It’s Friday And I Need To Dance!

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Who was the first woman to be on ten #1 singles in the UK? Was it Madonna? No. Was it Dusty Springfield? No. Was it Paris Hilton? Fuck no.

The first woman to have ten #1 singles in the UK was Geri Halliwell. The Artist Formerly Known As Ginger Spice first hit #1 in 1996 with “Wannabe,” which she performed as part of her fellow proponents of Girl Power, the Spice Girls. The quintet was the first act in the UK to see their first six singles go to #1, which is why they are better than The Beatles. After “Wannabe,” they topped the UK singles chart with “Say You’ll Be There,” “2 Become 1,” the double-sided hits “Mama” and “Who Do You Think You Are,” “Spice up Your Life,” “Too Much” and “Viva Forever.” 1998 single “Stop” er, stopped at #2. Halliwell left the group in 1998. The then quartet said goodbye to Ginger with “Goodbye,” another #1 single, and the double-sided hits “Holler” and “Let Love Lead the Way,” their final #1 single to date, in 2000.

While the quartet continued to make hits, Halliwell wasn’t just sitting around in her Union Jack leotard. Her debut solo single, “Look at Me,” peaked at #2, but then came four consecutive chart-toppers: “Mi Chico Latino,” “Lift Me Up,” “Bag It Up,” and a cover of “It’s Raining Men.” Hallelujah! She is the only act in the UK to have had at least four #1s as part of a group and as a solo artist.

Some additional trivia:
– Madonna’s tenth UK #1 single,”Music,” peaked a few months after Halliwell’s tenth UK #1 single, which was #1 on this day in 2000.
– Dusty Springfield had twenty-five top 40 hits on the UK singles chart. Only one, “You Don’t Have to Say You Love Me,” went all the way to the top.
– Paris Hilton has topped the UK singles chart zero times thus far.
– The Spice Girls have their moments, but they are not better than The Beatles. C’mon!
– In the US, Halliwell has had ten fewer #1s than she had in the UK. We kick off our weekly dance party with her only US #1, Spice Girls’ “Wannabe.”

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Beck, Kanye and Beyoncé

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“I just know that the Grammys, if they want real artists, to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé. Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you’re disrespectful to inspiration. And we as musicians have to inspire people who go to work every day, and they listen to that Beyoncé album and they feel like it takes them to another place.” – Kanye West on the Grammy Award for Album of the Year going to Beck’s Morning Phase rather than Beyoncé’s self-titled release

“I thought she was going to win. Come on, she’s Beyoncé! You can’t please everybody, man. I still love [West] and think he’s genius. I aspire to do what he does.” – Beck

“I wasn’t saying Beck; I said the Grammys. Beck knows that Beyoncé should have won; you know that. Come on, man. I love Beck! But he didn’t have the Album of the Year.” – Kanye West

Kanye West, official spokesperson for the Bey Nation, gave his opinion and the Internet blew up! It was a repeat of 2009, when West announced that Taylor Swift stole the MTV Best Female Video Award that should have gone to Beyoncé. The American people were up in arms! So much vitriol was sent West-ward and his detractors found plenty of reasons to go after him the ensuing years. As the wise trophy thief said, “the haters gonna hate hate hate hate hate.”

Kanye’s point was about creating art and reaching new heights in one’s craft. The only intelligent responses to further this discourse, per the many comments I saw on Facebook and Twitter, are “You’re classless” and “You’re garbage.” One person who didn’t call Kanye garbage was Shirley Manson, the lead singer of the band Garbage. She called him “a complete twat.”

At least all of us can sleep better knowing that Kanye loves Beck. They are two of my favorite all-time artists for many of the same reasons. They seldom repeat themselves, making each album they release different than the previous one. Neither follows trends. Both challenge themselves. Both are masters of their craft. Both can be sincere. Both can be funny. Neither has released a bad record.

However…

Beyoncé should have gotten the Album of the Year Grammy. Her self-titled album was a revelation. Following up her uneven 4, she took a giant leap forward and strived to make something more artistic than what we were used to from her. She succeeded. The Beck record, Morning Phase, sounds beautiful, but there were no surprises. It was announced early in 2014 that Beck would be releasing a new album that was in a mellow vein. I got what I expected. It was as fine as I thought it would be, and stronger than his last couple of releases. I like Morning Phase very much, more than the other nominated Albums of the Year performed by Ed Sheeran, Sam Smith and Pharrell Williams, but it’s nothing we haven’t heard Beck do before. Ironically, in Beyoncé’s quest to be more artistic, her album outsold its predecessor. Like Kanye said, she had the Album of the Year.

Enough of the Grammy voters felt otherwise and awarded Beck. That’s fine. There have been worse slights in the Grammy Album of the Year category than Beyoncé losing to Beck. What about the 1996 awards, when Beck’s Odelay lost to Celine Dion’s Falling into You? Or in 2000, when Beck’s Midnight Vultures lost to Steely Dan’s Two Against Nature? Or in 2005, when U2’s Hot to Dismantle an Atomic Bomb beat Kanye’s Late Registration and in 2004, when Ray Charles & Friends’ Genius Loves Company beat Kanye’s The College Dropout and Green Day’s American Idiot? Steely Dan, U2 and Ray Charles have released many albums deserving of Album of the Year. These weren’t them. U2 should have won 1992’s Album of the Year for Achtung Baby. They lost to Eric Clapton Unplugged. In 2007, Kanye’s Graduation and Amy Winehouse’s Back to Black both lost Album of the Year to Herbie Hancock’s River: The Joni Letters, a record that literally nobody has ever heard. In 1980, Christopher Cross’ self-titled debut beat Pink Floyd’s The Wall. In 1966, The Beatles’ Revolver lost to Frank Sinatra’s A Man and His Music. In 2012, Mumford & Sons’ Babel beat albums by Frank Ocean, Jack White and The Black Keys. The nominees for 1984’s Album of the Year Grammy were Prince’s Purple Rain, Bruce Springsteen’s Born in the USA, Tina Turner’s Private Dancer, Cyndi Lauper’s She’s So Unusual, and Lionel Richie’s Can’t Slow Down. Four classic albums plus one by Lionel Richie. The winner? Lionel Richie! WTF on a stick?!?! In 1991 the Album of the Year Grammy didn’t go to R.E.M., nominated for Out of Time. It went to Natalie Cole’s Unforgettable…with Love. Eligible but not nominated that year? A little album called Nevermind by a band named Nirvana. Oh well, whatever. In 1982, Toto IV beat…it doesn’t matter who else was nominated. It’s Toto Fuckin’ IV, people.

It looks like Beyoncé will have to wait longer before she is in the same hallowed company as Toto.

In less contentious news this week, ISIS killed U.S. hostage Kayla Mueller, Boko Haram killed thirteen soldiers and 81 civilians in Chad, and the Chief Justice of Alabama’s Supreme Court forbade probate judges in that state to issue marriage license to same-sex couples, despite a judge’s ruling that such unions are legal and the U.S. Supreme Court refusing to issue a stay on that ruling.

Congratulations, Beck!

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Winston + Brenda Lee

Old Time Rock & Roll Xmas, With Jews!

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In 1958, 13-year-old Brenda Mae Tarpley went into a recording studio with famed producer Owen Bradley and cut “Rockin’ around the Christmas Tree,” written by Johnny Marks (Jew!). Released as a single for that year’s holiday season, it bombed. That really isn’t surprising. Tarpley, better known by her stage name, Brenda Lee, was virtually unknown at the time.

In 1959, her record label reissued the single. It bombed. That really isn’t surprising. Lee hadn’t dented Billboard’s Hot 100 all year.

In 1960, her record company released it yet again. Third time lucky. Coming off two #1 singles, “I’m Sorry” and “I Want to Be Wanted,” plus two other top ten hits, “Sweet Nothin’s” and “That’s All You Gotta Do,” Lee’s Christmas record peaked at #14.

Winston + Brenda Lee
For years the hits kept coming for Lee. She placed 55 songs on Billboard’s Hot 100, including twelve top tens. These days she is perhaps best-remembered for “Rockin’ around the Christmas Tree,” a holiday staple.

Johnny Marks, the Jew who wrote the song, also wrote “Rudolph, the Red-Nosed Reindeer,” “Holly Jolly Christmas,” and “Run Rudolph Run.”

He’s not the only Jew to have written Christmas standards. Also written by chosen people? “White Christmas,” “Silver Bells,” “Winter Wonderland,” “Santa Baby,” “Sleigh Ride,” “I’ll Be Home for Christmas,” Let It Snow Let It Snow Let It Snow,” “The Christmas Song (Chestnuts Roasting on an Open Fire),” “You’re a Mean One, Mr. Grinch,” “It’s the Most Wonderful Time of the Year,” and “Give the Jew Girl Toys.” Oy gevalt!

Today Brenda Lee turns 70 years old. Our playlist today includes her classic version of “Rockin’ around the Christmas Tree” as well as nineteen other holiday tunes from the early days of rock and roll, before The Beatles took over the United States in 1964. Some were written by Jews, some were not. Some get a lot of radio airplay this time of year, some deserve more (specifically “Christmas in Jail” and “Trim Your Tree.”). All put me in the mood to rock around my menorah.

More holiday music can be found here, here, here, here, and here.

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Ringo + Little Willie John

Who Is Little Willie John?

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“If any one person invented soul singing it was Little Willie John.”
– Peter Shapiro, The Rough Guide to Soul and R&B

Ringo + Little Willie John

William Edward John was born on this day in 1937. As a child he sang with his family in a gospel quintet. At age 13 he hooked up with Johnny Otis’ band and for the next few years he performed with various bands, his misbehaving resulting in his getting kicked out.

In 1955, at age 17, he was signed by King Records. Said label head Henry Glover “I heard Little Willie John at 5 o’clock and I was so impressed with him that at 8 o’clock I had musicians in the studio and I recorded him.”

Though he had considerable insecurity about his height, his records were released under the name Little Willie John. His first single, “All Around the World,” was a top five r&b hit in 1955.

The following year John released the original version of “Fever.” While it became a bigger pop hit for Peggy Lee in 1958, John’s version hit #24 on the pop chart and spent five weeks at #1 on r&b chart. Following its success John went on tour as a headliner. His opening act was the up-and-coming James Brown & His Famous Flames.

For a few years the hits kept coming, but in the early sixties, as his records became more pop-oriented and drenched in strings, sales declined. The lack of sales coupled with John’s alcoholism led to his being dropped by King in 1963.

In August 1964, John was arrested for attacking a man with a broken bottle. Two months later, at a house party, Little Willie got into a fight with a 200 lb. six-foot-tall ex-convict named Kevin Roundtree. Roundtree punched John in the face. John got up from the floor and stabbed Roundtree, killing him. Following a trial and appeals, John was sentenced to eight to twenty years for manslaughter. He entered prison in the summer of 1966.

While in prison John fell ill and was confined to a wheelchair. On May 26, 1958, while in jail, he died of a heart attack at age 30.

His singing influenced James Brown and Prince, among others. His recordings have been covered by The Beatles, Fleetwood Mac, Madonna, Jack White and the Allman Brothers. He was referenced by Robbie Robertson on his 1987 song “”Somewhere Down the Crazy River.”

In 1966 Little Willie John was inducted into the Rock and Roll Hall of Fame.

Now that you know a little about the man, check out today’s playlist.

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It’s Friday And I Need To Dance!

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There was an article on the site Gawker yesterday about a woman named Zoe Fennessy who, when she hears the music of Ne-Yo, “freezes up and begins vomiting uncontrollably.” You may say the same thing happens to you when you listen to Nickelback, but Ms. Fennessy’s reaction to Ne-Yo’s music is due to a rare medical condition called musicogenic epilepsy.

Some of you may be saying “Who’s Ne-Yo? Is he/she/they someone whose music gets played a lot?” The answer is, apparently. Since his first hit in 2006 (“So Sick,” which went to #1 on the US and UK pop charts), Ne-Yo has had 17 top forty hits on the US pop chart and a half-dozen more on the r&b chart. He has had just as many hits in the UK, where Fennessy lives.

Ne-Yo isn’t the only artist to cause seizures in people with this condition. Around ten years ago there was a report of a six-month-old who had seizures when she heard The Beatles. The Beatles! That shit ain’t right, yo. One may get a reaction from all classical music, another from the lower notes played on a brass instrument.

The reactions people with the condition have vary as well. Some have convulsions, others become incontinent, and others become incredibly sleepy.

Ms. Fennessy had part of her brain removed to try and cure the problem, but the operation was not a success. She still needs to steer clear of Ne-Yo’s music.

Friday is dance day at Tunes du Jour, and if Ms. Fennessy is reading, she’ll be happy to know there is no Ne-Yo on today’s playlist, which kicks off with the Jason Nevins remix of “It’s Like That” by Run-D.M.C., whose Joseph “Run” Simmons turns 50 today.

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Ringo + Chuck

Chuck Berry’s Ding-A-Ling

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Rock-and-Roll Hall-of-Famer and one of the original architects of the music form, Chuck Berry, has given the world several undeniable classics. “Johnny B. Goode,” which peaked at #8 on the Billboard pop charts in 1958, was ranked as the seventh greatest song of all time by Rolling Stone magazine, who also placed it at #1 on their list of the 100 Greatest Guitar Songs. “Johnny B. Goode” is also included on the Rock and Roll Hall of Fame’s list of 500 Songs That Shaped Rock and Roll, a list which also includes Berry’s first hit single, “Maybellene” (#5, 1955), a song about which Rolling Stone said “Rock and roll starts here,” and “Rock and Roll Music” (#8, 1957, and later a top ten hit for The Beach Boys). “Roll Over Beethoven” (#29, 1956) was #97 on the Rolling Stone Greatest Songs of All Time list and is included in the Library of Congress’ National Recording Registry. Like “Rock and Roll Music,” it was later remade by The Beatles. “Sweet Little Sixteen,” whose music formed The Beach Boys’ “Surfin’ U.S.A.,” peaked at #2, “School Day” peaked at #3, “No Particular Place to Go” peaked at #10, and “Back in the U.S.A.” peaked at #37. During his entire career, the legendary Chuck Berry had only one #1 single, and it was a song about his dick.

Ringo + Chuck
In 1972, after eight years without a top 40 hit, Chuck Berry unleashed “My Ding-a-Ling,” a song which sounded an awful lot like Berry’s 1966 recording “My Tambourine.” Compare the first line of each song.

“My Tambourine”:
“When I was a little bitty boy my grandmother bought me a cute little toy.”

“My Ding-a-Ling”:
“When I was a little bitty boy my grandmother bought me a cute little toy.”

Do you see the similarities? Grandma Berry was a giver, showering little Chuck with things with which he could play.

Little Chuck loved his ding-a-ling. He played with it at school and held it while swimming a creek and climbing a wall.

Though the lyrics pretend to be about a toy, many radio stations knew it was about Berry’s dick. They tried to give him the shaft by refusing to play the song, but they couldn’t keep Chuck’s ding-a-ling down. Up it went, getting bigger and bigger, constantly growing, a rock solid hit shooting up the charts, climaxing on October 21, 1972, when it knocked Michael Jackson’s “Ben” from #1.

Just as Sir Mix-A-Lot’s “Baby Got Back” is about more than a big butt – it’s about black pride – so is “My Ding-a-Ling” about more than Chuck Berry’s dick. On the album The London Chuck Berry Sessions, from which this live recording is taken, Berry introduces it as “a beautiful song about togetherness.”

He performs the number as a sing-along, instructing the women in the audience to sing “my” and the men to sing “ding-a-ling” whenever the chorus rolls around. While complimenting the audience on their participation, he points out one guy singing “my” and says “That’s alright, brother. Yessir. You got a right, baby. Ain’t nobody gonna bother you.” Equality and togetherness – that’s what the song is about. By the way, the album version of the song goes on for nearly twelve minutes. That’s a long ding-a-ling. I can get together with that.

There is some controversy as to who wrote this ditty. Dave Bartholomew claims he wrote it. He recorded “My Ding-a-Ling” in 1952. Chuck Berry credits himself as the song’s sole writer; however, in the introduction to the song, he says it’s a song he learned back in the fifth grade.

To date, “My Ding-a-Ling” stands as not only Chuck Berry’s sole #1 single, but it’s also the only #1 single about Chuck Berry’s penis.

Today Tunes du Jour celebrates the 88th birthday of Chuck Berry and his penis. Here is “My Ding-a-Ling” and 19 other Berry recordings that should have been as big as his ding-a-ling.

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Winston + Lennon 2014-10-09 14.11

John Lennon + Winston Schwartz

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I love my doggie Winston, though he often reminds me of Veda Pierce.

Veda Pierce is the daughter of the titular character of 1941 James M. Cain novel Mildred Pierce, which was turned into a movie starring Joan Crawford in 1945 and into a miniseries starring Kate Winslet in 2011. Veda manipulates people to get what she wants. So does Winston. Mildred works hard and provides Veda and her younger sister Ray with nice things, but it is never enough for Veda. Winston and his brother Ringo get treats after our morning walk, any time I leave the home without them, while I’m eating my lunch, after our afternoon walk and after our evening walk, in addition to two meals each day in which I mix dry kibble with freshly-baked food from the dog restaurant a few blocks down, but that is not enough for Winston. When I bring the doggies to visit the pet shop next door (every other day), he puts on a face to the employees there that says “Glenn never feeds me. Have some pity on a poor, hungry dog.” Each employee there plies him with treats.

No matter how much Mildred does for her, Veda is never satisfied. I feel that way when we get into bed at night. I read before turning in. Winston looks at me with a face that says “Put down that book and turn out the light. I want to sleep.” He’ll stretch out and somehow take up the whole bed, though he weighs only 15 pounds.

SPOILER ALERT: Mildred comes home one day to find Veda in bed with Mildred’s husband. I can see that happening to me. I’ll come home one day and find Winston cuddling with my husband, who will be played by Joseph Gordon-Levitt.

Though at times Winston reminds me of Veda, that amounts to maybe ninety minutes out of the day. For the other twenty-two and a half hours Winston is well-behaved. Aside from pulling me on our walks, he doesn’t do anything bad or wrong. During my afternoon naps he makes the best cuddle buddy. When I come home he greets me at the door with a big smile and his tail wagging. He doesn’t try to steal my food. He plays with his brother, Ringo. Twenty-two and a half out of twenty-four hours he is loving and affectionate. I dream of getting that great a ratio from Joseph Gordon-Levitt.

Winston + Lennon 2014-10-09 14.11Winston didn’t want to pose for this photo. What a Veda!

Today is the birthday of Winston’s namesake, John Winston Lennon. His post-Beatles music just hit Spotify this week. Here are twenty tunes to get you started.

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doggies + Radio Head 2014-10-07 11.09

Precious and Phew! (And Radiohead)

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I need to do more cardio. I am presently at 19% body fat, which is fine compared to the general population, but in the gay world that makes me Precious.

I like doing cardio. I made a great workout playlist (lots of Robyn, Prince, The Partridge Family and Pet Shop Boys) and I have excellent headphones. I invested in a pair of Bose Quiet Comfort noise-cancelling headphones. When I have them on all other sounds are blocked, so I can get lost in “When Doves Cry” or “I Think I Love You” and not be distracted by people asking me how much longer I’ll be on the elliptical or by the music the gym pumps, which is often Enrique Iglesias and Pitbull. I can’t listen to Pitbull for health reasons. I’m lactose-intolerant.

The headphones are great on planes as well. I recently flew to New York and boy, are my arms tired from throwing them in the air to the rhythms of my great travel playlist (lots of Beatles, Gladys Knight & the Pips, Bay City Rollers and Pet Shop Boys). Even with the volume relatively low I couldn’t hear the plane engines or the hysterical woman next to me.

She seemed fine when the plane took off, but at some point when I was lost in “Paperback Writer” or “Midnight Train to Georgia” or “Rock and Roll Love Letter” or “Go West” she lost her shit. I only noticed because a flight attendant tapped me to see if I’d like to buy some crackers (as if I could afford those extra calories!). When I pulled off the headphones to say “What?,” I heard my fellow passenger crying hysterically to two other flight attendants, between sobs saying “I’ve got to get off this plane. Now!” They tried to calm her down, even offering her free crackers, but she retained enough of her wits to point out that crackers do not alleviate a fear of heights or enclosed spaces. She went into the bathroom and everyone sitting in the last seven rows could hear her screaming. It was very sad – nobody else had noise-cancelling headphones so they had to endure her hysterics. I put my pair back over my ears. “S-A T-U-R D-A-Y night!”

doggies + Radio Head 2014-10-07 11.09The only Radiohead I have on vinyl

One group not on my workout playlist but on my travel playlist is Radiohead. (How’s that for a segue?) Did you know they got their name from a Talking Heads song? Yep. Today is the birthday of lead singer Thom Yorke, who released a new solo album, Tomorrow’s Modern Boxes, last month. Today’s playlist consists of twenty songs not on that album.

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elva

Meet Mrs. Miller!

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In 2008 Rolling Stone published their list of the 100 Greatest Singers of All-Time. At #1 was Aretha Franklin. No argument here. She has a voice and she knows how to use it effectively. Her range, her passion, her vocal variety, her phrasing, her confidence and her power are what other artists should aspire to replicate. When you hear Aretha Franklin, you know it’s her, even if you’ve never heard that particular recording before.

The rest of the top ten included Ray Charles, Elvis Presley, Sam Cooke, John Lennon, Marvin Gaye, Otis Redding, Stevie Wonder, James Brown and Bob Dylan. I’ve heard people argue against that last one. They’re wrong. Dylan may not possess a stereotypically beautiful voice, but he is a great singer. Nobody else sounds like him. When you hear Bob Dylan, you know it’s him, even if you’ve never heard that particular recording before.

Missing from this 100 Greatest list is Mrs. Miller. Born Elva Connes in 1907, she became Mrs. Miller in 1934 when she married a Mr. Miller. In 1966, Capitol Records released her major label debut, Mrs. Miller’s Greatest Hits. Like Aretha, Mrs. displayed passion, power and confidence in her material. When you hear Mrs. Miller, you know it’s her, even if you’ve never heard that particular recording before, which chances are you haven’t.

elva
All the qualities that make Mrs. Miller unique can be heard on her first charting single, a cover of Petula Clark’s “Downtown,” which reached #82 on Billboard’s Hot 100. Her vibrato, her soaring soprano, the way she sings “always” in the song’s first line, the way she sings ahead of the beat on the line “no finer place for sure” in the first go-round of the chorus, the way she sings ahead of the beat on the first line of the second verse, the way she sings ahead of the beat on the bridge after the third verse, when she laughs while singing “waiting for you tonight” in the second go-round of the chorus. And then there’s her whistling solo. In a word, wow!

As was often the case with The Beatles, Elvis Presley and Creedence Clearwater Revival, the b-side of the “Downtown” single, Mrs.’ version of The Toys’ “A Lover’s Concerto,” also made Billboard’s Hot 100, peaking at #95. Again we’re transfixed by her vibrato, her hitting notes that had never been written and the way she sings ahead of the beat on the final verse. And then there’s her scatting like Ella Fitzgerald. Well, maybe not like Ella Fitzgerald. In a word, wow!

Her voice leant itself equally well to rock and roll, pop, country, and show tunes. She probably would have mastered rap as well. On her cover of Chuck Berry’s “Memphis,” she ditches her usual soprano to speak the words in a lower register. Her whistling solo is in its usual range, however.

Mrs. Miller’s Greatest Hits sold 250,000 copies in its first three weeks of release. She made television appearances on The Tonight Show with Johnny Carson and Ed Sullivan. She sang at The Hollywood Bowl. She performed alongside Bob Hope for US troops in Vietnam. That she is all but forgotten today is a shonda.

Rolling Stone’s list of The 100 Greatest Singers Of All-Time is terrific, but someone should be bumped (cough cough Mariah Carey cough cough) to make room for Mrs. Miller. Her distinctive sound, her enthusiasm and her ability to transform any song into a Mrs. Miller song make her one of the greats. The fact that she didn’t have her first chart single until age 58 inspires me.

If Mrs. Miller were still alive she’d be celebrating her 107th birthday today. She isn’t so she won’t be, but Tunes du Jour celebrates her craft with ten of her finest.

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Paris001

Your Bastille Day Playlist

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Paris001
In seventh grade we were given the option of taking Spanish or being expelled. I opted for the former. I did well in Spanish class. When I moved on to high school in ninth grade, we had a foreign language requirement, our options being Spanish, French or Swahili. I stayed with Spanish.

Through music I was able to pick up bits and pieces of other languages. I picked up some French phrases from Labelle and Talking Heads. I learned some Japanese from The Police and Robyn. The Rolling Stones and Dusty Springfield recorded Italian-language versions of a couple of their hits, and The Beatles recorded “I Want to Hold Your Hand” and “She Loves You” in German.

Limited as it was, this knowledge of foreign languages served me well when I moved into Sony Music’s International division. I could converse with our affiliates and licensees around the world. Sure, all I knew how to say to the folks in our French office was “Would you like to go to bed with me tonight?” and “What is it?,” but that’s all I needed to say. They appreciated the effort.

As today is Bastille Day and this blog has a French name, I created a playlist to help you with your French and your French kissing. Amusez-vous!

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