Tunes Du Jour Presents 1983

The year 1983 was a vibrant musical landscape, a moment when pop culture was exploding with creativity and technological advancement. It was a year when Michael Jackson’s “Billie Jean” dominated the airwaves, its infectious rhythm and groundbreaking music video revolutionizing how we experienced music. The single was more than just a song; it was a cultural phenomenon that captured the zeitgeist of an era when music was becoming increasingly visual and dynamic.

This was also the year when Prince’s “1999” prophetically danced with apocalyptic themes, and The Police’s “Every Breath You Take” became an anthem of complex emotional surveillance. The diversity of musical styles was remarkable, with artists like Dexys Midnight Runners bringing an unconventional folk-pop energy with “Come on Eileen,” while New Order’s “Blue Monday” pushed the boundaries of electronic music, creating a sound that would influence dance music for decades to come. David Bowie’s “Let’s Dance” marked a vibrant shift in his musical journey, infusing his signature artistic sensibility with an irresistible pop-funk groove.

The single was king in 1983, with an unprecedented number of memorable tracks that seemed to burst from radios and dance floors everywhere. Eurythmics’ “Sweet Dreams (Are Made Of This)” introduced Annie Lennox’s haunting vocals to the world, while Marvin Gaye’s “Sexual Healing” offered a smooth, sensual counterpoint to the era’s more uptempo sounds. Lionel Richie’s “All Night Long” exemplified the period’s sunny, celebratory pop, and Culture Club’s “Do You Really Want to Hurt Me” challenged musical and social conventions with its charismatic lead singer, Boy George.

The year wasn’t just about pop, however. Rock and new wave were thriving, with bands like The Smiths (“This Charming Man”), The Clash (“Rock the Casbah”), and Duran Duran (“Hungry Like The Wolf”) pushing musical boundaries. Hip-hop and early rap were also emerging, with tracks like Melle Mel’s “White Lines” and Herbie Hancock’s groundbreaking “Rockit” signaling a musical revolution that would transform popular culture in the coming decades.

What made 1983 truly special was how it represented a moment of musical transition—a year when synthesizers and drum machines were becoming more prevalent, when music videos were transforming how artists communicated, and when genres were blending in unprecedented ways. From the new romantic sounds of Heaven 17’s “Temptation” to the quirky charm of Men Without Hats’ “The Safety Dance,” the music of 1983 was a testament to creativity, innovation, and the pure joy of sound. It was a year that didn’t just produce hit songs, but created a sonic landscape that would influence musicians for generations to come.

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Tunes Du Jour Presents Diana Ross

Diana Ross is a name synonymous with powerhouse vocals, unforgettable style, and a career that has spanned over six decades. But beyond the glitz and glamour, Ross’ impact on music is undeniable. As the lead singer of The Supremes, she shattered racial barriers and brought a new level of sophistication to pop music. Hits like “Baby Love,” “Where Did Our Love Go,” and “You Can’t Hurry Love” remain timeless classics, while tracks like “Love Child” subtly challenged societal norms.

Leaving The Supremes to forge a successful solo career, Ross continued to push boundaries. Songs like “Upside Down” and “Love Hangover” cemented her status as a disco queen, while the uplifting “Ain’t No Mountain High Enough” became a rallying cry for overcoming obstacles, “Theme from Mahogany (Do You Know Where You’re Going To?)” displayed her versatility as a dramatic performer, and “I’m Coming Out” became a cultural touchstone, an anthem for the LGBTQ+ community. Whether intentional or not, Ross’s music consistently resonated with those seeking empowerment and self-discovery. Ross’ music wasn’t just catchy; it spoke to the aspirations and heartaches of a generation.

While the spotlight often shines on her musical achievements, Ross’s philanthropic efforts deserve equal recognition. She has championed causes that touch the lives of many. Here are some highlights:

  1. Autism Movement Therapy: Ross’s support for this organization underscores her commitment to inclusivity. By promoting movement-based therapies for individuals with autism, she advocates for a world where everyone’s unique abilities are celebrated.
  2. Elton John AIDS Foundation: Ross’s involvement in this foundation reflects her compassion. She recognizes the devastating impact of HIV/AIDS and works tirelessly to raise awareness and funds for research and support.
  3. Muhammad Ali Parkinson Center: Inspired by her dear friend Muhammad Ali, Ross contributes to this center, which provides care and resources for those battling Parkinson’s disease. Her empathy extends beyond the stage.
  4. United Service Organization (USO): Ross’s dedication to supporting military personnel and their families is unwavering. Her performances for troops stationed around the world demonstrate her gratitude and respect.

Listening to the playlist as a whole, it’s clear that Diana Ross’s legacy goes beyond just chart-topping hits. She was a pioneer for Black artists in the music industry, an artist whose music continues to inspire and uplift. By paving the way for future generations of artists, she helped diversify the soundscape of popular music. So crank up the volume, hit play, and let yourself be swept away by the timeless sounds of Diana Ross.

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Tunes Du Jour Presents Smokey Robinson

Smokey Robinson is one of the most influential and beloved figures in the history of American music. He is not only a legendary singer, songwriter, and producer, but also a humanitarian who has used his fame and fortune to support various causes.

William “Smokey” Robinson was born in Detroit, Michigan, in 1940. He grew up in a musical environment, listening to the likes of Nolan Strong, Hank Ballard, and Jackie Wilson. He formed his first vocal group, the Five Chimes, while in high school, and later changed their name to the Miracles. He met Berry Gordy Jr., the founder of Motown Records, in 1957, and became one of his first artists and collaborators. He also suggested the name Motown, in honor of the Motor City.

The Miracles gave Motown its first number one hit with “Shop Around” in 1960, and went on to score many more classics, such as “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “I Second That Emotion,” and “The Tears of a Clown.” Smokey Robinson was the lead singer and the main songwriter of the group, as well as a prolific producer for other Motown acts, such as Mary Wells, the Temptations, the Supremes, and the Marvelettes. He wrote and produced some of the most iconic songs of the Motown era, such as “My Guy,” “My Girl,” “The Way You Do the Things You Do,” and “The Hunter Gets Captured by the Game.”

Smokey Robinson left the Miracles in 1972 to pursue a solo career, and continued to create hits, such as “Quiet Storm,” “Cruisin’”, “Being with You,” and “One Heartbeat.” He also became the vice president of Motown, and helped to nurture the careers of new artists, such as Lionel Richie, Rick James, and Teena Marie. He was inducted into the Rock and Roll Hall of Fame twice, as a solo artist and as a member of the Miracles. He also received a Grammy Lifetime Achievement Award, a Kennedy Center Honor, and a Library of Congress Gershwin Prize for his contributions to popular music.

Smokey Robinson has written and sung some of the most romantic songs ever. He has also shown his love for humanity by supporting various charities and causes, such as the Barbara Davis Center for Childhood Diabetes, the Boys & Girls Clubs of America, the Elton John AIDS Foundation, the Gabrielle’s Angel Foundation, the Miami Children’s Hospital Foundation, UNICEF, and the United Negro College Fund. He has also invested in his hometown of Detroit by donating to the Motown Museum and supporting arts and music programs for young people.

Smokey Robinson is a living legend who has enriched our lives with his music and his love. He is a role model for aspiring artists and a source of inspiration for generations of fans. He is a treasure of American culture and a gift to the world. Let us celebrate his legacy by listening to thirty of his best songs as a vocalist, which are featured in the playlist below. Enjoy!

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Your (Almost) Daily Playlist: 12-10-23

“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there. 

Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.

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