Shortly after British rock band Suede released their debut album in the US in 1993, they encountered a trademark issue. An American lounge singer named Suzanne deBronkart had been performing under the name “Suede” since the 1980s and had already trademarked the name for musical performances in the US. She sued for trademark violation.
Two years later, the British band reluctantly agreed to use the name “The London Suede” for all their US releases and performances. This compromise allowed them to maintain their original name in other parts of the world while respecting the existing trademark in the United States.
This name change applied to all their album releases, merchandise, and concert promotions in the US throughout their career.
(The London) Suede’s Brett Anderson was born on this date in 1967. A handful of the band’s tracks are included on today’s playlist.
While 2004 may not be remembered as a revolutionary year in music history, it certainly left its mark with a diverse range of sounds that reflected the changing trends of the early 2000s. From catchy pop anthems to rock revival and emerging indie scenes, the year offered a solid foundation for the musical directions that would unfold in the years to come.
In the realm of pop and R&B, established stars and newcomers alike dominated the charts. Britney Spears continued her reign with the provocative “Toxic,” while Usher’s infectious club anthem “Yeah!” featuring Ludacris and Lil’ Jon became a dance-floor staple. Gwen Stefani made a successful foray into solo artistry with “What You Waiting For?”, blending pop with a hint of electronic edge. These tracks, along with hits from Destiny’s Child and Ciara, exemplified the slick production and catchy hooks that defined mainstream music of the era.
Hip-hop saw significant releases from both veterans and newcomers, showcasing the genre’s versatility. Snoop Dogg teamed up with Pharrell Williams for the minimalist masterpiece “Drop It Like It’s Hot,” while Kanye West’s “Jesus Walks” stood out for its bold lyrics and gospel influences, hinting at his future influence on the genre. In the UK, The Streets and Dizzee Rascal pushed the boundaries of British hip-hop with “Dry Your Eyes” and “Fix Up, Look Sharp” respectively, bringing grime to a wider audience.
Rock music in 2004 was marked by a resurgence of garage rock and post-punk influences. Green Day found renewed relevance with their politically charged “American Idiot,” perfectly capturing the frustrations of the early 2000s. Franz Ferdinand’s “Take Me Out” and The Killers’ “Somebody Told Me” brought angular guitar riffs and danceable rhythms to the forefront, becoming surprise radio hits. The Libertines’ “Can’t Stand Me Now” and The Darkness’ “I Believe in a Thing Called Love” added to the garage rock revival energy. Meanwhile, indie rock had its moment with Arcade Fire’s debut album “Funeral,” offering sprawling, emotional soundscapes with tracks like “Neighborhood #1 (Tunnels).”
Beyond the mainstream, 2004 offered glimpses of what was to come in the music world. Tracks like “Slow Hands” by Interpol and “The Rat” by The Walkmen showcased the growing popularity of darker, moodier sounds that would define the latter part of the decade. Modest Mouse gained mainstream attention with “Float On,” while Yeah Yeah Yeahs pushed the boundaries of alternative rock.
In retrospect, 2004 wasn’t a year that rewrote the rulebook of music, but it was a period that gave us a diverse range of memorable tracks. From pop to hip-hop, rock to indie, the year’s music scene was a reflection of a time when genres were both distinct and increasingly willing to blur their boundaries. It provided a soundtrack rich in diversity and creativity, setting the stage for the musical evolution that would follow in subsequent years.
The Smiths, fronted by the iconic Morrissey, left an indelible mark on the landscape of popular music with their distinct blend of jangly guitars, poignant lyrics, and an often somber, yet ironically humorous, outlook on life. From their debut single “Hand in Glove” to classics like “This Charming Man” and “There Is A Light That Never Goes Out,” The Smiths captured the hearts and minds of listeners in the 1980s and beyond, creating a legacy that continues to influence countless artists today.
At the heart of The Smiths’ sound was the partnership between Morrissey and guitarist Johnny Marr. Morrissey’s unique vocal style and melancholic, introspective lyrics were perfectly complemented by Marr’s melodic guitar work. Tracks like “How Soon Is Now?” and “Bigmouth Strikes Again” showcase this synergy, with Morrissey’s expressive voice riding the wave of Marr’s intricate guitar riffs. Their music often tackled themes of love, alienation, and societal critique, resonating deeply with a generation of fans.
After The Smiths disbanded in 1987, Morrissey embarked on a successful solo career, continuing to explore similar themes but with a broader musical palette. Songs like “Everyday Is Like Sunday” and “The More You Ignore Me, the Closer I Get” highlight his ability to craft memorable melodies and incisive lyrics. Morrissey’s solo work retained the wit and introspection of his days with The Smiths, while tracks such as “Irish Blood, English Heart” demonstrated his willingness to address political and social issues head-on.
Despite his musical achievements, Morrissey’s career has been marred by controversy. He has faced accusations of racism and criticism for his provocative statements on immigration and national identity. These controversies have alienated some fans and led to heated debates about the separation of art and artist. While Morrissey’s outspoken nature has undoubtedly cast a shadow over his legacy, it has also sparked important discussions about the role of artists in society and the impact of their personal beliefs on their public personas.
The Smiths and Morrissey have received numerous accolades over the years, including critical acclaim and dedicated fan followings. Their influence can be seen in the work of bands like The Stone Roses, Radiohead, and Oasis, all of whom have cited The Smiths as a significant inspiration. Despite the controversies, the enduring appeal of songs like “Heaven Knows I’m Miserable Now” and “Panic” underscores the lasting impact of The Smiths’ music.
In sum, the music of The Smiths and Morrissey remains a cornerstone of alternative rock, celebrated for its lyrical depth, melodic innovation, and cultural significance. While Morrissey’s controversial stances have sparked debate and disapproval, the artistic contributions of The Smiths continue to resonate, offering solace and connection to listeners navigating the complexities of life.
Beck Hansen came up with a nifty guitar lick, to which a friend of a friend added beats. The beats inspired Beck to recite an improvised poem, on which he attempted to sound like Chuck D of rap group Public Enemy. Listening to the playback, Beck thought “Man, I’m the worst rapper in the world. I’m just a loser.” He started singing “I’m a loser, baby, so why don’t you kill me?” That became the chorus of his song “Loser,” along with “Soy un perdedor” – “I’m a loser” in Spanish.
Today is Beck’s birthday. A smattering of his work is included on today’s playlist.
Lots of songs from The Smiths and their lead singer Morrissey on today playlist.
Today is Morrissey’s birthday, and I feel the need to mention that to me and many many others, he now comes across as a repugnant person who shares his abhorrent thoughts. He may have always held repellent views, but as opposed to the means during the heyday of his career, it is now easier for his offensive quotes to go viral. Before he utters his next racist pronouncement, he should heed the advice in the first line of the chorus of “How Soon Is Now?:” “You shut your mouth.”
