Tunes Du Jour Presents k.d. lang

Few artists have carved out a career as distinctive and genre-defying as k.d. lang. From her early days performing alternative country music to her evolution into a sophisticated pop vocalist, lang has consistently demonstrated both remarkable vocal prowess and a fearless approach to artistic expression. Her signature song “Constant Craving” serves as just one highlight in a career spanning multiple decades and musical styles.

The versatility in lang’s artistry is evident throughout her discography. Her collaborations range from a memorable duet with Roy Orbison on “Crying” to more recent work with indie darlings Neko Case and Laura Veirs on “Atomic Number.” Her ability to move effortlessly between country classics like “Rose Garden” with The Reclines and sophisticated pop numbers like “Miss Chatelaine” showcases an artist who refuses to be confined by genre expectations.

What sets lang apart is not just her four-octave vocal range, but her ability to infuse every performance with genuine emotional depth. This is particularly evident in her interpretations of classics, including Leonard Cohen’s “Hallelujah” and Cole Porter’s “So in Love.” Her country roots shine through in collaborations like the “Honky Tonk Angels’ Medley” with legends Brenda Lee, Loretta Lynn, and Kitty Wells, while tracks like “Summerfling” and “Sexuality” demonstrate her comfort with more contemporary pop arrangements.

Throughout her career, lang has maintained an unwavering commitment to artistic authenticity. From early country numbers like “Big Boned Gal” and “Trail of Broken Hearts” to more experimental works like “Just Keep Me Moving” and “Lifted By Love,” she has consistently pushed musical boundaries while staying true to her artistic vision. Her cover of The Beatles’ “Golden Slumbers/The End” further illustrates her talent for reinterpreting familiar material through her unique lens.

In examining lang’s body of work, what emerges is a portrait of an artist who has consistently prioritized musical excellence over commercial trends. Whether performing torch songs, country classics, or contemporary pop, she brings a level of sophistication and emotional authenticity that has earned her both critical acclaim and a devoted following. Her influence extends beyond any single genre, cementing her legacy as one of the most versatile and compelling vocalists of her generation.

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Your (Almost) Daily Playlist: 8-29-22

Today’s playlist celebrates the August 29 birthday of The Jackson ‘s Michael Jackson, Charlie Parker, Cocteau Twins’ Elizabeth Fraser, Dinah Washington, Johnny & the Hurricanes’ Johnny Paris, Pebbles, Fairground Attraction’s Eddi Reader, MeShell NdegeOcello, Kevie Kev, and Galantis’s Style of Eye; the August 30 birthdays of The Mamas & The Papas’ John Phillips, Kitty Wells, Hurts’s Theo Huthcraft, Paul Oakenfold, and D:Ream’s Peter Cunnah; and the August 31 birthdays of Van Morrison, Battles’ Ian Williams, Squeeze’s Glenn Tillbrook, The Vines’ Craig Nichols, Tony DeFranco, Bobby Parker, Debbie Gibson, Ivan, Bob Welch, Broadway lyricist Alan Jay Lerner, Richard Gere, and Julie Brown.

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Loretta Lynn And Me: Like Identical Twins

In one of her best-known songs, Loretta Lynn sings of being a coal miner’s daughter, growing up poor in a cabin in rural Kentucky with her dad, her mom whose fingers were bloody from doing the laundry, and her seven siblings. For Christmas the kids got a new pair of shoes with money made from selling a hog.

The song hits home for me, as it is pretty much the story of my life, with a few minor differences. I’m not a coal miner’s daughter; I’m the son of a garment manufacturer. I didn’t grow up poor in rural Kentucky; I was born in Brooklyn and grew up in middle-class suburbs of New York City. My mom’s fingers never bled from doing laundry, as best as I recall, and I have one brother and one sister. We celebrated Hanukkah, when I got gifts such as Diana Ross’ Greatest Hits and Aretha Franklin’s Ten Years of Gold with money my dad made from selling shmatas. Other than that, the similarities between my life and that of Loretta Lynn are uncanny.

Today Loretta Lynn turns 83 years old, just like me (except for the part about today being my birthday and me being 83). Here are twenty gems from her catalog.

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