Tunes Du Jour Presents Holland-Dozier-Holland

Brian Holland, Lamont Dozier, and Eddie Holland, collectively known as Holland-Dozier-Holland (H-D-H), are synonymous with the sound of Motown. Their string of hits in the 1960s and beyond fueled the success of the record label, shaping popular music and paving the way for R&B to dominate the airwaves. Each song on this playlist, from The Four Tops’ powerful “Reach Out (I’ll Be There)” to The Supremes’ iconic “Where Did Our Love Go,” credits one or more members of H-D-H. With a blend of melody, rhythm, and hooks that remain timeless, the team’s work redefined what hit songwriting could accomplish.

This songwriting trio didn’t merely write songs—they crafted narratives of love, heartbreak, and resilience that resonated with audiences across generations. Tracks like “This Old Heart of Mine (Is Weak for You)” by The Isley Brothers and Marvin Gaye’s “Can I Get a Witness” reveal the emotional depth in their compositions, supported by rhythms and production styles that have endured decades of cover versions. Their songs often feel instantly recognizable, whether it’s the infectious chorus of Chairmen of the Board’s “Give Me Just a Little More Time” or the stomping beat of Junior Walker & the All-Stars’ “(I’m A) Road Runner.”

The irony, however, is that Eddie Holland, despite being a key member of the team, had only one top 40 pop single as a solo artist, “Jamie”—and it wasn’t written by any member of Holland-Dozier-Holland. Instead, it was penned by Barrett Strong and William “Mickey” Stevenson, fellow Motown talents who contributed in their own right to the label’s powerhouse status. Though Eddie found his calling behind the scenes rather than as a performer, his experience as an artist gave him unique insight into the singer’s perspective, a quality that helped make H-D-H’s songs vocally compelling and relatable.

Beyond Motown, the trio’s influence stretched into rock, pop, and soul genres, as evident from covers and reinterpretations by artists like The Rolling Stones, Rod Stewart, and Bananarama. These renditions, like Linda Ronstadt’s cover of “Heat Wave” or James Taylor’s soulful take on “How Sweet It Is (To Be Loved by You),” show how their music transcended genre boundaries. Each version emphasizes the versatility of H-D-H’s songwriting, capable of adapting to various musical expressions while retaining its core appeal.

Ultimately, the legacy of Holland-Dozier-Holland isn’t just in their impressive catalog but in their contributions to the very essence of popular music. They captured the spirit of a generation through music that continues to find new audiences, sounding as fresh today as it did over half a century ago. Their work endures, a testament to their genius, and is rightly celebrated by the many artists who’ve covered and revived their timeless songs.

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Your (Almost) Daily Playlist: 8-27-23

The Captain & Tennille’s “Love Will Keep Us Together” was a huge hit in 1975, but not everyone agreed with its message. Ian Curtis, the leader of Joy Division and a newlywed in 1975, was one of them. His composition “Love Will Tear Us Apart” could be seen as a response to the cheerful song, expressing his disillusionment with love and life. He took his own life in 1980, a month before his song was released as a single, on its way to becoming a classic.

Daryl Dragon, better known as The Captain, a nickname given to him by The Beach Boys’ Mike Love, was born on this date in 1942. A few of his duo’s hits are included on today’s playlist.

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Your (Almost) Daily Playlist: 5-28-23

I tend to think there are three age groups – children, the elderly, and folks around my age. Children bang on about things I’ve never heard of. The elderly tell stories of how when they were kids nobody in the neighborhood owned a television set so the family would take the trolley downtown to Sears and watch The Lawrence Welk Show through the store window. Folks in my age group all share the same cultural references.

This morning when walking my dogs, Ringo and Winston, I was made aware that there are those who are older than children yet younger than I. We saw Jeffrey, who lives across the street, walking his dog Molly and another dog. We said hello (well, I said hello. Ringo and Winston didn’t say anything. They’re not morning dogs.) and I asked “And who is this?,” referring to the other dog. Jeffrey replied “This is Luka,” to which I said “Does he live on the second floor?” I know the three or four of you reading this were thinking the same thing. Jeffrey had a puzzled look on his face. “What?” “His name is Luka. Does he live on the second floor?” Jeffrey, still confused, said “No. He lives next door to me.”

I hadn’t thought about it, but now I know Jeffrey is a lot younger than I. Unlike me, I’m sure when filling out a form that asks in which age group he falls, he never has to color in the circle by the group that ends with “and over.”

Everyone should know Suzanne Vega’s song “Luka.” And everyone should absolutely know Creedence Clearwater Revival’s “Fortunate Son.” If you aren’t familiar with it, put down your phone, then pick it back up because I just remembered that’s how young people listen to music nowadays, play the song (which kicks off the playlist below), and do this every day. Memorize the words. Scream along with it. It’s a great way to release your pent-up rage at The Man. Take my word for it. I’ve been doing so for <and over> years.

Creedence Clearwater Revival’s John Fogerty turns 78 today. I’ve never heard him mention The Lawrence Welk Show, though a show called Fortunate Son – A Tribute to Creedence Clearwater Revival is now playing at the Welk Resort Theater on Lawrence Welk Drive in Escondido, California.

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