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It’s Janet Jackson’s Birthday And I Need To Dance!

Do you ever feel like you merely exist as opposed to being alive? Does it feel like too much of your time is given to answering to what others want from you, be them your boss or your family, and too little time is given to doing what you want to do the way you want to do it? Do you know that changes are needed but don’t know where to begin?

You need to ask yourself WWJJD? What would Janet Jackson do?

Picture this – Los Angeles. 1982. You’re a 16-year-old girl from a famous family. You release your debut album, cleverly entitled Janet Jackson, with production overseen by your manager/father, Joseph Jackson. It peaks at #63 and goes on to sell fewer than 150,000 units over the next quarter-century. You follow up that album with 1984’s Dream Street. It peaks at #147 and sells fewer than half as many copies as the first album. You didn’t want to do either album but you did them for your father.

You come to a realization – you want to be the one who’s in control of your destiny. You fire your father as your manager. You have your marriage annulled. You work with new producers, Jimmy Jam and Terry Lewis, who collaborate with you on new songs about your newfound independence, from your father, from your ex-husband, and from nasty guys who objectify you and call you Baby when your first name ain’t Baby; it’s Janet.

Your father demands you record your third album in Los Angeles. You record it in Minneapolis. Your father tells a reporter “If Janet listens to me, she’ll be as big as Michael,” referring to Janet’s brother Michael Jackson, not Michael Schoeffling, who portrayed Jake Ryans in the movie Sixteen Candles, and who, with all due respect, isn’t that big. You ignore him. Your father listens to a pre-release copy of the new album and claims it will never sell. You demand it be released.

That album, 1986’s Control, sells over fourteen million copies. It goes to #1 and is nominated for a Grammy Award for Album of the Year.

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Be more like Janet. Take control of your life. Today is Janet Jackson’s 48th birthday. Buy yourself some cake. You deserve it. And enjoy today’s dance playlist, inspired by Miss Jackson.

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It’s Friday And I Need To Dance!

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This week’s dance playlist kicks off with Kool & the Gang’s “Celebration,” which hit #1 on this date in 1981. The song had prominent television exposure for the couple of weeks prior, as it was played during the 1981 Super Bowl and when the American hostages returned home from Iran on January 26 after 444 days in captivity.

Kool & the Gang were a funk band whose fortunes were on the decline as the seventies progressed. They scored two top ten singles in 1974, “Jungle Boogie” and “Hollywood Swinging,” but no more until they recruited a new lead vocalist, James “JT” Taylor, and were paired with a new producer, Eumir Deodato.

Deodato’s first record with the band was 1979’s Ladies Night, whose title track returned the group to the top ten. This was quickly followed by the top ten hit “Too Hot.”

Deodato’s next record with the band was Celebrate!, from which “Celebration” was taken. To this day the song is played at a myriad of celebratory events, making it a dance classic.

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King Holiday

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Dr. Martin Luther King, Jr.’s birthday was first celebrated as a national holiday in the United States on January 20, 1986. To commemorate this, a group of popular urban music acts of that time collaborated on a single entitled “King Holiday.” The song was written by Kurtis Blow, Grandmaster Melle Mel, Phillip Jones and Bill Adler. Appearing with Blow and Melle Mel on the record are Run-D.M.C., Whitney Houston, Lisa Lisa, Full Force, James “JT” Taylor (of Kool & the Gang), Teena Marie, Whodini, Fat Boys, El DeBarge, Stephanie Mills, New Edition, Stacy Lattisaw and Menudo.

A bill to turn King’s birthday into a national holiday was first introduced to the House of Representatives in 1979, but it didn’t receive enough votes to pass. The following year Stevie Wonder released “Happy Birthday,” a song calling for the holiday, and organized a rally in Washington DC for the cause. Soon, a petition was circulated calling for the same. Six million signatures were collected. Though President Reagan was initially against the holiday, he later signed the bill authorizing it.

Senator John McCain of Arizona was against the holiday, as was that state’s governor, Evan Meacham. New Hampshire didn’t acknowledge Martin Luther King Day until 1999. South Carolina made King Day a paid holiday for state employees in 2000. Prior to then, employees could choose between observing King’s birthday or one of three Confederate holidays.

Today Tunes du Jour celebrates the birthday and the legacy of Dr. Martin Luther King, Jr.

hello

It’s Friday And I Need To Dance!

A Wisconsin artist named Molly Evans started an art project in which she stitches Lionel Richie lyrics on discarded furniture. She calls the project Lionel Stitchie. You can view her tumblr here.

hello

Today’s Friday dance party kicks off with Richie’s “All Night Long (All Night).” I want a couch that says “Tom bo li de say de moi ya,” which means exactly what you think it means. To get his Jamaican accent down, Alabama-born Richie phoned his wife’s gynecologist, who is Jamaican. The doctor asked Lionel to not interrupt his appointments.

Enjoy!

h/t mollyeeeee.com via Dangerous Minds

It’s Friday And I Need To Dance!

Every Friday, Tunes du Jour’s playlist is designed to get you dancing into the weekend. Today we kick off with The Spinners’ “The Rubberband Man,” written by the songwriting team of Thom Bell and Linda Creed, as today is Creed’s birthday.

You may not know her name, but chances are you know some of her work. With Bell, she composed several hits for 70s soul group The Stylistics, including “You Make Me Feel Brand New,” “You Are Everything,” “Break Up to Make Up,” “I’m Stone in Love With You,” “Rockin’ Roll Baby” and “Betcha By Golly Wow.” If any readers plan on marrying me, note that I insist the latter be our wedding song.

With Michael Masser, Creed wrote “The Greatest Love of All” for the Muhammad Ali biopic The Greatest. George Benson took the film’s theme song to #24 in 1977. The week of May 17, 1986, Whitney Houston took her remake of the song to #1 on the Billboard Hot 100. However, Creed didn’t get to see that. She died one month earlier of breast cancer at age 37.

Happy June Pointer’s Birthday!

As an adult my mother took night classes to earn her college degree. One of the electives she took was a course on music appreciation. During the semester my mother had to attend three concerts and write papers on each. She came to me with a deal. “If I buy you a ticket to the Pointer Sisters concert, will you write my paper for me?” Getting to see one of my favorite groups in concert without spending a dime? Deal!

Not only did my mother treat me to a great show, she taught me valuable life lessons about effective delegation of tasks and quid pro quo.

I saw the best-known incarnation of the group – as a trio consisting of sisters Ruth, June and Anita. Bonnie Pointer left the fold years earlier to pursue a solo career. As a threesome the women scored over a dozen top 40 singles on the US pop chart.

Today Tunes du Jour celebrates the birthday of the late June Pointer, who sang lead on the trio’s hits “He’s So Shy,” “Dare Me,” “Happiness” and “Jump,” which became “Jump (For My Love)” to avoid confusion with the Van Halen hit “Jump.” People were always confusing The Pointer Sisters with Van Halen.

One more thing – my mother got an “A” on her paper.