Your (Almost) Daily Playlist (5-8-20)

Earlier this week I mentioned that the Village People suddenly find themselves with a hit song on the Adult Contemporary chart. Because 2020 needs to be even stranger, that classic group is joined in the upper reaches of that chart by Corey Feldman. Corey Feldman. Corey Feldman’s “U R Free” is in the top 20 of Billboard’s Adult Contemporary chart. Corey Feldman. 2020, am I right, people?

Today’s playlist is inspired by the May 8 birthdays of Earth Wind & Fire’s Philip Bailey, Toni Tennille, Basement Jaxx’s Felix Buxton, Rick Nelson, Martha Wainwright, Katy B, Bloodstone’s Charles McCormick, Darren Hayes and Jack Blanchard.

https://open.spotify.com/playlist/7uLj3YuAC67uTtPbKrKwcP

Your (Almost) Daily Playlist (2-18-20)

I’m experimenting here at Tunes du Jour. Yesterday I started including multiple songs by the birthday performers who inspired that day’s playlist. As of today I’m not limiting myself to twenty songs. My thinking is that by removing that restriction I can posts playlists (almost) dailier and you get a deeper dive into some of the artists. I’m living on the edge!

Today’s playlist is inspired by the February 18 birthdays of Regina Spektor, Yoko Ono, Styx’s Dennis DeYoung, John Travolta, Randy Crawford, Juelz Santana, Irma Thomas, Juice Newton, and Space’s Tommy Scott.

My Top 99 Songs Of 2018

I listened to a lot of music. I crunched the numbers. The result? My top 99 songs of 2018. Here they be, followed by a Spotify playlist:

1. Make Me Feel – Janelle Monae
2. Ric Flair Drip – Offset & Metro Boomin
3. Nice for What – Drake
4. Alone – Halsey featuring Big Sean & Stefflon Don
5. Where Angels Fear to Tread – Disclosure
6. Mr. Tillman – Father John Misty
7. Thunderclouds – LSD (Labrinth, Sia, Diplo)
8. IDGAF – Dua Lipa
9. This Is America – Childish Gambino
10. Finesse – Bruno Mars featuring Cardi B
11. Stir Fry – Migos
12. LOVE. – Kendrick Lamar featuring Zacari
13. Missing U – Robyn
14. Bodak Yellow – Cardi B
15. The Weekend – SZA vs Calvin Harris
16. Mona Lisa – Lil Wayne featuring Kendrick Lamar
17. Boys – Lizzo
18. Lemon – NERD featuring Rihanna
19. Honey – Robyn
20. Boo’d Up – Ella Mai
21. Now – Miguel
22. High Horse – Kacey Musgraves
23. Apeshit – The Carters
24. Tints – Anderson .Paak feat. Kendrick Lamar
25. 5 Dollars – Christine and the Queens
26. Nameless, Faceless – Courtney Barnett
27. When I’m with Him – Empress Of
28. Two Slow Dancers – Mitski
29. Nobody – Mitski
30. Got My Name Changed Back – Pistol Annies
31. 1999 WILDFIRE – BROCKHAMPTON
32. I Like It – Cardi B featuring Bad Bunny and J Balvin
33. I Might Need Security – Chance the Rapper
34. Microfiche – Open Mike Eagle
35. If You Know You Know – Pusha T
36. All the Stars – Kendrick Lamar with SZA
37. Mr. Jukebox – Joshua Hedley
38. Crayons – CupcakKe
39. Washing Machine Heart – Mitski
40. Pynk – Janelle Monae featuring Grimes
41. Duck Duck Goose – CupcakKe
42. Bloom – Troye Sivan
43. He’s Got His Mother’s Hips – John Grant
44. HEAVEN – The Blaze
45. Day I Die – The National
46. Fast Slow Disco – St. Vincent
47. Kong – Neneh Cherry
48. Sangria Wine – Pharrell Williams and Camila Cabello
49. Look Alive – BlocBoy JB featuring Drake
50. Yes Indeed – Lil Baby featuring Drake
51. BOOGIE – BROCKHAMPTON
52. Need a Little Time – Courtney Barnett
53. You Should See Me in a Crown – Billie Eilish
54. Bardier Cardi – Cardi B featuring 21 Savage
55. SAN MARCOS – BROCKHAMPTON
56. Bad Bad News – Leon Bridges
57. Fireworks – First Aid Kit
58. Party for One – Carly Rae Jepsen
59. New Rules – Dua Lipa
60. I’ll Never Love Again – Lady Gaga
61. La Di Da – The Internet
62. Doesn’t Matter – Christine and the Queens
63. Moon River – Frank Ocean
64. No Tears Left to Cry – Ariana Grande
65. 1999 – Charli XCX and Troye Sivan
66. Only Love – Mary J. Blige
67. Pissed – Saweetie
68. Chun Li – Nicki Minaj
69. Powerglide – Rae Sremmurd featuring Juicy J
70. Call out My Name – The Weeknd
71. A$AP Forever – A$AP Rocky featuring Moby
72. Sword of Damocles – Rufus Wainwright
73. Back 2 You – Selena Gomez
74. Christmas Song – Phoebe Bridgers
75. The Gypsy Faerie Queen – Marianne Faithfull
76. Doves in the Wind – SZA featuring Kendrick Lamar
77. Suspirium – Thom Yorke
78. Charity – Courtney Barnett
79. If You’re Over Me – Years & Years
80. My My My! – Troye Sivan
81. Time Today – Kero Kero Bonito
82. Tranquility Base Hotel & Casino – Arctic Monkeys
83. A Little Pain – Margo Price
84. Alfie’s Song (Not So Typical Love Song) – Bleachers
85. In My Feelings – Drake
86. Django Jane – Janelle Monae
87. Meteorological – Guerilla Toss
88. Psycho – Post Malone featuring Ty Dolla $ign
89. Entitlement Crew – The Hold Steady
90. oh baby – lcd soundsystem
91. God’s Plan – Drake
92. Electricity – Silk City with Dua Lipa
93. Trouble on Central – Buddy
94. BBO (Bad Bitches Only) – Migos featuring 21 Savage
95. MJ – Now, Now
96. Walk It Talk It – Migos featuring Drake
97. The Ways – Khalid featuring Swae Lee
98. Girlfriend – Christine and the Queens
99. Geyser – Mitski


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It’s Alison Goldfrapp’s Birthday And I Need To Dance!

Translated literally, the French expression “ooh la la” means “Oh there there.”

Per About.com, “ooh la la” is an interjection that “can indicate surprise, disappointment, commiseration, distress, annoyance… any moderately strong reaction to something that was just said or done. Note that there is no connotation of sexiness or impropriety in French.”

Per UrbanDictionary.com, “ooh la la” is “a universally understood way of saying ‘check out that hot piece of ass.’” I detect a slight connotation of sexiness and impropriety.

Per OxfordDictionaries.com, “ooh la la” is “used to express surprise or excitement” or “to convey a sexual innuendo.”

The music duo Goldfrapp, made up of Alison Goldfrapp and Will Gregory, released a single called “Ooh La La” in 2005. Written by the duo, the song tells of Alison’s lust for someone without a romantic component.

Goldfrapp’s “Ooh La La” became their first top ten pop single in the UK and their third #1 on the US dance chart. It was nominated for a Grammy Award for Best Dance Recording, and Rolling Stone magazine placed it at #10 on their list of the year’s best singles.

Today, Alison Goldfrapp turns 50 years old. Tunes du Jour’s weekly dance party is heavy on her group’s music, kicking off with “Ooh La La.”


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The Grammys Are Coming And I Need To Dance!

Friday is dance day at Tunes du Jour. Today’s playlist includes the five recordings nominated for a Grammy Award in the category Best Dance Recording. Those nominated recordings are:

“We’re All We Need” – Above & Beyond Featuring Zoë Johnston
“Go” – The Chemical Brothers Featuring Q-Tip
“Never Catch Me” – Flying Lotus Featuring Kendrick Lamar
“Runaway (U & I)” – Galantis
“Where Are Ü Now” – Skrillex And Diplo With Justin Bieber

The Best Dance Recording category was introduced in 1998. It hasn’t been the most accurate barometer of innovations in dance music. The nominating committee has a thing for Gloria Estefan, who was well past her prime in 1998, as she was in 1999, when she was nominated, and 2000, when she was nominated, and 2002, when she was nominated.

In 2001, the Grammy for Best Dance Recording was awarded to “Who Let the Dogs Out?” by the Baha Men. I admit that I love that song, but Best Dance Recording? What the fur? Other tracks nominated that year were performed by Jennifer Lopez, Enrique Iglesias and Eiffel 65, which suggests that 2000 was a very bad year for dance music. It was not. The fifth nominee, Moby’s “Natural Blues,” is the kind of record that should win. It sets itself apart from the other recordings in this field. Of course, one could say “Who Let the Dogs Out?” is unlike the other dance recordings of 2000, mostly because it is not a dance recording.

There are no embarrassing nominees this year in this category. Tune in Monday evening to see who wins. Actually, this may not be one of the four or so awards presented in the telecast, so you may have to find out who won online.

For now, enjoy this playlist consisting of this year’s nominees plus fifteen of the better recordings nominated in this category in past years.


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Throwback Thursday – 1999

Eminem has often been accused of being homophobic. Maybe it’s because he rapped “I’ll still be able to break a motha-fuckin’ table over the back of a couple of faggots and crack it in half.” Maybe it’s because he rapped “My words are like a dagger with a jagged edge / That’ll stab you in the head whether you’re a fag or lez.” And “All you lil’ faggots can suck it / No homo, but I’ma stick it to ’em like refrigerator magnets.” And “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy / You witnessing massacre like you watching a church gathering taking place-looking boy / ‘Oy vey, that boy’s gay,’ that’s all they say looking-boy / You take a thumbs up, pat on the back, the way you go from your label every day-looking boy.” And “You fags think it’s all a game.” Anyone can see how the artist born Marshall Mathers got labeled a homophobe, even if he pretends he doesn’t see it.

So it’s ironic that in his first hit single, the song that put him on the map and into the international consciousness, the music bed is based around a sample from an openly gay singer-songwriter.

“My Name Is” became Eminem’s first single to crack the Billboard Hot 100, peaking at #36. Its music is taken from a 1975 release called “I Got the…,” written and performed by Labi Siffre. Siffre, who was born in England in 1945, says he knew he was gay since age four. He met his life partner, Peter John Carver Lloyd, in 1964. They remained a couple for 49 years, until Lloyd’s death in 2013.

Before Siffre would allow Eminem to use the sample, he made the rapper change some of the words on “My Name Is.” The lyric “My English teacher wanted to have sex in junior high / The only problem was, my English teacher was a guy” became “My English teacher wanted to flunk me in junior high / Thanks a lot, next semester I’ll be 35.” The lyric “Extraterrestrial killing pedestrians, raping lesbians while they’re screaming, ‘Let’s just be friends!’” became “Extraterrestrial running over pedestrians in a spaceship while they’re screaming, ‘Let’s just be friends!’”.” Said Siffre, “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims. I denied sample rights till that lazy writing was removed. I should have stipulated “all versions” but at that time knew little about rap’s “clean” & “explicit” modes, so they managed to get the lazy lyric on versions other than the single and first album.”

For Throwback Thursday this week, Tunes du Jour revisits some of the musical highlights of 1999, kicking off with Eminem’s “My Name Is.”


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It’s Q-Tip’s Birthday And I Need To Dance!

Here’s the thing…I started writing today’s blog entry about mishaps I’ve recently encountered in on-line dating, specifically with an app I downloaded last week that despite my creating a profile that says I’m a man looking for a man, keeps trying to set me up with straight guys. I tied that into today’s birthday, Q-Tip from A Tribe Called Quest, by saying he’s one straight guy who wouldn’t date me. I quoted lyrics from Tribe’s song “Georgy Porgy.” While I was typing those lyrics, my stomach turned. I had trouble finding the humor in a song that refers to a gay guy as gross, ill, a fag, wounded, weak, a fucking faggot, and then some. The post started out funny but when I got to Q-Tip’s lyric “You can call me homophobic but I know it and you know it/ you’re filthy and funny to the utmost,” I decided I may be funny, but he isn’t, nor is he worth celebrating.

Odd that such a hateful bigot should appear on a record by Deee-Lite, a trio of gay and gay-friendly performers. Q-Tip appears on a lot of good records.

Friday is dance day at Tunes du Jour. Today’s playlist doesn’t celebrate the loathsome Q-Tip, but rather twenty great club tracks, a few of which feature Q-Tip. I’ll fill you in on my dating app experiences later.


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It’s Moby’s Birthday And I Need To Dance!

On September 11 I was living in New York City, two miles from where the Twin Towers stood. I remember voting that morning, as it was Primary Election Day. I remember walking to work. I remember my boss coming in to my office to tell me the towers are falling and I should go home. I remember how crowded yet quiet the sidewalks were. I remember spending the rest of the day sitting on my bed crying. I remember thinking about dinner. I don’t know how to cook. I usually ordered in or went out. I regained some composure around 8 PM. I opened my apartment door to find the hallway full of smoke. A neighbor down the hall saw me and yelled “The building’s on fire. The fire department is here.” I went back inside. The only food I kept in my apartment was a can of soup for emergency colds. That night for dinner I had a can of soup.

I remember a lot more details about that day and the days that followed. I still cry when I think about them.

On September 12 I had dinner with my friend Jesse. As the police would not allow anyone below 14th Street who didn’t live in that area, as Jesse did, he came to my place on 16th Street. We figured we’d see if any restaurants in Chelsea were open.

Not only were almost all restaurants along Eighth Avenue open, they were packed. Music was playing. People were laughing. That may sound strange to people not there, but amidst all the horrendousness, amidst the postings of missing people that started to cover all available wall space, amidst the stench that worked its way uptown and permeated our neighborhood, people were celebrating life and friendship.

I’ll never forget what my city was like on September 11. I’ll never forget that night of September 12 either. Life is fleeting. Take advantage of being alive. Celebrate.

Every Friday Tunes du Jour celebrates life with a dance playlist. We kick off this week’s party with Moby, who turns 50 years old today.


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