Tunes Du Jour Presents 1979

The year 1979 was a vibrant time in popular music, characterized by disco’s stronghold on the charts and a rich variety of emerging and evolving genres. From dancefloor anthems to rock classics, the year’s hits reflected a dynamic musical landscape.

Disco reigned supreme in 1979, dominating the airwaves and nightclubs alike. Gloria Gaynor’s empowering “I Will Survive” became an instant classic, while Chic’s “Good Times” and Sister Sledge’s “We Are Family” kept dance floors packed. The genre’s influence extended far and wide, with Village People’s “Y.M.C.A.” becoming a cultural phenomenon, Donna Summer’s “Hot Stuff” showcasing disco’s enduring appeal, and Amii Stewart’s cover of “Knock on Wood” breathing new life into a soul classic. McFadden & Whitehead’s “Ain’t No Stoppin’ Us Now” and Sylvester’s “You Make Me Feel (Mighty Real)” further exemplified disco’s ability to blend uplifting messages with irresistible rhythms.

While disco flourished, rock music continued to evolve and diversify. AC/DC’s “Highway to Hell” solidified their status as the preeminent heavy metal band of the era, its raw energy and power chords setting a new standard for the genre. Dire Straits’ “Sultans of Swing” showcased a more refined, guitar-driven sound, while The Police emerged with “Message in a Bottle,” signaling the rise of post-punk. The new wave and power pop scenes gained momentum with Elvis Costello & the Attractions’ “Oliver’s Army,” The Jam’s “The Eton Rifles,” and Squeeze’s “Up the Junction” all making their mark. Meanwhile, M’s “Pop Muzik” and Blondie’s “Heart of Glass” demonstrated how disco influences could be merged with new wave sensibilities.

The year also saw the birth of iconic pop hits that would define the era. Michael Jackson’s “Don’t Stop ‘Til You Get Enough” hinted at the superstardom that awaited him, while The Knack’s “My Sharona” became an instant power pop classic. The Buggles’ prophetic “Video Killed the Radio Star” not only topped charts but would later make history as the first music video played on MTV. Earth, Wind & Fire’s “September” continued to showcase the enduring appeal of funk, while R&B ballads like Peaches & Herb’s “Reunited” and The Commodores’ “Still” made significant impacts on the pop charts.

As 1979 drew to a close, the musical landscape was rich and varied. While disco maintained its grip on popular culture, the seeds of change were being sown. The diversity of the year’s hits, from Charlie Daniels Band’s country crossover “The Devil Went Down to Georgia” to Rickie Lee Jones’ jazz-influenced “Chuck E’s In Love,” stood out against the backdrop of disco and straightforward pop tunes. This musical variety, along with emerging studio technologies and evolving artist expressions, set the stage for the significant shifts that would characterize the sound of the coming decade.

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Tunes Du Jour Presents Power Pop

If you’re looking for a genre of music that combines catchy melodies, energetic guitars, and irresistible hooks, look no further than power pop. Power pop is a style of rock music that emerged in the late 1960s and early 1970s, influenced by the British Invasion, the Beatles, and the Beach Boys. Power pop songs are typically short, upbeat, and radio-friendly, with lyrics that often deal with love, romance, and youth.

In this playlist, I’ve compiled some of the best examples of power pop from different decades and countries, featuring both classic and modern bands. Whether you’re a fan of the genre or just curious, I hope you’ll enjoy these tunes as much as I do.

## The Pioneers

The oldest track on the playlist is “Paperback Writer” by the Beatles, one of the earliest and most influential power pop songs. The Beatles were a huge inspiration for many power pop bands, especially with their use of harmonies, guitar riffs, and catchy choruses. Other tracks from this era include “Go All the Way” by Raspberries, “Day After Day” by Badfinger, and “September Gurls” by Big Star, all of which showcase the power pop sound of the 1970s.

## The Revival

Also on the playlist are some of the bands that revived the power pop genre in the late 1970s and early 1980s, adding elements of new wave, punk, and glam rock. Some of the highlights are “My Sharona” by the Knack, “I Want You to Want Me” by Cheap Trick, “Turning Japanese” by the Vapors, and “American Girl” by Tom Petty and the Heartbreakers. These songs are full of energy, attitude, and fun, and they still sound fresh today.

## The Moderns

The last part of the playlist brings us closer to the present day, with some of the contemporary bands that have kept the power pop spirit alive. These include “Buddy Holly” by Weezer, “Bohemian Like You” by the Dandy Warhols, “Stacy’s Mom” by Fountains of Wayne, and “California” by Phantom Planet. These bands have added their own twists to the power pop formula, incorporating influences from alternative rock, indie pop, and grunge.

## The Conclusion

Power pop is a genre that has endured for over 50 years, and it shows no signs of slowing down. It’s a genre that celebrates the joy of music, the thrill of love, and the excitement of life. It’s a genre that makes you want to sing along, dance, and smile. It’s a genre that I love, and I hope you do too.

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Your (Almost) Daily Playlist: 11-18-23

In early 1980 newspaper The Village Voice published the results of its poll of 155 music critics. Voted the best album of 1979 was Graham Parker & The Rumour’s Squeezing Out Sparks. The rest of the top ten was:

Neil Young – Rust Never Sleeps

The Clash – The Clash

Talking Heads – Fear of Music

Elvis Costello – Armed Forces

Van Morrison – Into the Music

The B-52s – The B-52s

Tom Petty & the Heartbreakers – Damn the Torpedoes

Pere Ubu – Dub Housing

Donna Summer – Bad Girls                                                                                                                                                                  Graham Parker was born on this date in 1950. A handful of his songs are included on today’s playlist.

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Your (Almost) Daily Playlist: 6-26-23

Upon its initial release, The Clash’s “Should I Stay Or Should I Go” reached number 17 on the UK singles chart. Following the song’s inclusion in a Levi’s commercial, the single was reissued in 1991 and this time went to number one on the UK singles chart, knocking out Bart Simpson’s “Do The Bartman.” That in a nutshell is the UK singles chart.

The Clash’s Mick Jones turns 68 today. Showing him some love on today’s playlist.

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