Arrested Development’s Speech was born Todd Thomas on this date in 1968. A couple of his group’s tracks are included on today’s playlist.
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Your (Almost) Daily Playlist: 8-8-23
A few Kool Moe Dee cuts are included on today’s playlist in honor of the man’s birthday.
https://open.spotify.com/embed/playlist/6HpgoWEWnPsCjaNy5gTeIB?utm_source=generator
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Throwback Thursday: 1992
It’s Throwback Thursday, and on today’s playlist we go back to 1992. Compiling this list made me notice (or remember) what a kickass year for music 1992 was. The success of Nirvana’s “Smells Like Teen Spirit,” a top ten pop hit around the world months after it was sent to alternative radio, came as a complete surprise to the band’s record label and management, and seemed to kick open the doors for weirdos and freaks (I use those terms affectionately) to find their place in the sun and on the charts.
The left field entries weren’t solely from the guitar rock field. Shakespear’s Sister’s “Stay” was a song (or two songs) that stood out from the pack and was not something one would have expected from a former member of Bananarama and someone who co-wrote and sang backup on Eric Clapton’s hit “Lay Down Sally.” And Right Said Fred’s “I’m Too Sexy” endures all these years later.
To me this era was a golden age for hip hop. Arrested Development, Pete Rock & C.L. Smooth, Kris Kross, Das EFX, Sir Mix-A-Lot and House of Pain hit creative peaks, while rap duo P.M. Dawn hit number three with “I’d Die Without You,” an unexpected ballad with nary a hint of the hip or hop.
Nineteen ninety-two was the year we met Mary J. Blige and Billy Ray Cyrus. It was the year many more people got to know Red Hot Chili Peppers, k.d. lang and En Vogue. And while new names were dotting the Hot 100, there was still room for more hits from Michael Jackson, Madonna, Prince, Whitney Houston and U2.
Here are thirty musical highlights from 1992, a year that most definitely was not wiggida wiggida wiggida wack.
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Your (Almost) Daily Playlist (5-15-20)
I’m surprised and saddened by the news of the passing of Jorge Santana. I got to work with Carlos Santana’s brother in 2018 on a reissue of his solo work, put out by Omnivore Recordings. I also worked on an anthology of his work with his band, Malo. Just last month Jorge and I were exchanging emails, discussing his new music and how California’s AB5 law will affect his ability to promote it. He was so nice and a pleasure to work with. He will be missed by many.
Today’s playlist is inspired by Jorge’s passing and by the May 15 birthdays of The Furious Five’s Melle Mel, P.M. Dawn’s Prince Be, Eddy Arnold, Mike Oldfield, Miike Snow’s Andrew Wyatt, and Brian Eno.
In Memoriam: 2016
Per the email I received from Spotify in mid-December, my most-streamed track of 2016 was Blue Oyster Cult’s “(Don’t Fear) The Reaper.” While that is a great song, I don’t recall playing it more than once or twice this year. However, I did spend hours listening to music by those taken from us by the Grim Reaper. I’m not the only person to feel incredible sadness at the seemingly non-stop loss of great talents, which started on New Year’s Day when we heard the report that Natalie Cole died the day before.
With this playlist I want to celebrate the contributions these folks made to our lives and our culture. If I missed someone, forgive me. There were a lot of folks to remember.
Before we get to the Spotify playlist, videos from two whose music is not on Spotify.
Thank you for enriching my life:
David Bowie
George Michael
Glenn Frey (of Eagles)
Gene Wilder
Leonard Cohen
Muhammad Ali (nee Cassius Clay)
Maurice White (of Earth, Wind and Fire)
Florence Henderson
Merle Haggard
Carrie Fisher (actress best known for Star Wars)
Debbie Reynolds
Paul Kantner (of Jefferson Airplane)
Signe Toly Anderson (of Jefferson Airplane)
Sir George Martin (record producer best known for his work with The Beatles)
Attrell “Prince Be” Cordes (of P.M. Dawn)
Garry Marshall (television/film director/producer/writer, creator of Happy Days)
Pete Burns (of Dead or Alive)
Billy Paul
Natalie Cole
Garry Shandling
Sharon Jones
Alan Vega (of Suicide)
Don Ciccone (of The Four Seasons)
Alan Rickman
Keith Emerson (of Emerson, Lake and Palmer)
Greg Lake (of Emerson, Lake and Palmer)
Steven Young (of M/A/R/R/S)
Joan Marie Johnson (of The Dixie Cups)
Malik “Phife Dawg” Taylor (of A Tribe Called Quest)
Prince Buster
Bernie Worrell (of Parliament)
Bobby Vee
Gary Paxton (of The Hollywood Argyles)
Rick Parfitt (of Status Quo)
Mack Rice (songwriter whose credits include “Respect Yourself”)
Milt Okun (record producer best known for his work with John Denver)
Marni Nixon (singer/actress best known for dubbing the singing voices of Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady)
Rod Temperton (of Heatwave)
Leon Russell
John Chelew (record producer best known for his work with John Hiatt)
Lonnie Mack
Gogi Grant
Jim Lowe
Sonny James
Nicholas Caldwell (of The Whispers)
Kitty Kallen
Mose Allison
Black
Otis Clay
Bobby Hutcherson
Joe Dowell
Trisco Pearson (of Force MDs)
Gayle McCormick (of Smith)
Gary Loizzo (of American Breed)
Leon Haywood
Paul Upton (of The Spiral Starecase)
Carlo Mastrangelo (of The Belmonts)
Fred Tomlinson (co-writer of “Lumberjack Song”)
Steve Young
Alexis Arquette
Dan Hicks
John D. Loudermilk
Zsa Zsa Gabor
Christina Grimmie
Alan Thicke
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Throwback Thursday – 1992
Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. After the band’s second album, 1991’s Nevermind, nothing was ever quite the same, for better and for worse. Nirvana popularized punk, post-punk, and indie rock, unintentionally bringing them into the American mainstream like no other band to date.
– AllMusic
It’s the Song that Broke Punk, the incantation about self-despising entertainment that turned a dead-end Aberdeen kid into a supernova, the very last rock song everyone could rally around.
– Pitchfork
The song that changed everything, “Nirvana’s “Smells Like Teen Spirit,” was released as a single in September 1991. It reached #6 on Billboard’s Hot 100 in January of the following year, and kicks off this week’s Throwback Thursday playlist focusing on 1992.
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Throwback Thursday – 1991
“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”
In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.
Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.
Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.
That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.
Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.
When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”
“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”
For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)
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Throwback Thursday – Hit Songs Of 1993
For Throwback Thursday this week Tunes du Jour revisits the hits of 1993, a fine year for poppy hip hop as you’ll soon hear.
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All the girls are on me cause I’m down with Mike D
Today Tunes du Jour celebrates the birthday of Beastie Boy Mike D. Originally a hardcore punk band, the Beastie Boys evolved into one of the most influential and longest-running hip hop groups.
Our playlist begins with “The New Style,” which hit the r&b chart a month prior to the Beasties hitting the pop chart with their breakout hit, “(You Gotta) Fight for Your Right (To Party!!!).” Both tracks appear on their debut album Licensed To Ill, which the Village Voice favorably reviewed under the headline “Three Jerks Make a Masterpiece.” The album came out in 1986, the year after the group opened for Madonna on The Virgin Tour, and was practically glued to my turntable. I didn’t think they’d be able to top such a perfect record.
Through the years they continued to surprise and innovate. Enjoy this playlist consisting of a handful of Beastie Boys tracks along with other hip hop favorites.