One cannot make a definitive funk playlist utilizing only 30 songs with no artist repeated. Think of this as an introduction to the genre.
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Tunes Du Jour Presents 1969
The music of 1969 captures a unique crossroads in cultural history—a year teetering between optimism and cynicism, unity and rebellion. Looking at a playlist from this year reveals a blend of genres and voices, each reflecting a society in flux. The playlist’s tracks encompass themes of love, social change, disillusionment, and raw individualism, echoing the era’s contradictions and bold spirit.
On one end of the spectrum, songs like Elvis Presley’s “Suspicious Minds” and Tammy Wynette’s “Stand By Your Man” echo traditional themes of love, loyalty, and heartbreak, though with a hint of modern skepticism. Presley’s soulful performance marked his return to chart-topping success, while Wynette’s hit became a polarizing anthem, embraced by some for its devotion and questioned by others for its apparent passivity. Meanwhile, Glen Campbell’s “Wichita Lineman” captured a more introspective side of the decade, blending pop and country into a haunting portrayal of loneliness and perseverance.
But 1969 wasn’t all about introspection; it was also a year of unrestrained expression and pushing boundaries. Creedence Clearwater Revival’s “Bad Moon Rising” hinted at a sense of looming danger, with its ominous lyrics striking a nerve during a time of political upheaval. In contrast, “Honky Tonk Women” by The Rolling Stones embraced the gritty allure of rock and roll without aiming for a larger societal message. Jagger’s tales of chance encounters and gin-soaked nights represent the Stones’ unapologetic celebration of indulgence, sidestepping introspection in favor of pure hedonism.
Amidst the wild spirit of rock, 1969 also offered more uplifting messages with a hint of idealism. Sly & The Family Stone’s “Everyday People” and The Youngbloods’ “Get Together” conveyed calls for unity that resonated deeply in an era fraught with political and racial tensions. Sly Stone’s anthem became a rallying cry for acceptance, emphasizing individuality while embracing common ground. Similarly, “Aquarius/Let the Sunshine In” by The 5th Dimension captured the essence of the countercultural movement in all its utopian ambitions, even if the optimism was a bit idealistic in hindsight.
Then there was the music that addressed disillusionment head-on, perhaps best captured by Simon & Garfunkel’s “The Boxer” and Peggy Lee’s “Is That All There Is?” Both songs offer reflective, sometimes jaded perspectives on life’s struggles and the disappointments that can accompany maturity. Where “The Boxer” tells the story of a young man grappling with hardship and loss, Lee’s dry wit in “Is That All There Is?” confronts the emptiness that can lie beneath life’s surface pleasures.
Ultimately, this playlist from 1969 feels like a time capsule of an era balancing between hope and disillusionment. From the raw proto-punk of The Stooges to the tender balladry of Stevie Wonder’s “My Cherie Amour,” the year’s music speaks to a generation grappling with unprecedented social changes. Through these songs, 1969 continues to resonate, reminding us that music often reflects the spirit of its time while challenging listeners to consider where they stand.
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Tunes Du Jour Presents Sly & The Family Stone
In the annals of music history, few bands have left as indelible a mark as Sly & The Family Stone. Led by the enigmatic genius Sly Stone, this multiracial and multicultural collective reshaped the landscape of popular music in the late 1960s and early 1970s with their infectious blend of funk, soul, rock, and psychedelic sounds. Their influence can still be felt today, echoed in the rhythms and messages of countless artists across genres.
At the heart of Sly & The Family Stone’s music lies a celebration of diversity and inclusivity. Tracks like “Everyday People” and “Stand!” resonate with themes of unity and acceptance, serving as anthems for a generation seeking harmony amidst societal upheaval. Sly Stone, with his visionary approach to composition and performance, became a symbol of multiculturalism in an era fraught with racial tension. His bold experimentation with sound, highlighted in songs like “Dance To The Music” and “Thank You (Falettinme Be Mice Elf Agin),” challenged conventions and paved the way for future generations of artists to explore new sonic territories.
Beyond their musical contributions, Sly & The Family Stone were also champions of social justice and philanthropy. In an era marked by civil rights struggles, they used their platform to advocate for equality and empowerment. Sly Stone, in particular, was known for his involvement in various charitable endeavors aimed at uplifting marginalized communities. From organizing benefit concerts to supporting grassroots initiatives, he demonstrated a commitment to making a positive impact beyond the realm of music.
As we revisit classics like “Family Affair” and “If You Want Me To Stay,” it’s important to recognize the enduring relevance of Sly & The Family Stone’s message. In an age where diversity and inclusion remain pressing concerns, their music serves as a reminder of the power of unity and the potential for change. Through their timeless grooves and unwavering commitment to social justice, they continue to inspire listeners to strive for a more equitable and harmonious world.
Accompanying this reflection is a curated playlist featuring not only Sly & The Family Stone’s iconic hits but also tracks produced by Sly and performed by The Beau Brummels, Bobby Freeman, Little Sister, and 6ix, plus Sly’s 1986 guest feature on a track by Jesse Johnson of The Time. As we immerse ourselves in their music, let us also honor their dedication to diversity, inclusion, and philanthropy, ensuring that their message continues to resonate for years to come.
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Tunes Du Jour Presents 1968
In the tumultuous year of 1968, the world was ablaze with social and political upheaval, and the music of the time resonated deeply with the spirit of change. As we reflect on the sounds that defined this pivotal era, it’s impossible not to be swept away by the eclectic mix of genres and emotions that filled the airwaves. From soulful ballads to psychedelic rock anthems, the music of 1968 was a reflection of the turbulent times in which it was created.
One cannot delve into the musical landscape of 1968 without acknowledging the timeless classics that continue to capture hearts and minds today. Marvin Gaye’s “I Heard It Through the Grapevine” remains a soulful testament to the power of love and betrayal, while The Beatles’ “Hey Jude” stands as an enduring anthem of hope and resilience. Meanwhile, Otis Redding’s “(Sittin’ On) The Dock of the Bay” evokes a sense of quiet contemplation amidst the chaos, its melancholic melody lingering long after the last note fades away.
The year also saw the rise of revolutionary artists who pushed the boundaries of conventional sound and style. Jimi Hendrix’s electrifying rendition of Bob Dylan’s “All Along The Watchtower” redefined the possibilities of guitar-driven rock, while Sly & the Family Stone’s “Dance To The Music” infused funk with a vibrant energy that transcended racial and cultural divides. Steppenwolf’s “Born To Be Wild” became the anthem of a generation, capturing the restless spirit of rebellion that coursed through the veins of youth around the world.
Each track on this playlist is a testament to the power of music to unite, inspire, and console, even in the darkest of times. Let us remember the year that was 1968 and the enduring legacy of the artists who helped shape it.
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Your (Almost) Daily Playlist: 9-2-23
“Will It Go Round In Circles,” Billy Preston’s second US number one single, was borne from a comment Preston made to his songwriting partner, Bruce Fisher, about having a song but no melody. From there the pair came up with lyrics about having a dance with no steps and added to those words a very catchy melody. A session that included pre-stardom guitar and bass players The Brothers Johnson brought the groove and the funk.
Billy Preston’s first time having his name appear at the top spot of the Hot 100 was in 1969 with “Get Back,” credited to The Beatles With Billy Preston. Following The Beatles’ breakup, Preston continued working with its members, including playing with George Harrison at the Concert for Bangladesh. Preston was the first artist to record Harrison’s My Sweet Lord,” which Harrison co-produced and later recorded himself.
“Will It Go Round In Circles” entered the Hot 100 at number 99. It reached the top ten eleven weeks later, at which time the number one song was Paul McCartney and Wings’ “My Love.” “My Love” was knocked from the top spot by George Harrison’s “Give Me Love (Give Me Peace On Earth),” which was knocked from the top spot by “Will it Go Round In Circles.” The b-side of the Preston single was his cover of The Beatles’ song “Blackbird.”
The late Billy Preston was born on this date in 1946. A handful of his songs feature on today’s playlist.
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Your (Almost) Daily Playlist: 7-2-23
Founding member of The Temptations Paul Williams was born on this date in 1939. He died apparently by his own hand at just 34 years of age. Tunes du Jour honors his memory on today’s playlist with a smattering of the group’s many great tracks.
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