Tunes Du Jour Presents 1987

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The year 1987 stands out as a significant moment in music history, marked by a diverse array of singles that have maintained their appeal over the decades. This year saw the release of songs that would go on to define careers, shape genres, and become enduring favorites.

The pop landscape of 1987 was populated by distinctive vocalists and memorable melodies. Whitney Houston’s exuberant “I Wanna Dance With Somebody (Who Loves Me)” captured the essence of joy in music, while George Michael’s “Faith” showcased his evolution as a solo artist. Madonna continued her prominence with “Open Your Heart,” demonstrating her knack for combining catchy hooks with provocative themes. Michael Jackson’s “Bad” further cemented his status as a pop icon, blending funk and rock elements with his signature vocal style.

Rock music saw bands crafting anthems and pushing creative boundaries. U2’s “With or Without You” exemplified their ascent to global recognition, its atmospheric sound and emotional depth marking a new era for the band. Bon Jovi’s “Livin’ on a Prayer” became a quintessential rock anthem, its narrative of perseverance resonating widely. R.E.M.’s “The One I Love” signaled their transition from college rock darlings to mainstream success. Bruce Springsteen’s “Brilliant Disguise” showcased his storytelling prowess, while Peter Gabriel’s “Big Time” continued his innovative approach to both music and video.

The year also saw the continued evolution of electronic and alternative music. New Order’s “True Faith” merged dance beats with introspective lyrics, creating a template for future electronic pop. Pet Shop Boys’ “It’s a Sin” demonstrated the potential for electronic music to tackle serious themes, while The Cure’s “Why Can’t I Be You?” showed how alternative bands could create irresistibly catchy tunes without compromising their unique sound. The Smiths’ “Girlfriend in a Coma” exemplified Morrissey and Johnny Marr’s ability to blend dark humor with infectious melodies.

1987 was a landmark year for hip-hop and R&B. The Beastie Boys’ “(You Gotta) Fight for Your Right (To Party!!!)” fused punk rock attitude with hip-hop and heavy metal styles, helping to bring rap to a wider audience. Eric B. & Rakim’s “I Know You Got Soul” set new standards for technical proficiency and lyrical complexity in hip-hop. In R&B, Anita Baker’s “Caught Up in the Rapture” showcased her sophisticated, jazz-influenced style.

The year also saw notable releases from established artists exploring new territories. Prince’s “Sign ‘☮’ The Times” demonstrated his musical versatility and social consciousness, while Paul Simon’s “You Can Call Me Al” incorporated South African musical elements, reflecting the growing interest in global music.

Nineteen eighty-seven produced an impressive number of singles that have maintained their popularity over time. From pop to rock, R&B to alternative, the year offered a variety of sounds and styles that continue to resonate. The enduring appeal of these tracks speaks to the creativity and talent that was evident in this notable year of musical history.

Your (Almost) Daily Playlist: 6-5-23

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“Pretty In Pink,” The Psychedelic Furs’ 1981 song about a woman named Caroline who sleeps with different men who mock her for being so “loose,” became the title song to a 1986 movie scripted by John Hughes about a teenager named Andie who “must choose between the affections of dating her childhood sweetheart or a rich but sensitive playboy.” I pulled that from IMDB, as I’ve never seen the movie. At the time of this movie’s release I had already seen two other movies based on Hughes scripts, Sixteen Candles and The Breakfast Club, both of which he also directed, and didn’t care much for either, the performances of Molly Ringwald and Anthony Michael Hall notwithstanding. (Make that three previous Hughes scripts. Looking at IMDB, I notice that he wrote Class Reunion, a movie I saw only because my dad was an investor in it. It wasn’t good.) I’ll give Hughes this – the music used in his films was, for the most part, winning. So while the song “Pretty In Pink” resembles the storyline of the movie Pretty In Pink as much as I resemble Janelle Monae, it is a good one.

The Psychedelic Furs’ Richard Butler turns 67 today. A couple of his bands songs are included on today’s playlist, including the original mix of “Pretty In Pink.”

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Ten Facts About Björk

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1. Her last name is Guðmundsdóttir.
2. Her first album, entitled Björk, was released in December 1977 when she was twelve years old.
3. Before forming The Sugarcubes, Björk was in the bands Spit and Snot and Tappi Tikarrass. The latter is Icelandic for “Cork the bitch’s ass.”
4. When they formed The Sugarcubes, Björk was married to the band’s guitarist. They divorced and he married a woman who became the band’s keyboard player.
5. The Sugarcubes’ biggest US hit is entitled “Hit.” It spent five weeks at number one on Billboard’s Modern Rock chart.
6. Her single “Earth Intruders” reached #84 on Billboard magazine’s Hot 100 chart. It is Björk’s highest-placing single to date on that chart.
7. She wrote “Bedtime Story” for Madonna. The 1995 single was Madonna’s first to miss the US top 40 since before her breakout hit “Holiday” twelve years earlier.
8. Her performance in the motion picture Dancer in the Dark won her the Best Actress Award at the 2000 Cannes Film Festival.
9. Her album Medúlla is mostly a capella. One song has a piano, one a bass synthesizer, and another a gong. The remainder of the sounds is created by human vocals.
10. Today is her birthday. I don’t know if she’s smoking cigars.