One cannot make a definitive funk playlist utilizing only 30 songs with no artist repeated. Think of this as an introduction to the genre.
Follow Tunes Du Jour on Facebook
Follow me on Bluesky
Follow me on Instagram
Tunes Du Jour Presents Miguel
Miguel (full name Miguel Pimentel) has made a significant mark on contemporary R&B with his unique blend of sensuality, introspection, and genre-defying sounds. His music consistently moves between themes of love, self-discovery, and social consciousness, giving listeners a multifaceted experience that mirrors his own artistic journey. From early hits like “Adorn” to more recent introspective works like “Now,” Miguel’s catalog showcases his growth both as a singer and as a songwriter unafraid to explore new territories.
“Adorn,” a song often cited as his breakout, set the tone for Miguel’s signature style—smooth, seductive vocals layered over lush, atmospheric production. It’s no surprise that songs like “How Many Drinks?” and “Pussy Is Mine” carry a similar vibe, blending elements of soul and R&B with lyrics that delve into romantic and intimate themes. But Miguel doesn’t just stop at smooth love songs; tracks like “Candles in the Sun” and “What’s Normal Anyway” offer thoughtful commentary on identity and the human experience, showing his capacity for depth beyond the surface.
Miguel’s collaborations also reveal his versatility. Whether teaming up with Mariah Carey on the summery “#Beautiful” or with Janelle Monae on the sultry “Primetime,” Miguel adapts his voice and style to fit diverse musical landscapes. His work with artists across genres—such as Travis Scott on “Sky Walker” or A$AP Rocky on “Everyday”—proves he’s comfortable blending R&B with hip-hop, pop, and even rock influences. Tracks like “Arch & Point” and “waves” highlight his willingness to experiment with his sound, pushing the boundaries of traditional R&B.
Social and political awareness also weave into Miguel’s body of work. “Now” reflects his thoughts on current events, while “Anointed” and “Told You So” lean into themes of self-empowerment and resilience. He balances these more weighty subjects with lighter, groove-heavy tracks like “Pineapple Skies,” reminding listeners that Miguel’s range isn’t just confined to one message or mood.
Miguel’s ability to seamlessly shift between introspective ballads, politically charged anthems, and sensual love songs is what makes his discography stand out. He continually reinvents himself while staying true to his core as an artist who blends heart, soul, and mind into every track. Whether you’re in the mood for reflective listening or something more upbeat, Miguel’s music offers something for every occasion.
Follow Tunes Du Jour on Facebook
Follow Tunes Du Jour on Twitter
Follow me on Instagram
Tunes Du Jour Presents Q-Tip & A Tribe Called Quest
If you’re looking to delve into some classic hip-hop with a sophisticated twist, then look no further than Q-Tip and his legendary group, A Tribe Called Quest. This playlist offers an introduction to their work, blending catchy rhymes with smooth jazz influences that will have you tapping your foot in no time.
Q-Tip, the group’s mastermind, is a true artist. His rapping style is intelligent and witty, avoiding the braggadocio that can sometimes dominate the genre. Tracks like “Can I Kick It?” and “Scenario” showcase his playful wordplay and knack for storytelling. But A Tribe Called Quest is more than just clever lyrics. The production, often featuring jazzy samples and soulful melodies, creates a laid-back atmosphere that’s perfect for unwinding after a long day.
This playlist goes beyond just A Tribe Called Quest, though. It highlights Q-Tip’s collaborations with other artists, demonstrating his versatility. Tracks like “Got ‘Til It’s Gone” with Janet Jackson and “Go” with The Chemical Brothers proves his influence extends beyond hip-hop.
So, whether you’re a longtime hip-hop fan or just curious to explore the genre’s more thoughtful side, this playlist is a great place to start. With its infectious grooves and insightful lyrics, A Tribe Called Quest’s music is sure to become a new favorite for listeners of all ages.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Your (Almost) Daily Playlist: 9-20-23
The Avalanches’ Robbie Chater estimates there are around 3500 samples used on the group’s Since I Left You album. As someone who negotiates sample uses, I pity the poor soul who had to secure and track those licenses!
Robbie Chater celebrates a birthday today. Or maybe he doesn’t celebrate it. I don’t know. I don’t know him. Either way, I celebrate. Lots of cuts by The Avalanches on today’s playlist.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Your (Almost) Daily Playlist: 9-3-22
Today’s playlist celebrates the September 3 birthdays of The Beach Boys’ Al Jardine, Grand Funk Railroad’s Don Brewer, Freddie King, The Melodians’ Tony Brevett, Taana Gardner, The Creation’s Kenny Pickett, Jessy Lanza, Mantronix’s MC Tee, BG, Majical Cloudz’s Devon Welsh, and Jennifer Paige; and the September 4 birthdays of Destiny’s Child’s Beyoncé, The Byrds’ Gene Parsons, Soundgarden’s Kim Thayil, Mark Ronson, Mantronix’s Kurtis Mantronix, W.A.S.P.’s Blackie Lawless, and Sonny Charles.
Follow Tunes du Jour on Facebook
Follow Tunes du Jour on Twitter
Follow me on Instagram
Records of the Year
The Grammy Awards are being presented tonight. Woo. It’s billed as “music’s biggest night,” just as May 7 through May 16 is billed as “the biggest week in American birding,” if only because ten days is a lot for one week. Birders. Am I right, people? Performers at this year’s Grammys include Bruno Mars and Anderson .Paak doing their new song, because what better way to celebrate the music of 2020 than with a single that was released last week? Performers I’m looking forward to include Miranda Lambert, Cardi B, HAIM, Megan Thee Stallion, Brittany Howard, Doja Cat, Dua Lipa, and Billie Eilish, whose “Everything I Wanted” is up for Record of the Year. That’s my favorite of the nominees, though I think the award will go to Beyoncé for “Black Parade,” and I have no problem with that. However, if the award goes to that record I never heard of until I started typing this sentence, sneakers will be thrown at my television (though that record may be good for all I know). For Album of the Year my vote goes to Fiona Apple’s Fetch the Bolt Cutters, as it was handily the best album of 2020. It probably won’t win, seeing as it wasn’t nominated. What was nominated over Apple’s album? That Coldplay album you forgot about and the Jacob Collier album you never heard of until you started reading this sentence (though that album may be good for all you know). Of the albums nominated, I’d pick HAIM’s. It’s very good. Not Fetch The Bolt Cutters good, but very good nonetheless. If HAIM win I hope they hand their award to Fiona Apple live on the telecast, which would be super impressive, seeing as they won’t be in the same room. I’m sure tonight’s show will include a tribute to dead people done by living people who are no match for said dead people. I’d rather want a montage of clips of the dead people performing when they were living people. <Fill in the blank> screaming is not representative of what made Aretha Franklin amazing. No disrespect to <fill in the blank>, but there’s more to being the Queen of Soul than having a mic and ovaries.
It’s easy to shit on the Grammys, as they are so shittable, but to be fair, not every Record of the Year is as terrible as 1988’s recipient, “Don’t Worry, Be Happy.” Here are thirty of the better winners:
Follow Tunes du Jour on Facebook.
Follow Tunes du Jour on Twitter.
Follow me on Instagram.
Throwback Thursday: 2015
On this Throwback Thursday playlist we revisit the music of 2015. It seems like ages since I’ve heard many of these songs. Enjoy!
https://open.spotify.com/playlist/1e5wDa8EOk3H8ayxXjLyEF&si=2557a3801c7a435d
Follow Tunes du Jour on Facebook.
Follow Tunes du Jour on Twitter.
Follow me on Instagram.