Tunes Du Jour Presents Little Richard

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Few artists have shaped the trajectory of rock ‘n’ roll like Little Richard. With his uncontainable energy, dynamic stage presence, and explosive voice, Richard Penniman burst onto the music scene in the mid-1950s, helping to define a genre that would captivate the world. Songs like “Tutti Frutti,” “Long Tall Sally,” and “Good Golly, Miss Molly” weren’t just hits—they were seismic shifts in popular music, blending gospel, rhythm and blues, and raw power into a thrilling new sound.

Little Richard’s music was characterized by its infectious rhythms and unrelenting tempo. Tracks like “Rip It Up” and “Ready Teddy” seemed to demand movement, inspiring dancing that matched the music’s frenetic pace. But it wasn’t just about the beat; Richard’s performances were a masterclass in charisma. Songs like “Lucille” and “Jenny Jenny” showcased his ability to inject personality and soul into every note, a talent that elevated him beyond being just a singer to a cultural icon.

His influence extended far beyond the music itself. Little Richard was one of the first artists to break racial barriers in the 1950s, drawing integrated audiences at his live performances. Tracks like “The Girl Can’t Help It” and “She’s Got It” became anthems for an era that was beginning to challenge societal norms. His flamboyant style—pancake makeup, pompadour, and wild outfits—also made him a trailblazer for self-expression, laying groundwork for future performers to embrace individuality unapologetically.

In later years, Little Richard showed his versatility with tracks like “I Don’t Know What You’ve Got, But It’s Got Me,” a soul masterpiece that revealed a more contemplative side. He also ventured into funk with songs like “Freedom Blues,” proving that his artistry could evolve with the times while retaining its essence. Even when covering classics such as “Kansas City” or reinterpreting standards like “By the Light of the Silvery Moon,” Richard’s unmistakable voice and personality made them his own.

Little Richard’s legacy isn’t just in his music—it’s in the spirit of rock ‘n’ roll itself. Artists from The Beatles to Prince have cited him as an inspiration, and his songs remain as electrifying today as when they were first recorded. Tracks like “Bama Lama Bama Loo” and “Greenwood, Mississippi” are reminders of a talent that refused to be contained, an artist who truly knew how to rock. In every wild piano riff and every soulful scream, Little Richard gave the world a taste of freedom, joy, and unbridled creativity.

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Tunes Du Jour Presents 1957

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The year 1957 stands as a pivotal moment in the evolution of popular music, where rock ‘n’ roll, rhythm and blues, and even a touch of jazz converged to create a soundtrack that would resonate for decades. The hits of the year showcase not only the diverse range of genres but also the rise of some of the most influential voices in music history. A prime example is The Crickets’ “That’ll Be the Day,” a track that embodies the early rock ‘n’ roll spirit, blending Buddy Holly’s unmistakable vocal delivery with a catchy, driving beat. It’s a song that helped shape the sound of the era.

Elvis Presley’s “Jailhouse Rock” is another cornerstone of 1957, with its infectious energy and rebellious attitude. Presley was at the height of his powers, blending rock, blues, and a hint of swagger that would influence generations of performers. Meanwhile, Fats Domino’s “Blueberry Hill” offered a smoother, more melodic contrast. Domino’s effortless combination of rhythm and blues with pop sensibility helped bridge the gap between different audiences, securing his place as one of the genre’s pioneers.

But 1957 wasn’t just about rock ‘n’ roll—it was a year that embraced the full spectrum of American music. Take Harry Belafonte’s “Day-O (Banana Boat Song),” a calypso tune that brought Caribbean sounds to mainstream audiences. Similarly, the soulful ballad “You Send Me” by Sam Cooke introduced a voice that would soon come to define soul music. Cooke’s ability to combine gospel roots with pop elegance opened the doors for future R&B artists.

The variety of sounds continued with tracks like “Whole Lotta Shakin’ Goin’ On” by Jerry Lee Lewis and “Lucille” by Little Richard, both of which pushed the boundaries of what rock music could be with their raw energy and wild performances. On the other end of the spectrum, Ella Fitzgerald and Louis Armstrong’s rendition of “Summertime” added a jazzy sophistication to the year’s musical offerings, reminding listeners that timeless standards still had a place in the changing musical landscape.

Ninety fifty-seven was a year when rock ‘n’ roll solidified its place in popular culture, while artists from various genres continued to innovate and inspire. Whether through the heartfelt croon of Johnny Mathis on “Chances Are” or the rough-edged blues of Muddy Waters’ “Got My Mojo Working,” the music of this year still echoes today as a testament to a time when creativity flourished across musical boundaries.

Your (Almost) Daily Playlist: 4-29-24

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In their autobiography Hound Dog, songwriters Jerry Leiber and Mike Stoller tell of one time when they were at Jerry’s apartment. Jerry was in the kitchen while Mike was trying out ideas on the piano. Jerry called out to him “Take out the papers and the trash!” Immediately, Mike responded “Or you don’t get no spending cash.” Ten minutes later, the duo finished writing a rock and roll classic. The Coasters took the song, “Yakety Yak,” to number one.

The late Carl Gardner of The Coasters and The Robins was born on this date in 1928. A few of those groups’ songs with Gardner on lead are featured on today’s playlist.

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Tunes Du Jour Presents Quincy Jones

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Quincy Delight Jones Jr., affectionately known as “Q,” is a name that resonates across the vast landscape of music. Born on March 14, 1933, in Chicago, Illinois, Quincy Jones has left an indelible mark on the world of entertainment. His multifaceted career spans seven decades, and his contributions to music, film, and humanitarian causes are nothing short of legendary. Let’s delve into the life of this remarkable artist, exploring both his creative genius and his unwavering commitment to making the world a better place.

Quincy Jones’s musical journey began with the trumpet, but it soon expanded to embrace a universe of genres. From jazz to pop, from film scores to chart-topping hits, Jones’s versatility knows no bounds. He cut his teeth working with luminaries like Ray Charles and Dizzy Gillespie, honing his skills as an arranger and composer. His compositions, such as “Stockholm Sweetnin’” and “For Lena and Lennie,” showcased his innate ability to blend sophistication with soulful melodies.

However, it’s impossible to discuss Quincy Jones without mentioning his groundbreaking collaborations with Michael Jackson. As the producer of Jackson’s iconic albums—Off the Wall, Thriller, and Bad—Jones elevated pop music to new heights. The pulsating basslines of “Billie Jean,” the electrifying energy of “Don’t Stop ‘Til You Get Enough,” and the haunting introspection of “Man in the Mirror” all bear his unmistakable imprint. And let’s not forget the global anthem “We Are the World,” which Jones orchestrated to raise funds for famine relief in Ethiopia—a testament to his unwavering commitment to humanity.

Beyond the studio, Quincy Jones’s heart beats for social causes. In the 1970s, he stood shoulder-to-shoulder with Martin Luther King Jr. as a founding member of Jesse Jackson’s Operation PUSH. His belief in the transformative power of music led him to create the Quincy Jones Listen Up Foundation. Through this nonprofit, he connects underserved youth with technology and music education. From South Central Los Angeles to South Africa, Jones’s foundation builds bridges, providing instruments and broadening music curricula to include American jazz greats alongside European classics.

But his philanthropic endeavors extend beyond borders. In partnership with Emirati social entrepreneur Badr Jafar, Jones launched the Global Gumbo Group. Their charity single “Tomorrow/Bokra,” featuring Middle Eastern singers, raised funds for children’s charities. This No. 1 hit in the Middle East garnered over 7 million views on YouTube, proving that music can heal and uplift even in the most challenging times.

And let’s not forget Hurricane Katrina. Jones stepped in to save the homes and properties of elderly jazz musicians affected by the devastating storm. His magic touch—what some call the “Quincy dust”—transforms lives, one act of kindness at a time.

Quincy Jones, now in his 90s, remains an unstoppable force. Whether he’s conducting an orchestra, mentoring young artists, or advocating for social justice, his legacy reverberates across generations. As we listen to the soulful strains of “Soul Bossa Nova” or groove to “Razzamatazz,” let’s remember that behind every note lies a man who believes in the power of love, music, and compassion. Quincy Jones—the maestro, the philanthropist, and the eternal groove-maker—continues to inspire us all.

Q produced all of the recordings on today’s playlist except the ones performed by Ray Charles, Frank Sinatra and Big Maybelle; on those he’s credited as the arranger.

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Your (Almost) Daily Playlist: 10-3-23

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Eddie Cochran was only 19 years old when he recorded “Summertime Blues,” a song he wrote with his manager in 45 minutes. A self-taught guitarist, Cochran played all the guitar parts and sang both the lead and bass vocals. Less than two years after “Summertime Blues” became a hit Cochran was killed in a car accident.

Eddie Cochran was born on this date in 1938. A few of his songs are included on today’s playlist.

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Your (Almost) Daily Playlist: 12-5-22

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Today’s playlist celebrates the December 5 birthdays of Little Richard, J.J. Cale, Goo Goo Dolls’ Johnny Rzeznik, Andy Kim, Keri Hilson, Michel’le, and Pamela Blair; and the December 6 birthdays of R.E.M.’s Peter Buck, Dave Brubeck, Ride’s Mike Gardener, Everything But The Girl’s Ben Watt, The Dave Clark Five’s Mike Smith, The Tymes’ George Williams, Willie Hutch, and Jonathan King.

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