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It’s Janet Jackson’s Birthday And I Need To Dance!

Do you ever feel like you merely exist as opposed to being alive? Does it feel like too much of your time is given to answering to what others want from you, be them your boss or your family, and too little time is given to doing what you want to do the way you want to do it? Do you know that changes are needed but don’t know where to begin?

You need to ask yourself WWJJD? What would Janet Jackson do?

Picture this – Los Angeles. 1982. You’re a 16-year-old girl from a famous family. You release your debut album, cleverly entitled Janet Jackson, with production overseen by your manager/father, Joseph Jackson. It peaks at #63 and goes on to sell fewer than 150,000 units over the next quarter-century. You follow up that album with 1984’s Dream Street. It peaks at #147 and sells fewer than half as many copies as the first album. You didn’t want to do either album but you did them for your father.

You come to a realization – you want to be the one who’s in control of your destiny. You fire your father as your manager. You have your marriage annulled. You work with new producers, Jimmy Jam and Terry Lewis, who collaborate with you on new songs about your newfound independence, from your father, from your ex-husband, and from nasty guys who objectify you and call you Baby when your first name ain’t Baby; it’s Janet.

Your father demands you record your third album in Los Angeles. You record it in Minneapolis. Your father tells a reporter “If Janet listens to me, she’ll be as big as Michael,” referring to Janet’s brother Michael Jackson, not Michael Schoeffling, who portrayed Jake Ryans in the movie Sixteen Candles, and who, with all due respect, isn’t that big. You ignore him. Your father listens to a pre-release copy of the new album and claims it will never sell. You demand it be released.

That album, 1986’s Control, sells over fourteen million copies. It goes to #1 and is nominated for a Grammy Award for Album of the Year.

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Be more like Janet. Take control of your life. Today is Janet Jackson’s 48th birthday. Buy yourself some cake. You deserve it. And enjoy today’s dance playlist, inspired by Miss Jackson.

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This Date In Glenn’s Ten

In 1980 an Ohio-born performer living in Australia wrote and recorded a song that went on to sell over six million copies. It went to #1 in a dozen or so countries, including Australia, Canada, Germany, France, and the UK, where it reigned on top for three weeks. It has been covered dozens of times in different languages, and that’s not including the many versions of the tune that have been uploaded to YouTube.

The performer is Joe Dolce and the song is “Shaddap You Face,” which was #1 in Glenn’s Ten (the only chart that matters) on this day in 1981.

Glenn's Ten 005Thirty-three years of Glenn’s Ten lists are in these books

My point in telling you this is this – no idea is too stupid. If there is a song you wish to write, a book you wish to publish, an invention you wish to create, go for it! You could be the next Joe Dolce! And if someone tells you your idea sucks, say to them “Ah, shaddup you face.”

Today’s playlist consists of songs that were #1 in Glenn’s Ten on May 8 going back to 1981. The only one missing is 1993’s entry, “Riding on a Rocket” by Shonen Knife, as that is not available on Spotify.

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Just Say Yes, And…

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Last week I gave a speech about improvisation and how the elements of this art form can be applied to other parts of your life, leading to better health, greater wealth, and stronger relationships.

Among the things I discussed is improv’s most fundamental concept, that of “Yes, and” – accepting your scene partner’s idea and building upon it – and how this idea can be applied to one’s work life.

There is an improv game called Conducted Story. We get a title from the audience; then the conductor points to someone who starts the story, then someone who continues, etc. You want to progress the story and have it make sense. Yes, and.

As the head of the licensing department at Rhino Entertainment, I often did conducted stories in staff meetings. Not literally, but as music sales slipped, we looked for new ways to increase revenue. “We could license to other media besides CDs” “such as greetings cards” “which Hallmark would sell and pay us a royalty” “and we can suggest licensable songs for each holiday” “and expand that into other things sold at Hallmark shops, such as gift boxes and Christmas tree ornaments.” Despite CD sales plummeting during the second half of the last decade, my licensing department’s revenue rose each year.

For those of us who have struggled with shyness, performing improv, even in a classroom setting, increases self-confidence. It worked for me. I used to be shy. Incredibly shy. Painfully shy. Music was my best friend. While other kids were doing Little League, I’d be home listening to my Four Seasons records. I went to therapist after therapist, but they didn’t help me get over my shyness.

Once people got to know me they would tell me “You know you’re very funny.” That gave me an idea. I’ll overcome my shyness by becoming a stand-up comedian. I’ll stand in front of strangers and express my thoughts and feelings, and they’ll have to listen, as I have a mic and a spotlight.

For me, the stand-up helped. I wrote out my sets and memorized them, word for word. I got laughs and more gigs, but was still shyer than I wished. A fellow comedian suggested I take an improv class.

Studying improv gave me the courage to get on stage with topic bullet points memorized, but not each word. It freed me and took my stand-up to another level. An agent liked my set and represented me. I got more bookings and made a little money.

Mind you, my goal was not to become a famous stand-up comic. It was to gain self-confidence. Within five years of starting improv, I went from this shy music geek making a meager salary to a Vice President at a major record company, Warner Music Group, where I made a six-figure salary and negotiated complex deals with artists and attorneys.

Over the course of my music biz career I’ve met many of my favorite all-time artists, including Prince, Tina Weymouth and Chris Franz of Tom Tom Club and Talking Heads, Art Garfunkel, Jack White, Kate Bush, Smokey Robinson, Tina Turner, Donna Summer, Rufus Wainwright, Boy George, Joan Jett, Frankie Valli and Chaka Khan.

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Today’s playlist is in honor of one of those, Frankie Valli, who celebrates his 80th birthday today.

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It’s Friday And I Need To Dance!

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“I love to have that conflict of something sounding so sweet but actually being really quite dark.”

That quote from Lily Allen summarizes one of my favorite attributes of her music – sunny melodies coupled with not-quite-sunny lyrics, a juxtaposition that makes for some wonderfully subversive pop tunes.

The song that put her on the map, “Smile,” exemplifies this. It’s a catchy song – upbeat, major chords. Lily wrote it about an ex-boyfriend who was cheating on her. Then the ex got dumped by his new girlfriend and he called Lily to console him, which brings us to the awesome chorus: “At first when I see you cry, it makes me smile. Yeah, it makes me smile / At worse I feel bad for a while, but then I just smile. I go ahead and smile.”

“Smile” appeared on Allen’s debut album Alright, Still, released in 2006. Her follow-up album, 2009’s It’s Not Me, It’s You, contains another brilliant example of this style, this time aimed at a well-known public figure.

The song was initially released by Allen on her MySpace page in 2008 as “Guess Who, Batman.” The song is not about anyone connected with Batman, but rather, someone whose initials match the first letter of each word in this title. If you’re still not sure, I’ll let Lily give you a clue: “It was originally written about this fucking arsehole who used to be the President of the United States of America. His name is George W. Bush.”

She made that comment after Bush left office and after the song was released with an additional verse and a new title, “Fuck You.”

Among the things for which she takes Bush to task is his perceived homophobia: “So you say it’s not okay to be gay / Well, I think you’re just evil.”

Shortly after the second album’s release an Australia guy with the YouTube moniker steviebeebishop created a video for the song that featured members of the L, G, B and T populations and their supporters around the world lip-synching the tune. It became a phenomenon that spread to other countries, with lip-synched versions emanating from countries such as France, Croatia, New Zealand, Hungary, Mexico and Brazil.

The song was no longer specifically about Bush, but directed towards anyone who expresses anti-gay sentiments. As steviebeebishop explained when he posted his video:

theres a disgusting amount of hate on the internet (especially on youtube!) directed at minority groups (especially the LGBT community) so i was inspired to organize this collab video. i never set out to change the world. i did not make this for the gay haters to see. i wanted to make something light hearted and funny for the victims of gay hate, to teach them to brush off the hate and stand strong and confident as who they are. you’re not alone! stevie loves you 🙂

Today is Lily Allen’s 29th birthday. As Friday is dance day at Tunes du Jour, we’ll kick off our playlist with a remix of “Fuck You.” By the way, Lily’s third album, Sheezus, is out today.

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Bad Music I Love – Sheena Easton

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As you may gather from my blog, there’s a lot of great music I love. There is also a lot of bad music I love. I find the combination of dopey lyrics with catchy music irresistible.

That brings us to Sheena Easton, who turns 55 today.

Her first hit single was “Morning Train.” In England it was entitled “Nine to Five,” but they changed the title stateside so as to avoid confusion with Dolly Parton’s hit “9 to 5.” Easton’s Scottish brogue could very easily be confused with Dolly’s Tennessee twang by the hearing-imparied.

The chorus of “Morning Train,” a #1 hit from 1981, begins “My baby takes the morning train / He works from nine to five / And then he takes another home.” Fascinating, Sheena! Tell us more! I’ve never heard such a unique story.

Her follow-up single was “Modern Girl,” which includes the couplet “She eats a tangerine / Flips through a magazine,” a rhyme that was used to better effect 14 years later in The Flaming Lips’ “She Don’t Use Jelly.”

The James Bond theme “For Your Eyes Only” came next. I have no beef with that. It’s on her fourth single where the bad reaches a new level.

You know you’re in trouble with “You Could Have Been With Me”’s opening line. “You’re the seventh son of the seventh son.” Who can’t relate to that? Later in the song she sings “You can’t even seem to love yourself, and, with a few exceptions, not anybody else.” With a few exceptions? That negates the point, doesn’t it? He doesn’t love you, Sheena! Get over it! He can’t appreciate the magazine/tangerine rhyme like I can.

Knowing she couldn’t get any worse than “You Could Have Been With Me” (she did know that, right?), she went on to do a series of fun, uptempo hits. This was after an excruciating cover of Bob Seger’s “We’ve Got Tonight” done with Kenny Rogers. I didn’t include that on today’s playlist. Don’t say I don’t care about you.

The pinnacle of the fun dance songs was when she invited the listener to “come spend the night inside my sugar walls.” Sweet! “Sugar Walls” was written by Prince under the pseudonym Alexander Nevermind. She would collaborate with Prince a few more times, most notably on his hit “U Got the Look.”

Spotify is very light on the Sheena Easton tracks; they don’t even have her last big hit, “The Lover in Me,” which went to #2 in 1989. Here’s what I scraped together. Strut, pout, put it out and enjoy!

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The 35th Best Album Of All-Time, Subject To Change

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I’m still making my list of the top 100 albums of all-time (see here and here). In its most recent iteration, Liz Phair’s Exile In Guyville is nestled at #35, between Pet Shop Boys’ Very and Prince and the Revolution’s 1999.

The Phair album, a song-by-song response to the Rolling Stones’ Exile on Main Street, was a critical favorite upon its release in 1993. Both Spin and the Village Voice listed the album at #1 on their year-end lists, while Rolling Stone gave it 5, Pitchfork gave it a 9.6 and Entertainment Weekly gave it an A.

You needn’t know the Stones’ album to enjoy Guyville. Today’s playlist, in honor of Liz Phair’s 47th birthday, consists of a few songs from her landmark album plus a few other favorites from her follow-up releases.

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#1 In Glenn’s Ten On This Day Throughout History

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Today’s playlist consists of songs that were #1 in Glenn’s Ten, the weekly tally of my favorite current songs, on this date going back to 1981, the year I started tracking such things (click here for more background).

My #1 on March 3, 1981 was Don McLean’s cover of Roy Orbison’s “Crying.” My #1 this week is Pharrell Williams’ “Happy.” It took me thirty-three years to go from “Crying” to “Happy.”

In 1981 I was a shy, skinny high school student who felt like he didn’t belong. I wished I was more popular but hard as I tried, I just wasn’t cool.

I worked to better myself. Gaining weight was a challenge, as was overcoming my shyness. To achieve the latter I ultimately turned to stand-up comedy. Getting up on stage in front of a group of strangers to express my thoughts was what I needed. It gave me confidence and got me an agent and positive reviews in publications including Backstage.

To gain weight I ate a banana split every night right before bed. I didn’t put on any pounds, but I did develop lactose-intolerance.

Eventually my metabolism slowed down and I filled out.

I also became successful in corporate America, most recently as the Vice President of Licensing at Warner Music Group. That shy, introverted kid made something of himself.

In retrospect, I’ve been cool this whole time. Perhaps my fellow high school students didn’t think so, but what did they know? I’m going to rely on the impressions of 16 year-olds as to my coolness? It takes more guts to be a non-conformist. I learned to love myself as I am.

Loving yourself is the subject of a few #1 songs of this date. There’s 1991’s “I Touch Myself” by Divinyls, but that’s not the self-love to which I refer. Lady Gaga’s self-empowerment anthem “Born This Way” topped my chart for several weeks n 2011. Madonna, Gaga’s spiritual predecessor, sang “You’re frozen when your heart’s not open” in 1998.

It’s now 2014. I’m unemployed for the first time since graduating college. I’m also the happiest I’ve ever been. I am confident. I feel positive and energized about my future. If I have to, I can do anything. I am strong. I am invincible. I am…happy.

Here is the chronological soundtrack of my March 3 journey from “Crying” to “Happy,” with videoclips for the two entries not available on Spotify.


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It’s Friday And I Need To Dance!

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Today’s dance playlist kicks off with Michael Jackson’s “Billie Jean.” It was on this day in 1984 that Jackson swept the Grammy Awards, winning Album of the Year and Best Pop Vocal Performance for Thriller, Record of the Year and Best Rock Vocal Performance for “Beat It,” Best R&B Song and Best R&B Vocal performance for “Billie Jean” and Best Recording for Children for E.T., the Extraterrestrial. By the time the awards were presented Thriller had already been certified as the largest-selling album of all-time and received a record-setting twelve Grammy nominations. It would also smash the record for most top ten singles generated from one album by producing seven such smashes, three more than the previous record, held by Off the Wall, the previous album by Jackson. Prior to his Grammy victories that night thirty years ago, Jackson had won only one Grammy – Best R&B Performance for Off the Wall’s “Don’t Stop ‘Til You Get Enough.” With Thriller, Jackson also broke the perceived racial barrier on MTV, whose programming predominately featured white acts until “Billie Jean” proved to be an across-the-board smash.

Do you have a Thriller inside of you? It might be an album or an app or a blog post that brings joy to many. It might be an idea or a message that millions of people could get behind. It might be a business plan that changes the landscape. Carve out some time to work on your Thriller.

In the meantime, dance!

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It’s Friday And I Need To Dance!

A Wisconsin artist named Molly Evans started an art project in which she stitches Lionel Richie lyrics on discarded furniture. She calls the project Lionel Stitchie. You can view her tumblr here.

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Today’s Friday dance party kicks off with Richie’s “All Night Long (All Night).” I want a couch that says “Tom bo li de say de moi ya,” which means exactly what you think it means. To get his Jamaican accent down, Alabama-born Richie phoned his wife’s gynecologist, who is Jamaican. The doctor asked Lionel to not interrupt his appointments.

Enjoy!

h/t mollyeeeee.com via Dangerous Minds