It’s Mark Ronson’s Birthday And I Need To Dance!

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Perhaps you’ve heard “Uptown Funk,” a #1 single earlier this year for Mark Ronson featuring Bruno Mars. Ronson struggled to nail down the guitar part on the record. He finally arrived at a lick he was happy with on his 82nd take.

The moral of this story is if at first you don’t succeed, try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try try again.

Today Mark Ronson turns forty years old. Our weekly dance party kicks off with instant classic “Uptown Funk.”


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The Problem With Music Streaming Exclusives | It’s Florence Welch’s Birthday And I Need To Dance!

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Dr. Dre recently released a new album, Compton. If you want to stream it, the only place to do so is on Apple iTunes’ new streaming service, Apple Music.

Prince announced that his new album would be available for streaming exclusively on Tidal.

Both Apple Music and Tidal charge monthly subscription fees. Unlike paying a monthly subscription fee to HBO and Showtime, thereby giving you access to exclusive content on each network, the majority of material on Tidal is also on Apple Music. If you pay for Apple’s service, is it worth paying an additional amount to Tidal just to hear Prince and see a few behind the scenes videoclips?

The situation reminds me of what happened in the late 1990s. Record companies stopped releasing commercial singles, so if a consumer wished to own, say, “Tubthumping,” that consumer had to purchase a Chumbawamba CD for $18.98. “Tubthumping” is a great song, but is it $18.98 great? Yes, you get other songs on the album, but be honest – it’s all about “Tubthumping.”

It turns out an alternative appeared – illegal downloading. Consumers rebelled against being forced to pay $18.98 to get that one song they wanted, so they found a copy of it on the Internet for free. And while browsing the store known as the World Wide Web, they found some other selections that they felt were well worth the price of nothing.

Many folks want to hear the new Dr. Dre album. Many folks will want to hear the new Prince album. Many of those folks don’t want to pay for both or either streaming service. Many will download the albums for free from places not owned by Apple of Tidal. The services likely paid Dre and Prince and their record labels a pretty penny for the exclusivity. That’s the only way I can see anyone winning in this scenario, though will those labels win in the long run?

I subscribe to neither Apple Music nor Tidal. I have access to Amazon’s streaming service via my Amazon Prime subscription, but I can’t recommend that streaming service, as their music library is paltry. I use Spotify’s free tier. Its library is a good size and it is convenient. Because it is the most popular streaming service and available to everyone at no fee, I use it for this blog’s playlists.

Spotify isn’t perfect, however. Far from it. Many songs are misidentified and there are far too many cheesy re-recordings of songs in place of the original hit versions. Many of the tracks I’d love to include on our Friday dance playlists – Amii Stewart’s “Knock on Wood,” Club Nouveau’s “Lean on Me,” David Naughton’s “Makin’ It,” Junior’s “Mama Used to Say,” – are not available, save for crappy-sounding covers by the original acts.

Therefore, our weekly dance party doesn’t include any of those (or anything by Prince, who removed his music from Spotify to make his catalogue exclusive to Tidal). However, it does include twenty tunes to get you jumping, kicking off this week with Florence + the Machine, whose Florence Welch turns 29 today.


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Grammy Predictions

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The 2014 Grammy Awards will be handed out tomorrow night. Here are my fearless predictions:

RECORD OF THE YEAR – “Stay With Me” – Sam Smith
ALBUM OF THE YEAR – Beyoncé – Beyoncé
SONG OF THE YEAR – “Stay With Me” – Sam Smith
BEST NEW ARTIST – Sam Smith
BEST POP SOLO PERFORMANCE – “All of Me” – John Legend
BEST POP DUO/GROUP PERFORMANCE – “A Sky Full of Stars” – Coldplay
BEST TRADITIONAL POP VOCAL ALBUM – Cheek to Cheek – Tony Bennett & Lady Gaga
BEST POP VOCAL ALBUM – X – Ed Sheeran
BEST DANCE RECORDING – “F for You” – Disclosure featuring Mary J. Blige
BEST DANCE/ELECTRONIC ALBUM – While(1<2) – Deadmau5
BEST ROCK PERFORMANCE – “Fever” – The Black Keys
BEST ROCK SONG – “Blue Moon” – Beck
BEST ROCK ALBUM – Turn Blue – The Black Keys
BEST ALTERNATIVE MUSIC ALBUM – Reflektor – Arcade Fire
BEST R&B PERFORMANCE – “Drunk in Love” – Beyoncé featuring Jay-Z
BEST R&B SONG – “Drunk in Love” – Beyoncé featuring Jay-Z
BEST URBAN COMTEMPORARY ALBUM – Beyoncé – Beyoncé
BEST R&B ALBUM – Give the People What They Want – Sharon Jones & the Dap-Kings
BEST RAP PERFORMANCE – “i” – Kendrick Lamar
BEST RAP/SUNG COLLABORATION – “The Monster” – Eminem featuring Rihanna
BEST RAP SONG – “i” – Kendrick Lamar
BEST RAP ALBUM – Oxymoron – ScHoolboy Q
BEST COUNTRY SOLO PERFORMANCE – “Automatic” – Miranda Lambert
BEST COUNTRY DUO/GROUP PERFORMANCE – “Somethin’ Bad” – Miranda Lambert and Carrie Underwood
BEST COUNTRY SONG – “Automatic” – Miranda Lambert
BEST COUNTRY ALBUM – Platinum – Miranda Lambert
BEST COMEDY ALBUM – Mandatory Fun – “Weird Al” Yankovic
BEST SONG WRITTEN FOR VISUAL MEDIA – “Let It Go” – Adele Dazeem
BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE – The Rise & Fall of Paramount Records, Volume One
BEST ENGINEERED ALBUM (NON-CLASSICAL) – Morning Phase – Beck
PRODUCER OF THE YEAR (NON-CLASSICAL) – Max Martin
BEST REMIXED RECORDING (NON-CLASSICAL) – “All of Me” (Tiesto’s Birthday Treatment Remix) – John Legend

Enjoy the show!

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Winston + Bobby Brown

The Song Retains The Name

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Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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Glenn’s Ten – January 28, 2015

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It’s been awhile since I posted Glenn’s Ten, the ranking of my ten favorite songs of the week, so let me rectify that.

At number one is Elle Varner with “Fuck It All,” which will be my wedding song. Elle is the only act in Glenn’s Ten this week who is there for the first time. Long-missing D’Angelo surprise released an album in December, from which two tracks are in this week’s tally. Kanye West surprise-released a single on New Year’s Eve. That song, “Only One” was last week’s #1. On it he is helped by Sir Paul McCartney, who makes his first Glenn’s Ten appearance since “No More Lonely Nights” in 1984. Mary J. Blige has also been absent from Glenn’s Ten for a number of years, but she is there now with “Therapy,” a former #1.

Glenn’s Ten for this week is:
1 – “Fuck It All” – Elle Varner
2 – “Sugah Daddy” – D’Angelo
3 – “Only One” – Kanye West featuring Paul McCartney
4 – “Therapy” – Mary J. Blige
5 – “Break the Rules” – Charli XCX
6 – “Little Red Wagon” – Miranda Lambert
7 – “Really Love” – D’Angelo
8 – “Earned It” – The Weeknd
9 – “Stay Gold” – First Aid Kit
10 – “She’s Not Me” – Jenny Lewis

Today’s playlist consists of those ten songs, followed by ten songs that were #1 on Glenn’s Ten on this date in past years.

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Ringo + MJB

Praising Mary J. Blige

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Ringo + MJB

God needs better marketers. That guy wearing an ill-fitting sportsjacket who stands on a box outside the Port Authority shouting incoherently through a megaphone or that guy in a diaper on the corner of Hollywood and Highland holding the sign about end days? I’m supposed to walk by them and think “If this person says God exists, it must be true.” It doesn’t work for me.

Then there are God’s marketers with slightly bigger megaphones, like that pastor who recently penned an op-ed claiming that Taylor Swift turns kids gay, and they can’t shake it off. Swift’s not really my cup of chamomile, but if I need to choose between that writer’s brand of religion and homosexuality, then crank up the 1989 CD.

There’s also your Fred Phelps types, picketing concerts and high-profile funerals with signs reading GOD HATES FAGS. Many self-appointed religious leaders say the same thing, albeit with less colorful language. I’m supposed to walk by them and think “If this man has a sign that says God Hates Fags, it must be true.” Similar signs are held up in the “counter protest” area during the Gay Pride parade. Shockingly, the parade goers weren’t swayed. If only there was somewhere else these self-proclaimed religious folks should be on a Sunday morning. If only.

Some of His messengers kill cartoonists. God hates fags and cartoonists. Their marketing technique is the old “Buy our product or we’ll murder you.” It didn’t work for Kellogg’s and it won’t work for Him.

By now you’re probably saying “Glenn, what does this have to do with Mary J. Blige, the multiple Grammy Award-winning multi-million-selling r&b singer who celebrates her 44th birthday today?

When I read that Mary J. Blige considers herself a born-again Christian, my stomach sank. Oh, no. Another diva hero gone to the dark side. Songs of hers I like will now have the association with the slogan “Live and let live provided you live the way I tell you to live,” and nothing mars a good groove like a bad ad campaign.

Turns out I was wrong. The guy standing on the box, the guy who listened to a pop singer and turned homosexual, the guys who picket parades – they all misled me. Not all of God’s marketing reps are assholes.

Says Mary J: I’m not God. God said not to judge anyone lest you be judged. That’s it. Who am I to point my finger? You’ve got to walk in love. To say you do not want people to be happy is so mean, so not me.

She told PrideSource:
“I believe [Christ] died to give us a deep relationship with God, and in having a deep relationship and walk with God, there is no judgment. We cannot judge or think we’re better than anybody.

“I have nothing but love for everyone in the universe. I believe we can all teach each other something, and I believe we can all grow and learn from one another. I’m a spirit, so I need spiritual assistance – that means I need to pray, I need to read The Word, I need to share The Word with people. That’s what it’s for. It’s not for me to be like, “You’re gonna burn in hell.” That’s not what I believe God wants me to testify about.

“The fact that I’ve been through so much, and my trials and tribulations are out in the open, is to heal other people. And that I’ve come through it isn’t to say I’m better; it’s to say we all can do it.”

Isn’t that refreshing? I still don’t believe in God, but it’s nice to find someone who does and is full of love and support. If He wants to sell the product, He needs to recruit more marketers like MJB.

Let’s get it percolating with these twenty career highlights.

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A Soulful Christmas Playlist

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TRIVIA QUESTION: Who was the first woman to hit the top ten on the Billboard Hot 100 with a song she wrote herself?

ANSWER: Carla Thomas. She was 16 years old when she wrote “Gee Whiz (Look at His Eyes),” which hit #10 in 1961. Today she turns 72.

In 1963, Thomas incorporated the title of her first hit into a seasonal offering, “Gee Whiz, It’s Christmas.”

“Gee Whiz, It’s Christmas” inspires today’s playlist – fifty great soul and r&b Christmas jams, with some fun extra treats thrown in.

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Ringo + Sinead

Labeling Sinéad O’Connor

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Ringo + Sinead
Is she or isn’t she? Sinéad O’Connor in her own words:

“I would say that I’m a lesbian. Although I haven’t been very open about that and throughout most of my life I’ve gone out with blokes because I haven’t necessarily been terribly comfortable about being a lesbian. But I actually am a lesbian.” (2000, in Curve magazine)

“That I have explored my sexuality is accurate and I have no shame about that and would, if I fell in love with a woman, have as few qualms about expressing it as if I were a man. I have only ever been in love with one woman. One other, years ago when I was 20, I simply slept with selfishly for sexual exploratory purposes. Though of course I loved her, I was not, as they say, ‘in love’ with her. The one I was in love with was a brief relationship conducted more recently with a lovely American woman who was an angel to me and saved my life in many ways and to whom I owe a very great debt of love and gratitude. And whom I still adore. Although we are no longer a couple, I love her deeply. These are the only homosexual experiences I have had so far. Of perhaps thirty people I’ve been with since eleven years of age, two have been women, the rest men. I am rarely attracted to women but loved making love with the women I loved. I believe it was overcompensating of me to declare myself a lesbian. It was not a publicity stunt. I was trying to make someone else feel better. And have subsequently caused pain for myself. I am not in a box of any description.” (a little later in 2000, in The Independent newspaper)

“I’m three-quarters heterosexual, a quarter gay.” (2005, in Entertainment Weekly magazine)

“Any man I contemplate has to be into anal sex.…I’ve had reasonable complaints from lesbians that they have been excluded. This was terribly remiss of me and I would now like to make it clear that women will also be very much considered.” (2011, on her blog)

“In my youth, I did some exploring of bisexuality. And perhaps I said things, put labels on things, and put measurements on things that actually you can’t put measurements on. I wouldn’t put labels of either gay or fucking straight or any other thing. I do believe people often explore their sexuality….I was brought up to believe sex was a shame, so I was determined I was going to fuck my way beyond that. I was going to explore my sexuality. So there was maybe three occasions where I had sex with women that I fancied….I always believed that whatever kind of sex, as long as it’s consensual and no one is getting hurt…is a sacred thing. No matter how filthy or sweet it might be.” (2013, on SheWired.com)

“If I fall in love with someone, I wouldn’t give a shit if they were a man or a woman.” (2014, on PrideSource.com)

Eleven years of age???

Today Sinéad O’Connor turns 48 years old. Here are twenty of her best.

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Winston + Suzanne 2014-07-11 15.15

It’s Friday And I Need To Dance!

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I’m at a place in my life where I very much wish to try new things. To enter into places not completely familiar. I’ve accomplished a lot utilizing my knowledge of popular music and negotiation skills. From college graduation until last September I’ve always worked at record companies. Is there somewhere else where I can use these attributes?

Figuring out the next step on one’s own can be challenging. Having a career coach is helpful. Better yet would be meeting someone who sees what you (or, in this case, I) have to offer and gives you (me) a job, or, optimally, collaborates with you (me) on a new venture.

I think about this fairly often. This morning it occurred to me that it came to be for me a couple of weeks ago, though not directly related to my record company jobs.

When I lived I New York I performed and-up comedy at night. I did well with it. I won contests, had an agent, and played to sold-out theaters. I understand comedy structure, know how to formulate a joke, and have good timing.

Two weeks ago a friend and I started working together on a TV sitcom pilot. I can write relatable characters and punchlines. My friend, who has a terrific sense of humor as well, can take what I do and add in his knowledge of script formatting and sitcom structure. I’m enthusiastic about our new venture.

Winston + Suzanne 2014-07-11 15.15
In 1987, singer-songwriter Suzanne Vega scored a huge hit with “Luka,” from her album Solitude Standing. Her biggest hit to date, the song went to #3 on the United States pop charts, and also hit the Top 40 in countries such as The United Kingdom, Canada, Australia, The Netherlands, France, Sweden, Italy, Belgium, New Zealand, Austria, and Ireland.

Vega can write great lyrics and catchy hooks. ”Luka” also performed well on the Rock chart. Vega is like me in this story, and the British production duo who called themselves D.N.A. are my friend with whom I am writing the television script.

D.N.A. took Suzanne’s skills, in particular the a capella track that opens the Solitude Standing album, and added a dance beat to it. The result was another top ten pop hit, this one credited to D.N.A. featuring Suzanne Vega. The song, “Tom’s Diner,” also brought Vega to the top 15 of the Dance Club chart, the Modern Rock chart, and the R&B chart.

Vega didn’t plan this success. By chance D.N.A. entered her life and together each reached new heights. Hopefully our sitcom pilot will have the same success.

Today Suzanne Vega turns 55. We’ll kick off our Friday dance party with the DNA mix of “Tom’s Diner.”

Winston + Chuck 2014-06-30 11.25

A Change Is Gonna Come If You Make It So

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A company I worked for – I won’t say which one – has an amazing catalogue of rhythm & blues music, arguably the best r&b catalogue of any record label. Despite possessing this goldmine, most of our catalogue releases were from white rock bands. I asked a member of senior management why we didn’t do more with our black artists, and the answer I got was “We don’t know how to sell that music.”

Is that not a stupid response? If you don’t know how to do that, hire someone who has that expertise, or learn how to do it. Why ignore a large swath of your potential market, especially when you already own the assets?

Years ago I was put in charge of licensing at a record label. I knew the music and I knew the components of licensing deals; however, I wasn’t a very good negotiator. I found the process intimidating. I could have left it at that – “I don’t know how to negotiate.” My company would have made money nonetheless, though not at its full potential. For that matter, I wouldn’t be working at full potential.

I took a course in negotiations. Six weeks, $300. Money well spent. I put what I learned in the class into action. Practice makes perfect, and I became an excellent negotiator. In my four years at that company our licensing revenue increased 400%. My skills also led to my next job as the Vice President of Licensing at another company.

Is a lack of some skill or knowledge holding you back? Fix that. Read a book, attend a seminar, take an on-line course or find a mentor. Saying “I don’t know how” won’t lead to success; learning how will.

Winston + Chuck 2014-06-30 11.25
Today is the last day of Black Music Month. It would be ludicrous to think a 40-song playlist would cover black music in any comprehensive way. Enjoy it for what it is – nearly three hours of fantastic music. Listen to it while you research how to learn a new skill.