Carla Thomas was born on this date in 1942. Hear a few choice cuts from her on today’s playlist.
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The Honey Cone was the first act signed to Hot Wax Records, a label started in 1968 by Eddie and Brian Holland and Lamont Dozier, who previously were staff writers and producers at Motown Records and in that role wrote twelve number one singles between 1962 and 1967, two performed by The Four Tops and the other ten by The Supremes, with lead vocals by Diana Ross, who would soon leave the trio and be replaced by Jean Terrell in 1970, with Terrell being replaced in 1973 by Scherrie Payne, who before then was the singer in a group called Glass House, also signed to Hot Wax Records, who recorded “Want Ads” prior to The Honey Cone, but neither Scherrie nor the track’s producer, Greg Perry, liked their version, leading Scherrie to re-record the song with her sister Freda, who had a number 3 record in 1970 with “Band of Gold,” a song co-penned by Holland-Dozier-Holland under assumed names, but the sisters’ version of “Want Ads” was also discarded, which then led Scherrie to suggest to Perry that he try the song again with Edna Wright singing, Wright being the lead singer for The Honey Cone and the sister of Darlene Wright, the singer for the group The Blossoms, and while you may not recognize the names Darlene Wright or The Blossoms, you may know their music, for producer Phil Spector renamed Darlene Wright Darlene Love (without her knowledge) and released records by The Blossoms under the name The Crystals, who hit number 1 with “He’s a Rebel,” and should not be but will be confused with another group called The Crystals, also produced by Phil Spector at the same time he was working with Wright/Love and The Blossoms, but let’s get back to Edna Wright, who recorded “Want Ads” with backing vocals by the other two members of The Honey Cone, Shellie Clark, who a couple of years earlier was singing backup for Ike and Tina Turner, and Carolyn Willis, who toured as a member of Bob B. Soxx & the Blue Jeans, a group whose records were produced by Phil Spector and featured vocals from Darlene Wright/Love. In June of 1971 The Honey Cone took “Want Ads” to number 1. (This paragraph is pulled from my long-awaited (by me, anyway) book, which I’m trying to get out this year.)
The late Edna Wright of The Honey Cone was born on this date in 1945. A couple of the group’s best-known songs, including “Want Ads,” are on today’s playlist.
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Today’s playlist celebrates the September 1 birthdays of Archie Bell, Bee Gees’ Barry Gibb, Conway Twitty, Alton Ellis, Gloria Estefan, Lily Tomlin, The Noisettes, and Steven Grossman; and the September 2 birthdays of Billy Preston, Joe Simon, Bobby Purify, Chris Knox, Eleanor Friedberger, Zedd, King Missile’s John S. Hall, K-Ci, and Victor Lundberg.
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Not all records classified as Philly Soul come from Philadelphia-based artists, though all share characteristics – orchestral string arrangements married to rhythm and blues with a funk influence that bridged the way toward disco. Here are thirty examples of the genre, with the songwriting-production team of Kenny Gamble and Leon Huff working on the lion’s share of these releases.
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Inspired by the September 2 birthdays of Billy Preston, Joe Simon, Bobby Purify, Victor Lundberg and K-Ci Hailey.
You may not know their names, but you know many of their songs. Individually, but more often as a team, Kenny Gamble and Leon Huff wrote and/or produced a lot of timeless classic songs in the soul music genre. They were the pre-eminent rhythm and blues architects of the first half of the 1970s, and their production style paved the way for disco, before that genre got watered down. Plenty of their records found their way to the top of the pop charts as well.
Today is Kenny Gamble’s 75th birthday. To celebrate, Tunes du Jour presents a playlist of twenty great Gamble and Huff sides.
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On May 31, President Obama issued a proclamation declaring June 2016 as African American Music Appreciation Month. The designation has actually been around since 1979, when President Carter commemorated the cultural and financial contributions of music made by African Americans at a reception at the White House. Back then it was Black Music Month, an idea conceived by music industry executive and radio personality Dyana Williams and her husband, Kenny Gamble.
You may not know Gamble’s name, but you know his music. The co-founder of Philadelphia International Records with Leon Huff, Gamble and his music partner have written and produced hits for Diana Ross & the Supremes and the Temptations, Dusty Springfield, the Jacksons, the O’Jays, Harold Melvin & the Blue Notes, Jerry Butler, Archie Bell and the Drells, the Three Degrees, Joe Simon, MFSB, Billy Paul, the Soul Survivors, Teddy Pendergrass, the Intruders, Lou Rawls, People’s Choice and the Jones Girls.
Tunes du Jour’s weekly dance party celebrates African American Music Appreciation Month with twenty dance floor packers, kicking off with a few of Gamble and Huff’s gems.
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