Missy Elliott Archives - Tunes du Jour

Your (Almost) Daily Playlist: 8-9-24

August 9, 2024

by Glenn with No Comment Uncategorized

Lots of Whitney Houston on the playlist today, the 61st anniversary of her birth.

Tunes Du Jour Presents 2001

July 28, 2024

by Glenn with No Comment Uncategorized

The music of 2001 offered listeners a diverse array of sounds, reflecting the eclectic tastes and creative experimentation prevalent at the turn of the millennium. From hip-hop’s continued evolution to electronic music’s broader appeal, the year’s musical landscape was characterized by a spirit of innovation and cross-genre pollination. While not necessarily revolutionary, 2001’s musical offerings showcased artists pushing boundaries and audiences embracing fresh sounds across multiple genres.

At the forefront of this sonic revolution was Missy Elliott’s “Get Ur Freak On,” a track that redefined hip-hop with its bold beats and futuristic soundscapes. Elliott’s unique style blended traditional hip-hop with global influences, introducing a raw, hyper-sexualized energy that was both provocative and empowering. This era also saw the rise of Jay-Z with “Izzo (H.O.V.A.),” a masterclass in braggadocio that solidified his status as one of rap’s most influential figures. Meanwhile, newcomer Alicia Keys made her mark with the soulful “Fallin’,” combining classical piano with soulful vocals to create a fresh voice in R&B that earned her critical acclaim and multiple awards.

Electronic music found its way into the mainstream consciousness with Daft Punk’s “One More Time,” a euphoric dance anthem that transcended the dance floor, bridging the gap between underground rave culture and pop sensibilities. This electronic influence seeped into other genres as well, with acts like Gorillaz blending hip-hop, rock, and electronica on their debut hit “Clint Eastwood.” The cross-pollination of genres was further exemplified by Eve and Gwen Stefani’s collaboration on “Let Me Blow Ya Mind,” a standout track that seamlessly merged rap and pop elements.

Rock music in 2001 was marked by both innovation and nostalgia. Radiohead continued to push boundaries with the haunting “Pyramid Song,” a complex composition that resonated with fans and critics alike. Meanwhile, bands like The Strokes and The White Stripes led a garage rock revival with “The Modern Age” and “Hotel Yorba” respectively, influencing a new generation of bands. System of a Down’s “Chop Suey!” delivered a powerful mix of metal and alternative rock, addressing themes of life and death with intense energy. Veterans weren’t left behind, as evidenced by Bob Dylan’s “Mississippi” and R.E.M.’s “Imitation of Life,” both of which showcased the enduring relevance of established artists.

The pop landscape of 2001 was equally dynamic, with artists like Britney Spears (“I’m a Slave 4 U”) and P!nk (“Get The Party Started”) dominating the airwaves with infectious hooks and undeniable energy. Janet Jackson’s “All for You” brought a feel-good vibe with its upbeat tempo and catchy chorus. This era also saw the last major hit from Michael Jackson during his lifetime, “You Rock My World.” From the reggae-pop fusion of Shaggy’s “It Wasn’t Me” to the unexpected success of Afroman’s “Because I Got High,” 2001 offered a rich and varied soundtrack that balanced humor with storytelling, demonstrating that sometimes a catchy hook and a good story are all you need to make a hit. In retrospect, 2001 was a pivotal year that saw the emergence of new stars, the redefinition of established genres, and a time when music felt refreshingly unpredictable, with artists boldly experimenting and audiences eagerly embracing the new and unfamiliar.

Tunes Du Jour Presents 1997

May 21, 2024

by Glenn with No Comment Uncategorized

Music in 1997 was a true reflection of the decade’s diversity and boundary-pushing spirit. From the era’s biggest mainstream pop acts to the underground scenes bubbling up, the hits of ’97 showcased an exciting range of styles and genres commingling.

On the one hand, you had the unstoppable rise of wildly popular all-female groups like the Spice Girls with their debut smash “Wannabe” and the soaring vocals of Whitney Houston on “Step by Step.” At the same time, 1997 was also the year that brought the world jarring yet brilliant alt-rock statements like Radiohead’s sci-fi epic “Paranoid Android” and the dark, literary narratives of acts like Nick Cave.

Hip-hop continued evolving in dozens of directions, from the stunning lyricism of Notorious B.I.G.’s “Hypnotize” to the early flashes of what would become the dominant sound of the 2000s with Missy Elliott’s groundbreaking “The Rain (Supa Dupa Fly).” The year’s electronic/dance highlights came in all tempos and styles, whether the gritty yet blissful big beat of The Prodigy’s “Firestarter” or the sleek Daft Punk groover “Around the World.”

While teenager pop captured the mainstream with acts like Hanson’s “MMMBop,” the alternative/indie realm gifted 1997 with timeless gems spanning rockist earnestness (Ben Folds Five), fuzz-pop dreaminess (The Cardigans’ “Lovefool”), and idiosyncratic lo-fi (Elliot Smith, Yo La Tengo). It was an era of strange but beautiful hybrids, like the trip-hop soul of Erykah Badu’s “On & On.”

Looking back at 1997’s musical landscape, you’re struck by not just the sheer quality of the output, but the vibrant plurality of styles. It was a moment when the underground and the overground were engaged in an intriguing conversation, shaping what came next.

Follow Tunes Du Jour on Facebook

Follow Tunes Du Jour on Twitter

Follow me on Instagram

Your (Almost) Daily Playlist: 3-13-24

March 13, 2024

by Glenn with No Comment Uncategorized

Common was born Lonnie Rashid Lynn on this date in 1972. Several of his tracks are included on today’s playlist.

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

Tunes Du Jour Presents 2002

January 21, 2024

by Glenn with No Comment Uncategorized

The year 2002 was a turbulent one for the world, marked by wars, terrorism, scandals, and natural disasters. But it was also a year of creativity, innovation, and diversity in music. From hip-hop to rock, from pop to indie, from dance to folk, the music of 2002 reflected the mood and spirit of the times, offering both escapism and commentary, both nostalgia and novelty, both challenge and comfort.

One of the most dominant genres of the year was hip-hop, which reached new heights of popularity and influence. Eminem’s Lose Yourself became an anthem of determination and resilience, while Missy Elliott’s Work It showcased her inventive and playful style. Nelly’s Hot in Herre was a summer smash, while Clipse’s Grindin’ introduced a minimalist and gritty sound. Tweet and Missy Elliott’s Oops (Oh My) was a sensual and empowering ode to self-love, while Truth Hurts and Rakim’s Addictive sampled a Bollywood song and sparked a controversy. Cam’ron’s Oh Boy featured a catchy sample of Rose Royce’s I’m Going Down, while Khia’s My Neck, My Back (Lick It) was a raunchy and explicit hit.

Rock music also had a strong presence in 2002, with a variety of styles and sounds. Elvis Presley’s A Little Less Conversation (JXL Edit) was a remix of a 1968 song that became a worldwide hit, thanks to its inclusion in a Nike commercial. Avril Lavigne’s Complicated was a pop-rock anthem for the rebellious and misunderstood youth, while Coldplay’s In My Place was a melancholic and soaring ballad. The Strokes’ Hard to Explain was a garage rock revival, while Wilco’s Jesus, Etc. was a country-rock masterpiece. Interpol’s Obstacle 1 was a post-punk gem, while Spoon’s The Way We Get By was a catchy and quirky indie rock tune. The Libertines’ What a Waster was a punk rock blast, while Bruce Springsteen’s The Rising was a tribute to the victims and heroes of 9/11.

Pop music also had its share of hits and surprises in 2002, with some old and new faces. Christina Aguilera’s Dirrty was a provocative and edgy reinvention, while Beyonce’s Work It Out was a funky and soulful solo debut. Brandy’s What About Us was a futuristic and sleek R&B track, while No Doubt’s Hella Good was a disco and rock fusion. Bjork’s Pagan Poetry was a haunting and experimental song, while Las Ketchup’s Asereje was a catchy and silly novelty. Alanis Morissette’s Hands Clean was a confessional and catchy pop-rock song, while Rufus Wainwright’s Across the Universe was a beautiful and faithful cover of the Beatles classic.

Some of the most memorable songs of 2002 were not easily categorized, but rather blended genres and styles. Sugababes’ Freak Like Me was a mash-up of Adina Howard’s Freak Like Me and Gary Numan’s Are ‘Friends’ Electric?, creating a pop and electro masterpiece. The Flaming Lips’ Do You Realize?? was a psychedelic and uplifting song, while X-Press 2’s Lazy was a house and spoken word collaboration with David Byrne. The Streets’ Weak Become Heroes was a rap and piano tribute to rave culture, while Doves’ There Goes The Fear was a rock and electronic epic.

The music of 2002 was a reflection of the year itself: diverse, unpredictable, exciting, and sometimes challenging. It was a year of contrasts and surprises, of highs and lows, of old and new. It was a year that gave us some of the most memorable songs of the 21st century, and a year that we can revisit through this playlist. Enjoy!

Follow Tunes du Jour on Facebook

Follow Tunes du Jour on Twitter

Follow me on Instagram

My Favorite Songs Of 2023

December 30, 2023

by Glenn with No Comment Uncategorized

Five years after then president of The Recording Academy proclaimed that women need to step up, the ladies have responded with “How’s this, jerkface?” Women dominate this year’s Grammy nominations. More importantly, all but two of the top 20 songs on my year-end list are led by female artists (with one guy showing up to provide guest vocals). That’s a record, I think, but don’t quote me on that. I’m too lazy to check. I don’t have a deep analysis for this phenomenon, but I do have a deep appreciation for the talent and diversity of these women (not that women have ever been underrepresented in my annual tallies). The highest placing male acts on my 2023 list are none other than The Rolling Stones and The Beatles. Yes, you read that right. The legends are back, and they still can show the young-uns how it’s done. With their song “Angry,” The Rolling Stones have achieved a remarkable feat: the longest span from first appearance to most recent appearance in my year-end surveys. In 1981, my first year of making such lists, the group placed with “Start Me Up.” The 80s are also well represented by Kylie Minogue and Madonna, each of whom made a triumphant return to my list after long absences. Welcome back, ladies! And last but not least, let’s give a round of applause to Megan Thee Stallion, who has been in my top five for five years in a row. That’s a record, I think, but don’t quote me on that. I’m too lazy to check. Now, without further ado, here is my list of the best songs of 2023. Enjoy!