Lots of songs from The Smiths and their lead singer Morrissey on today playlist.
Today is Morrissey’s birthday, and I feel the need to mention that to me and many many others, he now comes across as a repugnant person who shares his abhorrent thoughts. He may have always held repellent views, but as opposed to the means during the heyday of his career, it is now easier for his offensive quotes to go viral. Before he utters his next racist pronouncement, he should heed the advice in the first line of the chorus of “How Soon Is Now?:” “You shut your mouth.”
Two thousand four. Nothing radical happened in music, though that’s okay. There were enough good songs coming out to keep us entertained. Here are 30 of them.
Nineteen ninety-four was not one of rock and pop music’s pivotal years. I didn’t realize how lackluster it was until compiling this week’s Throwback Thursday playlist. I always begin such lists with a look at the pop charts of the year being spotlighted. What a sad state of affairs they were in 1994! I found around 15 good songs that peaked in the top 40 that year, and included all of them in this list (except for Ƭ̵̬̊’s “The Most Beautiful Girl in the World,” which is not on Spotify). A few great songs came close to making the Top 40, such as Nine Inch Nails’ “Closer” (peaked at #41) and The Breeders’ “Cannonball (peaked at #44). More great (mostly “alternative”) tracks would have made the Billboard Hot 100’s top 40 if not for Billboard‘s archaic rule that in order for a song to be eligible for the Hot 100, it needs to be commercially released as a single. Record companies stopped releasing many singles in the late 80s so as to force consumers into buying more profitable full-length albums. What that means is the Hot 100, which was supposed to represent the 100 most popular songs in the US, did not represent the 100 most popular songs in the US. And what mad the top 40 in 1994 was a lot of wussy drek. And Kurt Cobain died in 1994. Not a good year for music. Here are its gems:
There are many artists of whom I’m a fan of their music though they strike me as wretched people. Here are 30 reasons why I’m a fan of Morrissey’s music with and outside of The Smiths.
Nineteen eighty eight was, on the US pop music chart, one of those in-between years. The “New Wave” British invasion had greatly subsided and England wasn’t as much of a presence on the charts as it was a few years earlier. Rap was increasing in popularity and hitting the top 40 more frequently, though it was still a far cry from the dominant position it holds today. Of the hip hop song’s on today’s playlist, only two made it onto the Billboard Hot 100 – LL Cool J’s “Goin’ Back to Cali,” which peaked at #31, despite selling a million copies, and Rob Base & D.J. E-Z Rock’s “It Takes Two,” which peaked at #36, despite selling two million copies. Alternative music lived up to its genre name as an alternative to the music on the pop chart, so if you wanted to hear Sonic Youth or The Dead Milkmen or The Primitives, you had to tune into college radio or the stations on the left side of your FM dial. Those artists, alongside U2, R.E.M. and INXS, could be found on Billboard’s Modern Rock chart, which premiered in September of 1988. New Jack Swing tracks from artists such as Keith Sweat remained popular on Black radio and crossed over, while Black artists such as Tracy Chapman and Living Colour failed to make much of an impression on Black radio. So-called Hair Metal was a presence on the pop chart; grunge would help fix that in a few years. Configuration-wise, CDs outsold vinyl LPs for the first time in 1988, though cassettes outsold both.
