This week’s Throwback Thursday playlist is comprised of hits from 1987, a pretty nondescript year for pop music. The new wave music that dented the US charts earlier in the decade faded in popularity, while rap and alternative had yet to cross over in a major way. What we had was some good mainstream rock and pop. Here are twenty of that year’s biggest:
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As you may have heard, our sleepy little hamlet of Los Angeles got some rain over the past week. I assume you heard this because Los Angeles is the center of the world and our weather is likely reported everywhere, especially when we get rain, which lesser cities take for granted. More rain is forecast for this week.
If you were near a radio in the United States in 1972, you heard Albert Hammond’s hit single “It Never Rains in Southern California,” and learned that while in L.A. it never rains, it pours. Man, it pours.
Today’s playlist consists of songs with word rain or some variation thereof in the title. It includes Albert Hammond’s “It Never Rains in Southern California,” one of two top forty singles Hammond had as an artist. (The other was 1974’s “I’m a Train.” Remember that one? Didn’t think so.) As a songwriter, Hammond’s hits include The Hollies’ “The Air That I Breathe,” Leo Sayer’s “When I Need You,” Starship’s “Nothing’s Gonna Stop Us Now,” Whitney Houston’s “One Moment in Time,” Chicago’s “I Don’t Wanna Live Without Your Love,” Ace of Base’s “Don’t Turn Around,” Julio Iglesias and Willie Nelson’s “To All the Girls I’ve Loved Before” and The Pipkins’ “Gimme Dat Ding.” His son is a founding member of The Strokes.
Back to the weather. Get your umbrella and enjoy today’s playlist while the sun is still shining.
The coolest thing about Willie Nelson is his non-conformity. A country music legend who, unlike many of his peers, isn’t always seen in a cowboy hat and who supports progressive positions on marriage equality (pro), the war in Iraq (anti), the legalization of marijuana (pro) and solar power (pro).
The coolest thing about Willie Nelson is his compassion. He is the president of Farm Aid and in 1985, with Neil Young and John Mellencamp, set up the series of Farm Aid concerts that raised over $9 million for American farmers in its first year. He is on the Board of Directors of the Animal Welfare Institute and has campaigned for the better treatment of horses as well as for calves raised to produce milk for dairy products.
The coolest thing about Willie Nelson is this photo:
The coolest thing about Willie Nelson is his hit “On the Road Again.”
The coolest thing about Willie Nelson is that he charted with a cover of “Cowboys Are Frequently Secretly Fond Of Each Other” as Brokeback Mountain was doing well at the box office.
The coolest thing about Willie Nelson is that he wrote “Crazy” and “Funny How Time Slips Away” and “Hello Walls.”
Willie Nelson is cool. Today he turns 81. Here is a small sampling of his work.
Sometimes an awkward lyric shows up and mars an otherwise perfectly reasonable song. I don’t mean songs such as Paul McCartney’s “Spies Like Us” or Stevie Wonder’s “I Just Called to Say I Love You” or Paul McCartney and Stevie Wonder’s “Ebony and Ivory.” Those songs are just plain bad.
Wings’ “Live and Let Die” is one of my favorite of Sir Paul’s post-Beatles songs, but I refuse to sing along with the phrase “this ever changing world in which we live in.” Poor grammar makes me want to give in and cry.
John Mellencamp’s “R.O.C.K. in the U.S.A.” pays tribute to many rock and soul greats of the 1960s. It’s a crackin’ little number but I always cringe when he sings “let’s don’t forget James Brown.” “Let’s not” uses just as many syllables, is grammatically-correct, and doesn’t detract from the message of not forgetting James Brown.
There are times when lyrics are bad not because of their grammar, but because they sound like place holders that remained in the song because the lyricist couldn’t come up with anything with which to replace them. Take Elton John’s classic hit “Your Song.” “If I was a sculptor, but then again, no.” Why is that in the song? You’re not a sculptor. You weren’t a sculptor. What would happen if you were a sculptor? Instead of giving the object of your affection the gift of song, would you make a bust of their face, a la Lionel Richie’s “Hello” video?
One of my favorite bad lyrics is in the Diana Ross and the Supremes hit “I’m Livin’ in Shame,” in which Diana sings “Came the telegram – Ma passed away while making homemade jam.” Telegram messages were charged by the letter, so including the details of what Ma was doing when she died is a bad choice lyrically and financially. What lyrics were discarded in favor of that? “Came the telegram – Ma passed away while carving up the ham?” “Came the telegram – Ma passed away with her finger in a dam?” “Came the telegram – Ma passed away serving in Viet Nam?” “Came the telegram – Ma passed away from an attack by a ram?” “Came the telegram – Ma passed away from choking on a yam?” That last one is good, but then again, no.
“I Started a Joke” by the Bee Gees is an okay song that would be better if Johnny Marr played guitar on it. Then it may sound like a Smiths song. Not a Smiths single. Maybe an album track. I’m not sure what the over-the-top lyrics are about. It seems Robin Gibb is not a gifted comedian and his joke made everyone cry and then he cried and everyone started laughing and then he died but kept singing this song. That’s all well and good. The line that made me include it in this blog entry is “I fell out of bed hurting my head from things that I said.” I think you hurt your head when you fell out of bed and banged said head on a jar of homemade jam.
Let’s don’t forget Robin and Maurice Gibb on their birthday.