Tunes Du Jour Presents 1983

The year 1983 was a vibrant musical landscape, a moment when pop culture was exploding with creativity and technological advancement. It was a year when Michael Jackson’s “Billie Jean” dominated the airwaves, its infectious rhythm and groundbreaking music video revolutionizing how we experienced music. The single was more than just a song; it was a cultural phenomenon that captured the zeitgeist of an era when music was becoming increasingly visual and dynamic.

This was also the year when Prince’s “1999” prophetically danced with apocalyptic themes, and The Police’s “Every Breath You Take” became an anthem of complex emotional surveillance. The diversity of musical styles was remarkable, with artists like Dexys Midnight Runners bringing an unconventional folk-pop energy with “Come on Eileen,” while New Order’s “Blue Monday” pushed the boundaries of electronic music, creating a sound that would influence dance music for decades to come. David Bowie’s “Let’s Dance” marked a vibrant shift in his musical journey, infusing his signature artistic sensibility with an irresistible pop-funk groove.

The single was king in 1983, with an unprecedented number of memorable tracks that seemed to burst from radios and dance floors everywhere. Eurythmics’ “Sweet Dreams (Are Made Of This)” introduced Annie Lennox’s haunting vocals to the world, while Marvin Gaye’s “Sexual Healing” offered a smooth, sensual counterpoint to the era’s more uptempo sounds. Lionel Richie’s “All Night Long” exemplified the period’s sunny, celebratory pop, and Culture Club’s “Do You Really Want to Hurt Me” challenged musical and social conventions with its charismatic lead singer, Boy George.

The year wasn’t just about pop, however. Rock and new wave were thriving, with bands like The Smiths (“This Charming Man”), The Clash (“Rock the Casbah”), and Duran Duran (“Hungry Like The Wolf”) pushing musical boundaries. Hip-hop and early rap were also emerging, with tracks like Melle Mel’s “White Lines” and Herbie Hancock’s groundbreaking “Rockit” signaling a musical revolution that would transform popular culture in the coming decades.

What made 1983 truly special was how it represented a moment of musical transition—a year when synthesizers and drum machines were becoming more prevalent, when music videos were transforming how artists communicated, and when genres were blending in unprecedented ways. From the new romantic sounds of Heaven 17’s “Temptation” to the quirky charm of Men Without Hats’ “The Safety Dance,” the music of 1983 was a testament to creativity, innovation, and the pure joy of sound. It was a year that didn’t just produce hit songs, but created a sonic landscape that would influence musicians for generations to come.

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Your (Almost) Daily Playlist: 10-8-22

Today’s playlist celebrates the October 8 birthdays of Ramones’ Johnny Ramone and C.J. Ramone, Kool & the Gang’s Robert “Kool” Bell, The Stylistics’ Airrion Love, Average White Band’s Hamish Stuart, BLACKstreet’s Teddy Riley, C.L. Smooth, Bruno Mars, Pigbag’s James Johnstone, and Saturday Night Live‘s Chevy Chase; and the October 9 birthdays of The Beatles’ John Lennon, The Who’s John Entwistle, PJ Harvey, Jackson Browne, Labelle’s Nona Hendryx, Men Without Hats’s Ivan Doroschuk, Heatwave’s Rod Temperton, Ini Kamoze, and Phantom Planet’s Alex Greenwald.

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Brandeis ID

It’s Friday And I Need To Dance! – College Reunion Edition

Brandeis ID
On the Facebook page for my thirty-year college reunion, which is coming up this June, someone brought up the music that reminds them of our college days. Many posts followed, naming songs that remind us of shared experiences at Brandeis University in the first half of the 1980s.

That post inspired today’s playlist. Friday is dance day at Tunes du Jour, and today I present 50 songs we danced to in the Usdan Ballroom at Brandeis University between the fall of 1981 and the spring of 1985. It was a great time for popular music. These songs have stood the test of time.

Have a great weekend!

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Glenn’s Ten – August 4, 2014

Spoon’s “Do You” holds on to #1 in Glenn’s Ten this week. There is one new entry – “Really Don’t Care” performed by Demi Lovato featuring Cher Lloyd. The track, a pop song in the “Call Me Maybe” vein, is the first Glenn’s Ten entry for both of these women.

Glenn’s Ten for this week is:
1. “Do You” – Spoon
2. “All the Rage Back Home” – Interpol
3. “Left Hand Free” – Alt-J
4. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
5. “Heart is a Drum” – Beck
6. “Nothing More than Everything to Me” – Christopher Owens
7. “You Are Your Mother’s Child” – Bright Eyes
8. “Every Time the Sun Comes Up” – Sharon Van Etten
9. “Just One of the Guys” – Jenny Lewis
10. “Control” – Broken Bells

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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