Inspired by the April 21 birthdays of The Cure’s Robert Smith, Iggy Pop, Elaine May, Disposable Heroes of Hiphopracy’s Michael Franti, John Cameron Mitchell and Patti LuPone.
Your (Almost) Daily Playlist (3-2-20)
Inspired by the March 2 birthdays of Lou Reed, Wu-Tang Clan’s Method Man, Karen Carpenter, Coldplay’s Chris Martin, Jay Osmond, Boogie Down Productions’ Scott La Rock, Missing Persons’ Dale Bozzio, Musical Youth’s Dennis Seaton, UTFO’s Doctor Ice, the Kooks’ Luke Pritchard, and composer Kurt Weill (“Mack the Knife”).
Your (Almost) Daily Playlist (2-18-20)
I’m experimenting here at Tunes du Jour. Yesterday I started including multiple songs by the birthday performers who inspired that day’s playlist. As of today I’m not limiting myself to twenty songs. My thinking is that by removing that restriction I can posts playlists (almost) dailier and you get a deeper dive into some of the artists. I’m living on the edge!
Today’s playlist is inspired by the February 18 birthdays of Regina Spektor, Yoko Ono, Styx’s Dennis DeYoung, John Travolta, Randy Crawford, Juelz Santana, Irma Thomas, Juice Newton, and Space’s Tommy Scott.
Your (Almost) Daily Playlist (2-9-20)
Today is the birthday of Carole King, one of the greatest songwriters of the pop era. Chances are you know songs she had a hand in writing: “(You Make Me Feel Like) A Natural Woman,” “So Far Away,” “You’ve Got a Friend,” “One Fine Day,” “The Loco-motion,” “Will You Love Me Tomorrow,” “I Feel the Earth Move,” “Up on the Roof,” “It’s Too Late,” and “I’m Into Something Good” among them.
King isn’t the only rock era songwriter celebrating a birthday today. It is also the birthday of her contemporary Barry Mann, who is not the same person as Barry Manilow. As a performer, Mann had one hit – 1961’s “Who Put the Bomp (In the Bomp, Bomp, Bomp).” As a writer, he’s charted nearly 100 times in the US. His credits include “Here You Come Again,” “Bristol Stomp,” “Only in America,” “You’ve Lost That Lovin’ Feelin’,” “We Gotta Get Out of This Place,” “Make Your Own Kind of Music,” “On Broadway,” and “Sometimes When We Touch,” many written with his wife, Cynthia Weil.
King and Mann feature in today’s playlist, as do others who share their birthday: The Magnetic Fields’ Stephin Merritt, Frankie Goes to Hollywood’s Holly Johnson, Barbara Lewis, and Major Harris. I also threw in some folks who had birthdays yesterday: Daft Punk’s Guy Manuel, England Dan, and James Dean.
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Pride 50
On June 28, 1969, what was supposed to be a routine raid on a gay bar by the New York City police turned violent when patrons at the Stonewall Inn fought back, thus setting off the gay liberation movement. That pivotal moment was recognized one year later with a gathering in New York’s Greenwich Village, where the Stonewall Inn is located, and Gay Pride marches in Los Angeles and Chicago. The following year, Gay Pride marches sprang up in Boston, Dallas, Milwaukee, London, Paris, West Berlin and Stockholm. The Pride movement grew with each passing year, and it continues to expand to this day.
Tunes du Jour celebrates 50 years of Pride with today’s playlist. Be seen. Be heard. Be proud. Celebrate. Love.
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Not Your Typical LGBTQ+ Pride Playlist
June is LGBTQ+ Pride Month. Tune du Jour celebrates with this playlist consisting of two hundred songs by and/or about Ls, Gs, Bs, Ts and Qs. Happy Pride!
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A Hint Of Mint – Volume 59: New York
A very minty tribute to New York, specifically New York City, with a side trip to a local weekend getaway.
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A Hint Of Mint – Volume 55: Relaxing On A Sunday Afternoon
Mellow rock for a chill day. Artists include David Bowie, Tracy Chapman and Lou Reed.
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Meet Oscar Nominee Anohni
In a moment I’ll introduce you to Anohni, who was nominated for an Oscar this year in the category of Best Original Song, but first I want to talk a little about Kesha, Grimes and Sam Smith.
You may have heard about Kesha’s much-publicized battle to get out of her recording agreement. She claims that Dr. Luke, the producer to whose company, Kemosabe Records, she is signed, drugged and sexually assaulted her on several occasions. As a courtroom proceeding about those allegations had not yet been tried, a New York Supreme Court justice denied Kesha’s motion for a preliminary inunction extraditing her from recording for Kemosabe.
This led to the proliferation of the hashtag #FreeKesha. A group of fans protested outside Sony Music’s headquarters, demanding that the music corporation free Kesha. Kesha isn’t signed to Sony Music, but no matter. Sony should cease distribution of Kemosabe Records, which would leave Kesha still signed to Kemosabe, but hey – it was a nice day for a good protest, and what else is there in the world to complain about? Ongoing wars? Poisoned public water supplies? Human rights violations? More important to get a pop star out of her recording agreement. #Priorities
Many public figures offered support to Kesha, among them Lady Gaga, Lily Allen, Adele, Janelle Monáe, Fiona Apple, Kelly Clarkson, Demi Lovato, Tegan and Sara, HAIM, Alessia Cara, Lorde, Wale, Best Coast, George Takei, Anne Hathaway, Reese Witherspoon, Lena Dunham, Mariska Hargitay, Troye Sivan, Halsey, Iggy Azalea, Sara Bareilles, JoJo, Adam Lambert, Ariana Grande, Miley Cyrus, Margaret Cho, Zedd, and Jack Antonoff. Taylor Swift donated $250,000 to Kesha to help with her financial needs.
Also supporting Kesha is Claire Elise Boucher, the Canadian singer-songwriter who records under the name Grimes. In response to a question from a Time Out reporter about Kesha’s legal situation, Grimes, whose “Kill v. Maim” is #3 this week in Glenn’s Ten, said the following about recording agreements: “You shouldn’t be allowed to sign a human being, regardless of what the allegations are or what anyone said or did. It’s basically like slavery.” Yes, making millions of dollars doing your dream job is basically the same as being forcibly taken from your home and forced to do a job you don’t want to do for no pay, much like Spaghetti Carbonara is basically the same thing as a nuclear missile, which is to say, both exist. (Grimes’ two most recent albums were released by the 4AD label, with whom, I assume, she is signed to a recording agreement.)
If Kesha’s allegations against Dr. Luke are true, then I hope at the very least she is let out of her agreement with Kemosabe, as being forced to aid your rapist make money is unconscionable, and that is where the slavery comparison applies.
British singer-songwriter Sam Smith may or may not know what slavery is, but he exhibited a lack of grasp on history last weekend at the Academy Awards. As he couldn’t pronounce Anohni or The Weeknd, Common announced as the winner of the Best Original Song award the easiest name to remember and pronounce, Sam Smith.
In his acceptance speech, Smith claimed to be the first openly gay person to win an Oscar, which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin, Pedro Almodovar and the other openly gay people who have won. Maybe Smith meant to say he’s the first openly gay person to win an Oscar for Best Original Song in 2016. He says he got his information from actor Sir Ian McKellen via an interview Smith read, which is true, if you leave out the part where McKellen refers to no openly gay winners in the Acting categories.
It was pointed out to Smith that he is not the first openly gay person to win an Oscar, to which he responded “I think I’m the second openly gay person to win it,” which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin and the other openly gay people who have won less one. In the real world, Smith is not even the first openly gay person in the category of Best Original Song. When told that openly gay Howard Ashman won that category twice, Smith replied “I should know him. We should date.” Ashman died of AIDS-related complications in 1991, the year for which his title song from Beauty and the Beast won, but sure, Sam, date him. You’ll be the first openly necrophiliac to win an Oscar. #Trailblazer. I do agree with one thing Smith said. He should know of Ashman.
Which brings us to Anohni. Along with her collaborator, J. Ralph, Anohni was nominated for Best Original Song for “Manta Ray” from the film Racing Extinction. Unlike Sam Smith, The Weeknd and Lady Gaga, Anohni, a transsexual woman, was not invited to perform her nominated song at the Oscar ceremony. In a year in which The Academy was taken to task for a lack of diversity among the nominees, the producers felt it was more important for the president of the Academy of Motion Pictures Arts and Sciences to give a speech on the show about the importance of diversity in Hollywood than it was to allow only the second transgender person to be nominated for an Oscar to perform (not a Sam Smith second person, but truly the second). Besides, The Danish Girl received nominations, including one for Best Actor for Eddie Redmayne as the titular character Lili Elbe, one of the first known recipients of gender correction surgery, and who better to represent trans women at the Oscars than a heterosexual cisgender man? Also, the award show needed time for clueless Clueless actress Stacey Dash insult the .04% of viewers who know who she is. #Priorities
Here’s your chance to get to know Anohni, who previously recorded under the name Antony. Her distinctive voice will grab you and her songs will move you. Check out twenty of her best, including guest appearances on other artists’ tracks:
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Throwback Thursday – 1989
During the February 22, 1989 telecast of the Grammy Awards, Pepsi premiered a thirty-second spot that featured a new song by Madonna, “Like a Prayer.” It was the first time a major artist’s new single was used in a television commercial prior to being released to radio or record stores.
The following week, a two-minute version of the commercial aired during The Cosby Show, at the time a highly-rated program starring America’s favorite dad, Bill Cosby. The ad, part of a $5 million endorsement deal Pepsi struck with Madonna that also included tour sponsorship, featured Madonna dancing in the street, in a school hallway, and in a church.
The song’s music video premiered the following day on MTV. In the video, Madonna witnesses the murder of a white girl by white supremacists. A black man gets arrested for the killing. Madonna seeks refuge in a church, where she has a dream that includes stigmata on her hands, kissing a black saint, and dancing in front of burning crosses.
The Vatican and other religions organizations condemned the video and threatened a protest against Pepsi products. Pepsi dropped its sponsorship of Madonna, never again aired the television spot, and let Madonna keep the $5 million they paid her.
“Like a Prayer” became Madonna’s seventh #1 pop hit in the United States. It also topped the charts in the United Kingdom, Australia, Canada, the Netherlands, Sweden, Japan, Italy, Spain, Norway, Denmark, Finland, Ireland, New Zealand, Belgium, and Switzerland.
“Like a Prayer” won the Viewers Choice award at the 1989 MTV Music Video Awards, a program that incidentally was sponsored by Pepsi. In her speech, Madonna said “I would really like to thank Pepsi for causing so much controversy.”
Tunes du Jour’s playlist this Throwback Thursday spotlights the year 1989, and kicks off with Madonna’s “Like a Prayer.”
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