old when she wrote “Gee Whiz (Look at His Eyes),” which hit #10 in 1961. Today she turns 72.

In 1963, Thomas incorporated the title of her first hit into a seasonal offering, “Gee Whiz, It’s Christmas.”

“Gee Whiz, It’s Christmas” inspires today’s playlist – fifty great soul and r&b Christmas jams, with some fun extra treats thrown in.

Click here to like Tunes du Jour on Facebook!

Happy Berry Gordy Jr.’s Birthday!

Today is the 83rd birthday of Berry Gordy, Jr., the aspiring pugilist turned songwriter turned record executive/entrepreneur. After penning hits for Jackie Wilson and Etta James in the late 1950s, Gordy went on to launch the Motown Record Corporation. The company’s first pop hit was Barrett Strong’s “Money (That’s What I Want),” a song written by Gordy with Janie Bradford, in 1960. From then on the hits kept coming.

Today’s playlist is a small sampling of great Motown releases. If you have a favorite Motown record, let me know what it is in the Comments. Enjoy!