It’s Friday And I Need To Dance!

I love jury duty. It breaks up my usual routine and gives me the opportunity to meet people I probably would not meet otherwise. I’ve served on juries four times. I’m very good at it.

Three of those times were for criminal cases. One was for grand jury. In grand jury, one goes to the courthouse every day for a month and hears a little evidence from plenty of lawsuits filed, in an effort to determine if there is enough evidence for the case to go to trial. We decided there was enough evidence for every single case we heard, and what doosies we were treated to! I don’t remember the details, but I recall it being a parade of nuts. Every day, one wacky witness after another, all in different cases, performed for us. A few of them were sober. To get paid to witness it was a treat.

The first criminal case I served on had to do with drug dealing and possession. The defendant was Latino. As we started our deliberations, we took a vote amongst the jurors to see which way everyone was leaning regarding the defendant’s innocence. Nine of us thought he was guilty. Three people, coincidentally the only three white heterosexual males, voted not guilty. I love that about New York! After a couple of days of deliberation we convinced those three that the defendant was guilty, even if he is Latino. We told the judge our verdict, which was relayed to the defendant’s attorney. The defendant didn’t hear it. He had already skipped town.

My next case was a drunk driving arrest. I was an alternate juror, so I sat through the trail, but initially didn’t deliberate with the other jurors. I was needed in case the regular jurors couldn’t come to a unanimous decision and one of them couldn’t come back the next day to continue the deliberations. That is what happened. I was surprised. The defendant, who wasn’t Latino, was obviously guilty. It turns out there was one holdout, but her reasoning was very different from that of Jimmy Stewart’s character in Twelve Angry Men. Per this one angry woman, the arresting officer did not follow proper procedure to a t. She said in her job as a teacher, if she did not follow proper procedure to a t, she would be disciplined. Though she agreed the defendant was driving drunk, she felt we needed to send the police department a message about following procedures to a t. My fellow jurors told me things were heated during the previous day’s deliberations, but somehow I was able to calmly explain to the one angry woman that it is not the police department who are on trial here. She changed her vote to guilty.

The last jury I served on was for a case involving a double homicide. That was a rough one; I’m too sensitive for such ordeals. The trial lasted a month, during which time we were shown many photographs of the deceased. At least my fellow jurors were a great bunch of people. Despite the intensity of the case, everyone was professional and respectful during our deliberations, which lasted for several days.

I bring up jury duty because of Wonder Woman. While serving on the drug trial, I rode the courthouse elevator with TV’s Wonder Woman, Lynda Carter, whose husband was on trial in the same building for a banking scandal. Unlike the defendant in my trial, Mr. Carter, who is actually Mr. Altman, was acquitted.

In February 1980, Lynda Carter, pro-choice and LGBT rights advocate and spokesperson for irritable bowel syndrome, guest-starred on The Muppet Show, where she sang “The Rubberband Man,” a song written by Thom Bell and Linda Creed about Bell’s son, whose schoolmates mocked him for being chubby, calling him “the fat man.” “The Fat Man” was Bell’s original title for the song, about a large man who knew how to get a party going with his dance moves. It was meant to uplift young Bell, to show that his weight wasn’t something that needed to drag him down. He had talents and abilities that people admired. I don’t think that was clearly conveyed in Carter’s performance.

Three years prior to Carter’s performance of “The Rubberband Man” on The Muppet Show, Tina Turner performed it on The Brady Bunch Hour, a TV variety series featuring the original cast of the sitcom The Brady Bunch except for Eve Plumb (figures, right?) serving us hilarious comedy sketches and memorable musical moments such as this one. Turner performs the song in front of a swimming pool in which four women do a non-strenuous water ballet. Every so often, the tape of audience applause fires up for no discernible reason, other than the producers’ realization of “Holy shit! That’s Tina Turner!“

The best version of “The Rubberband Man” is the original recording, the last top forty hit for Spinners that featured Philippé Wynne on lead vocals. Wynne joined the group in 1972 and left in 1977, the year after “The Rubberband Man” peaked at #2 on the pop chart. He died from a heart attack in 1984. Today Tunes du Jour celebrates Wynne’s birthday by kicking off our weekly dance playlist with Spinners’ “The Rubberband Man.”


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Winston + Butt

It’s Friday And I Need To Dance!

Winston + Butt
Spike Lee needed a dance song for a scene in his film School Daze, so he reached out to Marcus Miller, whose writing credits include Luther Vandross’ “Power of Love” and “Til My Baby Comes Home” and Miles Davis’ “Tutu.” Miller asked his former bandmate Mark Stevens (brother of Yvette Stevens, who changed her name to Chaka Khan) to help him. Together they came up with “Da Butt.” Washington D.C. band E.U. (Experience Unlimited) recorded the tune, which reached #35 on the Billboard Hot 100 in 1988. E.U. made the Hot 100 again in 1996 – a record of theirs entitled “Knock Him Out Sugar Ray” was sampled by Beck in his #61 hit “Where It’s At.”

It’s the first Friday of 2015 and I need to dance. Let’s kick off this week’s party with “Da Butt.”

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Ringo + Barry White 2014-09-11 13.53

It’s Barry White’s Birthday And I Need To Dance!

Sometime in the 1950s, a man named Peter Sterling Radcliffe wrote a country song he called “You’re My First, You’re My Last, My In-Between.” For years he tried to get someone to record it but nobody was interested. Years later, Radcliffe was introduced to Barry White by arranger Gene Page. In the 1960s White was a session musician and producer who worked on records with The Bobby Fuller Four, Bob & Earl, Jesse Belvin and Viola Wills.

One Christmas when White was unable to buy Christmas gifts for his children, Radcliffe stepped in and bought toys for the kids. Relaying this story during an interview, White told the journalist “I was so grateful for that and said I would pay him back one day.”

In 1972, Barry White wrote, produced and arranged “Walking in the Rain with the One I Love” for a female trio named Love Unlimited. The record hit #14 on the Billboard Hot 100. The following year White released his first solo album, I’ve Got So Much to Give, which produced the #3 gold single “I’m Gonna Love You Just a Little More Baby.” The top ten single “Never, Never Gonna Give Ya Up” followed in 1974.

Now a successful recording artist, White listened to his friend Radcliffe’s twenty-year old country song. Barry heard potential in the tune. “I changed some words, part of the melody and some of the title, but kept the chord structure.”

Ringo + Barry White 2014-09-11 13.53
“You’re the First, the Last, My Everything” appeared on White’s Can’t Get Enough album. The album’s first single, “Can’t Get Enough of Your Love, Babe,” hit #1. The follow-up single, “You’re the First, the Last, My Everything,” went to #2, kept out of the top spot by Elton John’s version of “Lucy in the Sky with Diamonds.”

Pay it forward, people. You may be rewarded in more ways than the satisfaction of knowing you helped someone in their time of need.

Now if you’ll excuse me, it’s Barry White’s birthday and I need to dance!

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It’s Friday And I Need To Dance!

Every Friday, Tunes du Jour’s playlist is designed to get you dancing into the weekend. Today we kick off with The Spinners’ “The Rubberband Man,” written by the songwriting team of Thom Bell and Linda Creed, as today is Creed’s birthday.

You may not know her name, but chances are you know some of her work. With Bell, she composed several hits for 70s soul group The Stylistics, including “You Make Me Feel Brand New,” “You Are Everything,” “Break Up to Make Up,” “I’m Stone in Love With You,” “Rockin’ Roll Baby” and “Betcha By Golly Wow.” If any readers plan on marrying me, note that I insist the latter be our wedding song.

With Michael Masser, Creed wrote “The Greatest Love of All” for the Muhammad Ali biopic The Greatest. George Benson took the film’s theme song to #24 in 1977. The week of May 17, 1986, Whitney Houston took her remake of the song to #1 on the Billboard Hot 100. However, Creed didn’t get to see that. She died one month earlier of breast cancer at age 37.