Nineties R&B

Today is Janet’s birthday!

The most popular r&b group of the nineties was probably Boyz II Mej3y64t.,huy

Sorry. My head hit the keyboard. Just typing that group’s name puts me to sleep. I find their music devoid of personality, emphasizing vocal histrionics over soul-felt passion. They should call themselves Boyz II Meh! Am I right, people? Tip your waitstaff.

Much of nineties r&b suffers from the same. Technique over feeling. Not all, though. I’m not damning a whole genre with a wide paintbrush, or whatever that expression is.

Today’s playlist showcases twenty of the best r&b hits from last millennium’s last decade, the decade being 1990 to 1999, for the purposes of this post. Nothing obscure this time. All of these songs received a fair amount of airplay back in the day.

If I missed any of your favorites, let me know in the comments section, unless it’s a song by Boyz II Mebg;hev.

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Throwback Thursday – 1987 (Part II)

One of 1987’s most popular and critically-acclaimed hits began its life as a demo recording named after the duo who sang “It’s Raining Men.”

It’s by the band U2, who referred to the track as “The Weather Girls” or “Under the Weather.” Their guitarist, The Edge, told Rolling Stone magazine that the song sounded like a reggae band’s version of Survivor’s “Eye of the Tiger.” Over time they developed the song. Instruments were added to the initial drum pattern. When it came time to come up with lyrics, The Edge gave singer Bono a piece of paper on which he had written a phrase that came to him earlier that day – “I Still Haven’t Found What I’m Looking For.”

That became the song’s title, with lyrics inspired by the gospel music Bono was listening to at the time. “I Still Haven’t Found What I’m Looking For” was U2’s second consecutive #1 single, following “With or Without You,” which was included on part 1 of Tunes du Jour’s Throwback Thursday – 1987 playlist.

Here are twenty of 1987’s best, kicking off not with The Weather Girls, but with U2.


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Winston + Blondie

Throwback Thursday – 1980

Winston + Blondie
In 1979, Giorgio Moroder, famous mostly for his production work on Donna Summer records, composed the score for the film American Gigolo. He asked Stevie Nicks to sing the movie’s theme song, for which Moroder wrote the music, but she had to decline for contractual reasons. He next turned to Deborah Harry of Blondie.

Harry write the lyrics to the song that became “Call Me,” the second #1 single for her band. Of her experience with Moroder, she told Billboard “He’s very nice to work with, very easy, (but) I don’t think he has a lot of patience with people who fool around or don’t take what they do seriously. I think he’s very serious about what he does and he’s intense and he’s a perfectionist and he’s very talented, so I think that people who are less talented or less concentrated bore him quickly…you really have to pay attention.”

Said Moroder of working with Blondie, “There were always fights. I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit.”

Moroder did end up working with Deborah Harry again years later on another soundtrack song, producing “Rush Rush” from Scarface, and in 2004 remixed Blondie’s single “Good Boys.”

Tunes du Jour’s Throwback Thursday playlist this week spotlights the best of 1980, kicking off with Blondie’s “Call Me.”


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It’s Friday And I Need To Dance!

“If disco had stuck around, we don’t how much less terrorism we might have in the world now.”
– Gloria Gaynor

Recently, Bono, the singer with U2, made headlines when he suggested that to fight ISIS we send comedians to entertain them, which is his stupidest idea since foisting U2’s most recent album on unsuspecting people by automatically including it in their iTunes libraries. Talk about a sneak attack!

To her credit, Gloria Gaynor didn’t go as far as suggesting we deploy KC & the Sunshine Band to the Middle East. She merely wondered aloud if more disco equals less terrorism.

She may be onto something. Case in point – I listen to a lot of disco, and I’ve never killed anyone.

Do you need more evidence? I’ve gone to many a classic disco night, and I’ve yet to witness a single beheading.

People have claimed that playing heavy metal albums backwards reveals satanic messages. You know what happens when you play a Village People album backwards? It sounds exactly the same!

To do my part in fighting terrorism, I present to you some of my favorite disco tunes of all time, with “all time” meaning the years 1975 thru 1979. To show how serious I am in this fight against evil, today’s playlist includes twenty-five songs instead of the usual twenty. You’re welcome.


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